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not the
President. Mrs. Lincoln tells of another dream, in which the president rode alone on a great ship to a vague, distant shore. This time, Keckley has no answer and rushes from the room. Mrs. Lincoln sees a vision of a funeral procession bearing a flag-draped coffin, and sees herself following it. She screams and collapses, and the action returns to the treaty signing.
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Grant proposes that Lee surrender to avoid further bloodshed. Lee's initial response is equivocal, only inquiring as to the terms Grant might propose, and later suggesting they meet to discuss "peace" rather than "surrender". But when Lee receives news of his encircled army's failed breakout attempt,
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Their discussion is interrupted by a sudden flash-forward to early morning, five days later. Mrs. Lincoln tells
Elizabeth Keckley about another of the president's nightmares in which he witnessed his own funeral after being killed by an assassin. Keckley interprets the dream as the death of the war,
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writes a triumphant report to his newspaper while sitting in the speaker's chair of the House of
Representatives. President Lincoln arrives and meets a throng of newly freed slaves. When one of them falls to her knees in front of him, he lifts her up telling her to kneel only to God. The slaves sing
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arrives to give a report and confronts Lee over a bill he supports, one that will recruit slaves to fight for the
Confederacy, a bill that Cobb believes undermines the entire revolution: If slaves make good soldiers, where does that leave the theory of slavery? Lee responds that his business is war,
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and
Ulysses S. Grant are aboard his floating headquarters on the Potomac, the President and Grant outline a plan to end the war and discuss the generous terms of surrender to be offered to Lee. Their wives arrive, Mrs. Lincoln voicing petty grievances, while Mrs. Grant is steadfast and calm. News of
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Julia Grant, on the eve of the Union's attack on
Richmond, reflects on the hard years of her husband's earlier life, including his business failures and alcoholism, but she recalls her mother's prophecy that he would rise to be the highest in the land. Now she worries about the horrible strain the
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A chorus of refugees flees and sings between bomb blasts. Mrs. Lee, remaining in her home, watches as the residents of
Richmond flee and burn everything they own so as to not leave anything behind for the Union army. She and Agnes reflect on the horrors of war. A regiment of black Union soldiers
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For the April 9, 1865, meeting to negotiate the surrender, the property is being prepared. Lee arrives impeccably dressed, while Grant in his haste appears in a battered, stained uniform. After polite reminiscence about their past acquaintance, Lee finally raises the subject of surrender. Grant
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The meeting concludes as Lee signs the letter accepting the terms, and the generals shake hands. After Lee bows and leaves, he approaches his troops and confirms the surrender; they can go home now, and if they are as good citizens as they were as soldiers, then he will be proud of them.
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in 1964, appears. Now an old man who uses a wheelchair, he sings in short, barking phrases of his pride in ordering the death of two Jewish civil rights workers and their black driver, and relives the murder in enthusiastic detail. His horrible recollection over, he disappears.
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Mrs. Lee rejects her husband's advice to flee
Richmond before the coming battle. Lee reflects on his reason for joining the Confederacy despite having been offered the leadership of the Union forces: his invincible loyalty to his home state of Virginia. General
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As the generals depart, soldiers and civilians advance, and the McLean household is systematically ravaged by souvenir hunters. Rapacity and greed—harbingers of the future—violently intrude on the heels of a moment of historic reconciliation.
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to interpret a nightmare her husband, the
President, has had. All sing of the sorrows of war and the hope that this will be the last, joined by a female chorus who carry pictures of their loved ones killed in the war.
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Grant accedes to Lee's request that all his men, not just the officers, be allowed to keep their horses, so that they can return home to work their farms. The terms are set down in ink by
Colonel Ely Parker, the only
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a hymn in praise of Lincoln. Mrs. Lee meets with Brig. General Rawlins, and expresses her outrage at having a black soldier as sentry in her occupied house. The sentry is to be replaced with a white soldier.
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Julia Grant sorrowfully realizes that the War was not the last, as she has hoped, and that mankind will forever fight and kill. She leads the Women's Chorus in a wordless lament to the sorrow of war.
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Grant proposes—to Lee's great relief—that all officers and men be allowed to return to their homes after handing over their arms. Lee requests a moment to look over the terms.
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The scene flashes forward again, this time to 1965. Four Civil Rights Marchers enter and, with the chorus, sing "The Ballad of Jimmie Lee", a folk song telling of the
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The action flashes forward again, to 1873 in Colfax, Louisiana. T. Morris Chester enters and, obviously traumatized, reports the infamous
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of the day's battle; Grant then orders the final assault on Richmond. The scene ends with an actual Civil War campfire song. "
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long, bloody war has put on him. Grant assures her that the seemingly endless killing will soon be over.
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Chorus of Union and Confederate Soldiers, Citizens of Richmond and Appomattox, Slaves and Women
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on November 14, 2015, expanded the work from 90 minutes to 160 minutes and added roles for
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a successful retaking of a Confederate-held fort is brought in by Brigadier General
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Scene 5: the exchange of letters between Lee and Grant after the taking of Richmond
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as Ulysses S. Grant. The revised version commissioned and premiered by the
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he realizes his options are disappearing. His aide, Brig. General
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The action flashes forward one last time, to the present day.
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proposes the broader terms and proceeds to write them down.
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571:Time: The final days of the American Civil War.
134:on October 5, 2007, with a cast that included
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1062:The Making of the Representative for Planet 8
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1889:Opera world premieres at San Francisco Opera
1380:Glass: A Portrait of Philip in Twelve Parts
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1909:Cultural depictions of Robert E. Lee
665:Scene 4: the destruction of Richmond
583:sings of her fears for her husband,
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642:Scene 2: the offices of General Lee
599:appears and asks her black servant
114:based on the surrender ending the
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1437:Philip Glass Buys a Loaf of Bread
801:both impressive and inconsistent"
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613:Scene 1: The days leading up to
1879:Operas set in the United States
535:Voice of a Confederate Soldier
1864:Operas set in the 19th century
1055:The Fall of the House of Usher
845:21st-centurymusic.blogspot.com
636:Tenting on the Old Camp Ground
173:Premiere cast, October 5, 2007
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1874:Operas by Christopher Hampton
745:murder of Jimmie Lee Jackson
1894:Operas based on real people
1552:Tales from the Vienna Woods
1315:Violin Concerto (withdrawn)
820:"Appomattox – Philip Glass"
749:Selma to Montgomery marches
419:Four Civil Rights Marchers
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1794:Waiting for the Barbarians
1501:Films written and directed
1146:Waiting for the Barbarians
1069:1000 Airplanes on the Roof
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915:
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144:Washington National Opera
37:
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1884:Operas about politicians
1762:Les Liaisons Dangereuses
82:5 October 2007
1849:English-language operas
1325:Violin Concerto No. 2 (
806:San Francisco Chronicle
566:Synopsis (2007 version)
1869:Operas by Philip Glass
1301:Piano Concerto No. 2 (
1292:Piano Concerto No. 1 (
988:Songs from Liquid Days
869:San Francisco Opera's
703:Appomattox Court House
148:Martin Luther King Jr.
1396:Dennis Russell Davies
1374:Philip Glass Ensemble
1327:American Four Seasons
1320:Violin Concerto No. 1
1303:After Lewis and Clark
1097:Les Enfants terribles
1013:Einstein on the Beach
933:Music in Twelve Parts
747:, and set out on the
674:. The black reporter
177:Dennis Russell Davies
138:as Robert E. Lee and
16:Opera by Philip Glass
1787:Dracula, the Musical
1755:Tales from Hollywood
1576:The Wolf at the Door
1334:Cello Concerto No. 1
1310:Harpsichord Concerto
1167:The Perfect American
1139:The Sound of a Voice
956:String Quartet No. 4
946:String Quartet No. 2
918:List of compositions
841:"21ST-CENTURY MUSIC"
797:"Philip Glass opera
589:Mary Anna Custis Lee
552:William Pickersgill
530:William Pickersgill
234:Mary Anna Custis Lee
1772:Musical productions
1715:The Singapore Grip
1648:The Thirteenth Tale
1560:The Honorary Consul
1525:Imagining Argentina
1494:Christopher Hampton
1125:In the Penal Colony
1104:La Belle et la BĂŞte
519:Kevin Courtemanche
466:Frederick Matthews
242:Elza van den Heever
132:San Francisco Opera
128:Christopher Hampton
93:San Francisco Opera
54:Christopher Hampton
1734:The Philanthropist
1640:A Dangerous Method
1616:The Quiet American
1592:Dangerous Liaisons
1536:Films written only
591:and her daughter,
443:Frederick Matthews
126:by the playwright
116:American Civil War
72:American Civil War
1854:Minimalist operas
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1111:Monsters of Grace
995:Aguas da Amazonia
676:T. Morris Chester
601:Elizabeth Keckley
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593:Eleanor Agnes Lee
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318:Elizabeth Keckley
296:Mary Todd Lincoln
264:T. Morris Chester
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1517:The Secret Agent
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690:Edward Alexander
652:not theorizing.
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524:A Naval Officer
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848:. Retrieved
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823:. Retrieved
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628:John Rawlins
620:
617:'s surrender
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513:A Brigadier
471:A Young Man
365:John Rawlins
358:Chad Shelton
304:Heidi Melton
212:Dwayne Croft
196:Andrew Shore
175:(Conductor:
140:Andrew Shore
136:Dwayne Croft
120:Philip Glass
103:
102:
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32:Philip Glass
1844:2007 operas
1608:Mary Reilly
1426:Terry Riley
1421:Steve Reich
1348:Film scores
1118:White Raven
649:Howell Cobb
460:An Old Man
379:Howell Cobb
307: [
1838:Categories
1801:Appomattox
1672:The Father
1509:Carrington
1184:Symphonies
1153:Appomattox
1083:The Voyage
1020:Satyagraha
940:Glassworks
871:Appomattox
799:Appomattox
783:References
705:, Virginia
546:A Captain
169:Voice type
112:in English
104:Appomattox
86:2007-10-05
50:Librettist
22:Appomattox
1808:The Trial
1656:Adoration
1624:Atonement
1285:Concertos
1174:The Trial
967:The Light
740:present.
538:baritone
411:baritone
369:baritone
249:Agnes Lee
208:baritone
122:, with a
1454:Category
1215:"Heroes"
1034:Akhnaten
974:Passages
775:Epilogue
576:Prologue
377:General
300:soprano
253:soprano
238:soprano
202:General
191:baritone
184:General
124:libretto
78:Premiere
68:Based on
60:Language
1815:Rebecca
1741:Savages
1680:The Son
1356:Dracula
950:Company
850:Jun 10,
825:Jun 10,
656:Scene 3
585:Ulysses
431:soprano
224:soprano
84: (
63:English
1859:Operas
1748:Treats
1718:(2020)
1710:(1989)
1702:(1981)
1683:(2022)
1675:(2020)
1667:(2016)
1659:(2013)
1651:(2013)
1643:(2011)
1635:(2009)
1627:(2007)
1619:(2002)
1611:(1996)
1603:(1995)
1595:(1988)
1587:(1986)
1579:(1986)
1571:(1985)
1563:(1983)
1555:(1979)
1547:(1973)
1528:(2003)
1520:(1996)
1512:(1995)
1359:(1999)
1275:Lodger
1271:No. 12
1266:No. 11
1261:No. 10
1245:Toltec
1225:Choral
1160:Kepler
1090:Orphée
1005:Operas
981:Itaipu
960:Buczak
621:While
516:tenor
474:tenor
398:tenor
354:tenor
107:is an
1726:Plays
1632:Chéri
1294:Tirol
1256:No. 9
1251:No. 8
1241:No. 7
1231:No. 6
1221:No. 5
1211:No. 4
1206:No. 3
1201:No. 2
1191:No. 1
696:Act 2
608:Act 1
549:bass
527:bass
488:tenor
463:bass
428:tenor
311:]
269:tenor
165:Role
158:Roles
109:opera
28:Opera
873:site
852:2020
827:2020
728:and
701:The
491:bass
425:bass
384:bass
150:and
1195:Low
30:by
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