Appropriation (art)

1060:. On the one hand are the celebrators who foresee a new age of innovative, useful, and entertaining ways for art of the digitized and globalized 21st century. The new appropriationists will not only realize Joseph Beuys' dictum that everyone is an artist but also "build free societies". By liberating art finally from traditional concepts such as aura, originality, and genius, they will lead to new terms of understanding and defining art. More critical observers see this as the starting point of a huge problem. If creation is based on nothing more than carefree processes of finding, copying, recombining and manipulating pre-existing media, concepts, forms, names, etc. of any source, the understanding of art will shift in their sight to a trivialized, low-demanding, and regressive activity. In view of the limitation of art to references to pre-existing concepts and forms, they foresee endless recompiled and repurposed products. Skeptics call this a culture of recycling with an addiction to the past 1345:. Prince variously altered the photos, painting objects, oversized hands, naked women and male torsos over the photographs, subsequently selling over $ 10 million worth of the works. In March 2011, a judge ruled in favor of Cariou, but Prince and Gargosian appealed on a number of points. Three judges for the U.S. Court of Appeals upheld the right to an appeal. Prince's attorney argued that "Appropriation art is a well-recognized modern and postmodern art form that has challenged the way people think about art, challenged the way people think about objects, images, sounds, culture." On April 24, 2013, the appeals court largely overturned the original decision, deciding that many of the paintings had sufficiently transformed the original images and were therefore a permitted use. 587: 1069:

appropriation forms and concepts of the 20th century which offer new representations of established knowledge—as a kind of "racing standstill", referring to the acceleration of random, uncontrollable operations in highly mobilised, fluid Western societies that are governed more and more by abstract forms of control. Unlimited access to the digital archive of creations and easily feasible digital technologies, as well as the priority of fresh ideas and creative processes over a perfect masterpiece leads to a hyperactive hustle and bustle around the past instead of launching new expeditions into unexplored territory that could give visibility to the forgotten ghosts and ignored phantoms of our common myths and ideologies.

146: 606: 1026:"archeolog of the present time". Some speak of "postproduction", which is based on pre-existing works, to re-edit "the screenplay of culture". The annexation of works made by others or of available cultural products mostly follows the concept of use. So-called "prosumers"—those consuming and producing at the same time—browse through the ubiquitous archive of the digital world (more seldom through the analog one), in order to sample the ever accessible images, words, and sounds via 'copy-paste' or 'drag-drop' to 'bootleg', 'mashup' or 'remix' them just as one likes. French curator 267:, or the Japanese prints he had in his collection. In 1889, Van Gogh created 20 painted copies inspired by Millet black-and-white prints. He enlarged the compositions of the prints and then painted them in colour according to his own imagination. Vincent wrote in his letters that he had set out to "translate them into another language". He said that it was not simply copying: if a performer "plays some Beethoven he'll add his personal interpretation to it… it isn't a hard and fast rule that only the composer plays his own compositions". More examples can be found on 352:, in which "industrially produced utilitarian objects...achieve the status of art merely through the process of selection and presentation." Duchamp explored this notion as early as 1913 when he mounted a stool with a bicycle wheel and again in 1915 when he purchased a snow shovel and inscribed it "in advance of the broken arm, Marcel Duchamp." In 1917, Duchamp organized the submission of a readymade into the 1432: 809:, in whom the appropriation of the works of the old masters is almost systematic and who, after beginning by making painted commentaries of the painting of others in the late 1960s, ends up putting the characters borrowed from Western painting iconography in the presence of the social and political reality of his time. The great triptych from the permanent collection of the 790: 3107:'Apropiación' es el primer término que aparece al querer categorizar o clasificar la obra de Herman Braun-Vega. Efectivamente, el autor se 'apropia' de las imágenes que otros crearan. Pero se trata de una utilización que no busca el reemplazo, la reedición o el acoplamiento, sino que ejerce su libertad de darle un contenido nuevo en un contexto creado por él. 5440: 891:. They are considered to be an "homage to Duchamp's renowned readymade. Adding to Duchamp's audacious move, Levine turns his gesture back into an "art object" by elevating its materiality and finish. As a feminist artist, Levine remakes works specifically by male artists who commandeered patriarchal dominance in art history." 1049:– to describe this. He writes: "DJs, Web surfers, and postproduction artists imply a similar configuration of knowledge, which is characterized by the invention of paths through culture. All three are "semionauts" who produce original pathways through signs." Appropriations have today become an everyday phenomenon. 577:

who defined "Capitalist Realism," offered an ironic critique of consumerism in post-war Germany. They used pre existing photographs and transformed them. Polke's best-known works were his collages of imagery from pop culture and advertising, like his "Supermarkets" scene of super heroes shopping at

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Que un pintor utilice como temas de sus cuadros obras de otros pintores no es una novedad. Lo novedoso es ahondar este procedimiento y hacer de él, forzando un poco el término, un sistema. Tal es el caso de Herman Braun. Se podría pues hablar de una metapintura, en la medida en que sus cuadros son

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was indeed a "transformative use" of Blanch's photograph. "The painting's use does not 'supersede' or duplicate the objective of the original", the judge wrote, "but uses it as raw material in a novel way to create new information, new aesthetics and new insights. Such use, whether successful or not

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la pieza central de la muestra es "La familia informal", un gran tríptico que preparó para las celebraciones españolas del V Centenario del llamado encuentro entre dos Mundos, aludiendo tanto a las economías de subsistencia en que viven los habitantes más pobres del tercer mundo, como al mestizaje

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in the Saatchi Gallery. Hirst was sued for breach of copyright over this sculpture. The subject was a 'Young Scientist Anatomy Set' belonging to his son Connor, 10,000 of which are sold a year by Hull (Emms) Toy Manufacturer. Hirst created a 20-foot, six-ton enlargement of the Science Set figure,

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Since the 1990s, the exploitation of historical precursors is as multifarious as the concept of appropriation is unclear. An unparalleled quantity of appropriations pervades not only the field of the visual arts, but of all cultural areas. The new generation of appropriators considers themselves

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is an example of multiple appropriations coexisting within the same work with the painter’s contemporaries in scenes describing the social situation in third world countries where the family in the broad sense is a circle of subsistence economy. Braun-Vega recontextualises appropriated works and

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The detail of Blanch's photograph used by Koons is only marginally copyrightable. Blanch has no rights to the Gucci sandals, "perhaps the most striking element of the photograph", the judge wrote. And without the sandals, only a representation of a woman's legs remains—and this was seen as "not

362:, it consisted of a porcelain urinal that was propped atop a pedestal and signed "R. Mutt 1917". The work posed a direct challenge, starkly juxtaposing to traditional perceptions of fine art, ownership, originality and plagiarism, and was subsequently rejected by the exhibition committee. The 1196:

favored Goldsmith, further finding that the works were substantially similar as a matter of law, given that "any reasonable viewer . . . would have no difficulty identifying the as the source material for Warhol's Prince Series." The Supreme Court affirmed in a 7-2 decision, holding that the

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case. Of particular note, the Seventh Circuit noted that "transformative use" is not one of the four enumerated fair use factors but is, rather, simply part of the first fair use factor which looks to the "purpose and character" of the use. The Seventh Circuit's critique lends credence to the

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in his defense, Koons lost the case, partially due to the tremendous success he had as an artist and the manner in which he was portrayed in the media. The parody argument also failed, as the appeals court drew a distinction between creating a parody of modern society in general and a parody

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reflects the overproduction of reproductions, remakings, reenactments, recreations, revisionings, reconstructings, etc. by copying, imitating, repeating, quoting, plagiarizing, simulating, and adapting pre-existing names, concepts and forms. Appropriationism is discussed—in comparison of

1155:'s New York gallery with his silk-screened reproductions of Caulfield's photograph in 1964. After seeing a poster of Warhol's unauthorized reproductions in a bookstore, Caulfield sued Warhol for violating her rights as the copyright owner, and Warhol made a cash settlement out of court. 497:", they saw mass popular culture as the main vernacular culture, shared by all irrespective of education. These artists fully engaged with the ephemera produced from this mass-produced culture, embracing expendability and distancing themselves from the evidence of an artist's hand. 376:, claiming "whether Mr. Mutt with his own hands made the fountain or not has no importance. He CHOSE it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view—and created a new thought for that object." 481:

art movement also utilized appropriation: its members blended different artistic disciplines including visual art, music, and literature. Throughout the 1960s and 1970s they staged "action" events and produced sculptural works featuring unconventional materials.

1210:, despite being clearly appropriated, because "the public unlikely to see the painting as sponsored by the soup company or representing a competing product. Paintings and soup cans are not in themselves competing products," according to expert trademark lawyer 1063:

Some say that only lazy people who have nothing to say let themselves be inspired by the past in this way. Others fear, that this new trend of appropriation is caused by nothing more than the wish of embellishing oneself with an attractive genealogy. The term

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the appropriation of the image makes a new meaning in the work, while it is recontextualized and reinterpreted, because the appropriations in the work of this artist has the intention of make a rearticulation of the memory (individual, sociopolitical and

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is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The

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threatened to sue a gallery under copyright, claiming that the gallery infringed his proprietary rights by selling bookends in the shape of balloon dogs. Koons abandoned that claim after the gallery filed a complaint for

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licensing of the Orange Prince for use as a magazine cover did not qualify as fair use of a copyrighted photo taken for use in a magazine, leaving for another day whether the painting itself could qualify as fair use.

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in 1965 at the Bianchini Gallery in New York. She trained to reproduce the artist's own technique—to the extent that when Warhol was repeatedly questioned on his technique, he once answered "I don't know. Ask Elaine."

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In the 1990s artists continued to produce appropriation art, using it as a medium to address theories and social issues, rather than focussing on the works themselves. This typically is the case of Peruvian painter

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movement continued to play with the appropriation of everyday objects and their combination in collage. Dada works featured deliberate irrationality and the rejection of the prevailing standards of art.

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The new "generation remix"—who have taken the stages not only of the visual arts, but also of music, literature, dance and film—causes, of course, highly controversial debates. Media scholars

1151:. Patricia Caulfield, one such photographer, had taken a picture of flowers for a photography demonstration for a photography magazine. Without her permission, Warhol covered the walls of 1322:

stating, "As virtually any clown can attest, no one owns the idea of making a balloon dog, and the shape created by twisting a balloon into a dog-like form is part of the public domain."

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magazine to illustrate an article on metallic makeup. Koons took the image of the legs and diamond sandals from that photo (omitting other background details) and used it in his painting

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Whilst appropriation in bygone eras utilised the likes of 'language', contemporary appropriation has been symbolised by photography as a means of 'semiotic models of representation'. The

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began replicating on a miniature scale works by newly famous artists such as Andy Warhol, and later also modernist masters, signing the original artist's name as well as his own.

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and whose style fuses historic pop imagery and contemporary cultural iconography to create his version of a pop–graffiti art hybrid first popularized by other street artists.

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in an out-of-court settlement. The charitable donation was less than Emms had hoped for. Hirst sold three more copies of his sculpture for similar amounts to the first.

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with the Veil paintings, that according to Hirst were "inspired by Pointillist techniques and Impressionist and Post-Impressionist painters such as Bonnard and Seurat".

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appropriated images from commercial art and popular culture as well as the techniques of these industries with for example Warhol painting Coca-Cola bottles. Called "

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appropriated objects from a non-art context into their work. In 1912, Picasso pasted a piece of oil cloth onto the canvas. Subsequent compositions, such as

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is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the

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who reinterpreted logos of brands like Google or works by David Hockney. Many urban and street artists also use images from the popular culture such as

997:(2005), sold for 115.9 million Hong Kong dollars, or about $ 14.7 million U.S. dollars. In addition, he has reworked other familiar characters such as 7007: 586: 6282: 5745: 1243:

directed at a specific work, finding parody of a specific work, especially of a very obscure one, too weak to justify the fair use of the original.

781:, and in the vein of the readymades of Duchamp. Later he created sculptures in stainless steel inspired by inflatable toys such as bunnies or dogs. 546:, Roy Lichtenstein, and more. While not exclusively reproducing Pop Art, that was a significant focus of her practice. She replicated Andy Warhol's 4363: 708:

shots. His work takes anonymous and ubiquitous cigarette billboard advertising campaigns, elevates the status and focuses our gaze on the images.

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sculpturally reproduced Rogers' black-and-white photograph that had appeared on an airport greeting card that Koons had bought. Though he claimed

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in the United States, provides a defense against copyright infringement when an artist can prove that their use of the underlying work is "fair".

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In September 2014, U.S. Court of Appeals for the Seventh Circuit questioned the Second Circuit's interpretation of the fair use doctrine in the

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a lo largo de estos quince años, he trabajado con la iconografía de occidente, tratando de ofrecer un testimonio de la situación social.

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LETRAS, revista de investigación científica de la Facultad de Letras y Ciencias Humanas de la Universidad Nacional Mayor de San Marcos

2569: 538:), on the other hand, created replicas of famous works by her contemporaries. Artists she 'copycatted' included Warhol, Jasper Johns, 69:). In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made 4398: 941:) who had posted a selfie on Instagram.The modifications to the images by the artist are the comments Prince added under the photos. 926:

appropriates iconic paintings from European and North American art history and populates them with Indigenous visions of resistance.

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whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change.

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shows a similar sensibility in his "merz" works. He constructed parts of these from found objects, and they took the form of large

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comentarios pictóricos de otros cuadros. Pero esta definición resulta estrecha, si se tiene en cuenta la evolución de su obra.

3446: 1457: 640: 510: 353: 166: 3937: 338:. The two artists incorporated aspects of the "real world" into their canvases, opening up discussion of signification and 2360:"816 (818, 613): To Theo van Gogh. Saint-Rémy-de-Provence, on or about Sunday, 3 November 1889. - Vincent van Gogh Letters" 1186:

along with 15 additional pieces. Goldsmith was not made aware of the series until after the musician's death in 2016, when

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argument that there is a split among U.S. courts as to what role "transformativeness" is to play in any fair use inquiry.

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issues regarding its validity under copyright law. The U.S. has been particularly litigious in this respect. A number of

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case, articulating concerns that judges may be creating a fair use "privilege largely reserved for the rich and famous."

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gained prominence through his appropriation of historical images and documents to criticize historical violence against

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Appropriation is frequently used by contemporary artists who often reinterpret previous artworks such as French artist

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who included everyday machine-made objects—ranging from buttons and spoons to automobiles and boxes filled with trash.

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filter that built images out of dissected Chuck Close paintings. The story was first reported by online arts magazine

245: 881:(1770), forgoing color in most of the frame to instead highlight the imagery of a Delaware warrior inserted by West. 4453: 7171: 7056: 6307: 4948: 4778: 2105: 1250:". For a seven-painting commission for the Deutsche Guggenheim Berlin, Koons drew on part of a photograph taken by 952: 878: 433: 268: 4434:

Open Source Culture: Intellectual Property, Technology, and the Arts, Columbia Digital Media Center lecture series

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artists known for their use of pre-existing objects or images with little or no transformation applied to them:

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the purpose and character of the use (commercial or educational, transformative or reproductive, political);

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Appropriating a familiar object to make an artwork can prevent the artist claiming copyright ownership.

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was also inspired by the work of the Old Masters; specifically, its composition is based on a detail of

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and commodity value, the social sources and uses of art, Levine plays with the theme of "almost same".

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published a tribute featuring one of Warhol's works. In its opinion, the Court held that each of the

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radically changing the perception of the object. Hirst paid an undisclosed sum to two charities,

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The Act gives four factors to be considered to determine whether a particular use is a fair use:

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Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford:

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used what he dubbed "combines", combining readymade objects such as tires or beds, painting,

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The New York Institute for the Humanities Comedies of Fair U$ e conference (Archive.org)

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La Apropiación Posmoderna: Arte, Práctica apropiacionista y Teoría de la Posmodernidad

4013: 2309: 463:, working at the same time as Rauschenberg, incorporated found objects into his work. 27:

Use of pre-existing objects or images with little or no transformation applied to them

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in which he recombined existing film clips. In 1958 Raphael Montanez Ortiz produced

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the nature of the copyrighted work (fictional or factual, the degree of creativity);

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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

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In 2013, Andrew Gilden and Timothy Greene published a law review article in The

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Inherent in the understanding of appropriation is the concept that the new work

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magazine. In 1984, Warhol used the photograph as a source to create a work for

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appropriated the appropriated when she made polished cast bronze urinals named

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Cabanne, P., and Snowdon, P. (1997). Duchamp & Co. Paris: Terrail, pp. 114

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Cabanne, P., and Snowdon, P. (1997). Duchamp & Co. Paris: Terrail, pp. 105

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for copyright infringement. Prince had appropriated 40 of Cariou's photos of

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faced a series of lawsuits from photographers whose work he appropriated and

777:, often selected for brand names that appealed to the artist like the iconic 6742: 6632: 6549: 6480: 6182: 6130: 6010: 5951: 5839: 5640: 5595: 5580: 5570: 5455: 5063: 5033: 4828: 4773: 4693: 4625: 3840: 3795: 3204: 3145:[Herman Braun: I try to offer a testimony of the social situation]. 2672: 2531:

The most radical gesture: The Situationist International in a postmodern age

2335:"The artist whom Van Gogh most admired—and whose work fetched record prices" 2115: 2051: 2031: 1881: 1871: 1851: 1736: 1506: 1376: 1366: 1338: 1207: 1078: 1046: 1042: 1031: 852: 789: 301: 2570:"Understanding Eugène Delacroix through 5 of His Most Provocative Artworks" 2310:"Japonism: This Is What Claude Monet's Art Has in Common with Japanese Art" 1246:

In October 2006, Koons successfully defended a different work by claiming "

1220:

has also confronted issues of copyright due to his appropriation work (see

677:. Challenging ideas of originality, drawing attention to relations between 327:(1913) in which Picasso used newspaper clippings to create forms, is early 30:

This article is about an artistic practice. For the cultural practice, see

253:

before painting a series of the Atlantic Ocean during the summer of 1869.

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Other artists working with appropriation during this time with included

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are generally held to be a non-infringing fair use of the soup maker's

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cf. Diedrichsen, Diedrich (September 2008). "Showfreaks und Monster".

3142: 3120: 3098: 2696: 2286:"Le Dejeuner Sur L'Herbe (The Luncheon on the Grass) by Edouard Manet" 1408:

dissecting the factual similarities and legal differences between the

825:

and reality. Other high-profile artists working at this time included

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Appropriation artists comment on all aspects of culture and society.

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Many artists made references to works by previous artists or themes.

102: 3778:

Postproduction: culture as screenplay: how art reprograms the world

3748:

Postproduction. Culture as screenplay. How art reprograms the world

259:

can be named with the examples of the paintings he did inspired by

6556: 6142: 6123: 5600: 4883: 3211:(in Spanish). Vol. 92, no. 135. Lima. pp. 177–190. 937:

appropriating the photos of anonymous and famous persons (such as

788: 745:. In 1978-79 she produced one of the first video appropriations. 604: 585: 563: 562:

who compressed cars to create monumental sculptures or the artist

144: 62: 4393: 3164:"La familia Informal | Obra destacada Colección Ralli Braun-Vega" 2463:"Exploring the Cutting-Edge History and Evolution of Collage Art" 1383:, author of several books on sampling and appropriation, said in 983:

which itself was a parody of the cover art for the Beatles album

769:

gained recognition in the 1980 by creating conceptual sculptures

6409: 6276: 5104: 5078: 1781: 968: 423:, coming after the Dada movement, also incorporated the use of ' 380: 6449: 5459: 4483: 4417: 5073: 1425: 1166:

to create a series of 16 silkscreens and pencil illustrations

42: 4479: 3672:"$ 14.7 M. KAWS Painting Smashes Auction Record in Hong Kong" 3480:"The story of Richard Prince and his $ 100,000 Instagram art" 1282:

sufficiently original to deserve much copyright protection."

3004:(2nd ed.). London: Bloomsbury Publishing. p. 194. 1085:

examples have emerged that investigate the division between

3026:"Richard Pettibone – 88 Artworks, Bio & Shows on Artsy" 2697:"Roy Lichtenstein Foundation – Roy Lichtenstein Foundation" 4422: 1226:). Photographer Art Rogers brought suit against Koons for 3958:

Aden, Maike (Summer 2016). "Ulises Carrión Carries On!".

3720: 1389:

that Scott Blake's art should fall under the doctrine of

2385:"Talking Objects: Claude Monet and the Rise of Japonism" 2525: 2523: 4042:"Andy Warhol Foundation for Visible Arts v. Goldsmith" 2850:"Reframing Pictures: Reading the Art of Appropriation" 1174:, was commissioned in 1981 as an artist reference for 1056:

coined in the begin of the 2000s here the term of the

5290:

The Work of Art in the Age of Mechanical Reproduction

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from a book, creating a series of paintings known as

2948:"Who Actually Shot Richard Prince's Iconic Cowboys?" 1325:

In 2008, photojournalist Patrick Cariou sued artist

847:

who borrows images from historical artists (such as

7092: 6961: 6899: 6763: 6688: 6487: 6346: 6269: 6221: 6171: 6068: 5993: 5965: 5917: 5908: 5863: 5780: 5737: 5695: 5649: 5501: 5494: 5342: 5191: 4964: 4671: 4583: 4517: 4108:"Jeff Koons' balloon-dog claim ends with a whimper" 3990:"When Does an Artist's Appropriation Become Theft?" 3882:

Retro Mania Pop Culture's Addiction To Its Own Past

3395:"Banksy Street Art in Bristol – VisitBristol.co.uk" 2974:

Art After Appropriation: Essays on Art in the 1990s

873:. Houle's work Kanata (1992) utilized imagery from 2824:"The Art of Copying: Ten Masters of Appropriation" 1170:. The photograph, taken by celebrity photographer 356:exhibition under the pseudonym, R. Mutt. Entitled 243:is believed to have seen the famous color woodcut 117:. It returned to prominence in the 1980s with the 3506:. Australian Broadcasting Corporation. 2018-03-28 2558:, Dietrich, Cambridge University Press 1993, p6-7 947:was accused in 2018 of appropriating the work of 169:exhibit, with entry tag visible. The backdrop is 4275:, December 26, 2012. Retrieved January 27, 2018. 4199: 4197: 3621:"Mr. Brainwash – "life is beautiful" Exhibition" 3323:"Fountain (Buddha) - Sherrie Levine | The Broad" 3203:Guerrero Zegarra, María Alexandra (2021-06-01). 2486:Elger, D. (2006). Dadaism. Koln: Taschen, pp. 80 1361:threatened legal action against computer artist 1297:had bought for a reported £1m) was exhibited in 6953:Timeline of 20th century printmaking in America 993:. On April 1, 2019, at Sotheby's in Hong Kong, 961:is an urban artist who became famous thanks to 859:, and inserts his own face and body into them. 4267:"The Most Popular Hyperallergic Posts of 2012" 1077:Appropriation art has resulted in contentious 814:The Informal Family (Velazquez, Goya, Picasso) 466:In 1958 Bruce Conner produced the influential 6461: 5781:Cinema / television / video 5471: 4495: 4375:, Thames & Hudson Ltd, 2006, p. 221. 3763:The third wave. The classic study of tomorrow 1128:of the portion of the original work used; and 821:used film and cinema to comment on themes of 582:1970–1980: The Picture Generation and Neo Pop 504:became known for appropriating pictures from 8: 6315:Palimpsests: Literature in the Second Degree 5220:The Literary Mind and the Carving of Dragons 4332:Appropriation: Documents of Contemporary Art 4294:, July 10, 2012. Retrieved January 27, 2018. 4256:, July 11, 2012. Retrieved January 27, 2018. 4237:, July 16, 2012. Retrieved January 27, 2018. 4145:"A Win for Richard Prince in Copyright Case" 2497:Appropriation: Documents of contemporary art 2190: 2188: 1135:(or potential market) for the original work. 121:artists, and is now common practice amongst 4349:Digital Currents: Art in the Electronic Age 3696:"10 things to know about KAWS | Christie's" 2899:"The Pictures Generation Movement Overview" 1460:. Unsourced material may be challenged and 700:re-photographed advertisements such as for 305:Geisha, a pair of hanging scroll paintings, 6468: 6454: 6446: 5914: 5701: 5498: 5478: 5464: 5456: 4502: 4488: 4480: 3809:Djordjevic, V.; Dobusch, L., eds. (2014). 3188:(in Spanish). 1995-09-14. pp. 90–91. 3074:"Jeff Koons | Biography, Art, & Facts" 1258:and published in the August 2000 issue of 1162:held that Warhol's use of a photograph of 951:and others from the painting community in 741:was working with appropriation to produce 4028:Found. for Visual Arts, Inc. v. Goldsmith 3906:Benjamin Franzen; Kembrew McLeod (2009). 3127:(in Spanish). Lima: El Caballo Rojo: 14. 3050:"Jeff Koons Biography, Life & Quotes" 1480:Learn how and when to remove this message 554:In Europe, a group of artists called the 4072:(New York: Allworth Press, 1996), p. 142 3191:cultural que este intercambio posibilita 3099:"Herman Braun-Vega: Arte de apropiación" 1375:, it was reprinted on the front page of 971:, has used appropriation in his series, 817:gives them a new meaning. For his part, 2673:"Andy Warhol | Green Coca-Cola Bottles" 2533:. London and New York: Routledge, pp.44 2147: 748:Technology/Transformation: Wonder Woman 520:(1963) and from famous artists such as 459:, collage, and photography. Similarly, 3837:Download Lessig's Remix, Then Remix It 2923:"Sherrie Levine Paintings, Bio, Ideas" 2722:"Taking Copycatting to a Higher Level" 1379:, and spread rapidly through the web. 1193: 919:with his girl with a pierced eardrum. 627:was a group of artists, influenced by 348:in 1915 introduced the concept of the 4407:Koons Wins Landmark Copyright Lawsuit 3445:Parkinson, Hannah Jane (2015-07-18). 3290: 3288: 2818: 2816: 2195:Wilson, Simon; Lack, Jessica (2008), 986:Sgt. Pepper's Lonely Hearts Club Band 474:, a seminal appropriation film work. 34:. For another cultural practice, see 7: 3273:Rosenberg, Karen (15 January 2015). 3149:(in Spanish). Lima: 16. 1984-11-30. 2544:The complete works of Marcel Duchamp 1458:adding citations to reliable sources 399:During his Nice Period (1908–1913), 3119:Ramón Ribeyro, Julio (1981-05-17). 2593:Eisenman, Stephen F. (2018-11-01). 1200:On the other hand, Warhol's famous 715:appropriated images to engage with 500:Among the most famous pop artists, 485:In the early 1960s artists such as 331:that became categorized as part of 325:Guitar, Newspaper, Glass and Bottle 7052:Index of painting-related articles 4394:Appropriation Art Coalition-Canada 4049:Supreme Court of the United States 3750:. New York: Lucas & Sternberg. 3601:"Mr Brainwash makes UK show debut" 2753:Hans Ulrich Obrist (19 May 2014). 2546:, New York, Delano Greenidge, 2000 2197:The Tate Guide to Modern Art Terms 1278:artistically, is transformative." 1273:of U.S. District Court found that 933:released a series of works titled 637:The Pictures Generation, 1974–1984 558:used objects such as the sculptor 392:constructions that are now called 283:Fuji from the Platform of Sasayedo 73:. Notable in this respect are the 25: 4425:an international student movement 4106:Whiting, Sam (February 4, 2011). 3988:Meiselman, Jessica (2017-12-28). 3923:Texte zur Kunst. Artists' Artists 3424:. Toronto: Art Canada Institute. 3301:. Toronto: Art Canada Institute. 2383:Covenantarthistory (2016-04-23). 2091:Classificatory disputes about art 610:Three Ball Total Equilibrium Tank 300:1876 likely inspired by Kitagawa 199:Herakles Finding His Son Telephas 5438: 4174:RANDY KENNEDY (April 25, 2013). 4125:ALLEN, EMMA (January 21, 2011). 4030:, 11 F.4th 26, 54 (2d Cir. 2021) 4014:"Andy Warhol's Flower Paintings" 3242:Graf, Marcus (October 6, 2013). 2797:"Arman | French-American artist" 2568:Gotthardt, Alexxa (2018-09-10). 1430: 1406:University of Chicago Law Review 291:Under Mannen Bridge at Fukagawa, 4176:"Court Rules in Artist's Favor" 4083:"top-10-appropriation-artworks" 4070:The Business of Being an Artist 3960:Journal of Artists' Books (JAB) 3815:. iRights Media. Archived from 3719:Hedinger J.; Meyer, T. (2011). 3670:Armstrong, Annie (2019-04-01). 3244:"Self Portrait? by Genco Gülan" 2977:. Routledge. pp. 33, 190. 2629:from the original on 2004-10-25 2556:The Collages of Kurt Schwitters 2444:from the original on 2004-10-14 1131:the effect of the use upon the 1073:Appropriation art and copyright 911:, who appropriated artworks by 315:In the early twentieth century 4354:(es) Juan Martín Prada (2001) 4164:, ARTnews LLC, March 22, 2012. 3478:Plaugic, Lizzie (2015-05-30). 2720:Cotter, Holland (2014-11-13). 2169:"MoMA | Glossary of Art Terms" 989:replaced with characters from 751:utilised video clips from the 641:The Metropolitan Museum of Art 447:1950–1960: Pop art and realism 354:Society of Independent Artists 311:First half of the 20th century 167:Society of Independent Artists 1: 6244:Pierre Menard, Author of the 6090:Archetypal literary criticism 5650:Literature / theatre 3885:. London: Faber & Faber. 3645:Adair, Torsten (2019-11-19). 3599:Geoghegan, Kev (2012-08-03). 3421:Kent Monkman: Life & Work 3298:Robert Houle: Life & Work 2998:Meigh-Andrews, Chris (2013). 2869:10.1080/00043249.2016.1269561 969:Brian Donnelly, known as Kaws 403:painted several paintings of 285:by Katsushika Hokusai ; 279:The Garden at Sainte-Adresse, 6991:Museum collection management 6914:Art history (academic study) 6793:alternative exhibition space 6056:Source criticism in the arts 5724:Readymades of Marcel Duchamp 5350:Aestheticization of politics 4466:Remixing conceptual artworks 4068:as quoted in Grant, Daniel, 3879:cf. Reynolds, Simon (2011). 2755:"Elaine Sturtevant obituary" 871:Indigenous peoples in Canada 109:, and continuing into 1940s 101:traces the practice back to 75:readymades of Marcel Duchamp 7152:Colossal sculptures in situ 6856:Artist-in-residence program 6257:Reality Hunger: A Manifesto 4388:Statements on Appropriation 4334:, Cambridge: MIT Press 2009 4112:The San Francisco Chronicle 3776:Bourriaud, Nicolas (2005). 3761:cf. Toffler, Alvin (1980). 3746:Bourriaud, Nicolas (2002). 3097:Román, Élida (2003-01-05). 2946:Cohen, Alina (2018-03-02). 2848:Linden, Liz (Winter 2016). 2647:artincontext (2022-02-28). 2619:"Henri Matisse (1869–1954)" 1422:Artists using appropriation 696:During the 1970s and 1980s 246:The Great Wave off Kanagawa 7329: 7162:Contemporary art galleries 7057:Outline of the visual arts 6363:Appropriation in sociology 3973:cf. Virilio, Paul (1992). 3936:Aden, Maike (April 2016). 3853:Hardy, S. (11 June 2013). 3525:"The art of appropriation" 2701:lichtensteinfoundation.org 2225:"Appropriation – Art Term" 2106:Copies by Vincent van Gogh 1100: 953:Utopia, Northern Territory 879:The Death of General Wolfe 437:(1936) or Salvador Dalí's 269:Copies by Vincent van Gogh 92:Appropriation, similar to 29: 7232: 6368:Articulation in sociology 5891:Revivalism (architecture) 5704: 5418: 3855:"Rip!: A Remix Manifesto" 3371:"The Story Behind Banksy" 3217:10.30920/letras.92.135.13 2773:"César | French sculptor" 2266:fashionhistory.fitnyc.edu 1126:amount and substantiality 7216:Most expensive paintings 7003:Conservation-restoration 6805:Contemporary art gallery 6080:Aesthetic interpretation 4413:Koons wins appeal (2006) 3418:Madill, Shirley (2022). 3295:Madill, Shirley (2018). 3105:(in Spanish). Lima: 29. 434:Object (Luncheon in Fur) 293:1830-1831 by Hokusai or 193:painted the portrait of 7224:works by living artists 6986:Classificatory disputes 6322:The Pictures Generation 6101:The Death of the Author 5370:Evolutionary aesthetics 5320:The Aesthetic Dimension 4474:Temporary appropriation 4470:Temporary appropriation 4444:Sherri Levine Interview 3727:(in German and English) 3078:Encyclopædia Britannica 2971:Welchman, John (2013). 2801:Encyclopædia Britannica 2777:Encyclopædia Britannica 2595:"Delacroix's Modernism" 2495:Evans, D (ed.).(2009). 2156:Oxford University Press 1230:in 1989. Koons' work, 1194:four "fair use" factors 863:Saulteaux First Nations 855:) to modern artists as 508:with paintings such as 340:artistic representation 226:Le Déjeuner sur l'herbe 7278:Concepts in aesthetics 6393:Copyright infringement 6373:Cultural appropriation 5300:Avant-Garde and Kitsch 5250:Lectures on Aesthetics 4464:transordinator/edition 4402:Decision (August 2005) 4309:lawreview.uchicago.edu 3721:"000|1 Vorwort Band I" 3001:A History of Video Art 2111:Cultural appropriation 1912:Mohammad Rakibul Hasan 1717:Jake and Dinos Chapman 1637:Felipe Jesus Consalvos 1271:Judge Louis L. Stanton 1228:copyright infringement 801: 620: 602: 534:(also known simply as 472:Cowboy and Indian Film 235:The Judgement of Paris 178: 157:, 1917, photograph by 32:Cultural appropriation 6861:Artist-run initiative 6748:Visual arts education 6420:Participatory culture 6388:Intellectual property 5445:Philosophy portal 1256:Silk Sandals by Gucci 1109:Copyright Act of 1976 1015:SpongeBob SquarePants 981:Simpsons Yellow Album 922:Canadian Cree artist 811:Ralli Marbella Museum 792: 743:feminist works of art 608: 589: 213:in 1865, inspired by 148: 7157:Contemporary artists 7020:Destination painting 6817:Single-artist museum 6706:Conservator-restorer 6095:Artistic inspiration 5919:Intertextual figures 5886:Parody advertisement 5390:Philosophy of design 5270:In Praise of Shadows 5260:The Critic as Artist 3182:"Artista en Familia" 3168:Museo Ralli Marbella 2249:Duchamp: A Biography 1454:improve this section 1203:Campbell's Soup Cans 1140:Examples of lawsuits 1087:transformative works 845:appropriation artist 599:Buick Grand National 261:Jean Francois Millet 231:Marcantonio Raimondi 123:contemporary artists 7313:Art and culture law 7273:Artistic techniques 7147:Art reference books 6941:History of painting 6525:Fine-art photograph 6430:Recontextualisation 6383:Information society 6378:History of printing 6358:Academic dishonesty 6119:Genius (literature) 5808:Literal music video 5719:Photographic mosaic 5514:Chopped and screwed 5400:Philosophy of music 5375:Mathematical beauty 3975:Rasender Stillstand 3910:(documentary film). 3908:Copyright Criminals 3859:Creative Generalist 3765:. New York: Bantam. 3723:[Preface]. 3647:"Syndicated Comics" 3275:"Yasumasa Morimura" 2339:theartnewspaper.com 2290:thehistoryofart.org 2201:Tate Publishing Ltd 2002:Robert Rauschenberg 1415:Salinger v. Colting 1304:Children Nationwide 796:a bronze remake by 757:television series. 702:Marlboro cigarettes 625:Pictures Generation 569:The German artists 453:Robert Rauschenberg 287:The Water Lily Pond 249:by Japanese artist 165:following the 1917 51:history of the arts 7242:Visual arts portal 7172:National galleries 7025:Eclecticism in art 6980:Catalogue raisonné 6851:Artist cooperative 6107:Divine inspiration 5896:Video game modding 5738:By source material 5395:Philosophy of film 5385:Patterns in nature 5355:Applied aesthetics 5330:Why Beauty Matters 5116:Life imitating art 4977:Art for art's sake 4386:Michalis Pichler: 4181:The New York Times 4160:Pollack, Barbara, 3977:. München: Hanser. 3279:The New York Times 3254:on August 30, 2019 2726:The New York Times 2529:Plant, S. (1992). 2364:vangoghletters.org 2203:, pp. 20–21, 1712:J. Tobias Anderson 1707:Hans-Peter Feldman 1697:Hank Willis Thomas 1572:Cornelia Sollfrank 1492:The following are 1357:In November 2010, 1320:declaratory relief 1021:In the digital age 802: 737:In the late 1970s 621: 603: 251:Katsushika Hokusai 179: 7255: 7254: 6846:Artist collective 6660:Site-specific art 6510:Cultural artifact 6443: 6442: 6350:artistic concepts 6338:Russian formalism 6064: 6063: 5904: 5903: 5793:Anime music video 5776: 5775: 5768:Statue of Liberty 5566:Musical quotation 5509:Bootleg recording 5453: 5452: 5405:Psychology of art 5280:Art as Experience 4265:Vartanian, Hrag. 4209:www.proskauer.com 4143:Corbett, Rachel; 3892:978-0-86547-994-4 3700:www.christies.com 3529:THE ETHICS CENTRE 3431:978-1-4871-0280-7 3308:978-1-4871-0170-1 3011:978-0-85785-188-8 2984:978-1-136-80136-5 2210:978-1-85437-750-0 2158:, 2009. pp. 27–28 2067:Yasumasa Morimura 2062:Vivienne Westwood 1867:Matthieu Laurette 1797:Kenneth Goldsmith 1622:Elaine Sturtevant 1557:Christian Marclay 1490: 1489: 1482: 1269:In his decision, 1232:String of Puppies 1097:What is fair use? 1028:Nicolas Bourriaud 841:Yasumasa Morimura 827:Christian Marclay 807:Herman Braun-Vega 794:Fountain (Buddha) 761:Richard Pettibone 578:a grocery store. 532:Elaine Sturtevant 440:Lobster Telephone 281:1867 inspired by 195:Madame Moitessier 163:291 (art gallery) 18:Appropriation Art 16:(Redirected from 7320: 7283:Contemporary art 7211:Stolen paintings 7079:Sociology of art 7030:Economics of art 6881:Sculpture garden 6866:Artist-run space 6665:Social sculpture 6535:Installation art 6470: 6463: 6456: 6447: 6262: 6252: 6239: 6070:Related artistic 6036:Imitation in art 6006:Assemblage (art) 5915: 5714:Combine painting 5702: 5687:Verbatim theatre 5662:Cut-up technique 5561:Music plagiarism 5499: 5480: 5473: 5466: 5457: 5443: 5442: 5441: 5335: 5325: 5315: 5305: 5295: 5285: 5275: 5265: 5255: 5245: 5235: 5225: 5215: 5205: 4504: 4497: 4490: 4481: 4472:or in Knowledge 4418:Creative Commons 4400:Blanche v. Koons 4369:Brandon Taylor, 4364:978 84 2450 8814 4319: 4318: 4316: 4315: 4301: 4295: 4282: 4276: 4263: 4257: 4246:Doctorow, Cory. 4244: 4238: 4225: 4219: 4218: 4216: 4215: 4201: 4192: 4191: 4189: 4188: 4171: 4165: 4158: 4152: 4141: 4135: 4134: 4122: 4116: 4115: 4103: 4097: 4096: 4094: 4093: 4079: 4073: 4066: 4060: 4059: 4057: 4055: 4046: 4037: 4031: 4024: 4018: 4017: 4010: 4004: 4003: 4001: 4000: 3985: 3979: 3978: 3970: 3964: 3963: 3955: 3949: 3948: 3942: 3933: 3927: 3926: 3918: 3912: 3911: 3903: 3897: 3896: 3876: 3870: 3869: 3867: 3865: 3850: 3844: 3834: 3828: 3827: 3825: 3824: 3812:Generation Remix 3806: 3800: 3799: 3773: 3767: 3766: 3758: 3752: 3751: 3743: 3737: 3736: 3734: 3732: 3716: 3710: 3709: 3707: 3706: 3692: 3686: 3685: 3683: 3682: 3667: 3661: 3660: 3658: 3657: 3642: 3636: 3635: 3633: 3632: 3617: 3611: 3610: 3608: 3607: 3596: 3590: 3589: 3587: 3586: 3571: 3565: 3564: 3562: 3561: 3546: 3540: 3539: 3537: 3536: 3521: 3515: 3514: 3512: 3511: 3500: 3494: 3493: 3491: 3490: 3475: 3469: 3468: 3466: 3465: 3442: 3436: 3435: 3415: 3409: 3408: 3406: 3405: 3391: 3385: 3384: 3382: 3381: 3367: 3361: 3360: 3358: 3357: 3343: 3337: 3336: 3334: 3333: 3327:www.thebroad.org 3319: 3313: 3312: 3292: 3283: 3282: 3270: 3264: 3263: 3261: 3259: 3250:. Archived from 3239: 3233: 3232: 3200: 3194: 3193: 3178: 3172: 3171: 3160: 3154: 3153: 3139: 3133: 3132: 3116: 3110: 3109: 3094: 3088: 3087: 3085: 3084: 3070: 3064: 3063: 3061: 3060: 3046: 3040: 3039: 3037: 3036: 3022: 3016: 3015: 2995: 2989: 2988: 2968: 2962: 2961: 2959: 2958: 2943: 2937: 2936: 2934: 2933: 2919: 2913: 2912: 2910: 2909: 2895: 2889: 2888: 2854: 2845: 2839: 2838: 2836: 2835: 2820: 2811: 2810: 2808: 2807: 2793: 2787: 2786: 2784: 2783: 2769: 2763: 2762: 2750: 2744: 2743: 2741: 2740: 2717: 2711: 2710: 2708: 2707: 2693: 2687: 2686: 2684: 2683: 2669: 2663: 2662: 2660: 2659: 2653:artincontext.org 2644: 2638: 2637: 2635: 2634: 2615: 2609: 2608: 2606: 2605: 2590: 2584: 2583: 2581: 2580: 2565: 2559: 2553: 2547: 2542:Arturo Schwarz, 2540: 2534: 2527: 2518: 2515: 2509: 2506: 2500: 2493: 2487: 2484: 2478: 2477: 2475: 2474: 2459: 2453: 2452: 2450: 2449: 2440:. October 2004. 2430: 2424: 2423: 2421: 2420: 2405: 2399: 2398: 2396: 2395: 2380: 2374: 2373: 2371: 2370: 2356: 2350: 2349: 2347: 2346: 2341:. 4 October 2019 2331: 2325: 2324: 2322: 2321: 2306: 2300: 2299: 2297: 2296: 2282: 2276: 2275: 2273: 2272: 2258: 2252: 2245: 2239: 2238: 2236: 2235: 2220: 2214: 2213: 2192: 2183: 2182: 2180: 2179: 2165: 2159: 2152: 2081:Art intervention 2017:Stephanie Syjuco 1652:George Pusenkoff 1607:Dominique Mulhem 1532:Benjamin Edwards 1485: 1478: 1474: 1471: 1465: 1434: 1426: 1350:Cariou v. Prince 1331:Gagosian Gallery 1168:was not fair use 1091:derivative works 1066:appropriationism 979:inspired by the 949:Emily Kngwarreye 706:photo-journalism 544:James Rosenquist 502:Roy Lichtenstein 413:Women of Algiers 257:Vincent van Gogh 159:Alfred Stieglitz 94:found object art 82:recontextualizes 21: 7328: 7327: 7323: 7322: 7321: 7319: 7318: 7317: 7268:Social concepts 7258: 7257: 7256: 7251: 7237:Painting portal 7228: 7135:sculpture parks 7088: 7047:Elements of art 7015:Cultural policy 6957: 6909:Timeline of art 6895: 6886:Sculpture trail 6765: 6759: 6684: 6601:Performance art 6483: 6474: 6444: 6439: 6425:Pirate politics 6398:Derivative work 6351: 6349: 6342: 6265: 6260: 6250: 6237: 6226: 6224: 6217: 6213:Story structure 6208:Stock character 6188:Formula fiction 6176: 6174: 6173:Standard blocks 6167: 6073: 6071: 6060: 5989: 5961: 5910: 5900: 5859: 5788:Abridged series 5772: 5760:Michelangelo's 5752:Michelangelo's 5733: 5698: 5691: 5677:Jukebox musical 5645: 5490: 5484: 5454: 5449: 5439: 5437: 5414: 5338: 5333: 5323: 5313: 5310:Critical Essays 5303: 5293: 5283: 5273: 5263: 5253: 5243: 5233: 5223: 5213: 5203: 5187: 4960: 4874:Ortega y Gasset 4667: 4579: 4513: 4508: 4382: 4358:. Fundamentos. 4351:Routledge 2004. 4341: 4339:Further reading 4327: 4322: 4313: 4311: 4303: 4302: 4298: 4283: 4279: 4264: 4260: 4245: 4241: 4227:Masnick, Mike. 4226: 4222: 4213: 4211: 4203: 4202: 4195: 4186: 4184: 4173: 4172: 4168: 4159: 4155: 4149:Artnet Magazine 4142: 4138: 4124: 4123: 4119: 4105: 4104: 4100: 4091: 4089: 4081: 4080: 4076: 4067: 4063: 4053: 4051: 4044: 4040:Supreme Court. 4039: 4038: 4034: 4025: 4021: 4012: 4011: 4007: 3998: 3996: 3987: 3986: 3982: 3972: 3971: 3967: 3957: 3956: 3952: 3940: 3935: 3934: 3930: 3920: 3919: 3915: 3905: 3904: 3900: 3893: 3878: 3877: 3873: 3863: 3861: 3852: 3851: 3847: 3835: 3831: 3822: 3820: 3808: 3807: 3803: 3788: 3775: 3774: 3770: 3760: 3759: 3755: 3745: 3744: 3740: 3730: 3728: 3718: 3717: 3713: 3704: 3702: 3694: 3693: 3689: 3680: 3678: 3669: 3668: 3664: 3655: 3653: 3644: 3643: 3639: 3630: 3628: 3619: 3618: 3614: 3605: 3603: 3598: 3597: 3593: 3584: 3582: 3573: 3572: 3568: 3559: 3557: 3548: 3547: 3543: 3534: 3532: 3523: 3522: 3518: 3509: 3507: 3502: 3501: 3497: 3488: 3486: 3477: 3476: 3472: 3463: 3461: 3444: 3443: 3439: 3432: 3417: 3416: 3412: 3403: 3401: 3393: 3392: 3388: 3379: 3377: 3369: 3368: 3364: 3355: 3353: 3345: 3344: 3340: 3331: 3329: 3321: 3320: 3316: 3309: 3294: 3293: 3286: 3272: 3271: 3267: 3257: 3255: 3248:Visual Art Beat 3241: 3240: 3236: 3202: 3201: 3197: 3180: 3179: 3175: 3162: 3161: 3157: 3141: 3140: 3136: 3118: 3117: 3113: 3096: 3095: 3091: 3082: 3080: 3072: 3071: 3067: 3058: 3056: 3048: 3047: 3043: 3034: 3032: 3024: 3023: 3019: 3012: 2997: 2996: 2992: 2985: 2970: 2969: 2965: 2956: 2954: 2945: 2944: 2940: 2931: 2929: 2921: 2920: 2916: 2907: 2905: 2897: 2896: 2892: 2852: 2847: 2846: 2842: 2833: 2831: 2822: 2821: 2814: 2805: 2803: 2795: 2794: 2790: 2781: 2779: 2771: 2770: 2766: 2752: 2751: 2747: 2738: 2736: 2719: 2718: 2714: 2705: 2703: 2695: 2694: 2690: 2681: 2679: 2671: 2670: 2666: 2657: 2655: 2646: 2645: 2641: 2632: 2630: 2617: 2616: 2612: 2603: 2601: 2592: 2591: 2587: 2578: 2576: 2567: 2566: 2562: 2554: 2550: 2541: 2537: 2528: 2521: 2516: 2512: 2507: 2503: 2494: 2490: 2485: 2481: 2472: 2470: 2461: 2460: 2456: 2447: 2445: 2432: 2431: 2427: 2418: 2416: 2407: 2406: 2402: 2393: 2391: 2389:Talking Objects 2382: 2381: 2377: 2368: 2366: 2358: 2357: 2353: 2344: 2342: 2333: 2332: 2328: 2319: 2317: 2308: 2307: 2303: 2294: 2292: 2284: 2283: 2279: 2270: 2268: 2260: 2259: 2255: 2246: 2242: 2233: 2231: 2222: 2221: 2217: 2211: 2194: 2193: 2186: 2177: 2175: 2167: 2166: 2162: 2153: 2149: 2145: 2140: 2076: 2071: 2057:Vikky Alexander 1877:Meret Oppenheim 1802:Kurt Schwitters 1752:John Baldessari 1687:Graig Kreindler 1662:Gerhard Richter 1567:Claes Oldenburg 1552:Burhan Dogancay 1486: 1475: 1469: 1466: 1451: 1435: 1424: 1365:for creating a 1295:Charles Saatchi 1223:Rogers v. Koons 1142: 1105: 1099: 1075: 1054:Lawrence Lessig 1023: 939:Pamela Anderson 897: 787: 775:vacuum-cleaners 645:John Baldessari 595:Covering Hannah 584: 575:Gerhard Richter 573:and his friend 487:Claes Oldenburg 449: 429:Méret Oppenheim 390:gesamtkunstwerk 386:Kurt Schwitters 313: 241:Gustave Courbet 223:. His painting 220:Venus of Urbino 184: 175:Marsden Hartley 143: 90: 67:performing arts 39: 36:Reappropriation 28: 23: 22: 15: 12: 11: 5: 7326: 7324: 7316: 7315: 7310: 7305: 7300: 7295: 7290: 7285: 7280: 7275: 7270: 7260: 7259: 7253: 7252: 7250: 7249: 7244: 7239: 7233: 7230: 7229: 7227: 7226: 7213: 7208: 7207: 7206: 7196: 7191: 7190: 7189: 7187:by nationality 7184: 7174: 7169: 7167:Modern artists 7164: 7159: 7154: 7149: 7144: 7143: 7142: 7137: 7132: 7127: 7117: 7112: 7110:Art techniques 7107: 7102: 7096: 7094: 7090: 7089: 7087: 7086: 7081: 7076: 7071: 7070: 7069: 7064: 7054: 7049: 7044: 7043: 7042: 7037: 7027: 7022: 7017: 7012: 7011: 7010: 7000: 6999: 6998: 6996:deaccessioning 6988: 6983: 6976: 6971: 6965: 6963: 6959: 6958: 6956: 6955: 6950: 6949: 6948: 6938: 6937: 6936: 6926: 6921: 6916: 6911: 6905: 6903: 6901:History of art 6897: 6896: 6894: 6893: 6891:Virtual museum 6888: 6883: 6878: 6873: 6868: 6863: 6858: 6853: 6848: 6843: 6838: 6833: 6832: 6831: 6821: 6820: 6819: 6809: 6808: 6807: 6797: 6796: 6795: 6788:Art exhibition 6785: 6780: 6775: 6769: 6767: 6761: 6760: 6758: 6757: 6756: 6755: 6745: 6740: 6735: 6730: 6725: 6720: 6719: 6718: 6713: 6703: 6698: 6692: 6690: 6686: 6685: 6683: 6682: 6677: 6672: 6670:Soft sculpture 6667: 6662: 6657: 6656: 6655: 6650: 6645: 6640: 6630: 6629: 6628: 6618: 6613: 6608: 6603: 6598: 6593: 6592: 6591: 6586: 6581: 6571: 6570: 6569: 6564: 6554: 6553: 6552: 6542: 6537: 6532: 6527: 6522: 6517: 6512: 6507: 6505:Conceptual art 6502: 6497: 6491: 6489: 6485: 6484: 6475: 6473: 6472: 6465: 6458: 6450: 6441: 6440: 6438: 6437: 6432: 6427: 6422: 6417: 6412: 6407: 6406: 6405: 6400: 6395: 6385: 6380: 6375: 6370: 6365: 6360: 6354: 6352: 6347: 6344: 6343: 6341: 6340: 6335: 6330: 6325: 6318: 6311: 6304: 6299: 6291: 6286: 6283:De Copia Rerum 6279: 6273: 6271: 6267: 6266: 6264: 6263: 6253: 6240: 6229: 6227: 6222: 6219: 6218: 6216: 6215: 6210: 6205: 6200: 6195: 6190: 6185: 6179: 6177: 6172: 6169: 6168: 6166: 6165: 6160: 6155: 6150: 6145: 6140: 6139: 6138: 6128: 6127: 6126: 6121: 6116: 6104: 6097: 6092: 6087: 6082: 6076: 6074: 6069: 6066: 6065: 6062: 6061: 6059: 6058: 6053: 6048: 6043: 6038: 6033: 6028: 6023: 6018: 6013: 6008: 6003: 5997: 5995: 5994:Other concepts 5991: 5990: 5988: 5987: 5982: 5977: 5971: 5969: 5963: 5962: 5960: 5959: 5954: 5949: 5944: 5939: 5934: 5929: 5923: 5921: 5912: 5906: 5905: 5902: 5901: 5899: 5898: 5893: 5888: 5883: 5878: 5873: 5867: 5865: 5861: 5860: 5858: 5857: 5852: 5847: 5842: 5837: 5832: 5831: 5830: 5820: 5818:Re-cut trailer 5815: 5810: 5805: 5800: 5795: 5790: 5784: 5782: 5778: 5777: 5774: 5773: 5771: 5770: 5765: 5757: 5749: 5741: 5739: 5735: 5734: 5732: 5731: 5726: 5721: 5716: 5711: 5705: 5699: 5696: 5693: 5692: 5690: 5689: 5684: 5679: 5674: 5669: 5664: 5659: 5653: 5651: 5647: 5646: 5644: 5643: 5638: 5633: 5628: 5623: 5618: 5613: 5608: 5603: 5598: 5593: 5588: 5586:Plunderphonics 5583: 5578: 5573: 5568: 5563: 5558: 5553: 5548: 5543: 5538: 5533: 5528: 5527: 5526: 5516: 5511: 5505: 5503: 5496: 5492: 5491: 5485: 5483: 5482: 5475: 5468: 5460: 5451: 5450: 5448: 5447: 5435: 5430: 5425: 5419: 5416: 5415: 5413: 5412: 5407: 5402: 5397: 5392: 5387: 5382: 5380:Neuroesthetics 5377: 5372: 5367: 5362: 5360:Arts criticism 5357: 5352: 5346: 5344: 5340: 5339: 5337: 5336: 5326: 5316: 5306: 5296: 5286: 5276: 5266: 5256: 5246: 5236: 5230:On the Sublime 5226: 5216: 5206: 5195: 5193: 5189: 5188: 5186: 5185: 5180: 5175: 5170: 5165: 5160: 5155: 5150: 5143: 5138: 5133: 5128: 5123: 5118: 5113: 5108: 5101: 5096: 5094:Interpretation 5091: 5086: 5081: 5076: 5071: 5066: 5061: 5056: 5051: 5046: 5041: 5036: 5031: 5026: 5021: 5016: 5011: 5010: 5009: 5004: 4994: 4989: 4987:Artistic merit 4984: 4979: 4974: 4968: 4966: 4962: 4961: 4959: 4958: 4951: 4946: 4941: 4936: 4931: 4926: 4921: 4916: 4911: 4906: 4901: 4896: 4891: 4886: 4881: 4876: 4871: 4866: 4861: 4856: 4851: 4846: 4841: 4836: 4831: 4826: 4821: 4816: 4811: 4806: 4801: 4796: 4791: 4786: 4781: 4776: 4771: 4766: 4761: 4756: 4751: 4746: 4741: 4736: 4731: 4726: 4721: 4716: 4711: 4706: 4701: 4696: 4691: 4686: 4681: 4675: 4673: 4669: 4668: 4666: 4665: 4658: 4653: 4648: 4643: 4638: 4636:Psychoanalysis 4633: 4628: 4623: 4618: 4613: 4608: 4603: 4598: 4593: 4587: 4585: 4581: 4580: 4578: 4577: 4572: 4567: 4562: 4557: 4552: 4547: 4542: 4537: 4532: 4527: 4521: 4519: 4515: 4514: 4509: 4507: 4506: 4499: 4492: 4484: 4478: 4477: 4467: 4461: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4420: 4415: 4410: 4404: 4396: 4391: 4381: 4380:External links 4378: 4377: 4376: 4367: 4352: 4345:Margot Lovejoy 4340: 4337: 4336: 4335: 4326: 4323: 4321: 4320: 4296: 4284:Dayal, Geeta. 4277: 4258: 4239: 4220: 4193: 4166: 4153: 4136: 4117: 4098: 4074: 4061: 4032: 4019: 4005: 3980: 3965: 3962:(40, in prep). 3950: 3928: 3913: 3898: 3891: 3871: 3845: 3829: 3801: 3786: 3768: 3753: 3738: 3711: 3687: 3662: 3637: 3612: 3591: 3566: 3556:. 3 April 2018 3541: 3516: 3495: 3470: 3437: 3430: 3410: 3386: 3362: 3351:ArrestedMotion 3338: 3314: 3307: 3284: 3265: 3234: 3195: 3173: 3155: 3134: 3121:"Herman Braun" 3111: 3089: 3065: 3041: 3017: 3010: 2990: 2983: 2963: 2938: 2914: 2890: 2840: 2812: 2788: 2764: 2745: 2712: 2688: 2664: 2639: 2610: 2585: 2560: 2548: 2535: 2519: 2510: 2501: 2488: 2479: 2454: 2425: 2400: 2375: 2351: 2326: 2301: 2277: 2253: 2240: 2215: 2209: 2184: 2160: 2146: 2144: 2141: 2139: 2138: 2133: 2131:Postmodern art 2128: 2123: 2118: 2113: 2108: 2103: 2101:Conceptual art 2098: 2093: 2088: 2083: 2077: 2075: 2072: 2070: 2069: 2064: 2059: 2054: 2049: 2044: 2039: 2034: 2029: 2024: 2019: 2014: 2012:Sherrie Levine 2009: 2007:Shepard Fairey 2004: 1999: 1994: 1989: 1987:Rick Prelinger 1984: 1982:Richard Prince 1979: 1974: 1969: 1967:Pierre Bismuth 1964: 1959: 1954: 1952:People Like Us 1949: 1944: 1939: 1934: 1932:Norm Magnusson 1929: 1924: 1919: 1914: 1909: 1907:Miltos Manetas 1904: 1899: 1894: 1892:Michel Platnic 1889: 1884: 1879: 1874: 1869: 1864: 1859: 1854: 1849: 1844: 1839: 1837:Marcel Duchamp 1834: 1832:Malcolm Morley 1829: 1824: 1819: 1814: 1809: 1804: 1799: 1794: 1789: 1787:Karen Kilimnik 1784: 1779: 1774: 1769: 1767:Joseph Cornell 1764: 1759: 1754: 1749: 1744: 1739: 1734: 1729: 1724: 1719: 1714: 1709: 1704: 1699: 1694: 1689: 1684: 1679: 1677:Gordon Bennett 1674: 1669: 1664: 1659: 1657:Georges Braque 1654: 1649: 1644: 1639: 1634: 1632:Fatimah Tuggar 1629: 1627:Eric Doeringer 1624: 1619: 1617:Douglas Gordon 1614: 1609: 1604: 1599: 1594: 1589: 1584: 1579: 1574: 1569: 1564: 1559: 1554: 1549: 1544: 1539: 1534: 1529: 1527:Barbara Kruger 1524: 1519: 1514: 1512:Aleksandra Mir 1509: 1504: 1498: 1488: 1487: 1438: 1436: 1429: 1423: 1420: 1381:Kembrew McLeod 1327:Richard Prince 1172:Lynn Goldsmith 1160:Second Circuit 1141: 1138: 1137: 1136: 1129: 1122: 1119: 1101:Main article: 1098: 1095: 1074: 1071: 1022: 1019: 995:The Kaws Album 977:The Kaws Album 931:Richard Prince 905:Shepard Fairey 896: 893: 885:Sherrie Levine 843:is a Japanese 798:Sherrie Levine 786: 783: 773:, a series of 771:The New series 732:Malcolm Morley 698:Richard Prince 671:Sherrie Levine 657:Richard Prince 653:Sherrie Levine 649:Barbara Kruger 618:Tate Liverpool 591:Richard Prince 583: 580: 451:In the 1950s, 448: 445: 407:, inspired by 346:Marcel Duchamp 321:Georges Braque 312: 309: 183: 180: 150:Marcel Duchamp 142: 139: 131:Sherrie Levine 127:Richard Prince 89: 86: 71:visual culture 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7325: 7314: 7311: 7309: 7306: 7304: 7301: 7299: 7296: 7294: 7291: 7289: 7286: 7284: 7281: 7279: 7276: 7274: 7271: 7269: 7266: 7265: 7263: 7248: 7245: 7243: 7240: 7238: 7235: 7234: 7231: 7225: 7221: 7217: 7214: 7212: 7209: 7205: 7202: 7201: 7200: 7197: 7195: 7194:Photographers 7192: 7188: 7185: 7183: 7180: 7179: 7178: 7175: 7173: 7170: 7168: 7165: 7163: 7160: 7158: 7155: 7153: 7150: 7148: 7145: 7141: 7140:single artist 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7122: 7121: 7118: 7116: 7115:Art movements 7113: 7111: 7108: 7106: 7103: 7101: 7100:Art magazines 7098: 7097: 7095: 7091: 7085: 7082: 7080: 7077: 7075: 7072: 7068: 7065: 7063: 7060: 7059: 7058: 7055: 7053: 7050: 7048: 7045: 7041: 7040:art valuation 7038: 7036: 7033: 7032: 7031: 7028: 7026: 7023: 7021: 7018: 7016: 7013: 7009: 7006: 7005: 7004: 7001: 6997: 6994: 6993: 6992: 6989: 6987: 6984: 6982: 6981: 6977: 6975: 6972: 6970: 6967: 6966: 6964: 6960: 6954: 6951: 6947: 6944: 6943: 6942: 6939: 6935: 6932: 6931: 6930: 6927: 6925: 6924:Art movements 6922: 6920: 6919:Art manifesto 6917: 6915: 6912: 6910: 6907: 6906: 6904: 6902: 6898: 6892: 6889: 6887: 6884: 6882: 6879: 6877: 6874: 6872: 6869: 6867: 6864: 6862: 6859: 6857: 6854: 6852: 6849: 6847: 6844: 6842: 6841:Arts festival 6839: 6837: 6834: 6830: 6827: 6826: 6825: 6822: 6818: 6815: 6814: 6813: 6810: 6806: 6803: 6802: 6801: 6798: 6794: 6791: 6790: 6789: 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6770: 6768: 6762: 6754: 6751: 6750: 6749: 6746: 6744: 6741: 6739: 6736: 6734: 6731: 6729: 6726: 6724: 6721: 6717: 6714: 6712: 6709: 6708: 6707: 6704: 6702: 6699: 6697: 6694: 6693: 6691: 6687: 6681: 6680:Artwork title 6678: 6676: 6675:Stained glass 6673: 6671: 6668: 6666: 6663: 6661: 6658: 6654: 6651: 6649: 6646: 6644: 6641: 6639: 6636: 6635: 6634: 6631: 6627: 6624: 6623: 6622: 6619: 6617: 6614: 6612: 6609: 6607: 6604: 6602: 6599: 6597: 6594: 6590: 6587: 6585: 6582: 6580: 6577: 6576: 6575: 6574:New media art 6572: 6568: 6565: 6563: 6560: 6559: 6558: 6555: 6551: 6548: 6547: 6546: 6543: 6541: 6538: 6536: 6533: 6531: 6528: 6526: 6523: 6521: 6518: 6516: 6513: 6511: 6508: 6506: 6503: 6501: 6498: 6496: 6495:Appropriation 6493: 6492: 6490: 6486: 6482: 6478: 6471: 6466: 6464: 6459: 6457: 6452: 6451: 6448: 6436: 6435:Remix culture 6433: 6431: 6428: 6426: 6423: 6421: 6418: 6416: 6413: 6411: 6408: 6404: 6401: 6399: 6396: 6394: 6391: 6390: 6389: 6386: 6384: 6381: 6379: 6376: 6374: 6371: 6369: 6366: 6364: 6361: 6359: 6356: 6355: 6353: 6345: 6339: 6336: 6334: 6333:Postmodernism 6331: 6329: 6326: 6324: 6323: 6319: 6317: 6316: 6312: 6310: 6309: 6305: 6303: 6300: 6298: 6297: 6292: 6290: 6287: 6285: 6284: 6280: 6278: 6275: 6274: 6272: 6268: 6259: 6258: 6254: 6248: 6247: 6241: 6236: 6235: 6231: 6230: 6228: 6223:Epoch-marking 6220: 6214: 6211: 6209: 6206: 6204: 6201: 6199: 6198:Jazz standard 6196: 6194: 6193:Genre fiction 6191: 6189: 6186: 6184: 6181: 6180: 6178: 6170: 6164: 6163:Western canon 6161: 6159: 6156: 6154: 6151: 6149: 6148:Genre studies 6146: 6144: 6141: 6137: 6134: 6133: 6132: 6129: 6125: 6122: 6120: 6117: 6115: 6114: 6110: 6109: 6108: 6105: 6102: 6098: 6096: 6093: 6091: 6088: 6086: 6083: 6081: 6078: 6077: 6075: 6067: 6057: 6054: 6052: 6049: 6047: 6044: 6042: 6039: 6037: 6034: 6032: 6029: 6027: 6024: 6022: 6019: 6017: 6014: 6012: 6009: 6007: 6004: 6002: 5999: 5998: 5996: 5992: 5986: 5983: 5981: 5978: 5976: 5973: 5972: 5970: 5968: 5964: 5958: 5955: 5953: 5950: 5948: 5945: 5943: 5940: 5938: 5935: 5933: 5930: 5928: 5925: 5924: 5922: 5920: 5916: 5913: 5907: 5897: 5894: 5892: 5889: 5887: 5884: 5882: 5879: 5877: 5876:Internet meme 5874: 5872: 5869: 5868: 5866: 5862: 5856: 5853: 5851: 5848: 5846: 5843: 5841: 5838: 5836: 5833: 5829: 5828:Shot-for-shot 5826: 5825: 5824: 5821: 5819: 5816: 5814: 5811: 5809: 5806: 5804: 5803:Found footage 5801: 5799: 5796: 5794: 5791: 5789: 5786: 5785: 5783: 5779: 5769: 5766: 5764: 5763: 5758: 5756: 5755: 5750: 5748: 5747: 5743: 5742: 5740: 5736: 5730: 5727: 5725: 5722: 5720: 5717: 5715: 5712: 5710: 5707: 5706: 5703: 5700: 5694: 5688: 5685: 5683: 5680: 5678: 5675: 5673: 5670: 5668: 5665: 5663: 5660: 5658: 5655: 5654: 5652: 5648: 5642: 5639: 5637: 5634: 5632: 5629: 5627: 5624: 5622: 5619: 5617: 5616:Sound collage 5614: 5612: 5609: 5607: 5604: 5602: 5599: 5597: 5594: 5592: 5589: 5587: 5584: 5582: 5579: 5577: 5574: 5572: 5569: 5567: 5564: 5562: 5559: 5557: 5554: 5552: 5549: 5547: 5546:Interpolation 5544: 5542: 5539: 5537: 5536:Cover version 5534: 5532: 5529: 5525: 5522: 5521: 5520: 5517: 5515: 5512: 5510: 5507: 5506: 5504: 5500: 5497: 5493: 5488: 5487:Appropriation 5481: 5476: 5474: 5469: 5467: 5462: 5461: 5458: 5446: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5420: 5417: 5411: 5410:Theory of art 5408: 5406: 5403: 5401: 5398: 5396: 5393: 5391: 5388: 5386: 5383: 5381: 5378: 5376: 5373: 5371: 5368: 5366: 5363: 5361: 5358: 5356: 5353: 5351: 5348: 5347: 5345: 5341: 5332: 5331: 5327: 5322: 5321: 5317: 5312: 5311: 5307: 5301: 5297: 5291: 5287: 5282: 5281: 5277: 5272: 5271: 5267: 5261: 5257: 5252: 5251: 5247: 5242: 5241: 5237: 5232: 5231: 5227: 5222: 5221: 5217: 5212: 5211: 5207: 5202: 5201: 5200:Hippias Major 5197: 5196: 5194: 5190: 5184: 5181: 5179: 5176: 5174: 5171: 5169: 5166: 5164: 5161: 5159: 5156: 5154: 5151: 5149: 5148: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5106: 5102: 5100: 5097: 5095: 5092: 5090: 5087: 5085: 5082: 5080: 5077: 5075: 5072: 5070: 5067: 5065: 5062: 5060: 5059:Entertainment 5057: 5055: 5052: 5050: 5047: 5045: 5042: 5040: 5037: 5035: 5032: 5030: 5027: 5025: 5022: 5020: 5017: 5015: 5012: 5008: 5005: 5003: 5000: 4999: 4998: 4995: 4993: 4990: 4988: 4985: 4983: 4982:Art manifesto 4980: 4978: 4975: 4973: 4972:Appropriation 4970: 4969: 4967: 4963: 4957: 4956: 4952: 4950: 4947: 4945: 4942: 4940: 4937: 4935: 4932: 4930: 4927: 4925: 4922: 4920: 4917: 4915: 4912: 4910: 4907: 4905: 4902: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4882: 4880: 4877: 4875: 4872: 4870: 4867: 4865: 4864:Merleau-Ponty 4862: 4860: 4857: 4855: 4852: 4850: 4847: 4845: 4842: 4840: 4837: 4835: 4832: 4830: 4827: 4825: 4822: 4820: 4817: 4815: 4812: 4810: 4807: 4805: 4802: 4800: 4797: 4795: 4792: 4790: 4787: 4785: 4782: 4780: 4777: 4775: 4772: 4770: 4767: 4765: 4762: 4760: 4757: 4755: 4752: 4750: 4747: 4745: 4742: 4740: 4737: 4735: 4732: 4730: 4727: 4725: 4722: 4720: 4717: 4715: 4712: 4710: 4707: 4705: 4702: 4700: 4697: 4695: 4692: 4690: 4687: 4685: 4682: 4680: 4679:Abhinavagupta 4677: 4676: 4674: 4670: 4664: 4663: 4659: 4657: 4654: 4652: 4649: 4647: 4644: 4642: 4639: 4637: 4634: 4632: 4631:Postmodernism 4629: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4609: 4607: 4604: 4602: 4599: 4597: 4594: 4592: 4589: 4588: 4586: 4582: 4576: 4573: 4571: 4568: 4566: 4563: 4561: 4558: 4556: 4553: 4551: 4548: 4546: 4543: 4541: 4538: 4536: 4533: 4531: 4528: 4526: 4523: 4522: 4520: 4516: 4512: 4505: 4500: 4498: 4493: 4491: 4486: 4485: 4482: 4475: 4471: 4468: 4465: 4462: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4439:Public Domain 4437: 4435: 4432: 4430: 4427: 4424: 4421: 4419: 4416: 4414: 4411: 4408: 4405: 4403: 4401: 4397: 4395: 4392: 4390: 4389: 4384: 4383: 4379: 4374: 4373: 4368: 4365: 4361: 4357: 4353: 4350: 4346: 4343: 4342: 4338: 4333: 4330:David Evans, 4329: 4328: 4324: 4310: 4306: 4300: 4297: 4293: 4292: 4287: 4281: 4278: 4274: 4273: 4272:Hyperallergic 4268: 4262: 4259: 4255: 4254: 4249: 4243: 4240: 4236: 4235: 4230: 4224: 4221: 4210: 4206: 4200: 4198: 4194: 4183: 4182: 4177: 4170: 4167: 4163: 4162:"Copy Rights" 4157: 4154: 4150: 4146: 4140: 4137: 4132: 4131:BlouinArtinfo 4128: 4121: 4118: 4113: 4109: 4102: 4099: 4088: 4084: 4078: 4075: 4071: 4065: 4062: 4050: 4043: 4036: 4033: 4029: 4023: 4020: 4015: 4009: 4006: 3995: 3991: 3984: 3981: 3976: 3969: 3966: 3961: 3954: 3951: 3946: 3939: 3932: 3929: 3924: 3917: 3914: 3909: 3902: 3899: 3894: 3888: 3884: 3883: 3875: 3872: 3860: 3856: 3849: 3846: 3842: 3838: 3833: 3830: 3819:on 2016-05-16 3818: 3814: 3813: 3805: 3802: 3797: 3793: 3789: 3787:0-9745688-9-9 3783: 3779: 3772: 3769: 3764: 3757: 3754: 3749: 3742: 3739: 3726: 3722: 3715: 3712: 3701: 3697: 3691: 3688: 3677: 3673: 3666: 3663: 3652: 3648: 3641: 3638: 3626: 3622: 3616: 3613: 3602: 3595: 3592: 3580: 3576: 3570: 3567: 3555: 3551: 3545: 3542: 3530: 3526: 3520: 3517: 3505: 3499: 3496: 3485: 3481: 3474: 3471: 3460: 3456: 3452: 3448: 3441: 3438: 3433: 3427: 3423: 3422: 3414: 3411: 3400: 3399:Visit Bristol 3396: 3390: 3387: 3376: 3372: 3366: 3363: 3352: 3348: 3342: 3339: 3328: 3324: 3318: 3315: 3310: 3304: 3300: 3299: 3291: 3289: 3285: 3280: 3276: 3269: 3266: 3253: 3249: 3245: 3238: 3235: 3231: 3226: 3222: 3218: 3214: 3210: 3206: 3199: 3196: 3192: 3187: 3183: 3177: 3174: 3169: 3165: 3159: 3156: 3152: 3148: 3144: 3138: 3135: 3131: 3126: 3122: 3115: 3112: 3108: 3104: 3100: 3093: 3090: 3079: 3075: 3069: 3066: 3055: 3054:The Art Story 3051: 3045: 3042: 3031: 3027: 3021: 3018: 3013: 3007: 3003: 3002: 2994: 2991: 2986: 2980: 2976: 2975: 2967: 2964: 2953: 2949: 2942: 2939: 2928: 2927:The Art Story 2924: 2918: 2915: 2904: 2903:The Art Story 2900: 2894: 2891: 2886: 2882: 2878: 2874: 2870: 2866: 2862: 2858: 2851: 2844: 2841: 2829: 2825: 2819: 2817: 2813: 2802: 2798: 2792: 2789: 2778: 2774: 2768: 2765: 2760: 2756: 2749: 2746: 2735: 2731: 2727: 2723: 2716: 2713: 2702: 2698: 2692: 2689: 2678: 2674: 2668: 2665: 2654: 2650: 2643: 2640: 2628: 2624: 2623:metmuseum.org 2620: 2614: 2611: 2600: 2596: 2589: 2586: 2575: 2571: 2564: 2561: 2557: 2552: 2549: 2545: 2539: 2536: 2532: 2526: 2524: 2520: 2514: 2511: 2505: 2502: 2498: 2492: 2489: 2483: 2480: 2468: 2467:My Modern Met 2464: 2458: 2455: 2443: 2439: 2438:metmuseum.org 2435: 2429: 2426: 2414: 2413:My Modern Met 2410: 2404: 2401: 2390: 2386: 2379: 2376: 2365: 2361: 2355: 2352: 2340: 2336: 2330: 2327: 2315: 2311: 2305: 2302: 2291: 2287: 2281: 2278: 2267: 2263: 2257: 2254: 2250: 2244: 2241: 2230: 2226: 2219: 2216: 2212: 2206: 2202: 2198: 2191: 2189: 2185: 2174: 2170: 2164: 2161: 2157: 2151: 2148: 2142: 2137: 2136:Scratch video 2134: 2132: 2129: 2127: 2124: 2122: 2119: 2117: 2114: 2112: 2109: 2107: 2104: 2102: 2099: 2097: 2094: 2092: 2089: 2087: 2084: 2082: 2079: 2078: 2073: 2068: 2065: 2063: 2060: 2058: 2055: 2053: 2050: 2048: 2045: 2043: 2040: 2038: 2035: 2033: 2030: 2028: 2025: 2023: 2020: 2018: 2015: 2013: 2010: 2008: 2005: 2003: 2000: 1998: 1995: 1993: 1990: 1988: 1985: 1983: 1980: 1978: 1977:Reginald Case 1975: 1973: 1972:Pierre Huyghe 1970: 1968: 1965: 1963: 1962:Philip Taaffe 1960: 1958: 1957:Peter Saville 1955: 1953: 1950: 1948: 1945: 1943: 1942:Pablo Picasso 1940: 1938: 1935: 1933: 1930: 1928: 1925: 1923: 1920: 1918: 1915: 1913: 1910: 1908: 1905: 1903: 1900: 1898: 1895: 1893: 1890: 1888: 1887:Michael Landy 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1862:Martin Arnold 1860: 1858: 1857:Marlene Dumas 1855: 1853: 1850: 1848: 1847:Marcus Harvey 1845: 1843: 1840: 1838: 1835: 1833: 1830: 1828: 1827:Luke Sullivan 1825: 1823: 1820: 1818: 1817:Louise Lawler 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1793: 1792:Kelley Walker 1790: 1788: 1785: 1783: 1780: 1778: 1775: 1773: 1772:Joseph Kosuth 1770: 1768: 1765: 1763: 1762:John Stezaker 1760: 1758: 1755: 1753: 1750: 1748: 1745: 1743: 1740: 1738: 1735: 1733: 1730: 1728: 1725: 1723: 1720: 1718: 1715: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1683: 1680: 1678: 1675: 1673: 1670: 1668: 1665: 1663: 1660: 1658: 1655: 1653: 1650: 1648: 1645: 1643: 1640: 1638: 1635: 1633: 1630: 1628: 1625: 1623: 1620: 1618: 1615: 1613: 1612:Dorothy Cross 1610: 1608: 1605: 1603: 1600: 1598: 1595: 1593: 1590: 1588: 1585: 1583: 1582:Craig Baldwin 1580: 1578: 1577:Cory Arcangel 1575: 1573: 1570: 1568: 1565: 1563: 1562:Cindy Sherman 1560: 1558: 1555: 1553: 1550: 1548: 1547:Brian Dettmer 1545: 1543: 1540: 1538: 1535: 1533: 1530: 1528: 1525: 1523: 1520: 1518: 1515: 1513: 1510: 1508: 1505: 1503: 1500: 1499: 1497: 1495: 1484: 1481: 1473: 1470:December 2021 1463: 1459: 1455: 1449: 1448: 1444: 1439:This section 1437: 1433: 1428: 1427: 1421: 1419: 1417: 1416: 1412:case and the 1411: 1407: 1402: 1399: 1394: 1392: 1388: 1387: 1382: 1378: 1374: 1373: 1372:Hyperallergic 1368: 1364: 1360: 1355: 1354: 1352: 1351: 1344: 1340: 1336: 1335:Rizzoli books 1332: 1328: 1323: 1321: 1316: 1311: 1309: 1305: 1300: 1296: 1292: 1289:'s sculpture 1288: 1283: 1279: 1276: 1272: 1267: 1265: 1261: 1257: 1253: 1252:Andrea Blanch 1249: 1244: 1241: 1237: 1233: 1229: 1225: 1224: 1219: 1215: 1213: 1212:Jerome Gilson 1209: 1205: 1204: 1198: 1195: 1191: 1190: 1185: 1184: 1179: 1178: 1173: 1169: 1165: 1161: 1158:In 2021, the 1156: 1154: 1150: 1149:silk-screened 1146: 1139: 1134: 1130: 1127: 1123: 1120: 1117: 1116: 1115: 1112: 1110: 1104: 1096: 1094: 1092: 1088: 1084: 1080: 1072: 1070: 1067: 1061: 1059: 1058:remix culture 1055: 1050: 1048: 1044: 1040: 1036: 1033: 1029: 1020: 1018: 1016: 1012: 1008: 1004: 1000: 996: 992: 988: 987: 982: 978: 974: 973:The Kimpsons, 970: 966: 964: 960: 959:Mr. Brainwash 956: 954: 950: 946: 942: 940: 936: 935:New Portraits 932: 927: 925: 920: 918: 914: 910: 906: 902: 894: 892: 890: 886: 882: 880: 876: 875:Benjamin West 872: 868: 864: 860: 858: 857:Cindy Sherman 854: 850: 849:Édouard Manet 846: 842: 838: 836: 832: 828: 824: 820: 815: 812: 808: 799: 795: 791: 784: 782: 780: 776: 772: 768: 764: 762: 758: 756: 755: 750: 749: 744: 740: 739:Dara Birnbaum 735: 733: 729: 724: 722: 718: 714: 713:Joseph Kosuth 709: 707: 703: 699: 694: 692: 688: 684: 680: 676: 672: 668: 666: 665:Cindy Sherman 662: 658: 654: 650: 646: 642: 638: 634: 630: 626: 619: 615: 611: 607: 600: 596: 592: 588: 581: 579: 576: 572: 567: 565: 561: 557: 552: 549: 545: 541: 537: 533: 529: 527: 523: 519: 518: 517:Drowning Girl 513: 512: 507: 503: 498: 496: 492: 488: 483: 480: 475: 473: 469: 464: 462: 458: 454: 446: 444: 442: 441: 436: 435: 430: 426: 425:found objects 422: 417: 415: 414: 410: 406: 402: 401:Henri Matisse 397: 395: 394:installations 391: 387: 382: 377: 375: 371: 370: 369:The Blind Man 365: 364:New York Dada 361: 360: 355: 351: 347: 343: 341: 337: 336: 330: 326: 322: 318: 317:Pablo Picasso 310: 308: 306: 303: 299: 297: 292: 288: 284: 280: 276: 272: 270: 266: 262: 258: 254: 252: 248: 247: 242: 238: 236: 232: 228: 227: 222: 221: 216: 212: 211: 206: 205:Edouard Manet 202: 200: 196: 192: 187: 181: 176: 172: 168: 164: 160: 156: 155: 151: 147: 140: 138: 136: 132: 128: 124: 120: 116: 112: 108: 104: 100: 95: 87: 85: 83: 78: 76: 72: 68: 64: 60: 56: 52: 48: 47:appropriation 44: 37: 33: 19: 7130:most visited 6978: 6606:Plastic arts 6530:Found object 6494: 6348:Related non- 6320: 6313: 6306: 6295: 6281: 6270:Theorization 6255: 6245: 6232: 6111: 6026:Found object 6021:Détournement 5855:YouTube poop 5850:Video mashup 5798:Collage film 5761: 5753: 5744: 5672:Found poetry 5667:Flarf poetry 5576:Parody music 5556:Music mashup 5531:Contrafactum 5486: 5328: 5318: 5308: 5278: 5268: 5248: 5238: 5228: 5218: 5208: 5198: 5145: 5121:Magnificence 5103: 4971: 4953: 4919:Schopenhauer 4754:Coomaraswamy 4672:Philosophers 4660: 4591:Aestheticism 4454:Lichtenstein 4423:Free Culture 4399: 4387: 4370: 4355: 4348: 4331: 4312:. Retrieved 4308: 4299: 4289: 4280: 4270: 4261: 4251: 4242: 4232: 4223: 4212:. Retrieved 4208: 4185:. Retrieved 4179: 4169: 4156: 4148: 4139: 4130: 4120: 4111: 4101: 4090:. Retrieved 4086: 4077: 4069: 4064: 4052:. Retrieved 4048: 4035: 4027: 4026:Andy Warhol 4022: 4008: 3997:. Retrieved 3993: 3983: 3974: 3968: 3959: 3953: 3945:Kunstchronik 3944: 3931: 3922: 3916: 3907: 3901: 3881: 3874: 3862:. Retrieved 3858: 3848: 3832: 3821:. Retrieved 3817:the original 3811: 3804: 3777: 3771: 3762: 3756: 3747: 3741: 3729:. Retrieved 3724: 3714: 3703:. Retrieved 3699: 3690: 3679:. Retrieved 3675: 3665: 3654:. Retrieved 3650: 3640: 3629:. Retrieved 3627:. 2008-06-16 3624: 3615: 3604:. Retrieved 3594: 3583:. Retrieved 3581:. 2018-03-29 3579:The Guardian 3578: 3569: 3558:. Retrieved 3553: 3544: 3533:. Retrieved 3531:. 2018-05-14 3528: 3519: 3508:. Retrieved 3498: 3487:. Retrieved 3483: 3473: 3462:. Retrieved 3451:The Guardian 3450: 3440: 3420: 3413: 3402:. Retrieved 3398: 3389: 3378:. Retrieved 3374: 3365: 3354:. Retrieved 3350: 3341: 3330:. Retrieved 3326: 3317: 3297: 3278: 3268: 3256:. Retrieved 3252:the original 3247: 3237: 3230:historical). 3228: 3208: 3198: 3189: 3185: 3176: 3167: 3158: 3150: 3146: 3137: 3128: 3124: 3114: 3106: 3102: 3092: 3081:. Retrieved 3077: 3068: 3057:. Retrieved 3053: 3044: 3033:. Retrieved 3029: 3020: 3000: 2993: 2973: 2966: 2955:. Retrieved 2951: 2941: 2930:. Retrieved 2926: 2917: 2906:. Retrieved 2902: 2893: 2863:(4): 40–57. 2860: 2856: 2843: 2832:. Retrieved 2830:. 2014-02-11 2827: 2804:. Retrieved 2800: 2791: 2780:. Retrieved 2776: 2767: 2759:The Guardian 2758: 2748: 2737:. Retrieved 2725: 2715: 2704:. Retrieved 2700: 2691: 2680:. Retrieved 2676: 2667: 2656:. Retrieved 2652: 2642: 2631:. Retrieved 2622: 2613: 2602:. Retrieved 2598: 2588: 2577:. Retrieved 2573: 2563: 2555: 2551: 2543: 2538: 2513: 2504: 2496: 2491: 2482: 2471:. Retrieved 2469:. 2017-07-14 2466: 2457: 2446:. Retrieved 2437: 2428: 2417:. Retrieved 2415:. 2017-12-14 2412: 2403: 2392:. Retrieved 2388: 2378: 2367:. Retrieved 2363: 2354: 2343:. Retrieved 2338: 2329: 2318:. Retrieved 2316:. 2020-09-01 2314:TheCollector 2313: 2304: 2293:. Retrieved 2289: 2280: 2269:. Retrieved 2265: 2256: 2248: 2243: 2232:. Retrieved 2228: 2218: 2196: 2176:. Retrieved 2173:www.moma.org 2172: 2163: 2150: 2126:Found object 2042:Tom Phillips 2027:System D-128 2022:Stewart Home 1997:Robert Longo 1947:Sigmar Polke 1927:Nikki S. Lee 1727:Jasper Johns 1682:Graham Rawle 1647:General Idea 1602:Deborah Kass 1592:Damien Hirst 1491: 1476: 1467: 1452:Please help 1440: 1413: 1409: 1405: 1403: 1397: 1395: 1384: 1370: 1356: 1348: 1346: 1342: 1324: 1312: 1298: 1290: 1287:Damien Hirst 1284: 1280: 1274: 1268: 1263: 1259: 1255: 1245: 1231: 1221: 1216: 1201: 1199: 1187: 1181: 1175: 1157: 1153:Leo Castelli 1143: 1113: 1106: 1076: 1065: 1062: 1051: 1034: 1024: 1003:Michelin Man 999:Mickey Mouse 994: 991:the Simpsons 984: 976: 975:and painted 972: 967: 957: 945:Damien Hirst 943: 934: 928: 924:Kent Monkman 921: 913:Claude Monet 898: 895:21st century 888: 883: 867:Robert Houle 861: 839: 831:Deborah Kass 813: 803: 793: 770: 765: 759: 754:Wonder Woman 752: 746: 736: 725: 717:epistemology 710: 695: 675:Walker Evans 669: 639:was held at 636: 622: 609: 594: 571:Sigmar Polke 568: 556:New Realists 553: 547: 540:Joseph Beuys 535: 530: 515: 509: 506:comics books 499: 484: 476: 471: 467: 465: 461:Jasper Johns 457:silk-screens 450: 438: 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2434:"Japonisme" 2037:Thomas Ruff 1992:Rob Scholte 1922:Negativland 1917:Nancy Spero 1902:Mike Kelley 1882:Mic Neumann 1822:Luc Tuymans 1777:Joy Garnett 1757:John McHale 1722:James Cauty 1702:Hans Haacke 1692:Greg Colson 1672:Glenn Brown 1642:Genco Gulan 1597:David Salle 1587:Damian Loeb 1537:Bern Porter 1517:Andy Warhol 1363:Scott Blake 1359:Chuck Close 1183:Vanity Fair 1145:Andy Warhol 1039:portmanteau 1030:coined the 835:Genco Gulan 819:Damian Loeb 728:Greg Colson 721:metaphysics 691:consumerism 661:David Salle 542:, Duchamp, 511:Masterpiece 495:pop artists 491:Andy Warhol 427:', such as 421:Surrealists 307:1820-1829. 7298:Modern art 7262:Categories 7220:sculptures 7074:Provenance 6969:Art market 6876:Commission 6824:Art school 6812:Art museum 6778:Art colony 6766:and events 6626:street art 6621:Public art 6308:Nachahmung 6294:Dionysian 6234:L.H.O.O.Q. 6158:Simulacrum 5967:Adaptation 5947:Plagiarism 5881:Joke theft 5864:Other arts 5657:Assemblage 5519:Contrafact 5153:Recreation 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