22:
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in Vienna, and he transcribed it for voice and piano. Mozart's widow found this manuscript after Mozart's death and had it published as an original work of his husband. In this form, it was catalogued as K. 152 (210a) and became one of Mozart's most frequently-performed
88:
in Milan on 26 December 1779 to open the theater's operatic carnival season of 1780 as one of the earliest operas ever performed there. It was a spectacular failure that necessitated the substitution of many of the
72:. It incorporates many elements from the operatic "reform" movement of the 1770s, including short vocal numbers and short choruses incorporated into the fabric of the drama and lavish use of accompanied
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staged in Lucca in 1778 made use of any of
Mysliveček's music, in spite of multiple claims in the musicological literature that it constituted the original version of the Milan opera of 1780.
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One of the arias substituted out of the production was "Il caro mio bene" (Act III, scene 1), sung by
Mysliveček's friend and professional collaborator
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132:
discovered, this aria (which may or may not be by
Mysliveček) was a favourite of Luigi Marchesi, who inserted it in other productions, such as
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https://www.academia.edu/39985218/Linvenzione_del_passato_Note_per_il_concerto_Autenticamente_falso_del_Festival_Pergolesi_Spontini_2017
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Paolo
Montanari, L'invenzione del passato. Note per il concerto "Autenticamente falso" del Festival Pergolesi Spontini 2017
106:
45:
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448:
137:
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must have heard Luigi
Marchesi performing the aria with these words, probably in 1785, when Luigi Marchesi was singing
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66:. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as
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Act III, scene 1 - Aria for an "Amante fortunata" with chorus, "Il piacer tranquillo"
386:
Act II, scene 9 - Duet for
Lucinda and the Cavalier Danese, "Qual v'a più bel piacer"
966:
926:
401:
Act III, scene 3 - Aria of Armida, "Idol mio, serena i rai e consola il tuo dolor"
166:
101:. The first performance of the opera since its first run in Milan took place in
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Act II, scene 5 - Accompanied recitative for Armida, "Vieni, odio implacabile"
534:
197:
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Act III, scene 4 - Accompanied recitative for Armida, "Il traditor
Rinaldo"
361:
Act I, scene 10 - Chorus with naiad and shepherdess, "Nel più felice tempo"
355:
Act I, scene 9 - Accompanied recitative for
Rinaldo, "Più queste spiaggie"
349:
Act I, scene 7 - Duet for Armida and
Idraote, "Ah, del fellon nel sangue"
236:
85:
53:
392:
Act II, scene 12 - Duet for Armida and
Rinaldo, "È felice la mia sorte"
390:
Act II, scene 11 - Aria of Ubaldo, "Ah, troppo barbara ragion tiranna"
217:
760:
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Act II, scene 3 - Aria of Fenicia, "Arta vanta d'ogn'altra maggiore"
353:
Act I, scene 8 - Accompanied recitative for Idraote, "Qui si dimori"
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in Vienna in 1782, was also present as a cast member in Mysliveček's
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on 22 May 2015 in the form of a semi scenic version sponsored by the
102:
378:
Act II, scene 6 - Aria of Armida, "Se il mio duolo, se il mio fato"
363:
Act I, scene 11 - Accompanied recitative for Armida, "Qual turbame"
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292:
37:
20:
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Act I, scene 6 - Chorus with Fenicia, "L'orme seguiam d'Armida"
270:
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359:
Act I, scene 10 - Aria of Artemidoro, "Se amica vuoi la sorte"
399:
Act III, scene 2 - Aria of the Cavalier Danese, "Vieni ormai"
388:
Act II, scene 11 - Cavatina of Melissa, "Perche veder deggio"
372:
Act II, scene 4 - Aria of Rinaldo, "Ah, disponi di mia sorte"
112:
There is no reason to believe that an anonymous production of
357:
Act I, scene 9 - Aria of Rinaldo, "Più non vi sento in seno"
339:
Act I, scene 1 - Aria of Fenicia, "Perche d'affano oppressa"
345:
Act I, scene 4 - Aria of Idraote, "Molto soffrir condanna"
384:
Act II, scene 9 - Cavatina of Lucinda, "Qui senza stento"
380:
Act II, scene 7 - Aria of Odio, "Mi chiamerai ma in vano"
173:, who would create the role of Belmonte in Mozart's opera
213:
a sorceress, hereditary princess of the kingdom of Syria
397:
Act III, scene 1 - Aria of Rinaldo, "Il caro mio bene"
382:
Act II, scene 9 - Chorus with Lucinda, "Ecco la calma"
365:
Act I, scene 11 - Aria of Armida, "Cedo l'armi il cor"
343:
Act I, scene 3 - Aria of Armida, "So che amor lusinga"
368:
Act II, scene 1 - Aria of Ubaldo, "Di luce un raggio"
351:
Act I, scene 8 - Aria of Rinaldo, "Dal mio core amor"
334:(taken from the score in the Ajuda Palace in Lisbon,
152:
the aria was sung with the words "Ridente la pace".
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806:
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753:
478:
437:
Sterling Heights, Mich.: Harmonie Park Press, 2009.
341:Act I, scene 2 - Aria of Sidonia, "Vuoi che turbi"
52:. It is one of many operas set at the time of the
282:a sorcerer, uncle of Armida, and king of Damascus
56:that is based on characters and incidents from
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456:
8:
231:the most renowned of the knights of Goffredo
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718:
710:
463:
449:
441:
190:
128:in the role of Rinaldo. As musicologist
998:Operas based on works by Torquato Tasso
815:Il combattimento di Tancredi e Clorinda
412:
336:the only complete score of the opera)
84:The opera was first performed at the
7:
376:Act II, scene 5 - Chorus of furies
306:overseer of the prisoners of Armida
148:, adapting it to the new texts. In
14:
1003:Opera world premieres at La Scala
107:Orquestra Metropolitana de Lisboa
48:based on an earlier libretto by
286:Odio; and the Cavalier Danese,
1:
435:Josef Mysliveček, "Il Boemo."
176:Die Entführung aus dem Serail
46:Giovanni Ambrogio Migliavacca
1024:
978:Operas by Josef Mysliveček
771:Tancred, Prince of Galilee
697:
312:one of Armida's prisoners
206:Teatro alla Scala, Milan
16:Opera by Josef Mysliveček
1008:Operas set in the Levant
847:Armida al campo d'Egitto
183:in the role of Idraote.
973:Italian-language operas
154:Wolfgang Amadeus Mozart
63:La Gerusalemme liberata
265:a confidante of Armida
250:a confidante of Armida
120:Connection with Mozart
28:
288:a companion of Ubaldo
150:Il trionfo della pace
134:Il trionfo della pace
44:set to a libretto by
24:
796:The Mighty Crusaders
511:Il trionfo di Clelia
952:Rinaldo discography
746:Jerusalem Delivered
583:La clemenza di Tito
323:Gaetano Quistapace
316:an envoy to Rinaldo
298:Valentin Adamberger
258:Caterina Lorenzini
171:Valentin Adamberger
80:Performance history
855:Armida abbandonata
223:Caterina Gabrielli
144:(Venice, 1791) by
130:Paolo V. Montanari
29:
960:
959:
707:
706:
567:Romolo ed Ersilia
551:Il gran Tamerlano
431:Freeman, Daniel E
327:
326:
320:soprano castrato
146:Gaetano Andreozzi
142:Angelica e Medoro
138:Francesco Bianchi
136:(Turin, 1782) by
99:Francesco Bianchi
86:Teatro alla Scala
50:Philippe Quinault
40:in three acts by
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623:Adriano in Siria
472:Josef Mysliveček
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330:Vocal set pieces
204:26 December 1779
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42:Josef Mysliveček
26:Josef Mysliveček
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741:Torquato Tasso
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242:Luigi Marchesi
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158:Giuseppe Sarti
126:Luigi Marchesi
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95:Giuseppe Sarti
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58:Torquato Tasso
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788:The Crusaders
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275:Rosa Franchi
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202:Premiere cast
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172:
169:. The tenor
168:
167:concert arias
163:
162:Giulio Sabino
159:
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93:for works of
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71:
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60:'s epic poem
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55:
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43:
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34:
27:
23:
19:
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541:
533:
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434:
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338:
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310:Artemidoro,
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83:
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32:
31:
30:
18:
988:Opera seria
983:1780 operas
647:L'Olimpiade
639:La Calliroe
69:opera seria
967:Categories
754:Characters
607:Demofoonte
535:La Nitteti
527:Ipermestra
519:Demofoonte
487:Semiramide
407:References
198:Voice type
74:recitative
599:Artaserse
280:Idraote,
263:Sidonia,
248:Fenicia,
229:Rinaldo,
831:Tancrède
766:Clorinda
687:Antigono
663:Demetrio
655:La Circe
575:Antigona
559:Demetrio
543:Motezuma
304:Aronte,
255:soprano
237:castrato
235:soprano
211:Armida,
54:Crusades
946:Rinaldo
938:Related
839:Rinaldo
679:Medonte
503:Farnace
218:soprano
993:Operas
930:(2005)
927:Armida
922:(1904)
919:Armida
914:(1817)
911:Armida
906:(1784)
903:Armida
898:(1783)
895:Renaud
890:(1780)
887:Armida
882:(1777)
879:Armide
874:(1772)
871:Armida
866:(1771)
863:Armida
858:(1770)
850:(1718)
842:(1711)
834:(1702)
826:(1686)
823:Armide
818:(1628)
807:Operas
799:(1958)
791:(1918)
761:Armida
701:Operas
699:List:
690:(1780)
682:(1780)
674:(1780)
671:Armida
666:(1779)
658:(1779)
650:(1778)
642:(1778)
634:(1777)
626:(1776)
618:(1775)
610:(1775)
602:(1774)
594:(1774)
586:(1774)
578:(1774)
570:(1773)
562:(1773)
554:(1772)
546:(1771)
538:(1770)
530:(1769)
522:(1769)
514:(1768)
506:(1767)
498:(1767)
490:(1766)
479:Operas
181:Armida
114:Armida
103:Lisbon
36:is an
33:Armida
780:Films
591:Atide
293:tenor
194:Role
187:Roles
91:arias
38:opera
631:Ezio
615:Ezio
271:alto
140:and
97:and
743:'s
160:'s
969::
433:.
109:.
76:.
733:e
726:t
719:v
464:e
457:t
450:v
308:;
284:;
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