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The insurrection actually begins. Arminius muses about the past when the
Germanic tribes lived peacefully in their homes, posing no threat whatsoever to the mighty Roman Empire which nonetheless started to "pour upon our valleys", thus breaking the peace. Siegmund roams the area after having killed a
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The fierce battle is accompanied by renewed prayers to the
Germanic gods who shall guide the warriors: "Freya, gracious mother, awful one, bounteous giver of blessings, look down on our warriors brave, oh protect them! Thousands are wounded, their blood is flowing, pour'd for their fatherland!"
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In the
Introduction, the Roman legions approach the camp of Arminius and the Cheruski who express their will to not longer accept Roman tyranny: "But now your conqu'ring arms shall fail you, your star of glory here shall pale and die! We freeborn sons of Wodan, we have not learnt to bend to the
190:"We are the sons of Mars the mighty, from Gods and heroes have we sprung! Before our arms unconquer'd the tribes of earth lie prostrate, they break asunder, like to moulds of clay, we crush them, they break asunder."
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Roman soldier who had insulted his wife. Deeply shattered by
Siegmund's faith illustrating Roman tyranny, Arminius calls everyone to arms: "To arms! for just is our cause! Ranged in order, brothers all!" ("
187:"Wir sind des Mars gewalt'ge Söhne, aus Götterkraft gezeugt sind wir! Vor unsern Waffen sanken der Erde stolze Reiche, wie Throngebilde brachen sie in Staub zusammen." —
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The second part of the oratorio introduces the listener to a sacred forest where the chorus and a priestess call the gods of heathen
Germania to help them withstand.
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Hehre Mutter, Freya, göttliche, freudenspendende Mutter, o schirme der Jünglinge schöne Jugend! Sieh, wie sie bluten aus tausend Wunden, bluten fürs
Vaterland!
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Doch hier ist ihrer
Herrschaft Grenze, hier wird erbleichen ihres Ruhmes Stern! Wir, Wodans freie Söhne, wir beugten nie den Nacken dem fremden Joch!
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The oratorio ends with
Arminius and the choir praising Wodan and singing paeans: "e will chant a solemn song to Freedom, glorious treasure!" ("
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in the 16th century, Germans have exalted the
Germanic tribes as their direct ancestors. They especially praised German liberty defended by
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208:"Ihr Götter, Walhallas Bewohner, o neiget euch gnädig uns! Erhöret, erhabene Mächte, des Volkes Fleh'n!" —
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in 9 A.D., which served as a German national myth from the 16th to the early 20th century.
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Ernst
Baltrusch, Morten Hegewisch, Michael Meyer, Uwe Puschner, Christian Wendt (ed.).
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Ernst Baltrusch, Morten Hegewisch, Michael Meyer, Uwe Puschner, Christian Wendt (ed.).
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248:"Germany's sons shall be renowned, great and glorious are the heroes who have fallen!"
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257:") Siegmund, fatally wounded, hears how "Allfather rides upon his steed of storm".
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Both the German libretto and the English translation thereof: Booklet, Max Bruch.
224:"O dass ich künden muss meines Volkes Schmach! Allvater, mächt'ger, zürnest du?" —
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A History of the Oratorio: The oratorio in the nineteenth and twentieth Centuries
227:"Oh! Must I live to tell of my people's shame! Wodan, Allfather, art thou wroth?"
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were defeated on Germanic soil, thus putting an end to Roman plans to subjugate
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245:"Groß ist der Ruhm der deutschen Söhne, groß die Ehre der gefallenen Helden!" —
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Zum Kampf! zum Kampf! zum heiligen Kampf schart euch, ihr tapfern Streiter all!
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History in Mighty Sounds: Musical Constructions of German National Identity
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Vaterlandsliebe Und Religionskonflikt: Politische Diskurse Im Alten Reich
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This national myth inspired several poets and composers, amongst others
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and the renaissance of general interest in Germanic culture (f.ex. in
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in 1871, the interest in this story was renewed. The erection of the
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singen der Freiheit hehres Lied, der goldenen und sĂĽĂźen Freiheit!
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2000 Jahre Varusschlacht: Geschichte – Archäologie – Legenden
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2000 Jahre Varusschlacht: Geschichte – Archäologie – Legenden
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This article is about Bruch's oratorio. For other uses, see
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Performed, the work approximately takes 90 minutes.
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32:. 43) is an oratorio by the German composer
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126:tetralogy) took place during this era.
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392:The chorus of the Romans on YouTube.
74:in 9 A.D. when three legions of the
397:Arminius's call to arms on YouTube.
137:is an oratorio in four parts for 3
64:Since the rediscovery of Tacitus's
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655:Cultural depictions of Arminius
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104:After the foundation of the
95:Friedrich Gottlieb Klopstock
91:Daniel Caspar von Lohenstein
309:, Brill Publishers, p. 125.
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18:Arminius (disambiguation)
114:Hermann Heights Monument
168:II. In the Sacred Grove
645:Oratorios by Max Bruch
610:Rose and Ottilie Sutro
348:. NDR 1 Niedersachsen.
87:Georg Friedrich Händel
503:Violin Concerto No. 3
498:Violin Concerto No. 2
493:Violin Concerto No. 1
335:, De Gruyter, p. 267.
274:Hermann und Thusnelda
130:Scoring and structure
48:-led defeat of three
442:List of compositions
322:, De Gruyter, p. 67.
195:stranger's yoke!" ("
527:Serenade in A minor
305:Alexander Schmidt,
292:Howard E. Smither,
203:In the Sacred Grove
99:Heinrich von Kleist
515:Romance in A minor
383:Information about
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603:Related articles
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182:Introduction
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559:Vocal music
476:Concertante
457:Die Loreley
387:on AllMusic
639:Categories
509:Kol Nidrei
280:References
240:The Battle
219:The Revolt
433:Max Bruch
378:on Amazon
159:orchestra
34:Max Bruch
626:Category
579:Arminius
572:Odysseus
465:Hermione
385:Arminius
376:Arminius
346:Arminius
268:See also
151:baritone
139:soloists
135:Arminius
112:and the
80:Germania
72:Arminius
67:Germania
46:Cherusci
44:and the
42:Arminius
25:Arminius
60:History
468:(1872)
460:(1863)
449:Operas
593:Moses
155:choir
147:tenor
50:Roman
236:").
157:and
143:alto
123:Ring
97:and
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