Knowledge (XXG)

Arno (typeface)

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The font family is a multi-purpose type suitable for book design, inspired by the calligraphically-inspired humanistic types of the Italian Renaissance. Slimbach described his goal as giving it "a tangible style" to be "as readable as possible".
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described it as "nicely sturdy" for body text and highlighted the sophistication of its italic alternate programming, noting that when enabled Arno "almost becomes a different typeface". Font expert Stephen Coles compared it to
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A light weight is included only in the display style. Slimbach commented that he felt that using light styles at text sizes would be a mistake because they would be hard to read.
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serif font, drawing inspiration from a variety of 15th and 16th century typefaces. Slimbach has described the design as a combination of the period's
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One of the most complete serif font families ever designed, Arno supports Adobe CE, Adobe Western 2,
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suggested that its design represents a different, more "lively" approach to the neutral-looking
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italics inspired by Renaissance calligraphy. Other supported
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Arno has received positive reviews. Reviewing the font for
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began using Arno Pro for the body text of several of its
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intended for professional use. The name refers to the
486: 484: 482: 480: 208:and fleuron characters inspired by early printing. 88: 76: 64: 52: 40: 16:"Arno Pro" redirects here. Not to be confused with 266:, and "yet not as loose and carefree as Brioso." 365:2007 Type Design Competition (TDC), under the 178:, subscripts and superscripts, and ordinals. 8: 147:inspired by the calligraphy and printing of 26: 376:used Arno in the print edition of his book 32: 500:. San Jose: Adobe Systems. Archived from 606:Journal of the American Chemical Society 491:Twardoch, Slimbach; Sousa, Slye (2007). 288: 279:Journal of the American Chemical Society 389: 719:Typefaces and fonts introduced in 2007 25: 729:Typefaces designed by Robert Slimbach 7: 689:Contemporary discussion on typophile 641:from the original on 12 January 2008 281:after decades of using Times Roman. 659:Kupferschmid, Indra (5 July 2011). 459:"Arno Pro, a new Slimbach typeface" 14: 220:programme, Arno is included with 347:Light, regular, semi-bold, bold 557:"Comments on typophile thread" 361:It was a winning entry in the 1: 724:Typefaces with optical sizes 258:. Designer and calligrapher 714:Typefaces with text figures 332:Weights (all with italics) 745: 154:Arno was released in five 15: 704:Old style serif typefaces 367:Type System / Superfamily 277:, including the flagship 271:American Chemical Society 31: 661:"Typography for Lawyers" 586:Shaw, Paul (June 2008). 344:Regular, semi-bold, bold 341:Regular, semi-bold, bold 338:Regular, semi-bold, bold 335:Regular, semi-bold, bold 172:proportional and tabular 446:Adobe Fonts : Arno 372:Document design expert 378:Typography for Lawyers 228:11 and Adobe Typekit. 162:letter styles such as 149:Ludovico degli Arrighi 312:Intended point sizes 222:Adobe Creative Suite 200:character sets with 635:Type Directors Club 567:on January 23, 2015 555:Coles; et al. 363:Type Directors Club 187:mono- and polytonic 141:Aldine and Venetian 28: 128:, a centre of the 124:that runs through 507:on 30 August 2014 457:Phinney, Thomas. 374:Matthew Butterick 351: 350: 176:old style figures 170:features include 96: 95: 736: 676: 675: 673: 671: 656: 650: 649: 647: 646: 627: 621: 610:J. Am. Chem. Soc 602: 596: 595: 583: 577: 576: 574: 572: 563:. Archived from 552: 543: 542: 540: 538: 529:Simonson, Mark. 526: 517: 516: 514: 512: 506: 499: 488: 475: 474: 472: 470: 454: 448: 443: 437: 436: 434: 433: 424:. Archived from 414: 408: 407: 405: 404: 394: 289: 226:Adobe Font Folio 36: 29: 744: 743: 739: 738: 737: 735: 734: 733: 709:Adobe typefaces 694: 693: 685: 680: 679: 669: 667: 658: 657: 653: 644: 642: 629: 628: 624: 603: 599: 585: 584: 580: 570: 568: 554: 553: 546: 536: 534: 528: 527: 520: 510: 508: 504: 497: 490: 489: 478: 468: 466: 456: 455: 451: 444: 440: 431: 429: 416: 415: 411: 402: 400: 396: 395: 391: 386: 359: 287: 243: 234: 218:Adobe Originals 214: 114:Robert Slimbach 71:Robert Slimbach 24: 21: 12: 11: 5: 742: 740: 732: 731: 726: 721: 716: 711: 706: 696: 695: 692: 691: 684: 683:External links 681: 678: 677: 651: 622: 597: 592:Print magazine 578: 544: 533:. Typographica 518: 476: 449: 438: 409: 388: 387: 385: 382: 358: 355: 349: 348: 345: 342: 339: 336: 333: 329: 328: 325: 322: 319: 316: 313: 309: 308: 305: 302: 299: 296: 293: 286: 283: 242: 239: 233: 230: 213: 210: 194:Latin Extended 94: 93: 90: 86: 85: 80: 74: 73: 68: 62: 61: 56: 54:Classification 50: 49: 44: 38: 37: 23:Serif typeface 22: 13: 10: 9: 6: 4: 3: 2: 741: 730: 727: 725: 722: 720: 717: 715: 712: 710: 707: 705: 702: 701: 699: 690: 687: 686: 682: 666: 662: 655: 652: 640: 636: 632: 626: 623: 619: 615: 611: 607: 601: 598: 593: 589: 588:"Arno review" 582: 579: 566: 562: 558: 551: 549: 545: 532: 531:"Arno review" 525: 523: 519: 503: 496: 495: 487: 485: 483: 481: 477: 464: 460: 453: 450: 447: 442: 439: 428:on 2009-09-28 427: 423: 419: 413: 410: 399: 393: 390: 383: 381: 379: 375: 370: 368: 364: 356: 354: 346: 343: 340: 337: 334: 331: 330: 326: 323: 320: 317: 314: 311: 310: 306: 303: 300: 297: 294: 292:Optical sizes 291: 290: 285:Optical sizes 284: 282: 280: 276: 272: 269:In 2011, the 267: 265: 261: 257: 252: 251:Mark Simonson 248: 240: 238: 231: 229: 227: 223: 219: 211: 209: 207: 204:, as well as 203: 199: 195: 191: 188: 184: 179: 177: 173: 169: 165: 161: 157: 156:optical sizes 152: 150: 146: 143:styles, with 142: 138: 135:. Arno is an 134: 131: 127: 123: 119: 115: 111: 108: 104: 100: 91: 89:Date released 87: 84: 81: 79: 75: 72: 69: 67: 63: 60: 57: 55: 51: 48: 45: 43: 39: 35: 30: 19: 668:. Retrieved 665:Fonts in Use 664: 654: 643:. Retrieved 625: 617: 613: 609: 605: 600: 591: 581: 569:. Retrieved 565:the original 560: 535:. Retrieved 509:. Retrieved 502:the original 493: 467:. Retrieved 463:Typekit blog 462: 452: 441: 430:. Retrieved 426:the original 422:Media Temple 412: 401:. Retrieved 398:"Identifont" 392: 377: 371: 366: 360: 352: 278: 268: 247:Typographica 246: 244: 235: 216:Part of the 215: 212:Availability 180: 153: 102: 98: 97: 249:, designer 232:Inspiration 133:Renaissance 112:created by 110:type family 66:Designer(s) 698:Categories 645:2008-02-17 432:2009-10-01 403:2009-10-01 384:References 369:category. 298:Small Text 202:small caps 198:Vietnamese 83:Adobe Type 670:14 August 571:14 August 561:Typophile 537:14 August 511:14 August 469:14 August 418:"Typedia" 327:>21.5 260:Paul Shaw 241:Reception 174:numbers, 160:alternate 137:old-style 59:Old-style 639:Archived 637:. 2007. 604:For the 494:Arno Pro 318:8.5–10.9 307:Display 275:journals 183:Cyrillic 168:OpenType 126:Florence 103:Arno Pro 42:Category 18:Arlo Pro 465:. Adobe 324:14–21.4 321:11–13.9 315:<8.4 304:Subhead 301:Regular 295:Caption 256:Requiem 206:dingbat 145:italics 130:Italian 105:, is a 78:Foundry 620:, 643. 357:Awards 264:Minion 505:(PDF) 498:(PDF) 190:Greek 164:swash 122:river 118:Adobe 107:serif 101:, or 47:Serif 672:2015 614:2011 573:2015 539:2015 513:2015 471:2015 196:and 99:Arno 92:2007 27:Arno 618:133 224:3, 116:at 700:: 663:. 633:. 616:, 612:. 590:. 559:. 547:^ 521:^ 479:^ 461:. 420:. 380:. 192:, 185:, 151:. 674:. 648:. 594:. 575:. 541:. 515:. 473:. 435:. 406:. 20:.

Index

Arlo Pro

Category
Serif
Classification
Old-style
Designer(s)
Robert Slimbach
Foundry
Adobe Type
serif
type family
Robert Slimbach
Adobe
river
Florence
Italian
Renaissance
old-style
Aldine and Venetian
italics
Ludovico degli Arrighi
optical sizes
alternate
swash
OpenType
proportional and tabular
old style figures
Cyrillic
mono- and polytonic

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