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Arnold Dolmetsch

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482: 293: 285: 33: 536:(31 July 1905 – 14 Feb 1989), his daughter, was born in Chicago to Dolmetsch and his wife Mabel. Nathalie continued her mother's tradition of early dancing and specialised in playing the viola de gamba. She founded the Viola da Gamba Society in 1948 and edited music and wrote on the viols. Her publications include 512:
Dolmetsch encouraged the members of his family to learn the skills of instrument-making and musicianship and the family frequently appeared together in concerts, playing instruments constructed in the Dolmetsch workshops. Following the death of Arnold Dolmetsch at Haslemere in 1940, his family
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Miss Skinner was fortunate in having close at hand, in our Cambridge, the foremost genius of the century, in making and restoring old musical instruments, Arnold Dolmetsch. Who, with his gifted family, lived over here during the First World
253:, France, where the family had established a piano-making business. It was in the family's workshops that Dolmetsch acquired the skills of instrument-making that would later be put to use in his early music workshops. 462:, both as a serious concert instrument, and as an instrument which made early music accessible to amateur performers. He went on to promote the recorder as an instrument for teaching music in schools. 229:(24 February 1858 – 28 February 1940), was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in 959: 509:, was Elodie DĂ©sirĂ©e, the divorced wife of his brother. This marriage ended in divorce in 1903. Thirdly, he was married on 23 September 1903 to Mabel Johnston, one of his pupils. 249:
The Dolmetsch family was originally of Bohemian origin, but (Eugène) Arnold Dolmetsch, the son of Rudolph Arnold Dolmetsch and his wife Marie Zélie (née Guillouard) was born at
1094: 363: 952: 520:(1874–1963), his third wife, was a noted player of the bass viol. She wrote "Dances of England and France 1450 - 1600" which includes tunes set by Arnold Dolmetsch. 396:
In 1925 he founded an annual chamber music festival, the International Dolmetsch Early Music Festival, which is held every July at Haslemere in the Haslemere Hall.
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Dolmetsch settled in Dulwich (at 'Dowlands', 172 Rosendale Road) and was active in the cultural life of London. His friends and admirers included
458:'s tribute that Dolmetsch had "opened the door to a forgotten treasure-house of beauty". He was also largely responsible for the revival of the 1413: 1054: 761: 613: 1408: 1398: 1059: 1117: 1074: 968: 884: 827: 725: 1418: 1219: 257: 1458: 1287: 539: 373:, Surrey, and proceeded to build copies of almost every kind of instrument dating from the 15th to 18th centuries, including 1171: 505:(a widow, ten years his senior) but was divorced in 1898. His second wife, to whom he was married on 11 September 1899, in 1357: 1145: 894: 459: 382: 1388: 1234: 1197: 1176: 1069: 986: 655: 1064: 1044: 924:, in: Lexikon "Europäische Instrumentalistinnen des 18. und 19. Jahrhunderts", hrsg. von Freia Hoffmann, 2013/2023. 618: 991: 788: 1453: 1224: 1001: 621:, apprentice of Dolmetsch whose instruments gradually incorporated modern mechanics with traditional construction 325: 1473: 1328: 1192: 1079: 570:(1906–1942), his son, was a gifted keyboard player, gamba player, and composer, who died in the sinking of the 344: 304:, but his interest in early instruments was awakened by seeing the collections of historic instruments in the 1212: 1262: 1229: 1089: 551: 447: 428: 269: 927: 443: 412: 321: 265: 96: 91: 1202: 1166: 470: 1084: 976: 583:(1911–1997), his son, was a noted recorder player and took over his father's instrument-making business. 533: 390: 1099: 567: 1335: 1321: 288:
A harpsichord spinet with Arnold Dolmetsch's inscription, in the studio of Swiss luthier, Claude Lebet
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in 1893, he began building keyboard instruments. William Morris encouraged him to build his first
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in 1942. His Concerto for clarinet, harp and orchestra (1939) was revived and recorded in 2020.
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Arnold Dolmetsch was married three times. On 28 May 1878 he married Marie Morel of
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Arnold Dolmetsch and his family: c.1928 Back row: Leslie Ward (Ceciles husband),
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The Viola da Gamba: its Origin and History, its Technique and Musical Resources
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Instruments built and restored by Dolmetsch in the Horniman museum, London, UK.
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He was responsible for rediscovering the school of English composers for viol
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continued to promote the building and playing of early instruments.
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The Interpretation of the Music of the XVIIth and XVIIIth Centuries
489:, Rudolph, Millicent Wheaton–Dolmetsch, George Carley. Front row: 480: 291: 283: 1150: 378: 374: 351:, was able to restore a number of rare instruments, including a 343:
During Dolmetsch's time at Chickering, he resided in a house in
309: 941: 526:(1904–1997), his daughter, was a soprano and specialist of the 300:
Dolmetsch was employed for a short time as a music teacher at
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He went on to establish an instrument-making workshop in
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The Belle Skinner Collection of Old Musical Instruments
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pension and in 1938 he was created a chevalier of the
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Twelve Lessons on the Viola da Gamba, with Advice by
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playing 17th century instruments in a revival of the
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French-born musician and instrument maker (1858–1940)
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and was awarded a Bachelor of Music degree in 1889.
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Portrait of Arnold Dolmetsch playing a recorder, by
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Archived from 718:10.1093/gmo/9781561592630.article.07949 631: 389:was a milestone in the development of ' 915:The Dolmetsch Historical Dance Society 560:(Schott & Co., London, 1950), and 336:of Boston (1905–1911), then for 1444:Royal Conservatory of Brussels alumni 1172:Oberlin Baroque Performance Institute 614:List of historical harpsichord makers 493:, Nathalie Dolmetsch–Carley, Arnold, 7: 1439:Alumni of the Royal College of Music 1118:American Musical Instrument Society 1075:Musical Instrument Museum, Phoenix 1060:Brussels Musical Instrument Museum 14: 1469:British performers of early music 1235:Viola da Gamba Society of America 969:Historically informed performance 879:, Oxford University Press, 2004. 816:, Signum Classics SIGCD656 (2020) 364:Collection of Musical Instruments 1464:Immigrants to the United Kingdom 1429:French performers of early music 1404:French male classical violinists 1220:National Early Music Association 1198:Cambridge Society of Early Music 174: 147: 1449:French people of German descent 1434:Knights of the Legion of Honour 928:Free scores by Arnold Dolmetsch 752:Dolmetsch: The Man and His Work 194: 170: 143: 1424:British multi-instrumentalists 1394:19th-century French violinists 639:"Summary of News - Domestic". 465:In 1937 he received a British 1: 1414:French multi-instrumentalists 1358:List of early music ensembles 895:The Oxford Companion to Music 832:onlinebooks.library.upenn.edu 643:. 3 February 1900. p. 9. 992:Festival Oude Muziek Utrecht 340:of Paris (1911–1914). 1409:British classical musicians 1399:19th-century male musicians 1225:Society of Recorder Players 1177:Schola Cantorum Basiliensis 1070:Museum of Fine Arts, Boston 1002:Regensburg Tage Alter Musik 987:Boston Early Music Festival 748:Campbell, Margaret (1975). 704:Campbell, Margaret (2001). 677:Fanny Reed Hammond (1958). 328:. He left England to build 260:and learnt the violin with 1490: 619:John Challis (harpsichord) 473:by the French government. 1193:American Recorder Society 326:Elizabethan Stage Society 324:version of Hamlet by the 268:, where he studied under 30: 345:Cambridge, Massachusetts 256:He studied music at the 1419:French recorder players 1263:Deutsche Harmonia Mundi 1213:Lute Society of America 1090:Smithsonian Institution 1080:Musikinstrumente Vienna 641:The Manchester Guardian 280:The early music revival 227:Eugène Arnold Dolmetsch 51:Eugène Arnold Dolmetsch 1459:Expatriates in Belgium 1230:Viola da Gamba Society 920:Jannis Wichmann, Art. 498: 391:authentic performances 297: 289: 266:Royal College of Music 258:Brussels Conservatoire 97:Brussels Conservatoire 92:Royal College of Music 1085:National Music Museum 656:"The Dolmetsch Story" 495:CĂ©cile Dolmetsch-Ward 484: 332:and harpsichords for 295: 287: 793:Library Hub Discover 756:. London: Hamilton. 173: 1899; 146: 1878; 39:Alvin Langdon Coburn 1389:People from Le Mans 1353:Early music revival 1329:Millennium of Music 1203:Early Music America 1167:Amherst Early Music 1100:Paris Conservatoire 1065:Metropolitan Museum 909:The Dolmetsch Story 540:Christopher Simpson 417:George Bernard Shaw 413:Gabriele D'Annunzio 922:Dolmetsch, Familie 710:Grove Music online 706:"Dolmetsch family" 588:Books and Writings 534:Nathalie Dolmetsch 528:pardessus de viole 499: 393:' of early music. 298: 290: 217:Chevaliers of the 1366: 1365: 1268:Dorian Recordings 1253:Archiv Produktion 1035:Martin Skowroneck 997:Flanders Festival 857:www.dolmetsch.com 763:978-0-241-89176-6 568:Rudolph Dolmetsch 224: 223: 1481: 1454:French emigrants 1020:Arnold Dolmetsch 962: 955: 948: 939: 868: 867: 865: 863: 849: 843: 842: 840: 838: 824: 818: 810: 804: 803: 801: 799: 785: 779: 778: 775:Internet Archive 773:– via The 772: 770: 755: 745: 739: 738: 736: 734: 701: 695: 694: 674: 668: 667: 660:Dolmetsch Online 651: 645: 644: 636: 603:(1982): 467–471. 524:CĂ©cile Dolmetsch 477:Dolmetsch family 471:LĂ©gion d'honneur 357:Marie Antoinette 318:Carpenter’s Hall 274:Frederick Bridge 262:Henri Vieuxtemps 219:Legion of Honour 198: 196: 178: 176: 172: 151: 149: 145: 115:instrument maker 72: 69:28 February 1940 54:24 February 1858 35: 25:Arnold Dolmetsch 21: 1489: 1488: 1484: 1483: 1482: 1480: 1479: 1478: 1474:Recorder makers 1369: 1368: 1367: 1362: 1341: 1302: 1298:Titanic Records 1241: 1181: 1155: 1133: 1127: 1110: 1104: 1095:Yale University 1055:Bate Collection 1046: 1039: 1012: 1006: 978: 971: 966: 905: 872: 871: 861: 859: 851: 850: 846: 836: 834: 826: 825: 821: 811: 807: 797: 795: 787: 786: 782: 768: 766: 764: 747: 746: 742: 732: 730: 728: 703: 702: 698: 676: 675: 671: 666:on 2 June 2019. 653: 652: 648: 638: 637: 633: 628: 610: 590: 556:Hubert Le Blanc 518:Mabel Dolmetsch 479: 456:Sir Henry Hadow 302:Dulwich College 282: 247: 237:of interest in 201: 200: 197: 1903) 192: 188: 180: 177: 1903) 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903:External links 901: 900: 899: 887: 870: 869: 844: 819: 805: 780: 762: 740: 726: 696: 669: 654:Blood, Brian. 646: 630: 629: 627: 624: 623: 622: 616: 609: 606: 605: 604: 597: 594: 589: 586: 585: 584: 581:Carl Dolmetsch 578: 565: 531: 521: 503:Namur, Belgium 478: 475: 454:), leading to 431:, whose novel 401:William Morris 306:British Museum 281: 278: 246: 243: 222: 221: 215: 211: 210: 207: 203: 202: 190: 187:Mabel Johnston 186: 185: 184: 183: 166: 162: 160:Elodie DĂ©sirĂ©e 159: 158: 157: 156: 139: 135: 132: 131: 130: 129: 126: 124: 120: 119: 117: 116: 113: 109: 107: 103: 102: 100: 99: 94: 88: 86: 82: 81: 75: 73:(aged 82) 67: 63: 62: 56: 50: 48: 44: 43: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1486: 1475: 1472: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1430: 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1376: 1374: 1359: 1356: 1354: 1351: 1350: 1348: 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Index


Alvin Langdon Coburn
Le Mans
Surrey
Royal College of Music
Brussels Conservatoire
Legion of Honour
Haslemere
revival
early music
Le Mans
Brussels Conservatoire
Henri Vieuxtemps
Royal College of Music
Henry Holmes
Frederick Bridge


Dulwich College
British Museum
lute
harpsichord
Carpenter’s Hall
First Quarto
Elizabethan Stage Society
clavichords
Chickering
Gaveau
Cambridge, Massachusetts
Belle Skinner

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