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Arnaud Cohen

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in London), and in 2015 at one of the shows exhibited by the MUNTREF, Museum of Contemporary Art in Buenos Aires. Arnaud Cohen was invited to perform this work in 2015 at Something Else off Cairo Biennale in 2015 and at the Dakar Biennale in 2016 by curator Simon Njami. Cohen was invited to the 2017
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His practice is close to twentieth-century propaganda practices used both in the 1920s and 1930s in Russia and Germany and also in the late 1960s and 1970s to serve the proletarian cause (hence his exhibiting on the occasion of May 68 commemorations side by side with
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In 2014, Cohen created Art Speaks For Itself (ASFI). ASFI runs a network of residences for curators. Cohen inaugurated in September 2014 his first residence in Paris and a second one in Milan the following year. The first guest was
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World Tour series, in their different versions (CCTV recording, and the transportable versions), are experimental attempts to produce a "trace" of the past. After the 2017
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The work borrows from Carl Andre's minimal floor pieces. It consists of an iron dance floor made of fake graves of real Nazi collaborators, those of Maurice Rocher,
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at the Salvador gallery, an exhibition curated by collector Yves Cothouit), but also since the 1950s to serve the commodification of goods and services. Cohen, like
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In 2016, ASFI had a public presentation at the Centre Pompidou, on the initiative of Alicia Knock as part of Museum On / Of in 2017 at the Untref Museum of
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In 2007, Cohen had enlarged a bottle of Coke (10 feet tall) and reduced airliners. It was intended to show the struggles embodied by the events of
802: 91: 71: 516:(exhibited in Berlin and Paris), Tangover Me Buenos Aires and Tangover Me Rosario address the Argentinian dictatorship between 1976 and 1983. 339: 270: 252: 244: 164: 49: 648: 145: 890: 35: 117: 692: 124: 95: 87: 467:, Arnaud Cohen began his career as a visual artist in 1997 by integrating with the Marwan Hoss gallery (Paris and 76: 131: 583:) and the same year, also at the Biennale of South America, BIENALSUR, by Anibal Jozami and Diana Wechsler. 538: 80: 880: 725: 113: 810: 885: 603: 779:"biennials.ch – Pro Helvetia's platform to present the Swiss contributions to the Venice Biennials" 575: 476: 299: 480: 566:
in 2013. The curatorial protocol of ASFI was applied in 2018 to the feminist exhibition of the
700: 524: 41: 726:"Virginia Woolf: An Exhibition Inspired By Her Writings – Exhibition at Tate St Ives | Tate" 450: 314: 563: 520: 439: 138: 102: 831: 571: 310: 778: 666: 874: 559: 587: 580: 546: 513: 208: 368: 438:—Arnaud Cohen's performance presented by Jean de Loisy and Vittoria Matarrese, 488: 803:"(ES) Participación francesa en la BIENALSUR | Institut français d'Argentine" 750:"28-11-2015 13:30:06 - Don't miss the Opening of Something Else tomorrow ..." 704: 463: 197: 542: 468: 193: 491:, uses the popular alphabet, but he uses these letters to write words. 484: 864: 534: 376: 430: 405: 567: 533:, exhibited in 2017 at the Rosa Luxemburg Platz Kunstverein in 858: 282: 227: 176: 101:
from the article and its talk page, especially if potentially
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that addressed Western Europe elites' rally around the
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Archived from 99:must be removed immediately 907: 296:This biographical article 361: 667:"Dance Over Me Projects" 861:(in English and French) 838:(in French). 2005-03-01 629:(in French). 2015-02-06 547:Buenos Aires, Argentina 379:, Germany, October 2017 205:converting this article 594:as part of the event. 443: 86:Please help by adding 836:Le Monde diplomatique 434: 309:by revising it to be 891:Sculptors from Paris 604:September 11 attacks 539:Memorial de la Shoah 92:Contentious material 576:Whitechapel Gallery 451:contemporary artist 436:Sisyphus is a woman 807:ifargentine.com.ar 753:Arts Collaboratory 697:The New York Times 481:Jean-Jacques Lebel 444: 207:, if appropriate. 525:Wernher von Braun 429: 428: 350: 349: 342: 332: 331: 281: 280: 273: 247:used on Knowledge 245:encyclopedic tone 226: 225: 175: 174: 167: 149: 75:needs additional 54: 898: 847: 846: 844: 843: 828: 822: 821: 819: 818: 799: 793: 792: 790: 789: 774: 768: 767: 765: 764: 755:. 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