40:
301:
combined the name ideas and put forward the Art
Workers' Guild and wrote the Guilds prospectus. The name and prospectus was agreed and the guild was formally created on 11 March and by its first formal annual meeting on 5 December 1884 it had grown to 56 members. The guild was based on the medieval trade guilds, with members called Brothers and its head called Master. Its first master was the sculptor, George Blackall Simonds. In 1885,
493:
5039:
557:
The guild is today a society of artists, craftsmen and designers with a common interest in the interaction, development and distribution of creative skills. Its 350 members work at the highest levels of excellence in their professions, representing over 60 creative disciplines. Their main charitable
390:
stressed that only properly qualified candidates should be elected to the guild, and in 1905 the membership election system was amended. By this time the membership had grown to 235. Frampton had also recommended that the guild set up a benevolent fund for hard up members, which became known as the
426:
in 1907 as an alternative for women. In 1914 the women's guild was allowed to use the meeting hall at Queens Square, but they were not allowed to have their roll call on the walls. There was great discussion between members about letting in women with
Hamilton T. Smith writing to Arthur Llewellyn
382:
Graham
Jackson decided training the next generation of artists was more important and created the Art Student Guild, which would go onto become the Junior Guild. The Junior Guild was not a great success and by 1928 was confirmed by members that it had outlived its purpose. However, Masters H. M.
300:
with
Belcher as chair, and after some debate agreed they would invite others "for promoting greater intercourse among the Arts". Several names were proposed, including Guild of Art by Benson, Guild of Associated Arts, Guild of Art Workers, The Art Workers and the Society of Art Workers. Prior
537:
and his successors. The Master sits in a seat designed by
Lethaby and a table by Benson. The names of all members up to the year 2000 are painted on a frieze around the walls of the Hall. The list of names now continues in the front room known as the ‘Master’s Room’. In 2017 the building was
435:
In the 1959 Annual Report, it stated that it was "discussed at length but not put to the vote, it being felt that so revolutionary a proposal needed further careful discussion". Further discussions occurred over the next few years, and in 1962 past master Brian Thomas asked:
406:. In 1945, the War Memorial Advisory Committee asked the guild for its ideas on war memorials, to which the guild responded by deploring mass-produced war memorials and advising on well designed carved inscriptions on the walls of the church cut by individual craftsmen.
178:
The guild was not the first organisation to promote the unity of the arts. Two organisations, the
Fifteen and St George's Art Society had existed previously, and the guild's founders came from the St George's Art Society. They were five young architects from
508:, Bloomsbury and, when they heard that the freehold was for sale, encouraged the guild to buy it. The back part of the building was reconstructed as a meeting hall, designed by Francis William Troup and inaugurated on 22 April 1914. At the opening, Master
239:
Painters, Sculptors, and
Architects are in danger of settling permanently into three distinct professions, oblivious of one another's aims. A Society is wanted to restore their former union with one another with a programme of cohesion such as the
558:
aim is to support the visual arts and crafts in any way that may be beneficial to the community. The guild continues to programme lectures and workshops for its members to promote the exchange of knowledge among art workers of all disciplines.
369:
in line with Art
Workers' Guild ideals. Under Graham Jacksons' time as Master, the Guildsmen were looking at the purpose of the guild. Many, including Morris wanted the guild to be a more active force and put forward a Councillor to the
395:. The guild voted by a one-vote majority to allow Krall to keep his membership, so Frampton resigned. Krall was so upset by the debates that led to the vote that he also resigned and asked that he never be contacted by the guild again.
524:
the satisfaction of being our own masters in our own home, and shall doubtless accumulate in the future, traditions and properties in Queen Square, which will render the new home even dearer and more interesting to us than the
409:
The Art
Workers Guild gave rise to many offshoots, including the Birmingham, Liverpool, the Northern Art Workers' Guild in Manchester, the Edinburgh Art Workers' Guild and the Junior Art Workers' Guild but the biggest was the
607:
In 2023, the guild put forward designs from eight of its
Brothers to create rough designs for King Charles coronation invitations. Andrew Jamieson was chosen and his floral design was printed on recycled card.
5135:
2662:
313:
Artistic expression had only reached its noblest and most beautiful results under collective condition of the arts, at all events when all art was decorative, and all were allied to architecture.
3554:
5130:
162:. The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art. It opposed the professionalisation of architecture – which was promoted by the
357:
the authorities are beginning to recognise that if you want a good man for a public post connected with the Arts, the Art Workers' Guild is the place to come for that purpose.
448:
who became the first female Master in 1972. In 1949, the members of the Junior Art Workers' Guild were invited to join the guild after their organisation closed down.
391:
Guild Chest. However Frampton caused controversy in 1915, calling for Karl Krall, a German-born member, to have his membership revoked due to his nationality during
374:
to advise on the protection of historical buildings and advocate craftsmanship. However Graham Jackson was against politics and declared the guild should not be:
3259:
3003:
4800:
2680:
1116:
3527:
2988:
British Sculpture 1850-1914: Catalogue of a Loan Exhibition of Sculpture and Medals Sponsored by the Victorian Society, 30th September-30th October 1968
3903:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951, University of Glasgow History of Art and HATII, online database 2011
600:. In 2018, the guild staged the exhibition Salon des Refusés, 30 pieces of work by RIBA’s Traditional Architecture Group that had been rejected by the
542:
4099:
2837:
3313:
1678:
444:
It was not until 1964 that the brothers, at a special meeting, agreed to admit women to the guild. The first women to join was the wood engraver
1705:
538:
modernised under the direction of Simon Hurst, the honorary architect of the guild. The building contains portraits of every Master since 1884.
3510:
3573:
1441:
163:
2800:
1992:
317:
The guild organised talks, lectures, demonstrations and meetings to bring unity of the arts to its members including guest speakers such as
1906:
402:
the guild's income dropped considerably, however they remained solvent under the "zealous guardianship of the funds" of honorary treasurer
2635:
1592:
457:, Amery stated that the exhibition showed "the current Guildsmen work did not have the weight and quality to carry hope of a new spring".
154:
is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of
4799:
Fairman, Elisabeth R.; Hogan, Eileen; Robinson, Duncan; Morris, Roderick Conway; Longstaffe-Gowan, Todd; Turner, Sarah Victoria (2019).
3286:
1540:
4309:
2070:
465:
The guild held its meetings initially in rented space. Between 1884 and 1888, it used the Century Club's rooms at 6 Pall Mall Place in
4371:
3125:
411:
3242:
2968:
2925:
1872:
5125:
4810:
4338:
4208:
4018:
3991:
3627:
3583:
3537:
3323:
3296:
3269:
3173:
2743:"People treat me like a different person now'—artist Chila Kumari Burman on finding fame and the lack of diversity at top galleries"
2645:
2575:
2157:
2029:
2019:
2002:
1916:
1882:
1773:
1715:
1688:
1602:
1550:
1493:
1418:
1385:
802:
3617:
3225:
2986:
2147:
4387:
4058:
3981:
3960:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
3923:
3749:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
3724:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
3674:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
3426:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
3401:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
2948:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
2860:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
2050:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
1946:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
1846:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII
1424:
1333:
585:) and Fleur Oates, a lacemaker and embroiderer who is the artist in residence at Imperial College's vascular surgery department.
482:
451:
In 1985, a centenary exhibition was held at the Brighton Museum and Art Gallery. In a review of the exhibition by Colin Amery in
4293:
5043:
4198:
3115:
1763:
4034:
4156:
3939:
3777:
3099:
2782:
574:
4224:
4008:
3866:
3834:
3485:
2742:
2516:
4354:
2819:
2763:
1820:
3815:
926:
297:
212:
2723:
2663:"Interior designer to the royals Ben Pentreath on the joy of being a long-term tenant and why gardening stressed him out"
1466:
1086:
999:
984:
593:
170:, University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".
4271:
569:
and Chair of the Outreach Committee of the Art Workers Guild (who run projects across various institutions such as the
4781:
4597:
2479:
1164:
204:
4827:
4863:
4405:
1056:
836:
570:
5095:
4637:
4424:
3315:
The Transactions of the Royal Institute of British Architects Town Planning Conference, London. 10-15 October 1910
423:
4736:
4717:
4689:
4247:"Laurence Henderson Bradshaw - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951"
3882:
3447:
3361:
Whitehill, Walter Muir (September 1977). "Boston Artists and Craftsmen at the Opening of the Twentieth Century".
2094:
1026:
715:
655:
566:
269:
265:
4115:
5120:
796:
589:
224:
159:
4889:"Alan Power; teacher; leader for history and theory, London School of Architecture; author, Bauhaus Goes West"
4525:
4451:
3789:
3209:
2881:
1649:
5058:
4656:
4570:
3850:
2698:
2503:
431:
Ladies. My instinct is against this proposal but I don't know that I feel strong enough to fight it very hard
4616:
2907:
2090:"'At Home with the Women's Guild of Arts: gender and professional identity in London studios, c. 1880–1925'"
1137:
1041:
944:
619:
582:
453:
281:
277:
253:
3463:
2089:
4328:
3148:
1260:
1032:
857:
827:
775:
733:
643:
403:
362:
293:
232:
188:
4488:
4172:
3068:
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951, University of Glasgow
2045:
1941:
965:
938:
863:
673:
486:
371:
346:
241:
228:
39:
3575:
British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum
3166:
British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum
481:. In 1914, the lease on Clifford's Inn was to end and the organisation was looking for a new home. The
378:
departing from the old lines on which it had advanced to its present position of usefulness and success
1733:
Freemasonry and the Visual Arts from the Eighteenth Century Forward Historical and Global Perspectives
361:
This comment was confirmed in 1900 when the government recruited guild members Thomas Graham Jackson,
5115:
3600:
3555:"Weirs Barn: A Hampshire garden where Robert Weir Schultz's Arts-and-Crafts vision came back to life"
2591:
2541:
932:
505:
366:
285:
4470:
814:
685:
637:
562:
501:
4762:
3955:
3898:
3744:
3719:
3669:
3644:
3421:
3396:
3063:
2943:
2855:
1841:
365:, Edward Onslow Ford, and Walter Crane to the Council for Advice on Art, and they reorganised the
4674:
4545:
3378:
3194:
3045:
2461:
2434:
2111:
1790:
1744:
1521:
1050:
821:
667:
289:
220:
4246:
3291:. City of Bradford Metropolitan District Council and Tyne and Wear County Council. p. 78.
5021:
4806:
4334:
4204:
4014:
3987:
3773:
3623:
3579:
3533:
3319:
3292:
3265:
3169:
3121:
3095:
2641:
2571:
2153:
2025:
1998:
1966:
1912:
1878:
1769:
1711:
1684:
1598:
1546:
1489:
1437:
1381:
1310:
1221:
1146:
1074:
1062:
1005:
769:
679:
597:
478:
466:
249:
200:
4988:
4888:
3694:
3036:
Rycroft, Elizabeth (April 1992). "Lewis Foreman Day (1845-1910) and of the Society of Arts".
244:
hardly now suggests, and which the Institute of British Architects has deliberately rejected.
4063:
3619:
The Art and Architecture of C.F.A Voysey: English Pioneer Modernist Architect & Designer
3370:
2103:
1736:
1429:
1197:
1191:
1104:
1017:
978:
917:
691:
470:
216:
196:
1486:
Design Culture in Liverpool, 1880-1914: The Origins of the Liverpool School of Architecture
4530:
4429:
4131:
1802:
1266:
1239:
1212:
1179:
1131:
1095:
993:
851:
763:
727:
709:
530:
492:
387:
318:
273:
4938:
3189:
2609:
5078:
1152:
959:
893:
872:
808:
757:
751:
739:
661:
649:
350:
342:
306:
208:
155:
17:
5109:
2115:
1748:
1621:
1566:
1068:
908:
881:
842:
745:
625:
601:
578:
546:
534:
322:
261:
257:
192:
184:
504:
and Cecil Claude Brewer had an office in the front of the early Georgian house at 6
5100:
4845:
4694:
4621:
3649:
Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951
1173:
1158:
1080:
899:
887:
790:
721:
697:
631:
509:
445:
415:
399:
302:
4571:"Sir Peter Shepheard: Urban architect with a lifelong vision of the natural world"
4082:
3241:
Joseph Edwards, Frederick William Pethick-Lawrence Baron Pethick-Lawrence (1908).
2107:
1451:
3089:
2517:"Ar Workers Guild, 6 Queen Square, London: The Great Hall. RIBA Ref No RIBA28983"
1740:
5074:
5020:
Oxford: Printed for the Art-Workers' Guild at the Shakespeare Head Press, 1935.
1290:
972:
781:
703:
392:
180:
4067:
1433:
227:. The motive for the guild's creation was the summer exhibition in 1883 at the
166:
at this time – in the belief that this would inhibit design. In his 1998 book,
4052:
2783:"What Can a Surgeon Learn from a Tailor? Harnessing the Healing Art of Thread"
1302:
1245:
1011:
419:
4963:
4913:
545:
at Queen Square. The top two floors are rented as an apartment to designers
231:, where the "mother of arts" were snubbed to two side walls in one gallery.
2021:
Design Culture in Liverpool, 1880-1914: The Origins of the Liverpool School
489:, with negotiations being held by F. V. Burridge, the college's principal.
5038:
5025:
4506:
1206:
3529:
Benezit Dictionary of British Graphic Artists and Illustrators, Volume 1
3117:
Benezit Dictionary of British Graphic Artists and Illustrators, Volume 1
3049:
1525:
1513:
529:
The hall was furnished with rush-seated chairs made in Herefordshire by
2801:"Prince Charles and Duchess of Cornwall have fun at London engagements"
474:
333:
but he joined later and admired the freedom to argue passionately and:
3382:
2465:
2453:
2568:
Good Citizens Furniture: the Arts and Crafts Collection at Cheltenham
101:
4617:"Roderick Gradidge. Architect who led the rehabilitation of Lutyens"
2908:"A Viking-inspired frieze by Walter Crane finds a new home in Rouen"
1908:
Oxford Jackson: Architecture, Education, Status, and Style 1835-1924
329:
then, no one knew me and those few that did patronised or snubbed me
3374:
2930:
Architecture and Building: A Journal of Investment and Construction
533:
and his grandsons between 1888 and 1914, and afterwards copied by
491:
440:
whether there was any evidence that women wanted to join the guild
341:
By 1895 the guild had 195 members and included such luminaries as
5050:
142:
2764:"Binnel Studios welcome to you their seventh summer exhibition"
2570:. Cheltenham: Cheltenham Art Gallery & Museum. p. 81.
2460:. Vol. 127, no. 984. March 1985. pp. 182–185.
1518:
The Journal of the Decorative Arts Society 1850 - the Present
868:
1930 Henry Martineau Fletcher (also known as H. M. Fletcher)
383:
Fletcher and Basil Oliver had come through the junior guild.
1419:"Founder members of the Art-Workers' Guild (act. 1884-1899)"
349:. At that year's annual general meeting, the elected Master
248:
Others were soon invited to join, including Fifteen members
2838:"Artist who painted for King's coronation sworn to secrecy"
2637:
Lewis Foreman Day (1845-1910): Unity in Design and Industry
1542:
William Morris: Design and Enterprise in Victorian Britain
596:, the Duke and Duchess of Cornwall in 2015 as part of the
512:
said to his fellow Brothers that he knew they would miss,
3449:
The Annual Register of World Events: A Review of the Year
1334:"Art Workers' Guild Trustees Ltd Charity number: 313228"
4088:(Subscription or UK public library membership required)
418:. The guild began as a male-only organisation, leading
5136:
Architecture organisations based in the United Kingdom
4173:"Reginald Robert Tomlinson 1885–1978 British, English"
3341:"Godfrey Rubens's Lethaby" (well-informed book review)
2681:"Ex-pat Kiwi's bold, bright and botanical living room"
92:
To Advance Education In All The Visual Arts And Crafts
3643:
University of Glasgow History of Art / HATII (2011).
296:. The first meeting took place on 18 January 1884 at
4229:
Journal of the Royal Institute of British Architects
4101:
Journal of the Royal Institute of British Architects
4782:"Obituary: Dick Reid OBE, carver in wood and stone"
4200:
McMorran & Whitby: Twentieth Century Architects
325:was first invited as a guest in 1892 and recalled:
138:
128:
118:
108:
96:
88:
80:
72:
54:
46:
4452:"Obituary - Arthur Richard Bultitude MBE Bowmaker"
4281:. Vol. 17, no. 2. June 1978. p. 57.
4051:
3836:The Etched Work of F. L. Griggs R.A., R.E., F.S.A.
2880:Ministry of Reconstruction, Great Britain (1918).
2592:"Art Workers' Guild in Bloomsbury: New Glass Roof"
2149:Women art workers and the Arts and Crafts movement
1680:Arts and Crafts Architecture: 'Beauty's Awakening'
1417:
4010:Edwardian Architecture: A Biographical Dictionary
386:In 1902, on retiring from the Master's position,
4330:Gordon Russell: Designer of Furniture, 1892-1992
3120:. Oxford University Press. 2012. p. 1344.
2820:"Rejected classical architects hold rebel show"
2484:The Invention of Museum Anthropology, 1850-1920
522:
514:
438:
429:
376:
355:
335:
327:
311:
237:
5131:Arts organisations based in the United Kingdom
3343:. William Morris Journal. 7.1. pp. 25–35.
1994:British Art and the First World War, 1914-1924
1488:. Liverpool University Press. pp. 61–63.
1338:The Charity Commission for England & Wales
4761:David McKie and Meirion Bowen (2 July 2015).
3816:"The rise and fall and rise of Edwin Lutyens"
3091:Mervyn Edmund Macartney, architect, 1853-1932
1514:"Two Arts and Crafts Interiors by Aston Webb"
516:the picturesque and loveable old hall and Inn
8:
4062:(online ed.). Oxford University Press.
2724:"Friends excursions: the Art Workers' Guild"
1650:"UCL Bloomsbury Project - Art Workers Guild"
1545:. Manchester University Press. p. 186.
1428:(online ed.). Oxford University Press.
32:
3264:. Liverpool University Press. p. 457.
2504:Overview: Central School of Arts and Crafts
2454:"Brighton and Cheltenham Art Workers Guild"
1874:The History and Philosophy of Art Education
1591:Harriet Bridgeman, Elizabeth Drury (1975).
5079:"A Hundred Years of the Art Workers Guild"
4690:"Obituary: Glynn Boyd Harte | Global"
3772:. London: Grub Street Pub, 2006, page 17,
2024:. Liverpool University Press. p. 72.
1467:"Glittering auction for art workers' hall"
485:was offered as temporary accommodation by
38:
31:
3164:Bilbey, Diane; Trusted, Marjorie (2002).
2901:
2899:
2897:
2895:
2893:
2640:. Antique Collector's Club. p. 287.
817:(previously known as Robert Weir Schultz)
477:and then between 1894 and 1914 they used
337:the way those fellows lay into each other
4013:. University of Iowa Press. p. 89.
3941:The Journal of the Royal Society of Arts
2075:The American Architect and Building News
543:British Society of Master Glass Painters
4059:Oxford Dictionary of National Biography
3168:. V & A Publications. p. 262.
2506:. Oxford Reference. Accessed July 2013.
2429:
2427:
2425:
2423:
2421:
2419:
2417:
2415:
2413:
2411:
2409:
2407:
2405:
2403:
2401:
2399:
2397:
2395:
2393:
2391:
2389:
2387:
2385:
2383:
2381:
2379:
2377:
2375:
2373:
2371:
2369:
1866:
1864:
1862:
1425:Oxford Dictionary of National Biography
1356:
1354:
1322:
561:Current notable members include artist
4805:. Yale University Press. p. 214.
3356:
3354:
3352:
3350:
3261:Public Sculpture of Greater Manchester
2912:Apollo. The International Art Magazine
2758:
2756:
2367:
2365:
2363:
2361:
2359:
2357:
2355:
2353:
2351:
2349:
2347:
2345:
2343:
2341:
2339:
2337:
2335:
2333:
2331:
2329:
2327:
2325:
2323:
2321:
2319:
2317:
2315:
2313:
2311:
2309:
2307:
2305:
2303:
2301:
2299:
2297:
2295:
2293:
2291:
2289:
2287:
2285:
2283:
2281:
2279:
2277:
2275:
2273:
2271:
2269:
2267:
2265:
2263:
2261:
2259:
2257:
2255:
2253:
2251:
2249:
2247:
2245:
2243:
2241:
2239:
2237:
2235:
2233:
2231:
2229:
2227:
2225:
2223:
2221:
2219:
2217:
2215:
2213:
2211:
2209:
2207:
2205:
2203:
2201:
2199:
2197:
2195:
2193:
2191:
2189:
1936:
1934:
1932:
1930:
1928:
1877:. James Clarke & Co. p. 292.
1836:
1834:
1798:
1788:
1731:Reva Wolf and Alisa Luxenberg (2020).
1644:
1642:
496:The exterior of the Art Workers' Guild
305:reiterated the guild's worries to the
3986:. White Crescent Press. p. 117.
2187:
2185:
2183:
2181:
2179:
2177:
2175:
2173:
2171:
2169:
2141:
2139:
2137:
2135:
2133:
2131:
2129:
2127:
2125:
1900:
1898:
1896:
1894:
1814:
1812:
1672:
1670:
1616:
1614:
1507:
1505:
164:Royal Institute of British Architects
7:
5061:from the original on 24 October 2005
4524:Hamilton. James (28 February 2006).
4295:An Almanack for the Year of Our Lord
3983:Sir Albert Richardson: The Professor
3468:Journal of the Royal Society of Arts
2969:"The Art Workers' Guild Expeditions"
1762:(Gallery), Tate Britain (May 2012).
1411:
1409:
1407:
1405:
1403:
1401:
1399:
1397:
1328:
1326:
4735:Jensen, Alison (19 November 2020).
4458:. Vol. 101. 1990. p. 430.
4423:Skipwith. Peyton (17 August 1994).
414:. There was even a guild set up in
4802:Eileen Hogan: Personal Geographies
4469:Bailey. Colette (18 August 1999).
3288:Sir George Clausen, R.A. 1852-1944
2818:Elizabeth Hopkirk (18 June 2018).
2741:ANNA VAN PRAAGH (4 October 2021).
1539:Charles Harvey, Jon Press (1991).
1363:The Arts Workers' Guild, 1884-1934
1142:1986 Paddy (Patricia) Curzon-Price
604:'s Piers Gough architecture room.
553:Recent history and notable members
412:Arts and Crafts Exhibition Society
25:
4050:Simmons, Frances (October 2007).
3645:"Gilbert William Bayes HRI, PRBS"
2610:"The Art Workers' Guild Georgian"
1594:The Encyclopedia of the Victorian
1465:Mallalieu. H (14 November 2014).
803:Walter Shirley, 11th Earl Ferrers
5037:
4615:Powers, Alan (24 January 2001).
4394:. Vol. 50. 1973. p. 7.
3578:. Harry N. Abrams. p. 470.
3258:Terry Wyke, Harry Cocks (2004).
2906:Skipwith. P (11 February 2020).
2542:"NUMBER 6 AND ATTACHED RAILINGS"
1765:The Camden Town Group in Context
1735:. Bloomsbury. pp. 203–226.
483:Central School of Art and Design
5018:The Art-Workers Guild 1884–1934
4864:"Outreach Evening Conversation"
4370:William Morris Society (1978).
3602:Who's who in Architecture, 1923
3339:Watkinson, Ray. (Autumn 1986).
3004:"Ford and the Decorative Arts,
2152:. Manchester University Press.
1911:. Clarendon Press. p. 78.
1707:Encyclopedia of Interior Design
1361:Henri Jean Louis Joseph Massé.
168:Introduction to Victorian Style
27:Organization of British artists
4828:"Edmund Fairfax-Lucy obituary"
4716:Jensen. A (19 November 2020).
4007:Alexander Stuart Gray (1986).
3699:University of the Arts, London
3198:. 31 December 1929. p. 2.
1997:. Cambridge University Press.
1819:Powers. A (3 September 1998).
989:1955 Reginald Robert Tomlinson
143:http://www.artworkersguild.org
1:
5055:Official website of the Guild
4636:Godwin. S (23 October 2011).
4596:Powers. A (6 December 1999).
4333:. Design Council. p. 6.
3814:Stamp. G (19 November 1981).
3227:The Book Collector, Volume 29
2781:Butchart. A (17 April 2020).
2108:10.1080/09612025.2015.1039348
2046:"Northern Art Workers' Guild"
1821:"Design: Dreamtime in Dieppe"
1597:. Country Life. p. 188.
541:The guild rents space to the
520:but encouraged them to enjoy
4780:Lewis. S (19 January 2021).
4763:"Edward Greenfield obituary"
4083:UK public library membership
2566:Carruthers, Annette (1994).
1741:10.5040/9781501337994.ch-009
1452:UK public library membership
1378:Art Workers Guild: 125 Years
1256:2011 Sir Edmund Fairfax Lucy
565:, Jane Cox, a Fellow of the
469:, from 1888 to 1894 it used
60:; 140 years ago
4737:"Josephine Harris obituary"
4718:"Josephine Harris obituary"
4425:"Obituary: Dennis Flanders"
3553:Daneff. T (21 April 2021).
3486:"WILSON, Henry (1864-1934)"
3012:1893 by Edward Onslow Ford"
1842:"Sir Thomas Graham Jackson"
1416:Whyte. W (4 October 2007).
1037:1964 Arthur Llewellyn Smith
5152:
4846:"George Hardie Exhibition"
4675:"John Lawrence Collection"
4655:Foster. T (2 March 2017).
4638:"Obituary: Carl Dolmetsch"
3790:"Basil Oliver (1882—1948)"
3745:"Henry Martineau Fletcher"
949:1947 Stephen J. B. Stanton
5101:Artworkers’ Guild History
4964:"Thursday 5 October 2023"
4314:British Bookbinding Today
3363:The New England Quarterly
3318:. Routledge. p. 86.
3285:Kenneth McConkey (1980).
2932:(16): 223. 30 April 1892.
2856:"George Blackall Simonds"
2661:Wintle. A (13 May 2018).
2088:Thomas, Zoe (June 2015).
1710:. Routledge. p. 63.
1622:"The Art Worker' s Guild"
955:1949 T. A. Darcy Braddell
952:1948 Eric Hesketh Hubbard
913:1939–40 Hamilton T. Smith
716:Charles Harrison Townsend
612:Past Masters of the guild
588:The guild was visited by
567:Craft Potters Association
353:declared to the members:
266:John Thomas Micklethwaite
37:
5126:Arts and Crafts movement
4893:Battle of Ideas Festival
4826:Hills. P (12 May 2020).
4598:"Obituary: John Skelton"
4513:(230). 14 February 2020.
4471:"Sean Crampton Obituary"
3899:"Richard Louis Garbe RA"
3833:Wright. H. J. L (1941).
3820:The Architectural Review
3397:"Edward Prioleau Warren"
3244:The Reformers' Year Book
1226:2003 Christopher Boulter
1022:1961 Sydney M. Cockerell
968:(also known as Fougasse)
500:However, the architects
260:, as well as architects
235:wrote in November 1883,
160:Arts and Crafts movement
4657:"Roderick Ham obituary"
3770:World War I in Cartoons
3720:"Charles Robert Ashbee"
2883:Reconstruction Problems
2458:The Burlington Magazine
1567:"The Art Workers Guild"
1295:2021-22 Tracey Sheppard
1169:1991 Anthony Ballantine
1112:1979 Rev. Gordon Taylor
904:1937 Frederick Marriott
620:George Blackall Simonds
583:Imperial College London
549:and Charlie McCormick.
454:The Burlington Magazine
278:Herbert Gustave Schmalz
254:George Blackall Simonds
18:Art-Workers' Guild
5096:The Guild Constitution
4550:University of Brighton
4356:Design, Issues 169-174
4068:10.1093/ref:odnb/64419
4053:"Thomas, Cecil Walter"
3599:Chatterton. F (1923).
3446:Burke. Edmund (1928).
3002:Jason Edwards (2013).
2973:The Reviews of Reviews
2095:Women's History Review
2077:: 29. 14 January 1893.
1434:10.1093/ref:odnb/96545
1100:1976 Roderick Enthoven
1046:1966 William F. Howard
786:1915 H. R. Hope-Pinker
776:Edward Prioleau Warren
527:
518:
497:
442:
433:
427:Smith in 1958 stated:
404:Laurence Arthur Turner
380:
363:William Blake Richmond
359:
339:
331:
315:
294:Theodore Blake Wirgman
246:
4310:"Sydney M. Cockerell"
4203:. RIBA. p. 141.
4117:The Voice of Industry
3670:"Sir Francis Newbolt"
3064:"Thomas Stirling Lee"
2634:Hansen, J. M (2007).
2442:. Art Workers' Guild.
1871:Macdonald. S (1970).
1683:. The Crowood Press.
1512:Dungavell. I (1997).
1253:2010 Sophie MacCarthy
1124:1982 Margaret Maxwell
939:James Humphries Hogan
927:Sir Albert Richardson
837:C. F. Annesley Voysey
832:1923 Francis W. Troup
674:Sir T. Graham Jackson
495:
487:London County Council
424:Women’s Guild of Arts
372:London County Council
347:Thomas Graham Jackson
229:Royal Academy of Arts
5046:at Wikimedia Commons
4292:Whitaker. J (1961).
4225:"I. Formative Years"
4104:. 1951. p. 407.
4039:. 1948. p. 156.
3944:. 1947. p. 190.
3887:. 1938. p. 103.
3871:. 1937. p. 106.
3855:. 1936. p. 104.
3515:. 1938. p. 323.
3230:. 1980. p. 213.
3214:. 1905. p. 142.
3153:. 1901. p. 123.
2596:Square Building News
1942:"Art Workers' Guild"
1235:2006 Stephen Gotlieb
1229:2004 Sally Pollitzer
1202:1998 Peyton Skipwith
1091:1974 Rodney Tatchell
933:William Henry Ansell
692:Sir Mervyn Macartney
460:
367:Royal College of Art
286:John McLure Hamilton
223:, and the architect
203:, plus metal worker
5051:"Art Workers Guild"
4388:"William J. Wilson"
4359:. 1963. p. 75.
4327:Myerson. J (1992).
4316:. 1976. p. 18.
4251:sculpture.gla.ac.uk
4197:Denison. E (2009).
4161:. 1951. p. 63.
3928:. 1940. p. 91.
3822:(170:1017): 311–18.
3695:"F. Ernest Jackson"
3616:David Cole (2015).
3008:exhibited 1889 and
2991:. 1968. p. 29.
2699:"Art-Workers Guild"
1376:Platman. L (2009).
1217:2001 Zachary Taylor
1187:1995 Richard Grasby
1132:Sir Peter Shepheard
1121:1981 Philip Bentham
918:Percy J. Delf Smith
728:Sir Charles Holroyd
710:Sir George Frampton
686:Thomas Stirling Lee
656:J. T. Micklethwaite
575:Courtauld Institute
563:Chila Kumari Burman
502:Arnold Dunbar Smith
298:Charing Cross Hotel
34:
5044:Art Workers' Guild
4993:Art Workers' Guild
4968:Art Worker's Guild
4943:Art Workers' Guild
4918:Art Workers' Guild
4868:Art Workers' Guild
4688:Patrick O'Connor.
4526:"Margaret Maxwell"
4507:"Lives remembered"
4136:The British Museum
3572:Bilbey. D (2002).
3464:"Mr. Harold Speed"
3195:The London Gazette
2807:. 5 February 2015.
2146:Thomas. Z (2020).
2018:Crouch. C (2002).
1971:Art Workers' Guild
1677:Holder. J (2021).
1484:Crouch. C (2002).
1274:2015 Anthony Paine
1250:2009 Alison Jensen
1127:1983 John R. Biggs
1109:1978 Sean Crampton
1051:John Brandon-Jones
1027:Sir Gordon Russell
1000:Brian D. L. Thomas
994:Donald H. McMorran
985:William Washington
966:Cyril Kenneth Bird
922:1942 George Parlby
873:Edmund J. Sullivan
847:1926 John Leighton
828:Laurence A. Turner
752:Sir George Clausen
668:Edward Onslow Ford
644:Sir W. B. Richmond
498:
290:William R. Symonds
221:Edward Onslow Ford
213:C. H. H. Macartney
152:Art Workers' Guild
84:Registered charity
33:Art Workers' Guild
5042:Media related to
4412:. 2 October 1995.
4081:(Subscription or
3980:Houfe. S (1980).
2598:. 8 October 2021.
1967:"The Guild Chest"
1905:Whyte. W (2006).
1704:Banham.J (1997).
1571:The Victorian Web
1450:(Subscription or
1443:978-0-19-861412-8
1380:. Unicorn Press.
1222:Edward Greenfield
1147:Roderick Gradidge
1117:John Peter Foster
1075:Paul Edward Paget
1063:Frederick Bentham
1042:William J. Wilson
1006:Laurence Bradshaw
894:Ernest G. Gillick
882:Sir Edwin Lutyens
877:1932 Basil Oliver
858:F. Ernest Jackson
680:Lewis Foreman Day
598:London Craft Week
467:Pall Mall, London
250:Lewis Foreman Day
201:Gerald C. Horsley
148:
147:
76:Arts organisation
16:(Redirected from
5143:
5092:
5090:
5088:
5083:
5070:
5068:
5066:
5041:
5016:J. L. J. Masse,
5004:
5003:
5001:
4999:
4989:"Guild meetings"
4985:
4979:
4978:
4976:
4974:
4960:
4954:
4953:
4951:
4949:
4935:
4929:
4928:
4926:
4924:
4910:
4904:
4903:
4901:
4899:
4885:
4879:
4878:
4876:
4874:
4860:
4854:
4853:
4842:
4836:
4835:
4823:
4817:
4816:
4796:
4790:
4789:
4777:
4771:
4770:
4758:
4752:
4751:
4749:
4747:
4732:
4726:
4725:
4713:
4707:
4706:
4704:
4702:
4685:
4679:
4678:
4671:
4665:
4664:
4652:
4646:
4645:
4633:
4627:
4626:
4612:
4606:
4605:
4593:
4587:
4586:
4584:
4582:
4567:
4561:
4560:
4558:
4556:
4542:
4536:
4535:
4521:
4515:
4514:
4503:
4497:
4496:
4495:. 10 March 2010.
4485:
4479:
4478:
4466:
4460:
4459:
4448:
4442:
4441:
4439:
4437:
4420:
4414:
4413:
4406:"Charles Hutton"
4402:
4396:
4395:
4384:
4378:
4377:
4367:
4361:
4360:
4351:
4345:
4344:
4324:
4318:
4317:
4306:
4300:
4299:
4289:
4283:
4282:
4276:
4268:
4262:
4261:
4259:
4257:
4243:
4237:
4236:
4221:
4215:
4214:
4194:
4188:
4187:
4185:
4183:
4169:
4163:
4162:
4153:
4147:
4146:
4144:
4142:
4132:"Leonard Walker"
4128:
4122:
4121:
4112:
4106:
4105:
4096:
4090:
4089:
4086:
4078:
4076:
4074:
4055:
4047:
4041:
4040:
4031:
4025:
4024:
4004:
3998:
3997:
3977:
3971:
3970:
3968:
3966:
3952:
3946:
3945:
3936:
3930:
3929:
3920:
3914:
3913:
3911:
3909:
3895:
3889:
3888:
3879:
3873:
3872:
3863:
3857:
3856:
3847:
3841:
3840:
3830:
3824:
3823:
3811:
3805:
3804:
3802:
3800:
3794:Oxford Reference
3786:
3780:
3766:
3760:
3759:
3757:
3755:
3741:
3735:
3734:
3732:
3730:
3716:
3710:
3709:
3707:
3705:
3691:
3685:
3684:
3682:
3680:
3666:
3660:
3659:
3657:
3655:
3640:
3634:
3633:
3613:
3607:
3606:
3596:
3590:
3589:
3569:
3563:
3562:
3550:
3544:
3543:
3526:Bury. S (2012).
3523:
3517:
3516:
3507:
3501:
3500:
3498:
3496:
3482:
3476:
3475:
3460:
3454:
3453:
3443:
3437:
3436:
3434:
3432:
3418:
3412:
3411:
3409:
3407:
3393:
3387:
3386:
3358:
3345:
3344:
3336:
3330:
3329:
3309:
3303:
3302:
3282:
3276:
3275:
3255:
3249:
3248:
3238:
3232:
3231:
3222:
3216:
3215:
3206:
3200:
3199:
3186:
3180:
3179:
3161:
3155:
3154:
3145:
3139:
3138:
3136:
3134:
3112:
3106:
3105:
3088:Ward. J (1998).
3085:
3079:
3078:
3076:
3074:
3060:
3054:
3053:
3033:
3027:
3026:
3024:
3022:
2999:
2993:
2992:
2983:
2977:
2976:
2965:
2959:
2958:
2956:
2954:
2940:
2934:
2933:
2922:
2916:
2915:
2903:
2888:
2887:
2877:
2871:
2870:
2868:
2866:
2852:
2846:
2845:
2834:
2828:
2827:
2815:
2809:
2808:
2797:
2791:
2790:
2778:
2772:
2771:
2770:. 9 August 2021.
2760:
2751:
2750:
2747:Evening Standard
2738:
2732:
2731:
2720:
2714:
2713:
2711:
2709:
2695:
2689:
2688:
2687:. 25 April 2017.
2677:
2671:
2670:
2658:
2652:
2651:
2631:
2625:
2624:
2622:
2620:
2606:
2600:
2599:
2588:
2582:
2581:
2563:
2557:
2556:
2554:
2552:
2546:Hustoric England
2538:
2532:
2531:
2529:
2527:
2513:
2507:
2501:
2495:
2494:
2492:
2490:
2476:
2470:
2469:
2450:
2444:
2443:
2441:
2436:Past Master List
2431:
2164:
2163:
2143:
2120:
2119:
2085:
2079:
2078:
2067:
2061:
2060:
2058:
2056:
2042:
2036:
2035:
2015:
2009:
2008:
1988:
1982:
1981:
1979:
1977:
1963:
1957:
1956:
1954:
1952:
1938:
1923:
1922:
1902:
1889:
1888:
1868:
1857:
1856:
1854:
1852:
1838:
1829:
1828:
1816:
1807:
1806:
1800:
1796:
1794:
1786:
1784:
1782:
1759:
1753:
1752:
1728:
1722:
1721:
1701:
1695:
1694:
1674:
1665:
1664:
1662:
1660:
1646:
1637:
1636:
1634:
1632:
1618:
1609:
1608:
1588:
1582:
1581:
1579:
1577:
1563:
1557:
1556:
1536:
1530:
1529:
1509:
1500:
1499:
1481:
1475:
1474:
1462:
1456:
1455:
1447:
1421:
1413:
1392:
1391:
1373:
1367:
1366:
1358:
1349:
1348:
1346:
1344:
1330:
1286:2019 Anne Thorne
1277:2016 David Birch
1271:2014 Prue Cooper
1198:Josephine Harris
1192:Glynn Boyd Harte
1184:1994 Robin Wyatt
1105:Arthur Bultitude
1018:Stuart Tresilian
979:W. Godfrey Allen
722:Sir Emery Walker
461:The guild's home
217:Hamo Thornycroft
197:Mervyn Macartney
114:Predominantly UK
100:6 Queen Square,
68:
66:
61:
42:
35:
21:
5151:
5150:
5146:
5145:
5144:
5142:
5141:
5140:
5121:Interior design
5106:
5105:
5086:
5084:
5081:
5073:
5064:
5062:
5049:
5034:
5013:
5011:Further reading
5008:
5007:
4997:
4995:
4987:
4986:
4982:
4972:
4970:
4962:
4961:
4957:
4947:
4945:
4937:
4936:
4932:
4922:
4920:
4912:
4911:
4907:
4897:
4895:
4887:
4886:
4882:
4872:
4870:
4862:
4861:
4857:
4852:. 16 July 2020.
4844:
4843:
4839:
4825:
4824:
4820:
4813:
4798:
4797:
4793:
4779:
4778:
4774:
4760:
4759:
4755:
4745:
4743:
4734:
4733:
4729:
4715:
4714:
4710:
4700:
4698:
4687:
4686:
4682:
4673:
4672:
4668:
4654:
4653:
4649:
4642:The Independent
4635:
4634:
4630:
4614:
4613:
4609:
4602:The Independent
4595:
4594:
4590:
4580:
4578:
4577:. 15 April 2002
4569:
4568:
4564:
4554:
4552:
4544:
4543:
4539:
4531:The Independent
4523:
4522:
4518:
4505:
4504:
4500:
4487:
4486:
4482:
4468:
4467:
4463:
4450:
4449:
4445:
4435:
4433:
4430:The Independent
4422:
4421:
4417:
4410:The Independent
4404:
4403:
4399:
4386:
4385:
4381:
4369:
4368:
4364:
4353:
4352:
4348:
4341:
4326:
4325:
4321:
4308:
4307:
4303:
4291:
4290:
4286:
4279:The Abingdonian
4274:
4270:
4269:
4265:
4255:
4253:
4245:
4244:
4240:
4223:
4222:
4218:
4211:
4196:
4195:
4191:
4181:
4179:
4171:
4170:
4166:
4155:
4154:
4150:
4140:
4138:
4130:
4129:
4125:
4114:
4113:
4109:
4098:
4097:
4093:
4087:
4080:
4072:
4070:
4049:
4048:
4044:
4033:
4032:
4028:
4021:
4006:
4005:
4001:
3994:
3979:
3978:
3974:
3964:
3962:
3956:"George Parlby"
3954:
3953:
3949:
3938:
3937:
3933:
3922:
3921:
3917:
3907:
3905:
3897:
3896:
3892:
3881:
3880:
3876:
3865:
3864:
3860:
3849:
3848:
3844:
3832:
3831:
3827:
3813:
3812:
3808:
3798:
3796:
3788:
3787:
3783:
3767:
3763:
3753:
3751:
3743:
3742:
3738:
3728:
3726:
3718:
3717:
3713:
3703:
3701:
3693:
3692:
3688:
3678:
3676:
3668:
3667:
3663:
3653:
3651:
3642:
3641:
3637:
3630:
3615:
3614:
3610:
3598:
3597:
3593:
3586:
3571:
3570:
3566:
3552:
3551:
3547:
3540:
3525:
3524:
3520:
3509:
3508:
3504:
3494:
3492:
3484:
3483:
3479:
3462:
3461:
3457:
3445:
3444:
3440:
3430:
3428:
3420:
3419:
3415:
3405:
3403:
3395:
3394:
3390:
3360:
3359:
3348:
3338:
3337:
3333:
3326:
3311:
3310:
3306:
3299:
3284:
3283:
3279:
3272:
3257:
3256:
3252:
3240:
3239:
3235:
3224:
3223:
3219:
3208:
3207:
3203:
3188:
3187:
3183:
3176:
3163:
3162:
3158:
3147:
3146:
3142:
3132:
3130:
3128:
3114:
3113:
3109:
3102:
3087:
3086:
3082:
3072:
3070:
3062:
3061:
3057:
3035:
3034:
3030:
3020:
3018:
3001:
3000:
2996:
2985:
2984:
2980:
2967:
2966:
2962:
2952:
2950:
2942:
2941:
2937:
2924:
2923:
2919:
2905:
2904:
2891:
2879:
2878:
2874:
2864:
2862:
2854:
2853:
2849:
2844:. 5 April 2023.
2842:The Independent
2836:
2835:
2831:
2824:Building Design
2817:
2816:
2812:
2799:
2798:
2794:
2780:
2779:
2775:
2762:
2761:
2754:
2740:
2739:
2735:
2722:
2721:
2717:
2707:
2705:
2697:
2696:
2692:
2679:
2678:
2674:
2660:
2659:
2655:
2648:
2633:
2632:
2628:
2618:
2616:
2614:openhouselondon
2608:
2607:
2603:
2590:
2589:
2585:
2578:
2565:
2564:
2560:
2550:
2548:
2540:
2539:
2535:
2525:
2523:
2515:
2514:
2510:
2502:
2498:
2488:
2486:
2478:
2477:
2473:
2452:
2451:
2447:
2439:
2433:
2432:
2167:
2160:
2145:
2144:
2123:
2087:
2086:
2082:
2069:
2068:
2064:
2054:
2052:
2044:
2043:
2039:
2032:
2017:
2016:
2012:
2005:
1991:Fox. J (2015).
1990:
1989:
1985:
1975:
1973:
1965:
1964:
1960:
1950:
1948:
1940:
1939:
1926:
1919:
1904:
1903:
1892:
1885:
1870:
1869:
1860:
1850:
1848:
1840:
1839:
1832:
1825:The Independent
1818:
1817:
1810:
1797:
1787:
1780:
1778:
1776:
1761:
1760:
1756:
1730:
1729:
1725:
1718:
1703:
1702:
1698:
1691:
1676:
1675:
1668:
1658:
1656:
1648:
1647:
1640:
1630:
1628:
1620:
1619:
1612:
1605:
1590:
1589:
1585:
1575:
1573:
1565:
1564:
1560:
1553:
1538:
1537:
1533:
1520:(21): 103–115.
1511:
1510:
1503:
1496:
1483:
1482:
1478:
1464:
1463:
1459:
1449:
1444:
1415:
1414:
1395:
1388:
1375:
1374:
1370:
1360:
1359:
1352:
1342:
1340:
1332:
1331:
1324:
1319:
1298:
1267:Julian Bicknell
1240:Assheton Gorton
1213:Donald Buttress
1207:Ian Archie Beck
1180:Marthe Armitage
1096:Dennis Flanders
852:Francis Newbolt
734:Edward S. Prior
626:John D. Sedding
614:
555:
531:Philip Clissett
463:
388:George Frampton
319:Lucien Pissarro
274:Basil Champneys
205:W. A. S. Benson
176:
134:Tracey Sheppard
131:
121:
111:
64:
62:
59:
28:
23:
22:
15:
12:
11:
5:
5149:
5147:
5139:
5138:
5133:
5128:
5123:
5118:
5108:
5107:
5104:
5103:
5098:
5093:
5071:
5047:
5033:
5032:External links
5030:
5029:
5028:
5012:
5009:
5006:
5005:
4980:
4955:
4939:"Constitution"
4930:
4905:
4880:
4855:
4837:
4818:
4811:
4791:
4786:The York Press
4772:
4753:
4727:
4708:
4680:
4666:
4647:
4628:
4607:
4588:
4562:
4546:"John R Biggs"
4537:
4516:
4498:
4489:"Peter Foster"
4480:
4461:
4443:
4415:
4397:
4379:
4362:
4346:
4339:
4319:
4301:
4298:. p. 980.
4284:
4263:
4238:
4216:
4209:
4189:
4164:
4158:Artists' Guide
4148:
4123:
4107:
4091:
4042:
4026:
4019:
3999:
3992:
3972:
3947:
3931:
3925:The Year's Art
3915:
3890:
3884:The Year's Art
3874:
3868:The Year's Art
3858:
3852:The Year's Art
3842:
3825:
3806:
3781:
3768:Bryant, Mark.
3761:
3736:
3711:
3686:
3661:
3635:
3628:
3608:
3605:. p. 252.
3591:
3584:
3564:
3545:
3538:
3518:
3512:The Year's Art
3502:
3477:
3455:
3452:. p. 121.
3438:
3413:
3388:
3375:10.2307/364275
3369:(3): 387–408.
3346:
3331:
3324:
3304:
3297:
3277:
3270:
3250:
3247:. p. 208.
3233:
3217:
3201:
3181:
3174:
3156:
3150:The Year's Art
3140:
3127:978-0199923052
3126:
3107:
3100:
3080:
3055:
3028:
2994:
2978:
2975:(6): 62. 1893.
2960:
2935:
2917:
2889:
2872:
2847:
2829:
2810:
2792:
2773:
2752:
2733:
2715:
2690:
2672:
2653:
2646:
2626:
2601:
2583:
2576:
2558:
2533:
2508:
2496:
2480:"Century Club"
2471:
2445:
2165:
2158:
2121:
2102:(6): 938–964.
2080:
2062:
2037:
2030:
2010:
2003:
1983:
1958:
1924:
1917:
1890:
1883:
1858:
1830:
1808:
1799:|website=
1774:
1754:
1723:
1716:
1696:
1689:
1666:
1638:
1610:
1603:
1583:
1558:
1551:
1531:
1501:
1494:
1476:
1457:
1442:
1393:
1386:
1368:
1350:
1321:
1320:
1318:
1315:
1314:
1313:
1306:
1305:
1297:
1296:
1293:
1287:
1284:
1281:
1280:2017 Phil Abel
1278:
1275:
1272:
1269:
1263:
1257:
1254:
1251:
1248:
1242:
1236:
1233:
1232:2005 Dick Reid
1230:
1227:
1224:
1218:
1215:
1209:
1203:
1200:
1194:
1188:
1185:
1182:
1176:
1170:
1167:
1161:
1155:
1153:Carl Dolmetsch
1149:
1143:
1140:
1134:
1128:
1125:
1122:
1119:
1113:
1110:
1107:
1101:
1098:
1092:
1089:
1083:
1077:
1071:
1065:
1059:
1057:Charles Hutton
1053:
1047:
1044:
1038:
1035:
1029:
1023:
1020:
1014:
1008:
1002:
996:
990:
987:
981:
975:
969:
962:
960:Leonard Walker
956:
953:
950:
947:
941:
935:
929:
923:
920:
914:
911:
905:
902:
896:
890:
884:
878:
875:
869:
866:
860:
854:
848:
845:
839:
833:
830:
824:
822:R. Anning Bell
818:
811:
809:Arthur Rackham
805:
799:
793:
787:
784:
778:
772:
766:
760:
758:Halsey Ricardo
754:
748:
742:
740:William Strang
736:
730:
724:
718:
712:
706:
700:
694:
688:
682:
676:
670:
664:
662:Heywood Sumner
658:
652:
650:William Morris
646:
640:
634:
628:
622:
615:
613:
610:
590:Prince Charles
554:
551:
479:Clifford's Inn
462:
459:
351:Heywood Sumner
343:William Morris
307:Fabian Society
282:Alfred Parsons
270:W. C. Marshall
209:Heywood Sumner
175:
172:
156:William Morris
146:
145:
140:
136:
135:
132:
129:
126:
125:
122:
119:
116:
115:
112:
110:Region served
109:
106:
105:
98:
94:
93:
90:
86:
85:
82:
78:
77:
74:
70:
69:
56:
52:
51:
48:
44:
43:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5148:
5137:
5134:
5132:
5129:
5127:
5124:
5122:
5119:
5117:
5114:
5113:
5111:
5102:
5099:
5097:
5094:
5080:
5076:
5072:
5060:
5056:
5052:
5048:
5045:
5040:
5036:
5035:
5031:
5027:
5023:
5019:
5015:
5014:
5010:
4994:
4990:
4984:
4981:
4969:
4965:
4959:
4956:
4944:
4940:
4934:
4931:
4919:
4915:
4909:
4906:
4894:
4890:
4884:
4881:
4869:
4865:
4859:
4856:
4851:
4847:
4841:
4838:
4833:
4829:
4822:
4819:
4814:
4812:9780300241471
4808:
4804:
4803:
4795:
4792:
4787:
4783:
4776:
4773:
4768:
4764:
4757:
4754:
4742:
4738:
4731:
4728:
4723:
4719:
4712:
4709:
4697:
4696:
4691:
4684:
4681:
4676:
4670:
4667:
4662:
4658:
4651:
4648:
4643:
4639:
4632:
4629:
4624:
4623:
4618:
4611:
4608:
4603:
4599:
4592:
4589:
4576:
4572:
4566:
4563:
4551:
4547:
4541:
4538:
4533:
4532:
4527:
4520:
4517:
4512:
4508:
4502:
4499:
4494:
4493:The Telegraph
4490:
4484:
4481:
4476:
4472:
4465:
4462:
4457:
4453:
4447:
4444:
4432:
4431:
4426:
4419:
4416:
4411:
4407:
4401:
4398:
4393:
4389:
4383:
4380:
4375:
4374:
4373:Annual Report
4366:
4363:
4358:
4357:
4350:
4347:
4342:
4340:9780850723069
4336:
4332:
4331:
4323:
4320:
4315:
4311:
4305:
4302:
4297:
4296:
4288:
4285:
4280:
4273:
4267:
4264:
4252:
4248:
4242:
4239:
4234:
4230:
4226:
4220:
4217:
4212:
4210:9781859463208
4206:
4202:
4201:
4193:
4190:
4178:
4174:
4168:
4165:
4160:
4159:
4152:
4149:
4137:
4133:
4127:
4124:
4119:
4118:
4111:
4108:
4103:
4102:
4095:
4092:
4084:
4069:
4065:
4061:
4060:
4054:
4046:
4043:
4038:
4037:
4030:
4027:
4022:
4020:9780715610121
4016:
4012:
4011:
4003:
4000:
3995:
3993:9780900804267
3989:
3985:
3984:
3976:
3973:
3961:
3957:
3951:
3948:
3943:
3942:
3935:
3932:
3927:
3926:
3919:
3916:
3904:
3900:
3894:
3891:
3886:
3885:
3878:
3875:
3870:
3869:
3862:
3859:
3854:
3853:
3846:
3843:
3838:
3837:
3829:
3826:
3821:
3817:
3810:
3807:
3795:
3791:
3785:
3782:
3779:
3775:
3771:
3765:
3762:
3750:
3746:
3740:
3737:
3725:
3721:
3715:
3712:
3700:
3696:
3690:
3687:
3675:
3671:
3665:
3662:
3650:
3646:
3639:
3636:
3631:
3629:9781864706048
3625:
3621:
3620:
3612:
3609:
3604:
3603:
3595:
3592:
3587:
3585:9781851773954
3581:
3577:
3576:
3568:
3565:
3560:
3556:
3549:
3546:
3541:
3539:9780199923052
3535:
3531:
3530:
3522:
3519:
3514:
3513:
3506:
3503:
3491:
3487:
3481:
3478:
3473:
3469:
3465:
3459:
3456:
3451:
3450:
3442:
3439:
3427:
3423:
3422:"Thomas Okey"
3417:
3414:
3402:
3398:
3392:
3389:
3384:
3380:
3376:
3372:
3368:
3364:
3357:
3355:
3353:
3351:
3347:
3342:
3335:
3332:
3327:
3325:9780415677394
3321:
3317:
3316:
3312:Riba (1911).
3308:
3305:
3300:
3298:9780905974040
3294:
3290:
3289:
3281:
3278:
3273:
3271:9780853235576
3267:
3263:
3262:
3254:
3251:
3246:
3245:
3237:
3234:
3229:
3228:
3221:
3218:
3213:
3212:
3211:The Years Art
3205:
3202:
3197:
3196:
3191:
3185:
3182:
3177:
3175:9781851773954
3171:
3167:
3160:
3157:
3152:
3151:
3144:
3141:
3129:
3123:
3119:
3118:
3111:
3108:
3103:
3097:
3093:
3092:
3084:
3081:
3069:
3065:
3059:
3056:
3051:
3047:
3044:(5428): 334.
3043:
3039:
3032:
3029:
3017:
3013:
3011:
3007:
2998:
2995:
2990:
2989:
2982:
2979:
2974:
2970:
2964:
2961:
2949:
2945:
2939:
2936:
2931:
2927:
2921:
2918:
2913:
2909:
2902:
2900:
2898:
2896:
2894:
2890:
2885:
2884:
2876:
2873:
2861:
2857:
2851:
2848:
2843:
2839:
2833:
2830:
2825:
2821:
2814:
2811:
2806:
2802:
2796:
2793:
2788:
2784:
2777:
2774:
2769:
2765:
2759:
2757:
2753:
2748:
2744:
2737:
2734:
2729:
2728:Royal Academy
2725:
2719:
2716:
2704:
2703:Royal Academy
2700:
2694:
2691:
2686:
2682:
2676:
2673:
2668:
2664:
2657:
2654:
2649:
2647:9781851495344
2643:
2639:
2638:
2630:
2627:
2615:
2611:
2605:
2602:
2597:
2593:
2587:
2584:
2579:
2577:9780853316503
2573:
2569:
2562:
2559:
2547:
2543:
2537:
2534:
2522:
2518:
2512:
2509:
2505:
2500:
2497:
2485:
2481:
2475:
2472:
2467:
2463:
2459:
2455:
2449:
2446:
2438:
2437:
2430:
2428:
2426:
2424:
2422:
2420:
2418:
2416:
2414:
2412:
2410:
2408:
2406:
2404:
2402:
2400:
2398:
2396:
2394:
2392:
2390:
2388:
2386:
2384:
2382:
2380:
2378:
2376:
2374:
2372:
2370:
2368:
2366:
2364:
2362:
2360:
2358:
2356:
2354:
2352:
2350:
2348:
2346:
2344:
2342:
2340:
2338:
2336:
2334:
2332:
2330:
2328:
2326:
2324:
2322:
2320:
2318:
2316:
2314:
2312:
2310:
2308:
2306:
2304:
2302:
2300:
2298:
2296:
2294:
2292:
2290:
2288:
2286:
2284:
2282:
2280:
2278:
2276:
2274:
2272:
2270:
2268:
2266:
2264:
2262:
2260:
2258:
2256:
2254:
2252:
2250:
2248:
2246:
2244:
2242:
2240:
2238:
2236:
2234:
2232:
2230:
2228:
2226:
2224:
2222:
2220:
2218:
2216:
2214:
2212:
2210:
2208:
2206:
2204:
2202:
2200:
2198:
2196:
2194:
2192:
2190:
2188:
2186:
2184:
2182:
2180:
2178:
2176:
2174:
2172:
2170:
2166:
2161:
2159:9781526140432
2155:
2151:
2150:
2142:
2140:
2138:
2136:
2134:
2132:
2130:
2128:
2126:
2122:
2117:
2113:
2109:
2105:
2101:
2097:
2096:
2091:
2084:
2081:
2076:
2072:
2066:
2063:
2051:
2047:
2041:
2038:
2033:
2031:9780853238843
2027:
2023:
2022:
2014:
2011:
2006:
2004:9781107105874
2000:
1996:
1995:
1987:
1984:
1972:
1968:
1962:
1959:
1947:
1943:
1937:
1935:
1933:
1931:
1929:
1925:
1920:
1918:9780199296583
1914:
1910:
1909:
1901:
1899:
1897:
1895:
1891:
1886:
1884:9780340094204
1880:
1876:
1875:
1867:
1865:
1863:
1859:
1847:
1843:
1837:
1835:
1831:
1826:
1822:
1815:
1813:
1809:
1804:
1792:
1777:
1775:9781849763851
1771:
1767:
1766:
1758:
1755:
1750:
1746:
1742:
1738:
1734:
1727:
1724:
1719:
1717:9781884964190
1713:
1709:
1708:
1700:
1697:
1692:
1690:9781785007965
1686:
1682:
1681:
1673:
1671:
1667:
1655:
1651:
1645:
1643:
1639:
1627:
1626:Victorian Web
1623:
1617:
1615:
1611:
1606:
1604:9780600331230
1600:
1596:
1595:
1587:
1584:
1572:
1568:
1562:
1559:
1554:
1552:9780719024184
1548:
1544:
1543:
1535:
1532:
1527:
1523:
1519:
1515:
1508:
1506:
1502:
1497:
1495:9780853238843
1491:
1487:
1480:
1477:
1472:
1468:
1461:
1458:
1453:
1445:
1439:
1435:
1431:
1427:
1426:
1420:
1412:
1410:
1408:
1406:
1404:
1402:
1400:
1398:
1394:
1389:
1387:9781906509057
1383:
1379:
1372:
1369:
1364:
1357:
1355:
1351:
1339:
1335:
1329:
1327:
1323:
1316:
1312:
1308:
1307:
1304:
1300:
1299:
1294:
1292:
1288:
1285:
1283:2018 Jane Cox
1282:
1279:
1276:
1273:
1270:
1268:
1264:
1262:
1261:George Hardie
1258:
1255:
1252:
1249:
1247:
1243:
1241:
1237:
1234:
1231:
1228:
1225:
1223:
1219:
1216:
1214:
1210:
1208:
1204:
1201:
1199:
1195:
1193:
1189:
1186:
1183:
1181:
1177:
1175:
1171:
1168:
1166:
1165:John Lawrence
1162:
1160:
1156:
1154:
1150:
1148:
1144:
1141:
1139:
1135:
1133:
1129:
1126:
1123:
1120:
1118:
1114:
1111:
1108:
1106:
1102:
1099:
1097:
1093:
1090:
1088:
1084:
1082:
1078:
1076:
1072:
1070:
1069:Bruce Allsopp
1066:
1064:
1060:
1058:
1054:
1052:
1048:
1045:
1043:
1039:
1036:
1034:
1030:
1028:
1024:
1021:
1019:
1015:
1013:
1009:
1007:
1003:
1001:
997:
995:
991:
988:
986:
982:
980:
976:
974:
970:
967:
963:
961:
957:
954:
951:
948:
946:
942:
940:
936:
934:
930:
928:
924:
921:
919:
915:
912:
910:
909:Richard Garbe
906:
903:
901:
897:
895:
891:
889:
885:
883:
879:
876:
874:
870:
867:
865:
861:
859:
855:
853:
849:
846:
844:
843:Gilbert Bayes
840:
838:
834:
831:
829:
825:
823:
819:
816:
815:R. W. S. Weir
812:
810:
806:
804:
800:
798:
794:
792:
788:
785:
783:
779:
777:
773:
771:
767:
765:
764:W. R. Lethaby
761:
759:
755:
753:
749:
747:
746:F. W. Pomeroy
743:
741:
737:
735:
731:
729:
725:
723:
719:
717:
713:
711:
707:
705:
701:
699:
695:
693:
689:
687:
683:
681:
677:
675:
671:
669:
665:
663:
659:
657:
653:
651:
647:
645:
641:
639:
635:
633:
629:
627:
623:
621:
617:
616:
611:
609:
605:
603:
602:Royal Academy
599:
595:
591:
586:
584:
580:
579:Watts Gallery
576:
572:
568:
564:
559:
552:
550:
548:
547:Ben Pentreath
544:
539:
536:
535:Ernest Gimson
532:
526:
521:
517:
513:
511:
507:
503:
494:
490:
488:
484:
480:
476:
472:
471:Barnard's Inn
468:
458:
456:
455:
449:
447:
441:
437:
432:
428:
425:
422:to start the
421:
417:
413:
407:
405:
401:
396:
394:
389:
384:
379:
375:
373:
368:
364:
358:
354:
352:
348:
344:
338:
334:
330:
326:
324:
323:Edwin Lutyens
321:in 1891. Sir
320:
314:
310:
308:
304:
299:
295:
291:
287:
283:
279:
275:
271:
267:
263:
262:Somers Clarke
259:
258:J. D. Sedding
255:
251:
245:
243:
242:Royal Academy
236:
234:
230:
226:
222:
218:
214:
210:
206:
202:
198:
194:
193:Ernest Newton
190:
186:
185:W. R. Lethaby
182:
173:
171:
169:
165:
161:
157:
153:
144:
141:
137:
133:
127:
123:
117:
113:
107:
103:
99:
95:
91:
87:
83:
79:
75:
71:
57:
53:
49:
45:
41:
36:
30:
19:
5085:. Retrieved
5063:. Retrieved
5054:
5017:
4996:. Retrieved
4992:
4983:
4971:. Retrieved
4967:
4958:
4946:. Retrieved
4942:
4933:
4921:. Retrieved
4917:
4908:
4896:. Retrieved
4892:
4883:
4871:. Retrieved
4867:
4858:
4849:
4840:
4832:The Guardian
4831:
4821:
4801:
4794:
4785:
4775:
4767:The Guardian
4766:
4756:
4744:. Retrieved
4741:The Guardian
4740:
4730:
4722:The Guardian
4721:
4711:
4699:. Retrieved
4695:The Guardian
4693:
4683:
4669:
4661:The Guardian
4660:
4650:
4641:
4631:
4622:The Guardian
4620:
4610:
4601:
4591:
4579:. Retrieved
4575:The Guardian
4574:
4565:
4553:. Retrieved
4549:
4540:
4529:
4519:
4510:
4501:
4492:
4483:
4475:The Guardian
4474:
4464:
4455:
4446:
4434:. Retrieved
4428:
4418:
4409:
4400:
4391:
4382:
4376:. p. 4.
4372:
4365:
4355:
4349:
4329:
4322:
4313:
4304:
4294:
4287:
4278:
4266:
4254:. Retrieved
4250:
4241:
4235:: 218. 1957.
4232:
4228:
4219:
4199:
4192:
4180:. Retrieved
4176:
4167:
4157:
4151:
4139:. Retrieved
4135:
4126:
4116:
4110:
4100:
4094:
4071:. Retrieved
4057:
4045:
4035:
4029:
4009:
4002:
3982:
3975:
3963:. Retrieved
3959:
3950:
3940:
3934:
3924:
3918:
3906:. Retrieved
3902:
3893:
3883:
3877:
3867:
3861:
3851:
3845:
3835:
3828:
3819:
3809:
3797:. Retrieved
3793:
3784:
3769:
3764:
3752:. Retrieved
3748:
3739:
3727:. Retrieved
3723:
3714:
3702:. Retrieved
3698:
3689:
3677:. Retrieved
3673:
3664:
3652:. Retrieved
3648:
3638:
3618:
3611:
3601:
3594:
3574:
3567:
3558:
3548:
3528:
3521:
3511:
3505:
3493:. Retrieved
3489:
3480:
3474:: 430. 1956.
3471:
3467:
3458:
3448:
3441:
3429:. Retrieved
3425:
3416:
3404:. Retrieved
3400:
3391:
3366:
3362:
3340:
3334:
3314:
3307:
3287:
3280:
3260:
3253:
3243:
3236:
3226:
3220:
3210:
3204:
3193:
3184:
3165:
3159:
3149:
3143:
3131:. Retrieved
3116:
3110:
3094:. Jan Ward.
3090:
3083:
3071:. Retrieved
3067:
3058:
3041:
3037:
3031:
3021:10 September
3019:. Retrieved
3015:
3009:
3005:
2997:
2987:
2981:
2972:
2963:
2951:. Retrieved
2947:
2944:"John Brett"
2938:
2929:
2920:
2911:
2886:. p. 7.
2882:
2875:
2863:. Retrieved
2859:
2850:
2841:
2832:
2823:
2813:
2804:
2795:
2786:
2776:
2768:On the Wight
2767:
2746:
2736:
2727:
2718:
2706:. Retrieved
2702:
2693:
2684:
2675:
2666:
2656:
2636:
2629:
2617:. Retrieved
2613:
2604:
2595:
2586:
2567:
2561:
2549:. Retrieved
2545:
2536:
2524:. Retrieved
2520:
2511:
2499:
2487:. Retrieved
2483:
2474:
2457:
2448:
2435:
2148:
2099:
2093:
2083:
2074:
2065:
2053:. Retrieved
2049:
2040:
2020:
2013:
1993:
1986:
1974:. Retrieved
1970:
1961:
1949:. Retrieved
1945:
1907:
1873:
1849:. Retrieved
1845:
1824:
1779:. Retrieved
1764:
1757:
1732:
1726:
1706:
1699:
1679:
1657:. Retrieved
1653:
1629:. Retrieved
1625:
1593:
1586:
1574:. Retrieved
1570:
1561:
1541:
1534:
1517:
1485:
1479:
1470:
1460:
1423:
1377:
1371:
1362:
1341:. Retrieved
1337:
1174:Kenneth Budd
1159:Roderick Ham
1138:John Skelton
1081:Joan Hassall
945:Cecil Thomas
900:Harry Morley
888:F. L. Griggs
864:C. R. Ashbee
797:Henry Wilson
791:Harold Speed
698:Selwyn Image
632:Walter Crane
606:
587:
560:
556:
540:
528:
523:
519:
515:
510:Harold Speed
506:Queen Square
499:
464:
452:
450:
446:Joan Hassall
443:
439:
434:
430:
416:Philadelphia
408:
400:World War II
397:
385:
381:
377:
360:
356:
340:
336:
332:
328:
316:
312:
303:Walter Crane
247:
238:
233:Edward Prior
225:John Belcher
215:, sculptors
189:Edward Prior
177:
167:
151:
149:
120:Membership
97:Headquarters
81:Legal status
47:Abbreviation
29:
5116:British art
5075:Gavin Stamp
4998:11 February
4973:11 February
3839:p. 12.
3559:Countrylife
3532:. Oup USA.
3190:"No. 33566"
3038:RSA Journal
2926:"Societies"
2551:21 November
1291:Alan Powers
1087:David Peace
1033:Milner Grey
973:Gerald Cobb
782:Thomas Okey
770:C. W. Whall
704:Frank Short
393:World War I
292:and etcher
276:; painters
207:, designer
183:'s office:
181:Norman Shaw
5110:Categories
5065:17 October
4948:21 January
4923:21 January
4898:21 October
4873:21 October
4746:26 January
4581:15 October
4555:28 October
4182:26 October
4141:25 October
4085:required.)
4036:The Studio
3965:25 October
3799:24 October
3778:190494356X
3754:23 October
3729:23 October
3704:23 October
3679:22 October
3622:. Images.
3495:17 October
3431:22 October
3406:21 October
3101:0953464105
3073:19 October
3006:The Singer
2953:17 October
2865:16 October
2708:17 October
2619:15 October
2526:21 October
2489:17 October
2071:"Socities"
2055:21 October
1976:21 October
1951:17 October
1851:17 October
1781:22 October
1576:17 October
1454:required.)
1343:18 October
1317:References
1303:Fred Baier
1246:Brian Webb
1012:Henry Medd
638:John Brett
420:May Morris
211:, painter
104:, WC1N 3AT
5026:559542296
4456:The Strad
4436:31 August
4177:artuk.org
4073:6 January
3908:17 August
2667:The Times
2116:142796942
1801:ignored (
1791:cite book
1749:213063811
1471:The Times
850:1927 Sir
702:1901 Sir
55:Formation
5087:10 March
5059:Archived
4272:"Deaths"
4256:25 April
3654:27 April
3050:41375825
3010:Applause
1659:3 August
1631:3 August
1526:41809259
1311:Rob Ryan
1289:2020-21
630:1888–89
624:1886–87
618:1884–85
158:and the
4850:Slanted
4701:2 March
4120:. 1947.
3133:21 July
2730:. 2017.
2521:RIBAPIX
594:Camilla
571:V&A
475:Holborn
398:During
174:History
139:Website
89:Purpose
63: (
5024:
4914:"News"
4809:
4337:
4207:
4079:
4017:
3990:
3776:
3626:
3582:
3536:
3383:364275
3381:
3322:
3295:
3268:
3172:
3124:
3098:
3048:
2787:Frieze
2644:
2574:
2466:882054
2464:
2156:
2114:
2028:
2001:
1915:
1881:
1772:
1747:
1714:
1687:
1601:
1549:
1524:
1492:
1448:
1440:
1384:
130:Master
102:London
5082:(PDF)
4511:Salon
4392:Glass
4275:(PDF)
3490:AIM25
3379:JSTOR
3046:JSTOR
2805:Hello
2685:Stuff
2462:JSTOR
2440:(PDF)
2112:S2CID
1745:S2CID
1522:JSTOR
1309:2024
1301:2023
1265:2013
1259:2012
1244:2008
1238:2007
1220:2002
1211:2000
1205:1999
1196:1997
1190:1996
1178:1993
1172:1992
1163:1990
1157:1989
1151:1988
1145:1987
1136:1985
1130:1984
1115:1980
1103:1977
1094:1975
1085:1973
1079:1972
1073:1971
1067:1970
1061:1969
1055:1968
1049:1967
1040:1965
1031:1963
1025:1962
1016:1960
1010:1959
1004:1958
998:1957
992:1956
983:1954
977:1953
971:1952
964:1951
958:1950
943:1946
937:1945
931:1944
925:1943
916:1941
907:1938
898:1936
892:1935
886:1934
880:1933
871:1931
862:1929
856:1928
841:1925
835:1924
826:1922
820:1921
813:1920
807:1919
801:1918
795:1917
789:1916
780:1914
774:1913
768:1912
762:1911
756:1910
750:1909
744:1908
738:1907
732:1906
726:1905
720:1904
714:1903
708:1902
696:1900
690:1899
684:1898
678:1897
672:1896
666:1895
660:1894
654:1893
648:1892
642:1891
636:1890
5089:2013
5067:2005
5022:OCLC
5000:2024
4975:2024
4950:2021
4925:2021
4900:2021
4875:2021
4807:ISBN
4748:2021
4703:2016
4583:2014
4557:2021
4438:2016
4335:ISBN
4258:2021
4205:ISBN
4184:2021
4143:2021
4075:2016
4015:ISBN
3988:ISBN
3967:2021
3910:2020
3801:2021
3774:ISBN
3756:2021
3731:2021
3706:2021
3681:2021
3656:2020
3624:ISBN
3580:ISBN
3534:ISBN
3497:2021
3433:2021
3408:2021
3320:ISBN
3293:ISBN
3266:ISBN
3170:ISBN
3135:2018
3122:ISBN
3096:ISBN
3075:2021
3023:2021
3016:Tate
2955:2021
2867:2021
2710:2021
2642:ISBN
2621:2021
2572:ISBN
2553:2021
2528:2021
2491:2021
2154:ISBN
2057:2021
2026:ISBN
1999:ISBN
1978:2021
1953:2021
1913:ISBN
1879:ISBN
1853:2021
1803:help
1783:2021
1770:ISBN
1712:ISBN
1685:ISBN
1661:2021
1633:2021
1599:ISBN
1578:2021
1547:ISBN
1490:ISBN
1438:ISBN
1382:ISBN
1345:2021
592:and
581:and
345:and
256:and
219:and
199:and
150:The
73:Type
65:1884
58:1884
4064:doi
3472:105
3371:doi
3042:140
2104:doi
1737:doi
1654:UCL
1430:doi
525:old
124:350
50:AWG
5112::
5077:.
5057:.
5053:.
4991:.
4966:.
4941:.
4916:.
4891:.
4866:.
4848:.
4830:.
4784:.
4765:.
4739:.
4720:.
4692:.
4659:.
4640:.
4619:.
4600:.
4573:.
4548:.
4528:.
4509:.
4491:.
4473:.
4454:.
4427:.
4408:.
4390:.
4312:.
4277:.
4249:.
4233:64
4231:.
4227:.
4175:.
4134:.
4056:.
3958:.
3901:.
3818:.
3792:.
3747:.
3722:.
3697:.
3672:.
3647:.
3557:.
3488:.
3470:.
3466:.
3424:.
3399:.
3377:.
3367:50
3365:.
3349:^
3192:.
3066:.
3040:.
3014:.
2971:.
2946:.
2928:.
2910:.
2892:^
2858:.
2840:.
2822:.
2803:.
2785:.
2766:.
2755:^
2745:.
2726:.
2701:.
2683:.
2665:.
2612:.
2594:.
2544:.
2519:.
2482:.
2456:.
2168:^
2124:^
2110:.
2100:24
2098:.
2092:.
2073:.
2048:.
1969:.
1944:.
1927:^
1893:^
1861:^
1844:.
1833:^
1823:.
1811:^
1795::
1793:}}
1789:{{
1768:.
1743:.
1669:^
1652:.
1641:^
1624:.
1613:^
1569:.
1516:.
1504:^
1469:.
1436:.
1422:.
1396:^
1353:^
1336:.
1325:^
577:,
573:,
473:,
309:,
288:,
284:,
280:,
272:,
268:,
264:,
252:,
195:,
191:,
187:,
5091:.
5069:.
5002:.
4977:.
4952:.
4927:.
4902:.
4877:.
4834:.
4815:.
4788:.
4769:.
4750:.
4724:.
4705:.
4677:.
4663:.
4644:.
4625:.
4604:.
4585:.
4559:.
4534:.
4477:.
4440:.
4343:.
4260:.
4213:.
4186:.
4145:.
4077:.
4066::
4023:.
3996:.
3969:.
3912:.
3803:.
3758:.
3733:.
3708:.
3683:.
3658:.
3632:.
3588:.
3561:.
3542:.
3499:.
3435:.
3410:.
3385:.
3373::
3328:.
3301:.
3274:.
3178:.
3137:.
3104:.
3077:.
3052:.
3025:.
2957:.
2914:.
2869:.
2826:.
2789:.
2749:.
2712:.
2669:.
2650:.
2623:.
2580:.
2555:.
2530:.
2493:.
2468:.
2162:.
2118:.
2106::
2059:.
2034:.
2007:.
1980:.
1955:.
1921:.
1887:.
1855:.
1827:.
1805:)
1785:.
1751:.
1739::
1720:.
1693:.
1663:.
1635:.
1607:.
1580:.
1555:.
1528:.
1498:.
1473:.
1446:.
1432::
1390:.
1365:.
1347:.
67:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
