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Art Institute of Chicago II, Chicago

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website, states "The women’s clothing harmonizes remarkably with the palette of the painting, and the gallery’s marble floor seems transformed into a continuation of the wet cobblestones rendered so believably by Caillebotte’s paintbrush." In a similar way, art historian Hans Belting observes "One no
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in a rainy day. Two women, seen from their backs, are facing the painting. One, at the left, wearing a pleated dress, appears with a stroller, while other, apparently of younger age, with long hair and holding her hands behind her back, seems to be looking at a closer level at the painting or perhaps
58:. The painting takes the central stage in the photograph, while on his background and in a different wall, two smaller paintings are hanging at each side. The painting itself depicts several people, with their umbrellas, including a couple, in the foreground, walking through a street of 71:
longer knows what is inside the painting and what is in front of it…. We feel like rubbing our eyes when the space in front of the painting transforms itself into a picture that is not separated from the painting.”
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Struth spent several hours or days in each museum that he visited until finally deciding which work he wanted to capture in camera. In this case he took aim at a painting by French artist
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is reading the label. To their left, in the background, a man pays attention to the paintings, while at the opposite side, four visitors have the same interest.
399: 422: 272: 212: 581: 296: 100: 366: 328: 32:, depicting several museums and monuments all over the world, and their visitors. In this case it was the second that he took in the 392: 320: 336: 476: 596: 385: 312: 265: 586: 571: 500: 508: 428: 108: 67: 55: 33: 460: 436: 240: 184: 170: 142: 128: 50: 444: 354: 258: 87:, at 3 November 2016, making it one of the highest prices reached in auction in the art market that year. 80: 452: 576: 96: 526: 408: 45: 484: 66:
The space of the painting seems to connect with the one surrounding it, to the point, as the
492: 226: 198: 156: 360: 565: 550: 281: 25: 468: 377: 84: 59: 250: 104: 381: 254: 535: 519: 415: 347: 288: 24:is a color photograph taken by German photographer 79:A print of this photograph sold by $ 777.088 at 393: 266: 8: 54:, in the room where it was exhibited in the 592:Photographs in the Art Institute of Chicago 95:There are prints of this photograph at the 400: 386: 378: 273: 259: 251: 120: 297:The Smith Family, Fife, Scotland 1989 28:, in 1990. It was part of the series 7: 544:Art Institute of Chicago II, Chicago 305:Art Institute of Chicago II, Chicago 101:Astrup Fearnley Museum of Modern Art 21:Art Institute of Chicago II, Chicago 14: 367:Düsseldorf School of Photography 329:Mailänder Dom (Fassade), Mailand 337:Alte Pinakothek (Self-Portrait) 1: 527:Martial Caillebotte (brother) 582:Photographs by Thomas Struth 16:Photograph by Thomas Struth 613: 241:"Art Institute of Chicago" 185:"Art Institute of Chicago" 171:"Art Institute of Chicago" 143:"Art Institute of Chicago" 129:"Art Institute of Chicago" 501:Portrait of Richard Gallo 429:Les raboteurs de parquet 109:Art Institute of Chicago 68:Art Institute of Chicago 56:Art Institute of Chicago 34:Art Institute of Chicago 461:Paris Street; Rainy Day 437:Young Man at His Window 51:Paris Street; Rainy Day 40:History and description 355:Bernd and Hilla Becher 453:Boating on the Yerres 321:San Zaccaria, Venice 97:Hamburger Kunsthalle 597:Gustave Caillebotte 445:Le Pont de l'Europe 409:Gustave Caillebotte 243:. 27 February 2023. 229:. 27 February 2023. 215:. 27 February 2023. 201:. 27 February 2023. 187:. 27 February 2023. 173:. 27 February 2021. 159:. 27 February 2023. 145:. 27 February 2023. 131:. 27 February 2023. 46:Gustave Caillebotte 485:A Balcony in Paris 91:Public collections 30:Museum Photographs 587:Color photographs 572:1990s photographs 559: 558: 547:(1990 photograph) 423:List of paintings 375: 374: 604: 493:The Bezique Game 402: 395: 388: 379: 275: 268: 261: 252: 245: 244: 237: 231: 230: 223: 217: 216: 209: 203: 202: 195: 189: 188: 181: 175: 174: 167: 161: 160: 153: 147: 146: 139: 133: 132: 125: 612: 611: 607: 606: 605: 603: 602: 601: 562: 561: 560: 555: 531: 515: 411: 406: 376: 371: 361:Tara Bray Smith 343: 284: 279: 249: 248: 239: 238: 234: 225: 224: 220: 211: 210: 206: 197: 196: 192: 183: 182: 178: 169: 168: 164: 155: 154: 150: 141: 140: 136: 127: 126: 122: 117: 93: 77: 42: 17: 12: 11: 5: 610: 608: 600: 599: 594: 589: 584: 579: 574: 564: 563: 557: 556: 554: 553: 548: 539: 537: 533: 532: 530: 529: 523: 521: 517: 516: 514: 513: 505: 497: 489: 481: 473: 465: 457: 449: 441: 433: 425: 419: 417: 413: 412: 407: 405: 404: 397: 390: 382: 373: 372: 370: 369: 364: 358: 351: 349: 345: 344: 342: 341: 333: 325: 317: 313:Pantheon, Rome 309: 301: 292: 290: 286: 285: 280: 278: 277: 270: 263: 255: 247: 246: 232: 218: 204: 190: 176: 162: 148: 134: 119: 118: 116: 113: 92: 89: 76: 73: 41: 38: 15: 13: 10: 9: 6: 4: 3: 2: 609: 598: 595: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 569: 567: 552: 551:Impressionism 549: 546: 545: 541: 540: 538: 534: 528: 525: 524: 522: 518: 511: 510: 509:Homme au bain 506: 503: 502: 498: 495: 494: 490: 487: 486: 482: 479: 478: 474: 471: 470: 466: 463: 462: 458: 455: 454: 450: 447: 446: 442: 439: 438: 434: 431: 430: 426: 424: 421: 420: 418: 414: 410: 403: 398: 396: 391: 389: 384: 383: 380: 368: 365: 362: 359: 356: 353: 352: 350: 346: 339: 338: 334: 331: 330: 326: 323: 322: 318: 315: 314: 310: 307: 306: 302: 299: 298: 294: 293: 291: 287: 283: 282:Thomas Struth 276: 271: 269: 264: 262: 257: 256: 253: 242: 236: 233: 228: 222: 219: 214: 208: 205: 200: 194: 191: 186: 180: 177: 172: 166: 163: 158: 152: 149: 144: 138: 135: 130: 124: 121: 114: 112: 110: 107:, and at the 106: 102: 98: 90: 88: 86: 82: 74: 72: 69: 64: 61: 57: 53: 52: 47: 39: 37: 35: 31: 27: 26:Thomas Struth 23: 22: 543: 542: 507: 499: 491: 483: 477:Vue de toits 475: 469:Les Orangers 467: 459: 451: 443: 435: 427: 335: 327: 319: 311: 304: 303: 295: 235: 221: 207: 193: 179: 165: 151: 137: 123: 94: 78: 65: 49: 43: 29: 20: 19: 18: 577:1990 in art 289:Photographs 213:"Widewalls" 48:, entitled 566:Categories 357:(teachers) 227:"Phillips" 199:"Phillips" 157:"Phillips" 115:References 75:Art market 488:(1880–81) 480:(1878–79) 416:Paintings 81:Phillips 536:Related 504:(1880s) 348:Related 520:Family 512:(1884) 496:(1880) 472:(1878) 464:(1877) 456:(1877) 448:(1876) 440:(1876) 432:(1875) 363:(wife) 340:(2000) 332:(1998) 324:(1995) 316:(1990) 308:(1990) 300:(1989) 99:, the 85:London 103:, in 83:, in 60:Paris 105:Oslo 568:: 111:. 36:. 401:e 394:t 387:v 274:e 267:t 260:v

Index

Thomas Struth
Art Institute of Chicago
Gustave Caillebotte
Paris Street; Rainy Day
Art Institute of Chicago
Paris
Art Institute of Chicago
Phillips
London
Hamburger Kunsthalle
Astrup Fearnley Museum of Modern Art
Oslo
Art Institute of Chicago
"Art Institute of Chicago"
"Art Institute of Chicago"
"Phillips"
"Art Institute of Chicago"
"Art Institute of Chicago"
"Phillips"
"Widewalls"
"Phillips"
"Art Institute of Chicago"
v
t
e
Thomas Struth
The Smith Family, Fife, Scotland 1989
Art Institute of Chicago II, Chicago
Pantheon, Rome
San Zaccaria, Venice

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