421:, a worm chewing its own tail. "Rather no purpose at all than a moral purpose!"—that is the talk of mere passion. A psychologist, on the other hand, asks: what does all art do? does it not praise? glorify? choose? prefer? With all this it strengthens or weakens certain valuations. Is this merely a "moreover"? an accident? something in which the artist's instinct had no share? Or is it not the very presupposition of the artist's ability? Does his basic instinct aim at art, or rather at the sense of art, at life? at a desirability of life? Art is the great stimulus to life: how could one understand it as purposeless, as aimless, as
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of the 16th century: "Art should be independent of all claptrap – should stand alone...and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism and the like." Such a brusque dismissal also expressed the artist's
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We have taken it into our heads that to write a poem simply for the poem's sake ... and to acknowledge such to have been our design, would be to confess ourselves radically wanting in the true poetic dignity and force:– but the simple fact is that would we but permit ourselves to look into our own
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and "a supporter of the revolutionary cause," claims that the art for the sake of art theory would further divide the rich from the poor. Rivera goes on to say that since one of the characteristics of so called "pure art" was that it could only be appreciated by a few superior people, the art
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souls we should immediately there discover that under the sun there neither exists nor can exist any work more thoroughly dignified, more supremely noble, than this very poem, this poem per se, this poem which is a poem and nothing more, this poem written solely for the poem's sake.
542:" ('Let art be created, though the world perish'). Provocatively, Benjamin concludes that as long as fascism expects war "to supply the artistic gratification of a sense of perception that has been changed by technology," then this is the "consummation," the realization, of "
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on art and creation. Senghor argued that, in "black
African aesthetics," art is "functional" and that in "black Africa, 'art for art's sake' does not exist." Achebe is more scathing in his collection of essays and criticism entitled
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remark on the issue: "Am I to sit still and see other fellows pocketing two guineas apiece for stories which I can do better myself? Not me. If anyone imagines my sole aim is art for art's sake, they are cruelly deceived."
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was an empty phrase, an idle sentence. She asserted that artists had a "duty to find an adequate expression to convey it to as many souls as possible," ensuring that their works were accessible enough to be appreciated.
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When the purpose of moral preaching and of improving man has been excluded from art, it still does not follow by any means that art is altogether purposeless, aimless, senseless—in short,
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art in itself; that artistic pursuits were their own justification; and that art did not need moral justification, and indeed, was allowed to be morally neutral or
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wrote the following in which he discarded the accustomed role of art in the service of the state or official religion, which had adhered to its practice since the
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movement would strip art from its value as a social tool and ultimately make art into a currency-like item that would only be available to the rich.
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said: "There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics.
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Gautier was not the first nor the only one to use that phrase: it appeared in the lectures and writings of
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literature and art are part of the whole proletarian revolutionary cause; they are, as
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The explicit slogan is associated, in the history of
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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from the latter half of the 19th century—is a phrase that expresses the
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351:(1873), one of the most influential texts of the Aesthetic Movement.
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This article is about the
English expression. For the 10cc song, see
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661:
Schaffer, Aaron (1928). "Théophile
Gautier and "L'art pour l'art"".
850:"Marxism, Art and Utopia: Critical Theory and Political Aesthetics"
455:, who was not a Marxist but a socialist writer, wrote in 1872 that
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Slogan for art without any didactic, moral or utilitarian function
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Revolution and Women's
Autobiography in Nineteenth-century France
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Beier, Ulli (2002). "Léopold Sédar
Senghor: A Personal Memoir".
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in the 19th century; a slogan raised in defiance of those—from
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Germaine de Staël, George Sand, and the
Victorian Woman Artist
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1035:"Talks at the Yenan Forum on Literature and Art" (May 1942),
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Martin, Joseph (1985). "Conrad and the Aesthetic Movement".
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said, cogs and wheels in the whole revolutionary machine."
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and appears in the film scroll around the roaring head of
267:. Art for the sake of art affirmed that art was valuable
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have both criticised the slogan as being a limited and
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One of Cleopatra's Nights and Other Fantastic Romances
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was one of the first artists to translate the phrase (
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The Work of Art in the Age of Mechanical Reproduction
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Bennett, Arnold (1966–1986). James G. Hepburn (ed.).
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The Work of Art in the Age of Mechanical Reproduction
255:—who thought that the value of art was to serve some
745:. Durham, N.C.: Duke University Press. p. 234.
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538:. One of the slogans of the Futurists was "
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73:. Such works are sometimes described as
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1016:The revolutionary spirit in modern art
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530:and art. His main example is that of
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1077:: art for the sake of art Explained
805:. London: Oxford U. P. p. 19.
691:from the original on 18 August 2007
263:purpose. It was a rejection of the
236:"Art for the sake of art" became a
1067:Dictionary of the History of Ideas
687:. E. A. Poe Society of Baltimore.
467:Senegalese president, head of the
381:(1892). He was inspired mainly by
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1042:Quotations of Chairman Mao Zedong
737:Sanders, Charles Richard (1977).
445:for the sake of transmitting the
23:. For the 1938 Swedish film, see
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997:. London: Fontana Press. p. 23.
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33:—the usual English rendering of
904:Research in African Literatures
534:and the thinking of its mentor
265:Marxist aim of politicising art
145:needs additional citations for
1026:. Retrieved 2020 September 19.
1:
963:Origins of the German Tragedy
954:Erasmus: Speculum Scientarium
892:Letters of George Sand, Vol 3
107:[ˈarsˈɡraːtiaːˈartɪs]
1952:Aestheticization of politics
709:Edwards, Owen (April 2006).
942:Heinemann Educational Books
938:Morning Yet on Creation Day
502:, one of the developers of
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335:William Makepeace Thackeray
287:distancing of himself from
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803:Letters of Arnold Bennett;
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1047:Marxists Internet Archive
1022:6(3):51–57. p. 52. – via
564:Chinese communist leader
536:Filippo Tommaso Marinetti
443:art should be politicised
302:and his followers in the
110:), is used as a motto by
25:Art for Art's Sake (film)
21:Art for Art's Sake (song)
2323:Concepts in epistemology
878:Lewis, Linda M. (2003).
540:Fiat ars – pereat mundus
90:version of this phrase,
2245:Théophile Gautier, fils
1972:Evolutionary aesthetics
1922:The Aesthetic Dimension
1039:, Vol. III, p. 86. Via
863:Hart, Kathleen (2004).
649:Encyclopædia Britannica
631:Encyclopædia Britannica
558:Mexican Communist Party
522:" slogan as part of a "
2318:Concepts in aesthetics
1902:Avant-Garde and Kitsch
1852:Lectures on Aesthetics
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936:Achebe, Chinua. 1975.
685:"The Poetic Principle"
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867:. Rodopi. p. 91.
836:Twilight of the Idols
514:. He even terms the "
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379:Blätter für die Kunst
365:In Germany, the poet
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1992:Philosophy of design
1872:In Praise of Shadows
1862:The Critic as Artist
1069:: Art for Art's Sake
716:Smithsonian Magazine
591:Intrinsic motivation
504:Marxist hermeneutics
479:, and anti-colonial
471:, and co-founder of
221:The Poetic Principle
154:improve this article
2348:Metro-Goldwyn-Mayer
2002:Philosophy of music
1977:Mathematical beauty
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407:Friedrich Nietzsche
373:Kunst für die Kunst
323:, and the other in
284:Counter-Reformation
112:Metro-Goldwyn-Mayer
47:[laʁpuʁlaʁ]
2272:Art for art's sake
2146:La Morte Amoureuse
1997:Philosophy of film
1987:Patterns in nature
1957:Applied aesthetics
1932:Why Beauty Matters
1718:Life imitating art
1579:Art for art's sake
975:Hope the Principle
852:. 27 January 2017.
663:The Sewanee Review
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383:Charles Baudelaire
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2007:Psychology of art
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581:
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435:
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403:
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395:
355:Arnold Bennett
339:Thomas Carlyle
315:William Morris
289:sentimentalism
184:
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166:September 2020
142:
140:
133:
127:
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120:motion picture
118:in its iconic
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2169:
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2147:
2142:
2141:
2139:
2137:Short fiction
2135:
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2012:Theory of art
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1802:Hippias Major
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1661:Entertainment
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1584:Art manifesto
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1574:Appropriation
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1281:Abhinavagupta
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1233:Postmodernism
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1003:0-00-686248-9
1000:
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995:Illuminations
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812:0-19-212185-5
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669:(4): 405–417.
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596:Parnassianism
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485:Chinua Achebe
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367:Stefan George
363:
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326:William Blake
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251:advocates of
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213:Victor Cousin
209:
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143:This section
141:
137:
132:
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113:
108:
102:
96:
95:
89:
84:
82:
79:(from Greek:
78:
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68:
64:
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56:
53:
48:
39:
38:
32:
26:
22:
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2192:
2171:
2123:
2113:
2103:
1930:
1920:
1910:
1880:
1870:
1850:
1840:
1830:
1820:
1810:
1800:
1747:
1723:Magnificence
1705:
1578:
1555:
1521:Schopenhauer
1356:Coomaraswamy
1274:Philosophers
1262:
1193:Aestheticism
1074:
1066:
1040:
1036:
1031:
1019:
1010:
994:
989:
979:
973:
967:
961:
957:
953:
949:
940:. Michigan:
937:
932:
907:
903:
897:
888:
879:
873:
864:
858:
844:
834:
829:
802:
796:
771:
767:
761:
740:
732:
721:. Retrieved
714:
704:
693:. Retrieved
675:
666:
662:
656:
648:
645:Aestheticism
639:
629:
563:
554:Diego Rivera
552:
543:
539:
515:
498:
493:
466:
456:
451:
437:
422:
414:
412:
405:
402:By Nietzsche
378:
370:
364:
353:
348:
344:Miscellanies
342:
324:
318:
300:Walter Pater
297:
277:
268:
235:
230:
210:
205:
201:
189:
188:The phrase "
187:
172:
163:
152:Please help
147:verification
144:
116:Leo the Lion
93:
85:
80:
74:
36:
30:
29:
2333:Art history
1816:(c. 335 BC)
1806:(c. 390 BC)
1785:Work of art
1738:Picturesque
1594:Avant-garde
1551:Winckelmann
1426:Kierkegaard
1351:Collingwood
1321:Baudrillard
1248:Romanticism
1218:Historicism
1152:Mathematics
910:(4): 3–11.
833:Nietzsche,
601:Art for art
570:Proletarian
512:photography
453:George Sand
333:. However,
293:Romanticism
245:John Ruskin
2308:Aesthetics
2302:Categories
2255:(daughter)
1755:Recreation
1733:Perception
1626:Creativity
1326:Baumgarten
1316:Baudelaire
1198:Classicism
1113:Aesthetics
978: [
966: [
768:Conradiana
723:2007-08-08
695:2007-08-08
566:Mao Zedong
481:Africanist
273:subversive
59:philosophy
43:pronounced
1760:Reverence
1666:Eroticism
1636:Depiction
1609:Masculine
1511:Santayana
1471:Nietzsche
1416:Hutcheson
1406:Heidegger
1391:Greenberg
1346:Coleridge
1311:Balthasar
1296:Aristotle
1258:Theosophy
1253:Symbolism
1228:Modernism
1213:Formalism
916:0034-5210
780:0010-6356
473:Negritude
449:message.
447:socialist
397:Criticism
359:facetious
308:Victorian
278:As such,
249:Communist
223:" (1850)
81:autoteles
76:autotelic
71:political
2289:Category
2206:Libretti
2166:" (1838)
2157:" (1840)
2148:" (1836)
2105:Fortunio
2035:Category
1967:Axiology
1836:(c. 500)
1826:(c. 100)
1701:Judgment
1656:Emotions
1651:Elegance
1631:Cuteness
1604:Feminine
1567:Concepts
1536:Tanizaki
1516:Schiller
1501:Richards
1491:Rancière
1461:Maritain
1396:Hanslick
1336:Benjamin
1208:Feminism
1177:Theology
1157:Medieval
1147:Japanese
1142:Internet
788:24634525
689:Archived
683:(1850).
634:. 2015.
580:See also
532:Futurism
524:theology
439:Marxists
385:and the
311:moralism
261:didactic
238:bohemian
227:argues:
202:Albertus
63:didactic
2343:Phrases
2264:Related
2225:La Péri
2215:Giselle
2030:Outline
1945:Related
1812:Poetics
1780:Tragedy
1770:Sublime
1743:Quality
1728:Mimesis
1686:Harmony
1671:Fashion
1646:Ecstasy
1641:Disgust
1557:more...
1526:Scruton
1451:Lyotard
1386:Goodman
1366:Deleuze
1301:Aquinas
1291:Alberti
1264:more...
1243:Realism
1223:Marxism
1203:Fascism
1186:Schools
1172:Science
1127:Ancient
984:]."
924:3820493
651:. 2020.
528:fascism
483:writer
357:made a
126:History
2338:Mottos
2237:Family
2228:(1843)
2218:(1841)
2197:(1852)
2185:Poetry
2176:(1882)
2128:(1863)
2118:(1856)
2115:Avatar
2108:(1837)
2096:Novels
1936:(2009)
1926:(1977)
1916:(1946)
1906:(1939)
1896:(1935)
1886:(1934)
1876:(1933)
1866:(1891)
1856:(1835)
1846:(1757)
1713:Kitsch
1691:Humour
1621:Comedy
1599:Beauty
1541:Vasari
1531:Tagore
1506:Ruskin
1446:Lukács
1436:Langer
1381:Goethe
1306:Balázs
1286:Adorno
1167:Nature
1132:Africa
1001:
922:
914:
821:364280
819:
809:
786:
778:
749:
122:logo.
55:slogan
52:French
2247:(son)
2025:Index
1794:Works
1775:Taste
1765:Style
1546:Wilde
1486:Plato
1481:Pater
1441:Lipps
1401:Hegel
1371:Dewey
1361:Danto
1341:Burke
1162:Music
1137:India
1120:Areas
920:JSTOR
784:JSTOR
607:Notes
574:Lenin
257:moral
241:creed
88:Latin
69:, or
67:moral
50:), a
1749:Rasa
1707:Kama
1681:Gaze
1616:Camp
1496:Rand
1431:Klee
1421:Kant
1411:Hume
1331:Bell
1050:here
999:ISBN
912:ISSN
817:OCLC
807:ISBN
776:ISSN
747:ISBN
719:: 29
215:and
1676:Fun
1456:Man
1376:Fry
1018:."
981:sic
969:sic
647:."
550:."
341:'s
329:by
259:or
156:by
2304::
1904:"
1894:"
1864:"
958:25
956:,
918:.
908:33
906:.
815:.
782:.
772:17
770:.
713:.
667:36
665:.
615:^
475:,
393:.
275:.
269:as
208:.
65:,
2162:"
2153:"
2144:"
2081:e
2074:t
2067:v
1900:"
1890:"
1860:"
1105:e
1098:t
1091:v
1052:.
1005:.
926:.
823:.
790:.
755:.
726:.
698:.
643:"
624:"
429:?
179:)
173:(
168:)
164:(
150:.
103::
98:(
41:(
27:.
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