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since the 1950s. According to the authors, inspiration for the book came when they observed that a "significant number of
British pop musicians from the 1960s to the present were educated and first started performing in art schools." According to academic Barry Faulk, it was "the first study to
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was art-school inspired, though without addressing the disparity between sociological reality and the rhetoric of punk rock groups."
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and Howard Horne, published in 1987. It analyses the integration of art school sensibilities in
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British Rock
Modernism, 1967-1977: The Story of Music Hall in Rock
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190:. Museum of Contemporary Art ; New Haven. p. 70.
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We Have Never Been
Postmodern: Theory at the Speed of Light
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Sympathy for the Devil: Art and Rock and Roll Since 1967
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184:Molon, Dominic; Diederichsen, Diedrich (2007).
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250:This article about a music publication is a
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163:. Edinburgh University Press. p. 73.
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217:. Ashgate Publishing, Ltd. p. 155.
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254:. You can help Knowledge (XXG) by
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311:Collaborative non-fiction books
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321:Methuen Publishing books
211:Faulk, Barry J. (2013).
326:Music publication stubs
157:Redhead, Steve (2011).
306:1987 non-fiction books
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224:978-1-4094-9413-3
197:978-0-300-13426-1
170:978-0-7486-8897-5
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17:Art into Pop
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107:Art into Pop
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316:Music books
112:Simon Frith
35:Simon Frith
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60:Musicology
121:punk rock
127:See also
301:Art pop
138:Pop art
133:Art pop
42:Subject
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31:Author
84:Pages
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252:stub
219:ISBN
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46:Art
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
