Art manifesto - Knowledge (XXG)

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lost somewhere in his family apartment. As it is known, the Krupa family was evicted in 2010 and he thought it was lost forever as it was written on two pieces of plain paper. But it was preserved among other items from their house in one storage in deplorable conditions. In 2017 the family was able to retrieve part of their personal belongings which had been at the time removed to their garage. In 2018, the painter was digging in his garage and by chance, he found those original writings from 1996. It was scanned and retyped with corrected English grammar. It is the manifesto which Alfred Krupa followed and expanded in over 20 years (at the time). It is also a document from the history of the International New Ink Art movement.

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the broken axis of the compressed space, reflected in the form of inner, personal landscapes", writes Hartal in the manifesto. "Art ought to be total", he suggests. "The biotic separated from the geometrical is arbitrary, and ignores the human nature." The idea of "Lyrical Conceptualism is based on the wholeness of the psychological coordinate", he says. It "derives from the id, ego and superego"; an "art in which the primarily twofold character of the artist's view evolves into a lyrical, intuitive and conceptual triad". In The Brush and the Compass: The Interface Dynamics of Art and Science (Lanham: University Press of America, 1988, 341 pp), Hartal discusses in more detail the theory of

1248:"manifestos" which were images created with water paints and inks on paper. She then attended AWC (Art Workers Coalition) meetings, which had men and women members, and became part of WAR, which was an offshoot. She said, "I loved it. I was so angry at that time about so many things, especially about not being able to get my art out, to get people to look. I thought, "WAR"— that's it. We started to organize some actions and protests and wrote manifestos. For example, a few of us marched into the Museum of Modern Art and demanded equality for women artists. Then, I joined another, the Ad Hoc Committee of Women Artists. It all went very fast in those days." 2081: 1666:

decade of the 20th century, it has become an international movement. Lui Shou-Kwan and his followers (up to the present times) reinterpret Chinese ink art in the form of Western modernism. Krupa is doing something essentially opposite/different from Shou-Kwan and his group, he reinterprets Western modernism in the form of Chinese ink art. At present it is not known if is there any other manifesto concerning the International New Ink Art movement, in the West, there is none, at least not created in that time frame (the mid-1990s).

1855: 1530: 246:(1914). This committed them to a "universal dynamism", which was to be directly represented in painting and sculpture. Objects in reality were not separate from one another or from their surroundings: "The sixteen people around you in a rolling motor bus are in turn and at the same time one, ten four three; they are motionless and they change places... The motor bus rushes into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it." 1846:

the manifesto. The Web allows almost anybody to nail a broadsheet to the virtual wall for all to see." Some of the manifestos also appear in print form; others only exist as virtual text. It has also led to a great diversity of approaches, as well as a noticeable trend looking back at earlier traditions of Modernism or the Renaissance to create a present and future paradigm. The Stuckists manifesto has become well known, though most others have achieved little individual reputation or impact.

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diaper, finish the report, correct the typos, mend the fence, keep the customer happy, throw out the stinking garbage, watch out don't put things in your nose, what shall I wear, I have no sox, pay your bills, don't litter, save string, wash your hair, change the sheets, go to the store, I'm out of perfume, say it again — he doesn't understand, seal it again — it leaks, go to work, this art is dusty, clear the table, call him again, flush the toilet, stay young.

2002:(the awareness of the transience of things and the bittersweet feelings that accompany their passing), have the ability to show the truth of existence, and should always be considered when making the remodernist film". The manifesto also criticizes filmmakers that shoot on video, arguing that film, particularly Super-8 film "has a rawness, and an ability to capture the poetic essence of life, that video has never been able to accomplish" and also criticizes 2010:'s "pretentious checkist" of rules. Instead, the Remodernist film philosophy seems to be somewhat anti-ego, with Richards noting that "this manifesto should be viewed only as a collection of ideas and hints whose author may be mocked and insulted at will". The manifesto was recently translated into Turkish and published by the film website Bakiniz, and is being translated into Polish and published by the Polish underground art and culture magazine, RED. 1690: 1292:. Its main purpose was using sociology to underpin artistic actions, or using artistic actions to elucidate sociological phenomena. One such action was the auctioning of a "artistic square meter" in 1976 to spoof the inflation of prices in the housing and art markets. The collective made heavy use of mass media and live performance using video, telephones, etc. The group was dissolved in 1981, though some of its tenets were brought by 1469: 127:

Futurists issued political manifestos. In England, Vorticist Wyndham Lewis supported the Suffragettes, while in France, Surrealist André Breton supported the Communist party. Often, however, these political organizations rejected the artists’ attention; in other cases, artists were censored and persecuted by European authoritarian governments, like Fascist Italy and Communist Russia, which institutionally rejected the avant-garde.

22: 589: 1561:, among other significant artists who use sex in their work. In 7 short points, it founds an art movement, which "celebrates sex as the nourishing, life-giving force. We embrace our genitals as part, not separate, from our spirits." It advocates the "attitude of sex-positivism" and wishes to "communicate our ideas and emotions ... to have fun, heal the world and endure." 1024: 1232:

manifesto stated the groups objectives to be the development of a new African American art, involving social responsibility, community artistic involvement and promotion of pride in Black identity. There were parallels with African American musical innovations, and the advocacy of a complementary aesthetic involving sublime imagery and high-key colours.

89:: the period up to World War II created what are still the best known manifestos. Although they never stopped being issued, other media such as the growth of broadcasting tended to sideline such declarations. Due to the internet there has been a resurgence of the form, and many new manifestos are now appearing to a potential worldwide audience. The 6285: 941:

artistic experience, the painters, sculptors, engravers and writers participating in this first Neo-concrete Exhibition came to the conclusion that it was necessary to evaluate the theoretical principles on which concrete art has been founded, none of which offers a rationale for the expressive potential they feel their art contains."

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in 1983 for a short time. Fourteen years later it reformed with more members (nearly all of whom later joined the Stuckists art group), but without Emin. At this point Childish wrote 6 short manifestos, each containing 7 – 12 statements. He says, "they were anarchic and contradictory - my favourite!"

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New Ink Art movement was for a long time considered a local (Hong Kong) or regional or Chinese national artistic phenomena founded by Lui Shou-Kwan /1919-1975/ (some still thinks about it in that way). With these (and probably of other artists as well) activities concerning Croatia-Japan in the last

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The art manifesto has two main goals. The first is to define and criticize a paradigm in contemporary art or culture; the second is to define a set of aesthetic values to counter this paradigm. Often, manifestos aspire to be works of art in their own right; for instance, many manifesto writers intend

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manifesto, calls for a "new spirituality", but in this instance, in relation to cinema. The manifesto proclaims a spiritual film to be "not about religion. It is cinema concerned with humanity and an understanding of the simple truths and moments of humanity. Spiritual film is really ALL about these

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and based in Chicago. He helped organise international shows of black artists and wrote influential manifestos. AfriCobra is an acronym for "African Commune of Bad Relevant Artists". This was derived from combining the term for Africa with "Cobra", the "Coalition of Black Revolutionary Artists". The

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was pregnant at the time, and decided to reinterpret household chores by becoming a "maintenance artist", where she would "perform" them. Through this such "maintenance" revealed itself as an important condition for freedom and social functioning and she extended the idea beyond feminism to projects

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spirit." The manifesto recognised "oscillation to be the natural order of the world" and called for an end to "the inertia resulting from a century of modernist ideological naivety and the cynical insincerity of its antonymous bastard child." Instead, Turner proposed metamodernism as "the mercurial

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manifesto was first published in 2010 by Galerie Provocatrice in Amsterdam for a related exhibit and film premiere. Its purpose is to inspire resistance to pretenses in conceptual art which seek to eliminate Beauty as a central concern in the future of Art. Two central lines from the manifesto are:

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Widespread access to the internet has created a new incentive for artists to publish manifestos, with the knowledge that there is an instant potential worldwide audience. The effect of the internet on art manifestos has been described: "One could almost say we are living through a new boom time for

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and Japan established diplomatic relations in 1993 and he was the very first Croatian painter to be granted by the Government of Japan. After Krupa's application was formally dispatched the only thing left to him was the first draft, a sketch of his proclamation and agenda. For several years it was

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We want Our Art to speak across the barriers of knowledge directly to People about their Life and not about their knowledge of art. The twentieth century has been cursed with an art that cannot be understood. The decadent artists stand for themselves and their chosen few, laughing at and dismissing

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This is a four-page document illustrated with nine black and white images of the artist's paintings, collages and multimedia, published in Montreal in 1975. "My art is a painted metaphor; the past machine of a perpetual second, the fossil emotion of an infinite longing, the magic desire evolving on

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Once, in 1946, while still an adolescent, I was to sign my name on the other side of the sky during a fantastic "realistico-imaginary" journey. That day, as I lay stretched upon the beach of Nice, I began to feel hatred for birds which flew back and forth across my blue, cloudless sky, because they

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number 4 in June 1960. It advocated the "new human force" against technology and the "dissatisfaction of its possible uses in our senseless social life", stating "We will inaugurate what will historically be the last of the crafts. The role of amateur-professional situationist—of anti-specialist—is

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The manifesto was followed by a questionnaire (1973–76) and was concerned with making art of what would normally be seen as routine, mundane chores. She wrote, "After the revolution, who is going to pick up the garbage on Monday morning?". She followed this up with a "Sanitation Manifesto!" (1984)

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Absorbing 'culture' is a desperate, frantic attempt to groove in an ungroovy world, to escape the horror of a sterile, mindless, existence. 'Culture' provides a sop to the egos of the incompetent, a means of rationalizing passive spectating; they can pride themselves on their ability to appreciate

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Historically, there has been a strong parallel between the art manifesto and the political manifesto. It was not uncommon for manifesto writers of the early 20th century to also be politically active. In Italy, Futurist founder Filippo Tomasso Marinetti ran for office, and both Russian and Italian

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avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom (of expression) and the implied or

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weekly on September 28, 2015 (page 10). It starts out in a typically dense fashion: "Excessive use of resources in magnified state, by which one expresses: by means of two, or three dimensional visual-creations, written, or pronounce words, or in any other manner. As a reflection, examination, or

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spacecraft on its mission to Saturn." Following the statement "We are transhumans", there is the explanation, "Transhumanist Art reflects an extropic appreciation of aesthetics in a technologically enhanced world." After the manifesto is a "FAQ", which states, "Transhumanist Arts include creative

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This has the full title of "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth-Century." Donna Haraway is a cultural historian. She advocates the development of cyborgs ("cybernetic organisms") as the way forward for a post-gender society. This had a significant

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Maintenance is a drag; it takes all the fucking time (lit.) The mind boggles and chafes at the boredom. The culture confers lousy status on maintenance jobs--minimum wages, housewives — no pay. Clean your desk, wash the dishes, clean the floor, wash your clothes, wash your toes, change the baby's

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It is a document of just over 11,000 words. Its tone and basic theme are evident from the title, but it is not quite as clear cut as it seems and some women are admitted to be as bad as men (women artists, for example). SCUM wants to "destroy all useless and harmful objects — cars, store windows,

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A manifesto is a communication made to the whole world, whose only pretension is to the discovery of an instant cure for political, astronomical, artistic, parliamentary, agronomical and literary syphilis. It may be pleasant, and good-natured, it's always right, it's strong, vigorous and logical.

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The return to nature with modern instrumentation will allow man, after thousands of centuries, to return to the places where Paleolithic hunters overcame great fear; modern man will seek to abandon his own, accumulated in the idiocy of progress, on contact with humble things, which nature in her

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We use the term "neo-concrete" to differentiate ourselves from those committed to non-figurative "geometric" art (neo-plasticism, constructivism, suprematism, the school of Ulm) and particularly the kind of concrete art that is influenced by a dangerously acute rationalism. In the light of their

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The whole title is "the Why Cheap Art? manifesto". It is a single sheet, issued by the Bread and Puppet Theater "in direct response to the business of art and its growing appropriation by the corporate sector." There are seventeen statements, most of them beginning "Art is" and ending with an

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movement with its basic and aggressive DIY attitude had a significant input into art manifestos, and this is reflected even in the titles. Some of the artists overtly identified with punk through music, publishing or poetry performance. There is also an equivalent "shocking" interpretation of

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The male 'artistic' aim being, not to communicate (having nothing inside him he has nothing to say), but to disguise his animalism, he resorts to symbolism and obscurity ('deep' stuff). The vast majority of people, particularly the 'educated' ones, lacking faith in their own judgment, humble,

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and catalogued their events. She did her own confrontational body art, with a philosophy of "Feminist Actionism", inviting people to touch her in the street. She issued "written manifestos predicting with vengeance the future of women's art" and "made important theoretical contributions to

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The male 'artist' attempts to solve his dilemma of not being able to live, of not being female, by constructing a highly artificial world in which the male is heroized, that is, displays female traits, and the female is reduced to highly limited, insipid subordinate roles, that is, to being

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in a French translation. It was translated into English in 1997 by Molly Klein. It has only 70 points and is written a grand utopian rhetorical manner, with statements such as, "A new, ravenous force of domination will push men toward an unimaginable epic poetry." One of its themes is the

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wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition, 1855, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own

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for their texts to be performed. Other manifestos cannot be fully appreciated simply as written statements because they rely heavily on graphic design for communication, a common feature in Dada manifestos. Several artists have written manifestos about artistic mediums not their own.

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was founded at Cosio d’Arroscia April 27, 1957, by eight members, who wanted a revolutionary art with a state of constant transformation, and hence newness, as well as abolishing the gap between art and life. The manifesto espousing this was issued May 17, 1960, and reprinted in

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investigation of the capitalist system, exempt of aesthetical, legal, commercial, ethical, or moral considerations." It is to go beyond the usual, necessary, or proper limit or degree. To have a certain urge ”to acquire material goods beyond one's needs and often means.”.

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condition between and beyond irony and sincerity, naivety and knowingness, relativism and truth, optimism and doubt, in pursuit of a plurality of disparate and elusive horizons," and concluded with a call to "go forth and oscillate!" The manifesto formed the basis of

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The ____________ Manifesto proposed an interactive, fill-in-the-blanks view of prohibitions and claims to be made about art and art movements. It was an early interactive piece of net art that appeared in webzines and in newsgroups, inviting participation. It begins:

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overtly stated superiority of the writers over the status quo. The manifesto gives a means of expressing, publicising and recording ideas for the artist or art group—even if only one or two people write the words, it is mostly still attributed to the group name.

1421:, which mostly contained art manifestos for the "Generation Positive". The rhetoric of these resembled the 1920s Berlin Dadaist manifestos. His idea was that other bands round the world should also call themselves White Colours and other magazines be titled 1883:

have grown in eleven years from 13 artists in London to 209 groups in 48 countries, and claim, "Stuckism is the first significant art movement to spread via the Internet" The first 3 points of their numbered eponymous manifesto proclaim "a quest for

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VNS Matrix was a cyberfeminist art collective founded in Adelaide, Australia, in 1991. Their manifesto, written in 1991, was translated over the years into many languages including Italian, French, Spanish, Russian, Japanese and Finnish. It begins:

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works by scientists, engineers, technicians, philosophers, athletes, educators, mathematicians, etc., who may not be artists in the traditional sense, but whose vision and creativity are integral to transhumanity." The Manifesto is based on a

1888:", "painting is the medium of self discovery" and "a model of art which is holistic". The 4th point states, "Artists who don't paint aren't artists"; the 5th is, "Art that has to be in a gallery to be art isn't art." Points are made against 3869: 1137:, is an acronym for the "Society for Cutting up Men" and the manifesto was not specifically about art. However, it has become part of art history, because it was published in 1968, the same year that Solanas, who had spent time in 1089:, along with other young artists. The Manifesto ‘I am for an Art’ was originally made to be included in the catalogue of the 'Environments, Situations and Spaces’ exhibition. Each of the statements begin with 'I am for an art...'. 1217:

THIS MANIFESTO IS NOT ISSUED IN THE NAME OF AN ORGANIZATION OR A MOVEMENT. I SPEAK ONLY FOR MYSELF. THERE IS NO ROMANTIC MOVEMENT TODAY. IF THERE IS TO BE ONE IN THE ART OF THE FUTURE, THIS BOOK WILL HAVE HELPED IT TO COME INTO

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Style must be smashed ("Artistic talent is the only obstacle") and the unacceptable must be embraced. The last communication, of only two short sentences, was written in 2000 and recommends, "It is time for art to grow up."

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It stresses the positive nature of art which is beneficial to all and should be available to all, using poetic images such as "Art is like green trees", and urging, "Art fights against war & stupidity! ... Art is cheap!

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Purge the world of bourgeois sickness, "intellectual", professional and commercialized culture, purge the world of dead art, imitation, artificial art, abstract art, illusionistic art, mathematical art, — purge the world of

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in its pure state, by which one proposes to express -- verbally, by means of the written word, or in any other manner -- the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by

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We want to learn to respect and honour "the whole". The content of mankind is our subject and our inspiration. We stand each day for good traditions and necessary changes. We want to find and accept all the good and bad in

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Before the early 20th century, the manifesto was almost exclusively a declaration with political aims. The intention of artists adopting the form, therefore, is to indicate that they are employing art as a political tool.

1041:. It begins with the prompts for the later statements in the manifesto, the first line being, "Due to the fact that I have painted monochromes for fifteen years". It is a meditation by the artist about his work and life: 1264:

communicating a personal feminism in performance. She felt that it was important politically to create art. 'I knew that if I did it naked, I would really change how the (mostly male) audience would look at me.'"

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written in 1982. Cited as specific influences are "Abstract Art, Performance Art, Kinetic Art, Cubism, Techno Art, science fiction and Communications Art." Some collaborators of Vita-More's are named as

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respectful of authority ('Daddy knows best'), are easily conned into believing that obscurity, evasiveness, incomprehensibility, indirectness, ambiguity and boredom are marks of depth and brilliance ...

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again a specialization up to the point of economic and mental abundance, when everyone becomes an 'artist'". Its final sentence is: "Such are our goals, and these will be the future goals of humanity."

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Western art has been stupefying its audience into taking the position of an admiring doormat. We, at Group Hangman however, intend to wipe our mud-encrusted boots on the face of conceptual balderdash.

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exclamation mark, set out mostly in upper case, sometimes mixed in with lower case, in different typefaces which get bolder through the leaflet until the final statement of a large HURRAH. It starts:

1963:"Beauty is the purpose of art, just as a building is the purpose of architecture" and "The utility of art is to inform us of Beauty, just as the utility of science is to inform us of truth." 1653:

in 1997 via the Croatian Ministry of Culture, then to Vienna to the Embassy of Japan, and then to the Japanese Government in Tokyo. Based on that (and other elements like university grades)

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and in favor of religious paintings. Dalí said his role in the art of nuclear mysticism was to 'explain and accelerate the process." Dalí's preference during this period shifted to

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feminism which contradicts the non-objectification advocated in the 1960s. Then the growing presence of the computer age began to assert itself in art proclamations as in society.

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sense of time. The faceted treatment of physical objects and space blurred the distinctions between subject and abstraction, between representation and non-objectivity. Effects of

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introduced the concept of 'simultaneity' into the theoretical framework of Cubism. It was in part a concept born out of a conviction based on the authors understanding of

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and Bergson that the separation or distinction between space and time should be comprehensively challenged. It was based both on philosophical and scientific ideas, on

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elements from dictionary definitions related to "flux". It is written in lower case, with upper case for certain key phrases, some underlined. Its first paragraph is:

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button. The text is sampled from Tristian Tzara's Dada manifestos, but key pieces from the original text have been omitted and replaced with blanks to be filled-in.

5019: 4819: 2359: 1944:, whose content was challenged by the Los Angeles Stuckists group. There has also been an anti-Stuckist manifesto published in 2005 by the London Surrealist Group. 2820: 96:

Manifestos typically consist of a number of statements, which are numbered or in bullet points and which do not necessarily follow logically from one to the next.

4453: 3301: 3966: 3571: 3044:"Web Net Museum-Fred forest-Retrospective-Sociologic art-Aesthetic of communication-Manifest of sociological art (1974) and the Aesthetic of the communication" 2793: 6064: 1141:'s "Factory", shot and nearly killed him. It also has sections that address art ideas. Solanas spent her last years as a street prostitute and died in 1988. 4487: 2426: 2096:

was officially published in both Italian and English languages in 2020 by Zona publishing. It is considered the main bases of the Empathic School movement (

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At this time Stewart Home operated as a one-person movement "Generation Positive", founding a punk band called White Colours and publishing an art fanzine

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perspective on art, originated by Ayn Rand. The term "Romantic" does not refer does not relate to the concept of love and is instead a reference to the

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It advocates revolution, "living art, anti-art" and "non art reality to be grasped by all peoples, not only critics, dilettantes and professionals."

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The manifesto is five paragraphs, each with a subtitle, the first of which is "Art for All", summing up the popularist intent of their manifesto:

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There is also an intent to change people, but "The art-material must be subservient to the meaning and purpose of the picture." It states:

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Stuckism embraces all that it denounces. We only denounce that which stops at the starting point — Stuckism starts at the stopping point!

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The full title of the manifesto is "Maintenance Art—Proposal for an Exhibition"; it is considered a seminal document of feminist art.

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Since the founding manifesto did not contain a positive artistic programme, the Futurists attempted to create one in their subsequent

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An artist always feels uneasy when called upon to speak of his own work. It should speak for itself, particularly when it is valid.

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as a style whose "goal was not the ideal, but whose sole purpose was to express itself for the sake of being expressed." It names

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the normal outsider. We say that puzzling, obscure and form-obsessed art is decadent and a cruel denial of the Life of People.

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I am for an art that grows up not knowing it is art at all, an art given the chance of having a starting point of zero... "

328:. In this highly influential treatise Gleizes and Metzinger explicitly related the concept of 'multiple perspective' to the 5643: 5568: 5206: 4895: 3683: 3453: 1908:

This manifesto is available on their web site in 7 languages. They have issued at least 8 other manifestos, including the

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Inducing Knowledge by Enduring Experience: The Function of a Postmodern Pragmatic Aesthetic in Linda Montano's Living Art

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wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition. And in 1886 the

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effect initially amongst academics. VNS Matrix, a group of Australian women artists and British cultural historian,

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Manifestos in the 1960s reflected the changing social and political attitudes of the times: the general ferment of "

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in 1913, it has never been clear whether this was a sincere manifesto of the new school of amorphism, or a parody.

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The original and completed one in the form of an artist statement or agenda was written in 1996 and dispatched to

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at the middle of a vision of the self, in opposition with previous views of artists as confined from society.

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No, what I call "the indefinable pictorial sensibility" absolutely escapes this very personal solution.

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Students for Stuckism manifesto (2000) and a teenagers' Underage Stuckists Manifesto (2006). In 2006,

1281: 916:, and taken over by students as an artistic "Happening". One of Metzger's Ealing College students was 6234: 6114: 6104: 6012: 5985: 5888: 5668: 5409: 5133: 5086: 4883: 4772: 4591: 2118: 1834: 1333: 1321: 1313: 754: 716: 603: 553: 513: 475: 1634:

is the European/Western contribution to the (mainly Asian) New Ink Art movement. It combines/merges

1521:

The conclusion is an affirmation of "our life-search for new meanings and purpose to give to life."

1158:

the 'finer' things, to see a jewel where this is only a turd (they want to be admired for admiring).

6277: 6244: 6219: 6054: 6007: 6002: 5816: 5773: 5763: 5733: 5713: 5598: 5450: 5404: 5399: 5394: 5389: 5332: 5186: 5150: 5128: 5007: 4922: 4561: 1885: 1654: 1059: 708: 501: 349: 153: 53: 5688: 3851: 3799: 3621: 673: 341: 255: 6310: 6239: 6229: 6199: 6174: 5960: 5898: 5758: 5558: 5465: 5384: 5369: 5308: 5091: 4917: 4767: 4520: 3826: 2452: 2230: 2113: 1602: 1498: 1260: 750: 196: 171: 4205:"Popping Off: How Weird Al, Drake, PC Music and You Are All Caught up in the Same Feedback Loop" 3754: 2603: 2238: 36:

is a public declaration of the intentions, motives, or views of an artist or artistic movement.

2029:

was written by artist Luke Turner as "an exercise in simultaneously defining and embodying the

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Global collaboration of works founded by John Manifesto Robinson and Gary Reset Barlow (2012).

4257: 3805: 3167:"Sell Artwork, Buy Original Paintings, Art Prints, Discover New Artists | Saatchi Online" 2924: 2899: 2432: 2353: 2242: 1802: 1689: 1643: 893: 797: 607: 463: 373: 345: 4178: 3114:"Paul Hartal: Love and Cosmos, Lyrical Conceptualism, Contemporary Paintings, Works on Paper" 2682: 2582: 5753: 5703: 5648: 5563: 5495: 5145: 4947: 4942: 4932: 4731: 4601: 4278: 3917: 3661: 3333:"Social Technologies: Deconstruction, subversion and the utopia of democratic communication" 3240: 1991: 1722:

Some of the ideas resurfaced in the Stuckist manifestos written two years later. Point 9 of

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at the Salle Meise on March 23, 1918, and published in Dada, No. 3 (Zurich, December 1918).

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It is one of the earliest manifestos to be published on the Internet as well as in print.

1550: 1368: 1134: 1106: 1082: 994: 933: 638: 509: 325: 305: 140: 49: 4046: 3091: 2948: 2481: 2259: 1452:

People have been thinking too long that art is a privilege of the museums & the rich.

877: 809: 781: 658: 559: 321: 293: 16:

Public declaration of the intentions, motives, or views of an artist or artistic movement

3963:"Art manifesto – The Resurrection of Beauty – a manifesto for the future of art 2002-10" 2650:. Center for Digital Discourse and Culture @ Virginia Tech. May 17, 1960. Archived from 6224: 6204: 6074: 5831: 5783: 5743: 5678: 5628: 5608: 5543: 4967: 4957: 4854: 4736: 4571: 2153: 2051: 1972: 1889: 1870: 1758: 1706: 1700: 1693: 1554: 1533: 1396: 1325: 1176:, involving 8,500 New York workers. More recently she has addressed a landfill site on 1126: 978: 917: 909: 611: 317: 309: 285: 281: 269: 265: 163: 70: 63: 21: 3495: 2770: 2065:, as a new global art movement, tends to be a commentary on the economic materialism. 588: 6304: 6254: 6044: 5903: 5768: 5683: 5663: 5523: 5475: 5106: 4995: 4907: 4746: 4741: 4640: 4253: 3644:"New Ink Art Manifesto (New Ink Painting) by Alfred Krupa (documenta archiv docA-97)" 3473: 3430: 2187: 2074: 2030: 2025: 1999: 1953: 1937: 1913: 1826: 1809: 1766: 1635: 1546: 1540: 1472: 1177: 1027: 728: 689: 677: 641:

more than any specific artistic movement. Working on art for the regime's newspaper,

471: 451: 337: 329: 313: 179: 97: 93:

have made particular use of this to start a worldwide movement of affiliated groups.

4454:"Poetry Reading with Menotti Lerro at Central Library Edinburgh, Edinburgh Old Town" 4344: 2851: 2651: 2327: 5858: 5723: 5603: 5583: 5435: 4990: 4672: 4596: 4073: 4016:"La Galerie Provocatrice, Amsterdam - 1st exhibit and publishing of this Manifesto" 3585: 3572:"Sumi-e from the Perspective of a Traditional Academically-trained European Artist" 3383: 3261: 2039: 1925: 1917: 1862: 1782: 1770: 1762: 1639: 1412: 1329: 1256: 881: 841: 785: 741: 662: 634: 615: 537: 1391:

by Charles Thomson, then a student at the college. 21 years later he co-wrote the

1109:, this short hand-printed document consists of three paragraphs interspersed with 6085:

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

4385:"Nuovo Manifesto sulle Arti di Menotti Lerro e Antonello Pelliccia - ClanDestino" 4247: 3776: 2345: 1981:

painter, photographer and filmmaker Jesse Richards that like the closely related

6027: 5980: 5836: 5788: 5748: 5698: 5490: 5313: 5101: 4980: 4902: 4866: 4849: 4839: 4804: 4682: 4655: 4650: 4611: 4606: 4543: 4512: 3895: 2273: 2123: 2062: 1982: 1909: 1778: 1750: 1710: 1486: 1345: 1293: 1277: 1245: 1241: 1210: 1206: 1138: 986: 897: 712: 623: 592: 425: 3687: 3451: 5997: 5975: 5868: 5653: 5613: 5573: 5440: 5355: 5140: 5035: 4890: 4878: 4844: 4799: 4789: 4692: 4687: 4417:"Accademia di Brera: convegno nuovo manifesto sulle arti di Lerro e Pelliccia" 3371: 1932:

gallery holds three of the manifestos. Spin-offs by other Stuckists include a

1830: 1570: 1092:

The following quote is from the first two statement in his poetical manifesto:

1034: 853: 833: 724: 563: 353: 228: 86: 3218: 5908: 5878: 5673: 5618: 5538: 5470: 4809: 4699: 4616: 4547: 4208: 3727: 2128: 2097: 1995: 1912:

Manifesto (2000), which inaugurates "a new spirituality in art" (to replace

1786: 1744: 1674: 1657:

have been granted a scholarship for postgraduate research in Japan in 1998.

505: 440: 396: 361: 301: 223: 158: 78: 58: 41: 37: 968:

wisdom has conserved as a check on the immense arrogance of the human mind.

3278: 1145:"Great Art", etc." In a section on "'Great Art' and 'Culture'" it states: 1023: 950:"Manifesto of Industrial Painting: For a unitary applied art", written by 649:

in 1933. Sironi continued to work exclusively on murals until after WWII.

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Potter, Cher (Spring 2012). "Timotheus Vermeulen talks to Cher Potter".

2621: 1793:. It was published in 1997 in Bleus' electronic art zine "E-Pêle-Mêle". 1244:

was a member. Prior to this in 1966–70 she had created a series of anti-

981:" revolution to overthrow the existing order and the particular rise of 6022: 5970: 5928: 5913: 5883: 5445: 4794: 4704: 4581: 4566: 3990:"The Resurrection of Beauty: a manifesto for the future of art 2002-10" 2101: 1658: 1110: 921: 214: 3603: 3518:

The Literature of Society Series: The Manifesto in Literature, vol. 3,

1815:

This was written on January 1, 1997, and was apparently "on board the

1227:

Afri-Cobra was a black artist collective founded in the late 1960s by

1074:

He ends with an affirmation that he is "ready to dive into the void".

5955: 5933: 5863: 5841: 4762: 4714: 4709: 4628: 1948:

The Resurrection of Beauty: a manifesto for the future of art 2002-10

1916:'s "scientific materialism, nihilism and spiritual bankruptcy"), the 1714: 1678: 576: 525: 289: 74: 69:

The first art manifesto of the 20th century was introduced with the

2306: 2260:"I Manifesti del futurismo, lanciati da Marinetti [et al.]" 1557:(who gives explicit sexual one woman shows) and performance artist 5728: 4623: 4491: 4488:

Page at website of Japan's Ashiya City Museum of Art & History

2079: 1987: 1853: 1688: 1650: 1553:(both ex porn stars who had then directed their own porn movies), 1528: 1467: 1022: 865: 672: 587: 259: 236: 202: 4482: 5949: 5923: 4478:

Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes

4133: 2374:"Articles, TOUT-FAIT: The Marcel Duchamp Studies Online Journal" 1929: 1718: 1429:

featured abridged versions of his manifesto-style writings from

558:

The first Surrealist manifesto was written by the French writer

444: 82: 5328: 4516: 3019: 5918: 2523:"Dali Uses Blackboard to Explain New Nuclear Mysticism in Art" 562:

in 1924 and released to the public 1925. The document defines

5324: 4096:"University of North Carolina - Aesthetic Manifesto Analysis" 3143: 1240:

WAR is an acronym for "Women Artists in Revolution" of which

292:. The book was illustrated with works by Gleizes, Metzinger, 4345:"Excessivism - A Phenomenon Every Art Collector Should Know" 4309:"The Official Site of Excessivism - A 21st Century Movement" 3004: 2346:"Les Hommes du jour / dessins de A. Delannoy; texte de Flax" 2042:

reached out to Turner in early 2014 after reading the text.

4508:

on Art Manifestos, edited by Will Fenstermaker (March 2021)

1749:

With the participation of 34 artistic networkers (such as,

1067:

tried to bore holes in my greatest and most beautiful work.

657:

Towards a Free Revolutionary Art was written by surrealist

504:(published August 5, 1920) was written by Russian sculptor 4308: 2092:

Written in 2018 and published into magazines in 2019, the

2731:

Art in Theory, 1900-2000: an Anthology of Changing Ideas.

2553:

The Dalí Museum Library & Archival Digital Collection

2527:

The Dalí Museum Library & Archival Digital Collection

2501:

The Dalí Museum Library & Archival Digital Collection

954:, in August 1959, was originally published in Italian in 2056:

The Manifesto was written in 2014 and was published in

665:

as a reaction against the Soviet Union's mandated art.

40:

are a standard feature of the various movements in the

1677:(exhibition) archiv, records and papers collection in 1201:

is a collection of essays by philosopher and novelist

6135:

The Work of Art in the Age of Mechanical Reproduction

4043:"The University of York, NOISE: The Manifesto Market" 2396:"Dada, No. 3, Zurich, December 1918 (French Version)" 2006:'s work, as being "dishonest and boring", as well as 1259:

is a Viennese performance artist who worked with the

989:, as well as the pioneering of new art forms such as 958:

No. 9 (1959). Shortly afterwards it was published in

1565:

A Cyberfeminist Manifesto for the 21st Century, 1991

6187: 6036: 5809: 5516: 5428: 5362: 5159: 5028: 4966: 4830: 4755: 4554: 3942:. Stuck in L.A.: La-stuckism.com. December 17, 2006 1288:and had their manifesto published in the newspaper 4303: 4301: 4299: 2581:(in Italian). Digilander.libero.it. Archived from 1812:art movement whose manifesto was written in 1982) 1589:we see art with our cunt we make art with our cunt 832:. "Dalí confirmed that confirmed that he is an ex- 109:Apropos of logic, I consider myself very likeable. 3275:"Cheap Art Manifesto - the original proclamation" 2344:texte, Flax (1876-1933) Auteur du (May 3, 1913). 4279:"There Needs To Be More Emojis In Art Criticism" 3622:"Records and Papers - Archiv - documenta archiv" 2100:) arose in Italy on 2020. This Manifesto places 653:Manifesto: Towards a Free Revolutionary Art 1938 447:manifesto at Cabaret Voltaire on July 14, 1916. 5020:Timeline of 20th century printmaking in America 4327:"The Newest Art Movement You've Never Heard Of" 4070:"Urban Native Magazine: Are you revolutionary?" 2038:'s collaborative art practice, after the actor 1593:In 1996 they wrote the Bitch Mutant Manifesto. 1324:in Paris, with work from 21 artists, including 227:on February 20, 1909. It initiated an artistic 106: 2879:. artgroove.com. April 7, 2006. Archived from 2579:"Cronologia degli eventi new media, 1952–1998" 1399:. Thomson was also a member of the punk-based 1336:. The first Body Art manifesto was published. 5340: 4528: 3088:"Canadian Federation of Poets Member Feature" 1986:moments". Point 4 of the manifesto discusses 1753:, Sarah Jackson, Madelyn 'Honoria' Starbuck, 1267: 579:, exempt from any aesthetic or moral concern. 492:, vol. II, no. 1 (November 1918), p. 4. 8: 6065:The Literary Mind and the Carving of Dragons 3024:(MA thesis). East Tennessee State University 1977:A manifesto on filmmaking written by former 1739:E-Mail-Art & Internet-Art Manifesto 1997 912:in 1964, this was given as a lecture to the 864:Les Spatialistes, an Italian group based in 784:, and it extolled the creative force of the 182:as the three leading poets of the movement. 4504:"To Declare a New World": Critic's Page of 2358:: CS1 maint: numeric names: authors list ( 2184:The Met’s Heilbrunn Timeline of Art History 1791:RE: E-Mail-Art & Internet-Art Manifesto 1268:Collectif d'Art Sociologique manifesto 1974 404:manifesto were published in their magazine 5347: 5333: 5325: 4535: 4521: 4513: 2274:"Technical Manifesto of Futurist Painting" 688:White Manifesto is a 1946 text written by 408:, number 1, on June 20, 1914, and then in 288:, was the first major theoretical text on 4249:Co-Art: Artists on Creative Collaboration 3520:St James Press, New York, 2013, pp. 84-87 3406:"Post Porn, Post Sex, A New Art Movement" 2549:"Newsletter 8, The View from Port Lligat" 1340:A Manifesto on Lyrical Conceptualism 1975 1037:, has been copyrighted since 1989 by the 757:manifesto released on August 9, 1948, in 637:was motivated by the political ideals of 450:The second Dada manifesto was recited by 209:, was published in the Italian newspaper 2573: 2571: 2569: 1646:), philosophy, materials, and concepts. 244:Technical Manifesto of Futurist Painting 20: 3531:"New Ink Art Manifesto by Krupa (1996)" 3090:. Federationofpoets.com. Archived from 2971:"Movements, Groups and Kindred Spirits" 2877:"Quotes from Maintenance Art Manifesto" 2497:"Newsletter 46, Memories of Surrealism" 2144: 1942:The Manifesto of the American Stuckists 1612:Today, ____________ itself is obsolete. 1427:Neoist Manifestos/The Art Strike Papers 1384:promoted the Crude Art Manifesto 1978. 963:reconciliation of industry and nature: 217:on February 5, 1909, then in French as 201:The Futurist Manifesto, written by the 4355:from the original on February 5, 2016. 3961:Charleyboy, Lisa (November 21, 2014). 3834: 3824: 3349:. Kunsthaus-bregenz.at. Archived from 2351: 2293: 2291: 1990:aesthetics in relation to the idea of 780:was greatly influenced by French poet 156:was published in the French newspaper 56:was published in the French newspaper 4156:"Metamodernism: A Brief Introduction" 3722:Natasha Vita-More (January 1, 1997). 3604:"Modern Ink Painting | Movement" 2850:Gomez, Edward M. (October 13, 2002). 2704:Oldenburg, Claes (February 3, 2011). 1251: 946:Manifesto of Industrial Painting 1959 896:defined the artistic aims of Japan's 7: 4179:"Ain't nobody praying for Nietzsche" 4041:Grande, Edward (November 21, 2014). 3940:"Against national chauvinism in art" 3545:"Aesthetica Magazine - Alfred Krupa" 3472:. Michael Betancourt. Archived from 2453:"Mario Sironi - Estorick Collection" 1928:and a Critique of Damien Hirst. The 1525:Post Porn Modernist Manifesto c.1989 868:drew up a manifesto for television. 379:Manifeste de l'école amorphiste 1913 340:sense of fluidity of consciousness. 3749:Reynolds, Simon (May 15–22, 2001). 3726:. Transhumanist.biz. Archived from 2796:. Communityarts.net. Archived from 2258:Marinetti, Filippo Tommaso (1914). 1967:The Remodernist Film Manifesto 2008 1669:The original manuscript of Krupa's 904:Auto-Destructive Art Manifesto 1959 803: 765:artists and intellectuals known as 378: 5119:Index of painting-related articles 4100:Accessed online, November 21, 2014 3753:. Villagevoice.com. Archived from 3632:from the original on May 13, 2017. 3382:Kreischer, Martin (January 2005). 2973:. Asrc.cornell.edu. Archived from 2706:"Claes Oldenburg: I am for an Art" 2480:. November 8, 1948. Archived from 2425:Rainey, Lawrence (July 15, 2005). 2014:The Metamodernist Manifesto (2011) 1858:Front cover of the 4 page A6-size 1184:The Maintenance Manifesto stated: 1078:I Am For An Art... Manifesto, 1961 960:Internationale Situationniste no.3 828:in French) was written in 1951 by 73:in Italy in 1909, followed by the 14: 4068:Topol, Kateryna (June 26, 2011). 3779:. Stuckism.com. February 16, 2002 3142:. publicboard.com. Archived from 2729:Harrison, C. and Wood, P. (2006) 2648:Situationist International Online 1998:(the beauty of imperfection) and 1673:from 1996 is the property of the 1085:, a Pop artist, reacting against 808:Sculptors' First Manifesto is by 428:when he published his manifesto, 280:Du "Cubisme", written in 1912 by 102:Feeble Love & Bitter Love, II 100:'s explanation of the manifesto ( 6283: 2262:. – via Internet Archive. 2069:The New Manifesto of Arts (2020) 2046:The Excessivism Manifesto (2014) 1597:The ____________ Manifesto, 1996 1019:The Chelsea Hotel Manifesto 1961 630:Manifesto of Mural Painting 1933 4246:Mara De Wachter, Ellen (2017). 4177:Mushava, S. (August 28, 2017). 4154:Turner, L. (January 10, 2015). 3710:E-Pêle-Mêle: E-Mail-Art Netzine 3262:"Stewart Home", Knowledge (XXG) 3217:. Arteutile.net. Archived from 2923:. New York: Signet. p. 3. 2852:"Power and Glory in Sisterhood" 2819:Belasco, Daniel (Spring 2001). 2746:. Artnotart.com. Archived from 2733:2 ed. USA: Blackwell Publishing 2210:"Musée d'Orsay: Courbet speaks" 1920:Manifesto, handed out in their 1586:unbounded unleashed unforgiving 860:Les Spatialistes Manifesto 1952 848:Manifesto pittura nucleare 1951 804:Sculptors' First Manifesto 1949 166:. It defined and characterized 104:) captures the spirit of many: 3724:"Transhumanist Arts Statement" 3686:. Trakmarx.com. Archived from 3191:. Monkdogz.com. Archived from 3018:Brandenburg, Alisa A. (2004). 1163:Maintenance Art Manifesto 1969 1: 4134:"The Metamodernist Manifesto" 4113:. Jesse-richards.blogspot.com 3586:"Lui Shou Kwan | Artist" 3277:. Aisling.net. Archived from 3116:. Arthbys.com. Archived from 2675:"The Chelsea Hotel Manifesto" 1705:Group Hangman was started by 1681:(the access number docA-97). 1425:. The first part of the book 1252:Women's Art: A Manifesto 1972 1012:Internationale Situationniste 424:laid down the foundations of 191:Futurist Manifesto 1909, 1914 6195:Aestheticization of politics 5058:Museum collection management 4981:Art history (academic study) 4860:alternative exhibition space 4277:Dalton, D. (July 11, 2016). 4203:Cliff, A. (August 8, 2014). 3384:"Beyond the Porno Manifesto" 3331:Arns, Inke (April 7, 2006). 3306:The European Graduate School 2947:. artlex.com. Archived from 2299:"The Collection | MoMA" 2036:LaBeouf, Rönkkö & Turner 1632:Modern European ink painting 1545:The manifesto was signed by 761:by a group of sixteen young 600:Base de la peinture concrète 508:and cosigned by his brother 5219:Colossal sculptures in situ 4923:Artist-in-residence program 2547:Morse, A. Reynolds (1985). 2026:The Metamodernist Manifesto 1841:World Wide Web 1999–present 1822:Transhumanist Art Statement 1797:Extropic Art Manifesto 1997 1194:The Romantic Manifesto 1969 1033:This manifesto, written by 1001:Situationist Manifesto 1960 932:Neo-Concrete Manifesto, by 928:Neo-Concrete Manifesto 1959 647:Manifesto of Mural Painting 484:Manifest I of "The Style" ( 356:, contradicting notions of 6339: 5229:Contemporary art galleries 5124:Outline of the visual arts 4111:"Waarschuwing over inhoud" 3684:"Billy Childish interview" 3662:"Group Hangman manifestos" 3429:. Sysx.org. Archived from 3404:Moore, Frank (1989–1993). 2457:www.estorickcollection.com 2400:International Dada Archive 2178:Finocchio, Authors: Ross. 1960:The Resurrection of Beauty 1934:Camberwell College of Arts 1616:The manifesto ends with a 1276:Collective was founded by 1236:WAR Manifestos early 1970s 1007:Situationist International 840:, in spite of the rise of 796:Manifesto of Eaismo is by 551: 540:), titled their manifesto 520:Purist Manifesto 1920-1925 430:From Cubism to Suprematism 416:Suprematist Manifesto 1915 412:, number 2, in July 1915. 371: 253: 194: 186:Early 20th Century 1909–45 6263: 5299: 3920:. Stuckism. March 9, 2006 3798:Thomson, Charles (2004). 2773:. Northeastern University 2622:"Giuseppe Pinot-Gallizio" 2478:"La cause etait entendue" 2441:– via Google Books. 2431:. John Wiley & Sons. 2058:Los Angeles Downtown News 1994:: "The Japanese ideas of 1070:Birds must be eliminated. 914:Architectural Association 548:Surrealist Manifesto 1924 534:Charles-Edouard Jeanneret 207:Filippo Tommaso Marinetti 162:by the poet and essayist 62:by the poet and essayist 5283:Most expensive paintings 5070:Conservation-restoration 4872:Contemporary art gallery 3427:"we are the future cunt" 2821:"Learning from Landfill" 2644:"Situationist Manifesto" 2303:The Museum of Modern Art 2077:and Antonello Pelliccia 1805:(formerly Nancie Clark) 1443:Bread and Puppet Theater 1437:Cheap Art Manifesto 1984 1376:Crude Art Manifesto 1978 1363:Punk and cyber 1976–1998 1302:Communication aesthetics 1223:AfriCobra Manifesto 1970 1048:What can I do? Stop now? 792:Manifesto of Eaismo 1948 496:Realistic Manifesto 1920 391:Vorticist Manifesto 1914 274:Eugène Figuière Éditeurs 148:Symbolist Manifesto 1886 6215:Evolutionary aesthetics 6165:The Aesthetic Dimension 5291:works by living artists 5053:Classificatory disputes 3626:www.documenta-archiv.de 3264:Retrieved April 7, 2006 3169:. Saatchi-gallery.co.uk 2608:April 20, 2005, at the 2428:Modernism: An Anthology 2154:"Back to the Futurists" 1850:Stuckist manifesto 1999 1789:(aka 42.292) wrote the 1493:What our art means 1986 1464:A Cyborg Manifesto 1985 1308:Body Art Manifesto 1975 956:Notizie Arti Figurative 952:Giuseppe Pinot-Gallizio 816:Mystical Manifesto 1951 705:La cause était entendue 354:relativity of knowledge 6316:Concepts in aesthetics 6145:Avant-Garde and Kitsch 6095:Lectures on Aesthetics 4490:with full text of the 4452:Edinburgh, What's On. 3874:Tate archive catalogue 3801:A Stuckist on Stuckism 3712:, Vol. III, n° 1, 1997 3456:March 3, 2008, at the 2945:"African American Art" 2921:The Romantic Manifesto 2896:The Romantic Manifesto 2521:Swift, Howard (1952). 2089: 2088:by Lerro and Pelliccia 1866: 1696: 1580:we are the modern cunt 1536: 1475: 1220: 1199:The Romantic Manifesto 1169:Mierle Laderman Ukeles 1087:Abstract Expressionism 1030: 973:Counterculture 1960–75 680: 626:, no. 1 (April 1930). 620:Léon Arthur Tutundjian 596: 512:, and the key text of 336:were used to convey a 334:non-Euclidean geometry 277: 219:Manifeste du futurisme 136:Realist Manifesto 1855 111: 29: 6290:Philosophy portal 4928:Artist-run initiative 4815:Visual arts education 4494:Manifesto, in English 3876:. Archive.tate.org.uk 3476:on September 24, 2015 3335:. Medienkunstnetz.de. 3312:on September 22, 2013 3189:"Monkdogz Urban Art/" 3007:on February 19, 2005. 2134:New Manifesto of Arts 2094:New Manifesto of Arts 2086:New Manifesto of Arts 2083: 1857: 1692: 1671:New Ink Art Manifesto 1532: 1471: 1407:Smile Manifestos 1982 1389:Maidstone Art College 1353:Lyrical Conceptualism 1215: 1101:Fluxus Manifesto 1963 1026: 676: 622:, published in Revue 591: 466:, Robt. van 't Hoff, 368:The Art of Noise 1913 263: 250:Cubist Manifesto 1912 24: 6235:Philosophy of design 6115:In Praise of Shadows 6105:The Critic as Artist 5224:Contemporary artists 5087:Destination painting 4884:Single-artist museum 4773:Conservator-restorer 4464:on October 18, 2019. 4405:. February 22, 2021. 4076:on December 19, 2014 4049:on November 20, 2011 4022:on November 29, 2014 3996:on September 4, 2015 3969:on November 29, 2014 3856:May 3, 2006, at the 3777:"Stuckism Manifesto" 3757:on December 30, 2006 3690:on November 22, 2006 3496:"Michael Betancourt" 3470:"Michael Betancourt" 3302:"A Cyborg Manifesto" 2898:. New York: Signet. 2831:on February 20, 2003 2771:"The SCUM Manifesto" 2495:Tush, Peter (1994). 2231:Lucie-Smith, Edward. 2119:Surrealist Manifesto 1835:Francis Ford Coppola 1785:) from 13 countries 1583:positive anti reason 1455:Art is not business! 1334:Katharina Sieverding 888:Gutai Manifesto 1956 838:representational art 696:COBRA manifesto 1948 684:White Manifesto 1946 554:Surrealist Manifesto 476:Georges Vantongerloo 264:Du "Cubisme", 1912, 211:Gazzetta dell'Emilia 6245:Philosophy of music 6220:Mathematical beauty 5214:Art reference books 5008:History of painting 4592:Fine-art photograph 4498:Art Manifesto Reset 4483:Index of manifestos 4458:What's On Edinburgh 4387:. October 14, 2019. 3751:"Manifesto destiny" 3347:"Kunsthaus Bregenz" 3195:on February 6, 2012 3120:on February 6, 2012 3094:on February 4, 2012 2825:Jewish Culture News 2685:on January 15, 2013 2679:Yves Klein Archives 2654:on January 10, 2013 2321:"eres.lndproxy.org" 2239:Thames & Hudson 2190:on October 27, 2016 2152:Pollard, Lawrence. 1655:Alfred Freddy Krupa 1387:This was posted in 1316:promoted the first 709:Christian Dotremont 502:Realistic Manifesto 436:Dada Manifesto 1916 350:Riemannian geometry 154:Symbolist Manifesto 54:Symbolist Manifesto 6240:Philosophy of film 6230:Patterns in nature 6200:Applied aesthetics 6175:Why Beauty Matters 5961:Life imitating art 5822:Art for art's sake 5309:Visual arts portal 5239:National galleries 5092:Eclecticism in art 5047:Catalogue raisonné 4918:Artist cooperative 4439:poesia.corriere.it 4371:poesia.corriere.it 4132:Turner, L (2011). 3533:. August 20, 2019. 3353:on August 26, 2014 3281:on August 15, 2012 3068:. Webnetmuseum.org 3046:. Webnetmuseum.org 2977:on August 21, 2006 2919:Rand, Ayn (1971). 2894:Rand, Ayn (1969). 2883:on April 26, 2006. 2794:"Touch Sanitation" 2792:Morgan, Robert C. 2769:Solanas, Valerie. 2220:on August 1, 2016. 2214:www.musee-orsay.fr 2114:Futurist Manifesto 2090: 1867: 1724:Communication 0001 1713:and two others in 1697: 1685:Group Hangman 1997 1603:Michael Betancourt 1537: 1499:Gilbert and George 1476: 1304:movement of 1983. 1172:like the 11 month 1031: 892:This manifesto by 826:Manifeste Mystique 822:Mystical Manifesto 771:Paul-Émile Borduas 751:anti-establishment 703:manifesto, titled 681: 643:Il Popolo d'Italia 597: 443:recited the first 395:Extracts from the 278: 197:Futurist Manifesto 172:Charles Baudelaire 30: 6298: 6297: 6250:Psychology of art 6125:Art as Experience 5322: 5321: 4913:Artist collective 4727:Site-specific art 4577:Cultural artifact 4506:The Brooklyn Rail 3730:on August 8, 2012 3551:on August 1, 2019 3165:Online, Saatchi. 3140:"publicboard.com" 3001:The Brooklyn Rail 2951:on March 26, 2006 2710:Artist Statements 2484:on March 4, 2016. 2384:on March 4, 2016. 2333:on July 26, 2020. 1803:Natasha Vita-More 1644:Ink wash painting 1314:François Pluchart 872:Un Art Autre 1952 798:Voltolino Fontani 735:Refus global 1948 608:Theo van Doesburg 602:, was written by 536:(better known as 464:Theo van Doesburg 385:Les Homme du jour 374:The Art of Noises 221:in the newspaper 176:Stéphane Mallarmé 6328: 6288: 6287: 6286: 6180: 6170: 6160: 6150: 6140: 6130: 6120: 6110: 6100: 6090: 6080: 6070: 6060: 6050: 5349: 5342: 5335: 5326: 5278:Stolen paintings 5146:Sociology of art 5097:Economics of art 4948:Sculpture garden 4933:Artist-run space 4732:Social sculpture 4602:Installation art 4537: 4530: 4523: 4514: 4466: 4465: 4460:. 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Haraway 1401:The Medway Poets 1395:manifestos with 1367:The rise of the 1282:Jean-Paul Thénot 1274:Sociological art 1174:Touch Sanitation 1039:Gagosian Gallery 767:les Automatistes 711:, and signed by 669:Post-war 1946–59 604:Otto G. Carlsund 584:Art Concret 1930 544:(After Cubism). 542:Après le Cubisme 524:The founders of 422:Kazimir Malevich 6338: 6337: 6331: 6330: 6329: 6327: 6326: 6325: 6301: 6300: 6299: 6294: 6284: 6282: 6259: 6183: 6178: 6168: 6158: 6155:Critical Essays 6148: 6138: 6128: 6118: 6108: 6098: 6088: 6078: 6068: 6058: 6048: 6032: 5805: 5719:Ortega y Gasset 5512: 5424: 5358: 5353: 5323: 5318: 5304:Painting portal 5295: 5202:sculpture parks 5155: 5114:Elements of art 5082:Cultural policy 5024: 4976:Timeline of art 4962: 4953:Sculpture trail 4832: 4826: 4751: 4668:Performance art 4550: 4541: 4474: 4469: 4451: 4450: 4446: 4433: 4432: 4428: 4415: 4414: 4410: 4397: 4396: 4392: 4383: 4382: 4378: 4365: 4364: 4360: 4343: 4342: 4338: 4325: 4324: 4320: 4313:excessivism.com 4307: 4306: 4297: 4287: 4285: 4276: 4275: 4271: 4264: 4256:. p. 216. 4245: 4244: 4240: 4228: 4227: 4223: 4213: 4211: 4202: 4201: 4197: 4187: 4185: 4176: 4175: 4171: 4161: 4159: 4153: 4152: 4148: 4138: 4136: 4131: 4130: 4126: 4116: 4114: 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2461: 2459: 2451: 2450: 2446: 2439: 2424: 2423: 2419: 2409: 2407: 2406:on July 7, 2013 2394: 2393: 2389: 2372: 2371: 2367: 2350: 2343: 2342: 2338: 2330: 2323: 2319: 2318: 2314: 2297: 2296: 2289: 2279: 2277: 2272: 2271: 2267: 2257: 2256: 2252: 2229: 2225: 2208: 2207: 2203: 2193: 2191: 2177: 2176: 2172: 2162: 2160: 2151: 2150: 2146: 2142: 2124:The Antipodeans 2110: 2071: 2048: 2016: 2004:Stanley Kubrick 1969: 1950: 1898:Charles Saatchi 1875:Charles Thomson 1852: 1843: 1817:Cassini Huygens 1799: 1775:György Galántai 1755:Judith Hoffberg 1741: 1687: 1629: 1599: 1567: 1551:Candida Royalle 1527: 1495: 1466: 1439: 1409: 1382:Charles Thomson 1378: 1365: 1342: 1322:Galerie Stadler 1310: 1270: 1254: 1238: 1225: 1196: 1165: 1135:Valerie Solanas 1131: 1107:George Maciunas 1103: 1096: 1094: 1093: 1083:Claes Oldenburg 1080: 1021: 1003: 995:performance art 975: 948: 934:Ferreira Gullar 930: 906: 890: 874: 862: 852:Written was by 850: 818: 806: 794: 737: 698: 686: 671: 655: 639:Italian Fascism 632: 586: 556: 550: 530:Amédée Ozenfant 522: 510:Antoine Pevsner 498: 460: 438: 418: 393: 381: 376: 370: 326:Marie Laurencin 306:Francis Picabia 272:, published by 258: 252: 199: 193: 188: 150: 141:Gustave Courbet 138: 133: 116: 50:Gustave Courbet 28:manifesto, 1918 17: 12: 11: 5: 6336: 6335: 6332: 6324: 6323: 6321:Art manifestos 6318: 6313: 6303: 6302: 6296: 6295: 6293: 6292: 6280: 6275: 6270: 6264: 6261: 6260: 6258: 6257: 6252: 6247: 6242: 6237: 6232: 6227: 6225:Neuroesthetics 6222: 6217: 6212: 6207: 6205:Arts criticism 6202: 6197: 6191: 6189: 6185: 6184: 6182: 6181: 6171: 6161: 6151: 6141: 6131: 6121: 6111: 6101: 6091: 6081: 6075:On the Sublime 6071: 6061: 6051: 6040: 6038: 6034: 6033: 6031: 6030: 6025: 6020: 6015: 6010: 6005: 6000: 5995: 5988: 5983: 5978: 5973: 5968: 5963: 5958: 5953: 5946: 5941: 5939:Interpretation 5936: 5931: 5926: 5921: 5916: 5911: 5906: 5901: 5896: 5891: 5886: 5881: 5876: 5871: 5866: 5861: 5856: 5855: 5854: 5849: 5839: 5834: 5832:Artistic merit 5829: 5824: 5819: 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Manifesto 1124: 1120: 1119: 1102: 1099: 1079: 1076: 1072: 1071: 1068: 1056: 1055: 1052: 1049: 1046: 1020: 1017: 1002: 999: 979:counterculture 974: 971: 970: 969: 947: 944: 943: 942: 929: 926: 918:Pete Townshend 910:Gustav Metzger 905: 902: 894:Jirô Yoshihara 889: 886: 873: 870: 861: 858: 849: 846: 842:abstractionism 817: 814: 805: 802: 793: 790: 755:anti-religious 736: 733: 697: 694: 685: 682: 670: 667: 654: 651: 631: 628: 585: 582: 581: 580: 552:Main article: 549: 546: 521: 518: 514:Constructivism 497: 494: 470:, Antony Kok, 459: 456: 437: 434: 417: 414: 392: 389: 380: 377: 372:Main article: 369: 366: 358:absolute truth 346:Henri Poincaré 338:psychophysical 318:Georges Braque 310:Marcel Duchamp 286:Jean Metzinger 282:Albert Gleizes 270:Jean Metzinger 266:Albert Gleizes 254:Main article: 251: 248: 195:Main article: 192: 189: 187: 184: 149: 146: 137: 134: 132: 129: 115: 112: 15: 13: 10: 9: 6: 4: 3: 2: 6334: 6333: 6322: 6319: 6317: 6314: 6312: 6309: 6308: 6306: 6291: 6281: 6279: 6276: 6274: 6271: 6269: 6266: 6265: 6262: 6256: 6255:Theory of art 6253: 6251: 6248: 6246: 6243: 6241: 6238: 6236: 6233: 6231: 6228: 6226: 6223: 6221: 6218: 6216: 6213: 6211: 6208: 6206: 6203: 6201: 6198: 6196: 6193: 6192: 6190: 6186: 6177: 6176: 6172: 6167: 6166: 6162: 6157: 6156: 6152: 6146: 6142: 6136: 6132: 6127: 6126: 6122: 6117: 6116: 6112: 6106: 6102: 6097: 6096: 6092: 6087: 6086: 6082: 6077: 6076: 6072: 6067: 6066: 6062: 6057: 6056: 6052: 6047: 6046: 6045:Hippias Major 6042: 6041: 6039: 6035: 6029: 6026: 6024: 6021: 6019: 6016: 6014: 6011: 6009: 6006: 6004: 6001: 5999: 5996: 5994: 5993: 5989: 5987: 5984: 5982: 5979: 5977: 5974: 5972: 5969: 5967: 5964: 5962: 5959: 5957: 5954: 5952: 5951: 5947: 5945: 5942: 5940: 5937: 5935: 5932: 5930: 5927: 5925: 5922: 5920: 5917: 5915: 5912: 5910: 5907: 5905: 5904:Entertainment 5902: 5900: 5897: 5895: 5892: 5890: 5887: 5885: 5882: 5880: 5877: 5875: 5872: 5870: 5867: 5865: 5862: 5860: 5857: 5853: 5850: 5848: 5845: 5844: 5843: 5840: 5838: 5835: 5833: 5830: 5828: 5827:Art manifesto 5825: 5823: 5820: 5818: 5817:Appropriation 5815: 5814: 5812: 5808: 5802: 5801: 5797: 5795: 5792: 5790: 5787: 5785: 5782: 5780: 5777: 5775: 5772: 5770: 5767: 5765: 5762: 5760: 5757: 5755: 5752: 5750: 5747: 5745: 5742: 5740: 5737: 5735: 5732: 5730: 5727: 5725: 5722: 5720: 5717: 5715: 5712: 5710: 5709:Merleau-Ponty 5707: 5705: 5702: 5700: 5697: 5695: 5692: 5690: 5687: 5685: 5682: 5680: 5677: 5675: 5672: 5670: 5667: 5665: 5662: 5660: 5657: 5655: 5652: 5650: 5647: 5645: 5642: 5640: 5637: 5635: 5632: 5630: 5627: 5625: 5622: 5620: 5617: 5615: 5612: 5610: 5607: 5605: 5602: 5600: 5597: 5595: 5592: 5590: 5587: 5585: 5582: 5580: 5577: 5575: 5572: 5570: 5567: 5565: 5562: 5560: 5557: 5555: 5552: 5550: 5547: 5545: 5542: 5540: 5537: 5535: 5532: 5530: 5527: 5525: 5524:Abhinavagupta 5522: 5521: 5519: 5515: 5509: 5508: 5504: 5502: 5499: 5497: 5494: 5492: 5489: 5487: 5484: 5482: 5479: 5477: 5476:Postmodernism 5474: 5472: 5469: 5467: 5464: 5462: 5459: 5457: 5454: 5452: 5449: 5447: 5444: 5442: 5439: 5437: 5434: 5433: 5431: 5427: 5421: 5418: 5416: 5413: 5411: 5408: 5406: 5403: 5401: 5398: 5396: 5393: 5391: 5388: 5386: 5383: 5381: 5378: 5376: 5373: 5371: 5368: 5367: 5365: 5361: 5357: 5350: 5345: 5343: 5338: 5336: 5331: 5330: 5327: 5315: 5312: 5310: 5307: 5305: 5302: 5301: 5298: 5292: 5288: 5284: 5281: 5279: 5276: 5272: 5269: 5268: 5267: 5264: 5262: 5261:Photographers 5259: 5255: 5252: 5250: 5247: 5246: 5245: 5242: 5240: 5237: 5235: 5232: 5230: 5227: 5225: 5222: 5220: 5217: 5215: 5212: 5208: 5207:single artist 5205: 5203: 5200: 5198: 5195: 5193: 5190: 5189: 5188: 5185: 5183: 5182:Art movements 5180: 5178: 5175: 5173: 5170: 5168: 5167:Art magazines 5165: 5164: 5162: 5158: 5152: 5149: 5147: 5144: 5142: 5139: 5135: 5132: 5130: 5127: 5126: 5125: 5122: 5120: 5117: 5115: 5112: 5108: 5107:art valuation 5105: 5103: 5100: 5099: 5098: 5095: 5093: 5090: 5088: 5085: 5083: 5080: 5076: 5073: 5072: 5071: 5068: 5064: 5061: 5060: 5059: 5056: 5054: 5051: 5049: 5048: 5044: 5042: 5039: 5037: 5034: 5033: 5031: 5027: 5021: 5018: 5014: 5011: 5010: 5009: 5006: 5002: 4999: 4998: 4997: 4994: 4992: 4991:Art movements 4989: 4987: 4986:Art manifesto 4984: 4982: 4979: 4977: 4974: 4973: 4971: 4969: 4965: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4908:Arts festival 4906: 4904: 4901: 4897: 4894: 4893: 4892: 4889: 4885: 4882: 4881: 4880: 4877: 4873: 4870: 4869: 4868: 4865: 4861: 4858: 4857: 4856: 4853: 4851: 4848: 4846: 4843: 4841: 4838: 4837: 4835: 4829: 4821: 4818: 4817: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4784: 4781: 4779: 4776: 4775: 4774: 4771: 4769: 4766: 4764: 4761: 4760: 4758: 4754: 4748: 4747:Artwork title 4745: 4743: 4742:Stained glass 4740: 4738: 4735: 4733: 4730: 4728: 4725: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4702: 4701: 4698: 4694: 4691: 4690: 4689: 4686: 4684: 4681: 4679: 4676: 4674: 4671: 4669: 4666: 4664: 4661: 4657: 4654: 4652: 4649: 4647: 4644: 4643: 4642: 4641:New media art 4639: 4635: 4632: 4630: 4627: 4626: 4625: 4622: 4618: 4615: 4614: 4613: 4610: 4608: 4605: 4603: 4600: 4598: 4595: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4573: 4570: 4568: 4565: 4563: 4562:Appropriation 4560: 4559: 4557: 4553: 4549: 4545: 4538: 4533: 4531: 4526: 4524: 4519: 4518: 4515: 4509: 4507: 4502: 4499: 4496: 4493: 4489: 4486: 4484: 4481: 4479: 4476: 4475: 4471: 4463: 4459: 4455: 4448: 4445: 4440: 4436: 4430: 4427: 4422: 4418: 4412: 4409: 4404: 4400: 4394: 4391: 4386: 4380: 4377: 4372: 4368: 4362: 4359: 4354: 4350: 4346: 4340: 4337: 4332: 4328: 4322: 4319: 4314: 4310: 4304: 4302: 4300: 4296: 4284: 4280: 4273: 4270: 4265: 4263:9780714872889 4259: 4255: 4254:Phaidon Press 4251: 4250: 4242: 4239: 4234: 4233: 4225: 4222: 4210: 4206: 4199: 4196: 4184: 4180: 4173: 4170: 4157: 4150: 4147: 4135: 4128: 4125: 4112: 4106: 4103: 4097: 4091: 4088: 4075: 4071: 4064: 4061: 4048: 4044: 4037: 4034: 4021: 4017: 4011: 4008: 3995: 3991: 3984: 3981: 3968: 3964: 3957: 3954: 3941: 3935: 3932: 3919: 3913: 3910: 3897: 3891: 3888: 3875: 3871: 3865: 3862: 3859: 3855: 3852: 3848: 3845: 3840: 3828: 3813: 3811:1-902700-27-9 3807: 3803: 3802: 3794: 3791: 3778: 3772: 3769: 3756: 3752: 3745: 3742: 3729: 3725: 3718: 3715: 3711: 3705: 3702: 3689: 3685: 3679: 3676: 3663: 3657: 3654: 3649: 3645: 3639: 3636: 3631: 3627: 3623: 3617: 3614: 3609: 3605: 3599: 3596: 3591: 3587: 3581: 3578: 3573: 3566: 3563: 3550: 3546: 3540: 3537: 3532: 3526: 3523: 3519: 3513: 3510: 3497: 3491: 3488: 3475: 3471: 3465: 3462: 3459: 3455: 3452: 3448: 3445: 3432: 3428: 3422: 3419: 3407: 3400: 3397: 3385: 3378: 3375: 3372: 3368: 3365: 3352: 3348: 3342: 3339: 3334: 3327: 3324: 3316:September 16, 3311: 3307: 3303: 3296: 3293: 3280: 3276: 3270: 3267: 3263: 3258: 3255: 3242: 3236: 3233: 3220: 3216: 3210: 3207: 3194: 3190: 3184: 3181: 3168: 3161: 3158: 3145: 3141: 3135: 3132: 3119: 3115: 3109: 3106: 3093: 3089: 3083: 3080: 3067: 3061: 3058: 3045: 3039: 3036: 3023: 3022: 3014: 3011: 3006: 3002: 2998: 2992: 2989: 2976: 2972: 2966: 2963: 2950: 2946: 2940: 2937: 2932: 2930:9781101348215 2926: 2922: 2915: 2912: 2907: 2905:9781101348215 2901: 2897: 2890: 2887: 2882: 2878: 2872: 2869: 2857: 2853: 2846: 2843: 2830: 2826: 2822: 2815: 2812: 2799: 2795: 2788: 2785: 2777:September 16, 2772: 2765: 2762: 2749: 2745: 2739: 2736: 2732: 2726: 2723: 2715:September 16, 2711: 2707: 2700: 2697: 2689:September 16, 2684: 2680: 2676: 2673:Klein, Yves. 2669: 2666: 2653: 2649: 2645: 2639: 2636: 2623: 2617: 2614: 2611: 2607: 2604: 2600: 2597: 2584: 2580: 2574: 2572: 2570: 2566: 2554: 2550: 2543: 2540: 2528: 2524: 2517: 2514: 2502: 2498: 2491: 2488: 2483: 2479: 2473: 2470: 2458: 2454: 2448: 2445: 2440: 2438:9780631204480 2434: 2430: 2429: 2421: 2418: 2405: 2401: 2397: 2391: 2388: 2383: 2379: 2375: 2369: 2366: 2361: 2355: 2347: 2340: 2337: 2329: 2322: 2316: 2313: 2308: 2304: 2300: 2294: 2292: 2288: 2275: 2269: 2266: 2261: 2254: 2251: 2248: 2244: 2240: 2236: 2235:Symbolist Art 2232: 2227: 2224: 2219: 2215: 2211: 2205: 2202: 2189: 2185: 2181: 2174: 2171: 2159: 2155: 2148: 2145: 2139: 2135: 2132: 2130: 2127: 2125: 2122: 2120: 2117: 2115: 2112: 2111: 2107: 2105: 2103: 2099: 2095: 2087: 2084:Cover of The 2082: 2078: 2076: 2075:Menotti Lerro 2068: 2066: 2064: 2059: 2054: 2053: 2045: 2043: 2041: 2037: 2032: 2028: 2027: 2022: 2021: 2013: 2011: 2009: 2005: 2001: 2000:mono no aware 1997: 1993: 1989: 1984: 1980: 1975: 1974: 1966: 1964: 1961: 1957: 1955: 1954:Mark Miremont 1947: 1945: 1943: 1939: 1938:Allen Herndon 1935: 1931: 1927: 1923: 1919: 1915: 1914:Postmodernism 1911: 1903: 1902: 1901: 1899: 1895: 1891: 1887: 1882: 1877: 1876: 1872: 1864: 1861: 1856: 1849: 1847: 1840: 1838: 1836: 1832: 1828: 1827:Timothy Leary 1823: 1818: 1813: 1811: 1810:Transhumanist 1806: 1804: 1796: 1794: 1792: 1788: 1784: 1780: 1776: 1772: 1768: 1767:John Held Jr. 1764: 1760: 1756: 1752: 1747: 1746: 1738: 1736: 1729: 1728: 1727: 1725: 1720: 1716: 1712: 1708: 1703: 1702: 1695: 1691: 1684: 1682: 1680: 1676: 1672: 1667: 1663: 1660: 1656: 1652: 1647: 1645: 1641: 1637: 1636:Expressionism 1633: 1626: 1624: 1621: 1619: 1611: 1610: 1609: 1605: 1604: 1596: 1594: 1588: 1585: 1582: 1579: 1578: 1577: 1573: 1572: 1564: 1562: 1560: 1556: 1552: 1548: 1547:Veronica Vera 1543: 1542: 1541:Veronica Vera 1535: 1531: 1524: 1522: 1515: 1514: 1513: 1506: 1505: 1504: 1501: 1500: 1492: 1490: 1488: 1482: 1481: 1474: 1473:Donna Haraway 1470: 1463: 1461: 1454: 1451: 1450: 1449: 1445: 1444: 1436: 1434: 1432: 1428: 1424: 1420: 1415: 1414: 1406: 1404: 1402: 1398: 1394: 1390: 1385: 1383: 1375: 1373: 1370: 1362: 1360: 1358: 1354: 1348: 1347: 1339: 1337: 1335: 1331: 1327: 1323: 1319: 1315: 1307: 1305: 1303: 1299: 1295: 1291: 1287: 1286:Hervé Fischer 1283: 1279: 1275: 1265: 1262: 1258: 1249: 1247: 1243: 1235: 1233: 1230: 1222: 1219: 1214: 1212: 1208: 1204: 1200: 1193: 1187: 1186: 1185: 1181: 1179: 1178:Staten Island 1175: 1170: 1162: 1156: 1152: 1148: 1147: 1146: 1142: 1140: 1136: 1128: 1125: 1123: 1118:"Europanism"! 1116: 1115: 1114: 1112: 1108: 1100: 1098: 1090: 1088: 1084: 1077: 1075: 1069: 1065: 1064: 1063: 1061: 1053: 1050: 1047: 1044: 1043: 1042: 1040: 1036: 1029: 1028:Chelsea Hotel 1025: 1018: 1016: 1013: 1008: 1000: 998: 996: 992: 988: 984: 980: 972: 966: 965: 964: 961: 957: 953: 945: 939: 938: 937: 935: 927: 925: 923: 919: 915: 911: 903: 901: 899: 895: 887: 885: 883: 879: 876:This work by 871: 869: 867: 859: 857: 855: 847: 845: 843: 839: 835: 831: 830:Salvador Dalí 827: 823: 815: 813: 811: 801: 799: 791: 789: 787: 783: 779: 774: 772: 768: 764: 760: 756: 752: 748: 747:Total Refusal 744: 743: 734: 732: 730: 729:Joseph Noiret 726: 722: 718: 714: 710: 707:, written by 706: 702: 695: 693: 691: 690:Lucio Fontana 683: 679: 678:Lucio Fontana 675: 668: 666: 664: 660: 652: 650: 648: 644: 640: 636: 629: 627: 625: 621: 617: 613: 609: 605: 601: 594: 590: 583: 578: 573: 569: 568: 567: 565: 561: 555: 547: 545: 543: 539: 535: 531: 527: 519: 517: 515: 511: 507: 503: 495: 493: 491: 487: 482: 481: 477: 473: 472:Piet Mondrian 469: 468:Vilmos Huszar 465: 458:De Stijl 1918 457: 455: 453: 452:Tristan Tzara 448: 446: 442: 435: 433: 431: 427: 423: 415: 413: 411: 407: 403: 402: 398: 390: 388: 386: 383:Published in 375: 367: 365: 363: 359: 355: 351: 347: 343: 339: 335: 331: 327: 323: 319: 315: 314:Pablo Picasso 311: 307: 303: 299: 298:Fernand Léger 295: 291: 287: 283: 275: 271: 267: 262: 257: 249: 247: 245: 240: 238: 234: 230: 226: 225: 220: 216: 212: 208: 204: 198: 190: 185: 183: 181: 180:Paul Verlaine 177: 173: 169: 165: 161: 160: 155: 147: 145: 144:estimation." 142: 135: 130: 128: 124: 120: 113: 110: 105: 103: 99: 98:Tristan Tzara 94: 92: 88: 84: 80: 76: 72: 67: 65: 61: 60: 55: 51: 46: 43: 39: 35: 34:art manifesto 27: 23: 19: 6173: 6163: 6153: 6123: 6113: 6093: 6083: 6073: 6063: 6053: 6043: 5990: 5966:Magnificence 5948: 5826: 5798: 5764:Schopenhauer 5599:Coomaraswamy 5517:Philosophers 5505: 5436:Aestheticism 5197:most visited 5045: 4985: 4673:Plastic arts 4597:Found object 4505: 4462:the original 4457: 4447: 4438: 4429: 4420: 4411: 4402: 4393: 4379: 4370: 4361: 4348: 4339: 4330: 4321: 4312: 4288:November 22, 4286:. 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Retrieved 2157: 2147: 2091: 2072: 2055: 2049: 2040:Shia LaBeouf 2024: 2023: 2017: 1976: 1970: 1959: 1958: 1951: 1941: 1926:Tate Britain 1918:Turner Prize 1907: 1886:authenticity 1878: 1868: 1863:Turner Prize 1844: 1821: 1814: 1807: 1800: 1790: 1783:Andrej Tisma 1771:Ruud Janssen 1763:Ken Friedman 1748: 1742: 1733: 1723: 1704: 1698: 1670: 1668: 1664: 1648: 1640:Art Informel 1630: 1622: 1617: 1615: 1606: 1600: 1592: 1574: 1568: 1544: 1538: 1520: 1511: 1502: 1496: 1483: 1477: 1458: 1446: 1440: 1430: 1426: 1422: 1418: 1416: 1413:Stewart Home 1410: 1386: 1379: 1366: 1356: 1352: 1349: 1343: 1330:Chris Burden 1320:show at the 1311: 1271: 1257:Valie Export 1255: 1239: 1226: 1216: 1211:Romantic Era 1197: 1182: 1173: 1166: 1143: 1132: 1121: 1104: 1091: 1081: 1073: 1060:appropriates 1057: 1032: 1011: 1004: 976: 959: 955: 949: 931: 907: 891: 882:art informel 880:defined the 878:Michel Tapié 875: 863: 851: 825: 821: 819: 807: 795: 786:subconscious 782:André Breton 778:Refus global 777: 775: 746: 742:Refus global 740: 738: 704: 699: 687: 663:Leon Trotsky 661:and Marxist 659:André Breton 656: 646: 635:Mario Sironi 633: 616:Marcel Wantz 599: 598: 560:André Breton 557: 541: 538:Le Corbusier 523: 499: 489: 483: 461: 449: 439: 429: 419: 409: 405: 399: 394: 384: 382: 342:Du "Cubisme" 322:André Derain 294:Paul Cézanne 279: 256:Du "Cubisme" 243: 241: 222: 218: 210: 200: 157: 152:In 1886 the 151: 139: 125: 121: 117: 107: 101: 95: 68: 57: 47: 33: 31: 18: 6059:(c. 335 BC) 6049:(c. 390 BC) 6028:Work of art 5981:Picturesque 5837:Avant-garde 5794:Winckelmann 5669:Kierkegaard 5594:Collingwood 5564:Baudrillard 5491:Romanticism 5461:Historicism 5395:Mathematics 5314:Arts portal 5187:Art museums 5102:art finance 4903:Arts centre 4867:Art gallery 4850:Art commune 4840:Art auction 4683:Printmaking 4612:Mixed media 4607:Kinetic art 4544:Visual arts 4421:MilanoToday 4053:February 8, 3870:"Stuckists" 3835:|work= 3028:15 November 2744:"Manifesto" 2063:Excessivism 2020:Luke Turner 1983:Remodernism 1910:Remodernist 1779:Rod Summers 1751:Anna Banana 1711:Tracey Emin 1627:New Ink Art 1559:Frank Moore 1487:Sadie Plant 1346:Paul Hartal 1298:Mario Costa 1294:Fred Forest 1278:Fred Forest 1272:The French 1246:Vietnam War 1242:Nancy Spero 1207:Objectivist 1139:Andy Warhol 1105:Written by 987:Black Power 908:Written by 898:Gutai group 713:Karel Appel 624:Art Concret 612:Jean Hélion 593:Art Concret 426:Suprematism 397:Vorticists' 164:Jean Moréas 87:Surrealists 64:Jean Moréas 6305:Categories 5998:Recreation 5976:Perception 5869:Creativity 5569:Baumgarten 5559:Baudelaire 5441:Classicism 5356:Aesthetics 5287:sculptures 5141:Provenance 5036:Art market 4943:Commission 4891:Art school 4879:Art museum 4845:Art colony 4833:and events 4693:street art 4688:Public art 4214:August 25, 4183:The Herald 4158:. Berfrois 3918:"Stuckism" 3898:. Stuckism 3761:August 21, 3555:August 15, 3243:. Stuckism 3241:"Stuckism" 2247:0500201250 2237:. 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