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Kramskoi found this act of a comrade a violation of their main principle: not to use the benefits of the
Academy alone, since it was decided upon leaving the Academy to stick to a partnership and not go for academic baits at retail. He submitted a written statement to his comrades and demanded that they express their opinion on how they view such an act. The comrades answered evasively, with silence. As a result, Kramskoi left the Artists' Artel. After this, the Artel lost its significance and imperceptibly melted away.
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354:, secretly submitted a petition to the Imperial Academy of Arts for a three-year overseas retirement, which was approved by the Academy Council. Outraged by the fact that a participant in the "Revolt of the Fourteen" was negotiating with the Academy behind the backs of the artel workers, Kramskoi submitted an application to the Artel demanding to publicly condemn the behaviour of Dmitriev on 19 October 1870.
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Kramskoi used the money he received for the painting to move the artel to a more prestigious area of the city. He rented an apartment in
Admiralteyskaya Square in 1866. Gradually, the income of the artel grew. The increased income allowed Kramskoi to go abroad at his own expense. By 1868, the total
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On 7 November 1870, a meeting of members of the Artel was held, at which the artel workers refused to satisfy
Kramskoi's statement, citing that Dmitriev did not formally violate any provisions of the charter. Dissatisfied with the decision of the meeting, Kramskoy submitted a second application,
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held a protest against the
Academy's decision to only allow artwork of Scandinavian mythology in the competition for the Large Gold Medal of Academia, held on the occasion of the 100th anniversary of the Academy of Arts. The subsequent exit of the artists from the Academy, which went down in the
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Some misunderstandings began in the Artel. At first, it was family disagreements between the wives of the artel workers, which ended in the exit of two members. One of the members of the Artel came under the special patronage of the
Academy and in the future had a trip abroad at public expense.
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insisting on the exclusion of
Dmitriev from the Artel. The members again refused to condemn Dmitriev. Outraged by the unscrupulousness of the members of the Artel, Kramskoi submitted an application to withdraw his membership from the Artel on 24 November 1870.
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as he was already earning a lot of money from his paintings. Part of the artel workers who remained the Artel often avoided contributing money to the general fund from the works sold independently. This outraged
Kramskoi who agreed to the proposal of
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After leaving the
Academy of Arts, the artists vacated their workshops in Academy, which were not only used for work, but also for living. As a result, the participants of the "revolt" united into a labour commune.
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On 9 June 1865, the official charter of the Artel was approved, according to which the members of the Artel had to pay 10% of each independently sold work and 25% of the jointly performed work.
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Having lost its founder and permanent leader, the Artel gradually fell into decay. It was formally disestablished in 1871. Some of the members of the Artel joined the newly created
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The idea for the artel was formed by Ivan
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Cooperative association led by Russian artists during 1863–1871
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440:Иван Крамской. Его жизнь и художественная деятельность
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In the fall of 1870, one of the members of the Artel,
509:: In 86 Volumes (82 Volumes and 4 Additional Volumes)
472:Шайка передвижников. История одного творческого союза
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Photograph of Ivan Kramskoi with his wife (1863–1864)
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newspaper. The second artist to leave the Artel was
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254:On 9 November 1863, fourteen top students in the
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543:(in Russian). Moscow: Захаров. p. 182.
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507:Brockhaus and Efron Encyclopedic Dictionary
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581:Russian history in the mirror of fine art.
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470:Ekshtut, Semyon Arkadyevich (2008).
408:(in Russian). Faculty of Philology,
326:for 10,000 rubles. Bogdan Venig and
28:The St. Petersburg Artel of Artists
474:(in Russian). Дрофа. p. 320.
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502:Товарищество передвижных выставок
438:Tsomakion, Anna Ivanovna (1891).
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402:"Особенности реализма в России"
324:Cathedral of Christ the Saviour
221:was a cooperative association (
219:St. Petersburg Artel of Artists
330:became Kramskoi's assistants.
322:to paint the main dome of the
235:St. Petersburg Academy of Arts
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541:Далёкое близкое. Воспоминания
313:who rented his own studio on
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306:St. Petersburg Vedomosti
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159:Alexander Litovchenko
311:Konstantin Makovsky
163:Konstantin Makovsky
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416:on 11 August 2020.
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539:(1937).
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