Knowledge (XXG)

Model (art)

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410: 160: 934: 845: 584: 1531: 1609: 1390: 894: 1184:. Many art programs in Christian institutions consider nudity in any form to be in conflict with their beliefs, and therefore hire only clothed models for art classes. None of the Protestant Evangelical colleges in the United States were found to include nude models in their arts and graphic design programs, citing it as an immodest practice; yet similar institutions in Australia held life drawing classes. At Louisiana State University, there are rare objections to nudity by religious or conservative students, but the faculty assert that drawing the body is necessary training for art in general and to understand the structure underneath clothing. Models at LSU are full-time students who learn about modeling from other students or artists. 873: 239: 1513: 1948: 720: 1987: 990: 1364: 695: 2078: 1490: 655: 1929: 350:
models' energy level is highest. Specific exercises or lesson plans may require a particular type of pose, but more often the model is expected to do a series of poses with little direction. The more a model knows about the types of exercises used to teach art, the better they become at posing. Occasionally a pose will cause unexpected problems, such as constricting blood flow that could result in a model passing out. While the first time posing may cause anxiety, most continue due to the relatively high pay. The most significant characteristic of the job mentioned by models is the physical exertion required.
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undressing in another room, or not wearing a robe during breaks. In addition, silence is no longer necessary if the artist is comfortable working and conversing with the model. A more collegial relationship may develop where artist and model feel that they are collaborating. However, in a private studio environment, with an artist on a deadline or with commission guidelines, stricter work standards may apply regarding punctuality and holding longer, more demanding poses, but also higher rates of pay. However, private studio work is rare outside of major cities.
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and behaviors that support this understanding included models being naked only while posing, quickly disrobing/robing and not interacting with others while naked. This understanding is less strict when student artists are also models, either in classes or posing for each other outside of class. The other aspect of sex in the arts is gender, including feminist critiques of the performance of gender in the classroom and representations of gender in figurative works.
1550: 972: 636: 213:. However, in art schools drawing from life remained part of the training needed for a complete visual arts education. In recent years, art modeling has expanded from educational settings to non-traditional art spaces and sometimes bars, blurring the line between art and entertainment. With the increasing presence of sexual imagery in popular culture, effort is required to maintain the desexualized context of nude modeling in studio classes. 1914:
schools were publicly funded, so decisions were under the scrutiny of non-artists. Modeling was not respectable, and even less so for women. During the same period, the French art atelier system allowed any art student to work from life in a less formal atmosphere, and also admitted women as students. In England, the life class became well established as a central element in art education only with the approach of the 20th century.
1043: 6770: 6780: 1130:. This shift to virtual spaces created new, global communities and increased access to artists who were able to join sessions from their homes. Although remote sessions suffer from some difficulties, such as the flattening and distortion of the camera and the lack of direct communications, there has been an expansion of the community willing and able to participate, both as models and artists. 4651: 1146: 1160:, sexualization and art modeling with some promoting wider participation in life drawing, including at a younger age, to provide an experience of real nude people as an alternative to social media representations of idealized bodies. The social benefits of life drawing had been suggested by David B. Manzella in the 1970s while director of the 2193: 2064:
according to Wendy Steiner there has been a revival in the importance of the figure as a source of beauty in contemporary art. Some established living artists work from models, but more work from photographs, or their imagination. Yet privately held open drawing sessions with a live model remain as popular as ever.
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social interactions, if for different reasons. Attitudes toward male nudity, issues of homosexuality when male artists work with male models, and some bias in favor of the female form in art may lead to less opportunity for male models. Works of art that include male nudity are much less marketable. However,
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Strict rules of conduct are observed to maintain decorum and emphasize the serious intent of figure studies. Some schools have lists of guidelines, while others have extensive manuals that describe policies regarding both in-class and outside interaction by models, students, and faculty; with special
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A common experience for young first-time participants in a figure class, both models and students, is overcoming anxiety for the initial session due to preconceptions regarding public nudity. Occasionally the class is the first time a student has seen someone of the opposite sex entirely nude in real
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The most creative aspect of modeling is being able to think of an endless variety of new and interesting poses. One typical short-pose session may require five two-minute gestures, followed by two 5-, two 10-, and five 25-minute poses separated by five-minute breaks. When modeling for the same group,
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characterized many of these images as sexualizing children regardless of artistic merit. Mann's response to this criticism has been that the images were spontaneous and natural, having no sexual connotations other than those supplied by the viewer. Less well-known photographers have been charged, but
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that concern themselves with the competence, conduct and reliability of their members. An example is the Register of Artists' Models (RAM) in the United Kingdom. Some basic training is offered to beginners and membership is by audition – to test competence, not to discriminate on grounds of physical
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by Eakins, for example). In 1886, Thomas Eakins was famously dismissed from the Pennsylvania Academy of Fine Art for removing the loincloth from a male model in a mixed classroom. European arts academies did not allow women to study the nude at all until the end of the nineteenth century. Even today
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While otherwise similar to art school modeling, groups variously called "open studios" or "drop-in sessions" lack instruction. They may be sponsored by arts organizations or galleries, or meet in an artist's private studio or home. Generally the attendees are experienced artists who want to continue
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Admission to and visibility of the area where a nude model is posing is tightly controlled. Disrobing is done discreetly, and the model wears a robe when not posing. Models may not be accompanied by non-class members. It is generally prohibited for anyone (including the instructor) to touch a model.
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Poses fall into three basic categories: standing, seated and reclining. Within each of these, there are varying levels of difficulty, so one kind is not always easier than another. Artists and life drawing instructors will often prefer poses in which the body is being exerted, for a more dynamic and
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Usually an individual who is having their own portrait painted or sculpted is called a "sitter" rather than a model; when they are not being paid to pose, it is the artist who is being paid to create a likeness. Modern portraits are done from photographs at least in part, although artists prefer to
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Models who work for individual artists in a private studio tend to observe art school norms in order to maintain the definition of modeling as serious artistic work. However, there are no longer strict rules, so a more informal working relationship may be established over time. This may include not
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Sexuality is an issue in an art studio where naked models are present, and has become more so with the sexualization of the body in contemporary cultures. The traditional definition of the situation in art studios has been that the nudity of models is understood as functional, not sexual. The norms
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Models usually pose on a raised platform called the model stand or dais. When artists are working standing at easels, a model stand is essential to avoid a distorted perspective. If the model is posed standing on the floor, the artist should draw while seated. In sculpture studios this platform may
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There has been controversy regarding the status of photography as a fine-arts medium that is reflected in the unwillingness of some models to also pose nude for photography as they would for drawing or painting. The experience of nude modeling for an amateur photographer is different from that of
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methods. Some models may promote their services based upon having interesting or varied costumes. Clothing is required in public venues, such as Dr Sketchy's Anti-Art School, but occurs in more traditional settings as well, such as the fund-raising marathons sponsored by the Bay Area Models Guild.
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Any of these policies may vary in different parts of the world. In Europe and South America attitudes are more relaxed than in the United States, while in China, Taiwan and Korea attitudes are more repressed. A figure class held in Singapore is conducted as it would be in other parts of the world.
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Job descriptions posted by art schools list requirements that are generally limited to being willing to pose nude or clothed, able to hold poses for the requested time (from minutes to hours), and to follow cues from the instructor. These basic requirements hold true at both large universities and
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of c. 1510. Venetian painters made relatively little use of drawings, and it has been thought that these works did not involve much use of live models, but this view has recently been challenged. The first Italian artist to regularly use female models for studies is usually thought to have been
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exercises or warm-ups, with the model taking strenuous or precarious positions that could not be sustained for a longer pose. Sessions proceed through groups of poses increasing in duration. Active, gestural, or challenging standing poses are often scheduled at the beginning of a session when the
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attitudes took hold in England, studies with a live model became more restrictive than they had been in the prior century, limited to advanced classes of students that had already proved their worthiness by copying old master paintings and drawing from plaster casts. This is in part because many
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In many locations there may be few opportunities for figure drawing, and also few that are willing to model. Those that do so seek an additional source of income, but also find validation in being able to hold poses and contributing to the artistic process. However, they are more likely to avoid
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Experienced models work for many employers, gaining a wider knowledge of methods and practices than most individual artists or art teachers. Many models are visual artists themselves, and come to think of modeling as part of their visual arts practice, or as a creative activity in its own right.
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Gender roles and stereotypes in society are reflected in different experiences for male and female art models, and different responses when those not in the arts learn that someone is a nude model. However, both male and female models tend to keep their modeling careers distinct from their other
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In the postmodern era, the nude has returned to gain some acceptance in the art world, but not necessarily the art model. Figure drawing is offered in most art schools, but may not be required for a fine art degree. Peter Steinhart says that in trendy galleries, the nude has become passé, while
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Art modeling as an occupation appeared in the late Renaissance when the establishment of schools for the study of the human figure created a regular demand, and since that time the remuneration offered ensured a continual supply. However, academy models were usually only men until the late 19th
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as a sub-culture, with norms of behavior and a definition of the situation that ideally support models' being proud of their work. However, stereotypes and prejudices of the larger culture may threaten these norms and definitions. Pride in being a model comes from identification with fine arts
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be built to rotate periodically through the session to allow for a 360° view for every artist. Long poses are generally required for painting (hours) and sculpture (perhaps days). To aid in resuming a long pose after a break, chalk marks and/or masking tape are often placed on the model stand.
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While posing, a model is expected to remain essentially motionless, and return to the same pose after a break. While posing for a class models do not talk, and should not be spoken to by students, maintaining the serious atmosphere of the studio. Poses can range in length from seconds to many
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by more prudish successors. The Protestant Reformation went even further, destroying many artworks. From being a possibly glamorous occupation celebrating beauty, being a nude model was at other times equivalent to prostitution, practiced by persons without the means to gain more respectable
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recognized that "biological urges" were never absent even in the most chaste nude, nor should they be unless all life is drained from the work. Most models maintain that posing nude need not be any more sexual than any other coed social situation as long as all participants maintain a mature
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Very close examinations are only made with the permission of the model. Some institutions allow only the instructor to speak directly with a model. Experienced models avoid any sexually suggestive poses. Art instructors and institutions may consider the incident of a male model gaining an
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apologized in 2017 when several women accused him of making inappropriate comments when they came to his studio to pose, but initially denied any wrongdoing. Following his death in 2021, it was revealed that Close suffered from a form of dementia, which could account for his behavior.
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The status of nude models has fluctuated with the value and acceptance of nudity in art. Maintaining the classical ideals of Greece and Rome into the Christian Era, nudity was prominent in the decoration of Catholic churches in the Renaissance, only to be covered up with draperies or
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in general have at times been the subject to social disapproval, at least by some elements in society. When the nude in art was most popular, the models that made these artworks possible might be of low status and poorly paid. The stereotype of the female art model was part of
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Models for art classes usually pose nude, though visually non-obstructive personal items such as small jewelry and eyeglasses may be worn. In a job advertisement seeking nude models, this may be referred to as being "undraped" or "disrobed." Art models who pose in the nude for
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characteristics. RAM also acts as an important employment exchange for models and publishes the 'RAM Guidelines', which are widely referred to by models and employers. A similar organization in the United States, the Bay Area Models Guild in California, was founded in 1946 by
1489: 1288:, had far less need of professional models than the moderns; but it is scarcely likely that they could have attained the high level reached by their works without constant study from nature. It was probably in Ancient Greece that models were first used. The story told of 358:
are difficult to sustain accurately for any amount of time, although it is often surprising what a skilled model can do. The model's level of experience and skill may be taken into account in determining the length of the posing session and the difficulty of the poses.
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attitude. However, decorum is not always maintained when either a model or the students are not familiar with the often unspoken rules. Models may be apprehensive about posing for incoming freshmen who, having never encountered classroom nudity, respond immaturely.
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As the 20th century progressed, models gained more recognition and status, including forming the first organizations with some of the functions of labor unions thus becoming a professional occupation. It became possible for individuals to gain notoriety, such as
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Figure on Diversity is an organization that seeks to diversify the field of figurative representation in art education by leading workshops for models and artists. Founded in Boston in 2018, it has since moved to Florida, but has an increasing presence online.
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not only maintains the need for nude figure studies as part of a complete classical art education, but sees the use of models clad in swimwear or other revealing garments as placing the activity in the context of advertisement and sexual exploitation.
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Painting classes, and artists doing historical themed works often require clothed or costumed models who take poses that may be sustained until the work is completed. This creates some demand for clothed models in those schools that continue to teach
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held in 1893 was a costume ball featuring nude models among the crowd, blurring the distinction between the idealized images in works of art and the real people who posed for them. This was symbolic of other social changes that marked the
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Other institutions view the absence of figure studies as bringing into question the completeness of the art education offered. Some recognize that an appreciation of the beauty of the human body is compatible with a Christian education.
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new poses are expected at each session. Most models learn on the job, but many have experience in the performing arts, athletics, or yoga that provide a basis for posing, such as strength, flexibility, and a well-developed sense of
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Beginning with the Renaissance, drawing the human figure has been considered the most effective way to develop the skills of drawing. In the modern era it became established that it is best to draw from life, rather than from
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In non-academic settings, models may pose as requested by artists within the limits of the law and their own comfort, including work that requires physical contact with other models, the artist, or the public. French artist
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voices an alternative to classical "dispassionate" figure study by stating that the nude is never devoid of erotic meaning, and it is a fiction to pretend otherwise. Even the staunch advocate of classical aesthetics
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or copying two dimensional images such as photographs. In addition, an artist has an emotional or empathic connection to drawing another human being that cannot exist with any other subject. What is called the
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have at least some hours of live sitting at the beginning to better capture the personality, and at the end for final touches. In some cases, the sitter may reject a portrait as unflattering, and destroy it.
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records his use, in both Rome and Paris, of servant girls as model, mistress and maid. However, when he broke with one he had difficulty in finding another model, and was forced to rehire her just to pose.
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offers instruction once each month. The models for these sessions tend to be middle age or older, and the artists are generally experienced drawing nude models with only the occasional new participant.
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in the late 19th and early 20th century Europe. The combination of nakedness and the exchange of money led others to associate nude modeling with prostitution, particularly in the United States.
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or by informal groups of artists that gather to share the expense of a model. Models are also employed privately by professional artists. Although commercial motives dominate over aesthetics in
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are thought to use princesses or other court figures as models for the Virgin Mary; these are sometimes called "disguised portraits". The most notorious of these is the portrayal as the
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guidelines specifically state that students are discouraged from forming any amorous relationship with models, and must report any existing relationship to avoid possible conflicts.
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Acceptance of the erotic is apparent in the work and behavior of some artists. For example, Picasso was also famous for having a series of model/muse/mistresses through his life:
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employment. The costumed models used to create historical paintings may not have been a distinct group, since nude studies were done in preparation for any figure painting.
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included two nude models, male and female, standing in a narrow doorway through which visitors passed, replicating a work performed by the artist and a partner in 1977.
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are generally excluded from modeling nude for classes. The minimum age can vary, but is often 15 to 18. Despite being nonsexual in nature, this may be influenced by the
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The role of art models has changed through different eras as the meaning and importance of the human figure in art and society has changed. Nude modeling, nude art and
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if modeling is to be a major source of income. Paid art models are usually anonymous and unacknowledged subjects of the work. Models are most frequently employed by
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All of the above is based upon a moderate position regarding the value of figure studies and nudity in art. There are also schools or studios that may be more
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education and creativity as having social value, and is dependent on the quality of teaching, which models experience first-hand in a myriad of settings.
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there remain some schools where the employment of nude models is limited (male models wearing jockstraps) or prohibited, usually for religious reasons.
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in 1979 sold at auction in 2012 for $ 37,000. Although largely a result of her fame, the model does not share in this increased value of the artwork.
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While there have been a number of films that exploited the artist/model stereotype, a few have more accurately portrayed the working relationship.
2005: 6566: 5598: 971: 4163: 2100:(2012) — Set during WWII, an elderly sculptor is prompted to resume working by the arrival of a beautiful Spanish refugee who is willing to pose. 1243:, which asserts that nudes are inherently voyeuristic, with the viewer in the place of the powerful male gazing upon the passive female subject. 763:
was the subject of several portrait sculptures by Auguste Rodin and his companion for 53 years, but his wife only in the final year of her life.
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Posing nude is physically and emotionally challenging, but models find the effort worthwhile and appreciate having a role in the creative arts.
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in India for whom posing for classes is their only income do not have the online option, but have been supported by donations from artists.
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of art modeling with fashion modeling or erotic performances, and representations of art models in popular media. One of the perennial
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The nude almost disappeared from Western art during the Middle Ages, largely due to the attitude of the early Christians, although in
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is listed in the human resources system as would any part-time temporary job for students seeking financial aid. It is similar at
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the practice of life drawing, and find an informal group easier and more economical, paying a fee for each session or a series.
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Meskimmon, Marsha; Desmarais, Jane; Postle, Martin; Vaughan, William; Vaughan, Martin; West, Shearer; Barringer, Tim (2006).
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aesthetically interesting subject. Common poses such as standing twists, slouched seated poses and especially the classical
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has been holding a weekly session for as long as anyone can remember. Otherwise a typical open session, a professor at the
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Other than costumes, the work requirements and conditions of clothed models for art are identical to that of nude models.
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Cooper, Craig (1995). "Hyperides and the trial of Phryne". Phoenix. 49 (4): 303–318. doi:10.2307/1088883. JSTOR 1088883.
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does not allow nude models, describing their policy as self-censorship within the context of the school's honor code.
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Much of the public perception of art models and their role in the production of artworks is based upon mythology, the
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from the 1490s, which were ahead of Italian practice. The production of female nudes suddenly became important in
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In the United States, Victorian modesty sometimes required the female model to pose nude with her face draped (
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Through history, artists use family members as models, both nude and otherwise, in creating their works. The
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The relationship between male photographers and their wives as models is studied in Arthur Ollman's book,
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in 1963 when she was 14. However, she now looks back upon posing for her father as a positive experience.
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only allowed female models, clothed, from 1759, and in London the students at the female branch of the
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hours—with appropriate breaks—but the shortest is usually one minute. Short dynamic poses are used for
4285:"Baring it all: Student models in nude modeling program at Lamar Dodd discuss art and body positivity" 6757: 6634: 6398: 6298: 6155: 5949: 5902: 5699: 5588: 5407: 2012: 1764: 617: 551: 457: 439: 281: 3136: 6704: 6609: 6431: 6002: 5966: 5944: 5823: 5738: 5377: 3160: 1746: 1659:(c. 1500) may or may not have used a female model, but if it did this was not his normal practice. 1602:, a pianist of Polish descent; patron and friend of numerous artists, for whom she regularly posed. 1540: 1451: 1177: 1103: 1018: 995: 795: 645: 555: 529: 296: 261: 42: 6779: 2847:"Photo Lab Sets Off FBI Probe : Art: Jock Sturges' photographs of nude families are at issue" 1767:
were only allowed to draw suits of armour to practise their figures until the later 19th century.
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Possibly the first images of nude women done from the life are a number of drawings and prints by
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of 1435; as remained usual until the end of the century, he seems only to mean using male models.
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discourages students making comments on a model's appearance. Photography is generally forbidden.
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and the rediscovery of classical antiquity, when painters initially used their male apprentices (
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applied paint to models' bodies which were then pressed into or dragged across canvas both as
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became a painter herself after posing for several works, including two of the most infamous:
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may make a young amateur model willing to pose for a well-known photographer, examples being
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Although artists may also rely on friends and family to pose, art models are most often paid
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One or more of the preceding sentences incorporates text from a publication now in the
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in all the different shapes, ages and ethnicity, anyone who can hold a pose may be a model.
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Framing Innocence: A Mother's Photographs, a Prosecutor's Zeal, and a Small Town's Response
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painted many of his 14 children, sometimes nude; the most controversial being his daughter
6819: 6774: 6471: 6421: 6207: 6148: 6119: 5929: 5897: 5791: 5768: 5483: 4921: 2999: 2157: 2153: 2113: 1885: 1859: 1843: 1806: 1681: 1555: 1377: 1309: 1127: 1111: 1083:
posing for figure drawing/painting. Traditional media create a single image that is not a
819: 815: 783: 709: 704: 547: 525: 346: 199: 84: 53: 4903:
From Van Eyck to Bruegel: Early Netherlandish Paintings in the Metropolitan Museum of Art
2831: 520:
letting it be known that they model, given the negative associations toward nudity. The
499:
while posing cause for termination, or grounds for not hiring him again. Guidelines at
285:
not convicted, for suspected child abuse for similar photographs of their own children.
202:
employed his friends and neighbors as models for both his commercial and fine-art work.
6674: 6614: 6234: 5783: 5773: 5670: 5552: 5387: 4935:"The Social Construction and Deconstruction of the Female Model in 19th-Century France" 4697:"The Nude in the Middle Ages and the Renaissance, In Heilbrunn Timeline of Art History" 2213: 1788: 1707: 1685: 1667: 1536: 1432: 1281: 1042: 962: 914: 827: 823: 373: 265: 255: 210: 171: 110:
is that in addition to providing a subject for an artwork, models may be thought of as
31: 4855:
Renaissance Portraits, European Portrait-Painting in the 14th, 15th and 16th Centuries
3244: 2292:
Modelling Subjectivities: Life Drawing, Popular Culture and Contemporary Art Education
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In social science terms, an art model is recognized as having a valuable role in the
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in 1541, perhaps the earliest record of what long remained an option for artists.
5309: 5288: 5248: 4914: 4853: 4164:"Clothing Not Optional: Fine Art Models Find New Ways To Sketch A Virtual Future" 3946: 2475: 2420: 1339:) as models, for figures of both genders, as is often clear from their drawings. 6501: 6256: 6129: 5917: 5796: 5718: 5682: 5665: 5655: 5498: 5471: 5466: 5427: 5422: 5359: 5328: 5190: 3865:
Hidden in the Shadow of the Master: The Model-Wives of CĂ©zanne, Monet, and Rodin
2371:
Modeling Life: Art Models Speak about Nudity, Sexuality and the Creative Process
2177: 2048: 1881: 1580: 1518: 1480: 1332: 1257: 1229: 811: 772: 760: 746: 589: 565: 136: 96: 76: 5250:
Alias Olympia: A Woman's Search for Manet's Notorious Model and Her Own Desires
2258: 1126:, life drawing classes began to appear on online platforms, most frequently on 855:
by Rembrandt van Rijn portrays two people identified as Rembrandt and his wife
30:
For models employed to display, advertise and promote commercial products, see
6737: 6642: 6496: 6479: 6441: 6353: 6326: 6283: 6261: 5956: 5851: 5706: 5694: 5660: 5615: 5605: 5508: 5503: 4995: 4373: 2801: 2188: 2133: 1599: 1345: 1157: 700: 543: 443: 271: 191: 183: 132: 103: 88: 4980:"The Art of Posing Nude: Models, Moralists, and the 1893 Bal Des Quat'z-Arts" 4950: 4758: 4481: 4381: 4201: 4124: 3999: 3817: 2772: 209:
reduced the need for models by professional artists except for the remaining
6393: 6343: 6321: 5625: 5515: 5432: 5363: 4979: 4357: 3390:"University of Utah Jobs - Art Model in Salt Lake City, Utah, United States" 2608: 1677: 1635: 1240: 1221: 1047: 389: 206: 205:
In the second half of the 20th century, the dominance of abstraction in the
140: 4146:"The Imperfect but Invaluable Experience of Virtual Figure-Drawing Classes" 5044: 4735:"The Female Model and the Renaissance Nude: DĂĽrer, Giorgione, and Raphael" 3217: 2902: 1145: 6413: 6348: 6331: 5856: 5753: 5493: 5478: 5449: 5402: 2949:"Figure on Diversity spotlights excluded identities in the art community" 2927:"This Organization Is Trying To Diversify Boston's Figure Modeling World" 2087:(1915), the second non-pornographic American film containing nude scenes. 1832: 1800:
In 19th-century Paris, a number of models earned a place in art history.
1772: 1373: 1313: 1305: 1099: 943: 496: 290: 5121: 4958: 4675:. Vol. 18 (11th ed.). Cambridge University Press. p. 640. 2780: 2745: 1454:
was a French artists' model and the second wife of the Italian composer
1284:, who had the naked body constantly before them in the exercises of the 6316: 6251: 6212: 5610: 5520: 5397: 5382: 4934: 4766: 4633:
American Venus: The Extraordinary Life of Audrey Munson, Model and Muse
2760: 2044: 1663: 1646: 1369: 1297: 144: 41:"Life model" redirects here. For the album by the Blue Aeroplanes, see 4734: 2543: 2132:(2000) — The film opens with New York painter and sculptor Lyle Maze ( 6171: 5578: 5530: 5525: 5444: 4309: 2736:
Gordon, Mary (1996). "Sexualizing Children: Thoughts on Sally Mann".
1839: 1735: 1721:
Raphael's relationship was probably somewhat untypical, although the
1649:, whose drawings of the female nude clearly do not use teenage boys. 1317: 1252: 1156:
In recent years, a connection has been made between social issues of
92: 64: 4750: 3583:"Policy for the Study of Nude Models in SIUE Figure Drawing Classes" 2564: 1110:. A signed print of one of the nude photographs of Madonna taken by 5270:
Model and Supermodel: The Artists' Model in British Art and Culture
182:
with skill and experience. Rarely employed full-time, they must be
6239: 5439: 5311:
The Invention of the Model: Artists and Models in Paris, 1830–1870
5011:
Uncovering Paris: Scandals and Nude Spectacles in the Belle Époque
2076: 1778: 1740: 1144: 1041: 408: 320: 295: 237: 222: 158: 111: 47: 3685:"Naked art: Take a peek inside a nude drawing class in Singapore" 3300:"Events and Announcements - The Art Department is seeking models" 5083:
Venus in Exile: The Rejection of Beauty in Twentieth-century Art
1825: 1521:, a Jamaican-born British art model known for her work with the 452:
At many public universities in the United States, including the
6144: 5332: 3780:"Chuck Close Apologizes After Accusations of Sexual Harassment" 1688:
as minor figures into religious narrative scenes, and several
4826:
Bodies of Art: French Literary Realism and the Artist's Model
3916:"New Book Gives A Rare Glimpse Into The Life of Lucian Freud" 2523: 2260:
Nude in a Classroom: The Contemporary World of Life Modelling
1396:
Draughtsman Making a Perspective Drawing of a Reclining Woman
4572:
Eaton, E.W. (September 2008). "Feminist philosophy of art".
1296:, who had five of the most beautiful virgins of the city of 122:, the performance of which has little to do with sexuality. 2686:
Finding Human Form: Artists' Models in Studio and Classroom
1054:
the "Queen of Bohemia", who also posed nude for Modigliani.
79:. As an occupation, modeling requires the often strenuous ' 4335:"Christian Colleges Struggle with Their Fine Art Programs" 4113:"Covid Has Created a Virtual Renaissance for Life Drawing" 4071:"Lucian Freud portrait worth millions destroyed by sitter" 1954:
Two Boys Boxing at the Art Students League of Philadelphia
1539:, an Italian girl from Capri, became the favorite muse of 6140: 5038:. Binghamton: State University of New York at Binghamton. 5036:
Strictly Academic: Life Drawing in the Nineteenth Century
4881:"Intentional Alterations of Early Netherlandish Painting" 280:, in which 13 of the 65 images are of her children nude. 5236:"The Body Behind the Art: Figure Models Discuss the Job" 4222:"Body Image and Mental Health: Leading a Life Art Class" 4190:"City artists pitch in to help lockdown-hit nude models" 2503:"A Day in the Life of Norman Rockwell Model Chuck Marsh" 3350:"Careers at UA - Jobs - Job Details - Art Model (Nude)" 2975:"Art models disrobe to help immortalize the human form" 2152:(1969) — One of Miss Brodie's teenage students, Sandy ( 1506:, (right), was a model who regularly worked with Manet. 3510:"Classified Staff, Management and Other Opportunities" 1852:
and is rumored to be the model for Courbet's painting
4509:
Why Art Cannot Be Taught: A Handbook for Art Students
3842:
Enchanting the Eye, Dutch Paintings of the Golden Age
3806:"Chuck Close, Artist of Outsized Reality, Dies at 81" 2588: 4239:
Manzella, David B. (1973). "Nude in the Classroom".
2451:
Drawing the Human Form: A Guide to Drawing from Life
198:, its artwork commonly employs models. For example, 6720: 6633: 6580: 6525: 6470: 6412: 6362: 6297: 6178: 5975: 5844: 5782: 5646: 5571: 5370: 4631:Rozas, Diana & Gottehrer Bourne, Anita (1999). 4439:. Associated Students of Olivet Nazarene University 3868:. New Haven, United States: Yale University Press. 3245:"Artist Model - Job Descriptions - Human Resources" 1999:, a popular American chorus girl and artists' model 1087:of the individual model, but photographs require a 487:consideration for issues of sexual harassment. The 4905:, p. 192, 2009, Metropolitan Museum of Art, 2009. 4541: 3844:, pp. 49-52, Royal Collection Publications, 2004, 413:Young artists studying sculpture in Tel Aviv, 1946 4847: 4845: 4728: 4726: 4724: 4722: 4720: 4718: 4716: 4714: 3804:Johnson, Ken; Pogrebin, Robin (August 19, 2021). 1479:(1847) was a French courtesan, artists' muse and 1098:Occasionally the distinction of participating in 4512:. Urbana: University of Illinois Press. p.  2225:Compilation of photos of artist and models from 2156:), poses nude for the art instructor Mr. Lloyd ( 2140:, drawing from a model. Later a friend, Callie ( 1656:Study of a Kneeling Nude Girl for The Entombment 75:, providing a reference for the human body in a 5836:Timeline of 20th century printmaking in America 3532: 3530: 2176:and the first actress in the films of his son, 1684:". There was also a tradition of incorporating 1320:who modeled for many paintings and sculptures. 1272:began a thirty-year career as a model in 1942. 5290:The Real Thing: the Model in the Mirror of Art 3088:. Fayetteville: University of Arkansas Press. 2295:(PhD). Sydney, Australia: University of Sydney 1439:. She was the subject of several works of art. 143:setting, where the purpose is to learn how to 135:became an essential part of the curriculum at 6156: 5344: 4939:Mosaic: An Interdisciplinary Critical Journal 4544:The Nude – A Study in Ideal Form: Chapter 1. 3462:Eskenazi School of Art, Architecture + Design 1820:(c. 1843 – after 1903) was an 1634:in the decade after 1500, with works such as 1304:, proves their occasional use. The remark of 887:(nĂ©e: Leenhoff)) by Édouard Manet (1859–1861) 729:in his studio with his mother as model (1952) 8: 4828:. University of Nebraska Press. p. 60. 3056:"Yes--They Do Use Nude Models For Art Class" 2870: 2868: 2866: 2864: 2862: 2860: 4887:. New York: The Metropolitan Museum of Art. 4437:"Nudity in art is professional, not sexual" 3970: 3968: 2480:(2nd ed.). Faber & Faber Limited. 2364: 2362: 2360: 2358: 2356: 2354: 1846:. She is the model for Whistler's painting 1761:AcadĂ©mie royale de peinture et de sculpture 1734:records payments to prostitutes to pose in 979:Portrait of Madame Matisse (The green line) 6163: 6149: 6141: 5351: 5337: 5329: 4699:. New York: The Metropolitan Museum of Art 2679: 2677: 2675: 2673: 2671: 2589:"KYO – Konstmodellernas yrkesorganisation" 2352: 2350: 2348: 2346: 2344: 2342: 2340: 2338: 2336: 2334: 550:and as painting technique. In 2010 at the 5213:"A Forger's Impressions of Impressionism" 4644: 4642: 4601: 4599: 4597: 4595: 4551:. Princeton: Princeton University Press. 4482:"Policy on the Use of Nude Models in Art" 3587:Southern Illinois University Edwardsville 3079: 3077: 3075: 2425:. New York: Watson-Guptill Publications. 2252: 2250: 2248: 2246: 2244: 2242: 1300:offered him as models for his picture of 782:. It focuses on the photographers Baron 221:In some countries there are figure model 4608:The Artist's Model: from Etty to Spencer 4535: 4533: 3482:"Opportunity for Contract Figure Models" 2284: 2282: 2280: 2278: 1849:Symphony in White, No. 1: The White Girl 1498:(left), known as the favourite model of 1343:recommends drawing from the nude in his 1033: 5166:"Festival de Cannes: La Belle Noiseuse" 4259:"London's Life Models: The Naked Truth" 2761:"An Exchange on "Sexualizing Children"" 2444: 2442: 2238: 1982: 1924: 1422: 1359: 840: 738:Family members, wives and life partners 579: 401:life, but they quickly get used to it. 3109:Rocha, Kimberlina (February 2, 2005). 3049: 3047: 3045: 3026:"Models 'expose' students to nude art" 2453:. New York: Van Nortrand Reinhold Co. 2027:Fountain of the Setting Sun (1915) by 4879:Ainsworth, Maryan W. (January 2008). 3636:"RAM Guidelines – Contentious Issues" 3117:. California State University, Fresno 2709:Mann, Sally; Price, Reynolds (1992). 1135:Government College of Art & Craft 7: 6191:Prehistory of nakedness and clothing 3914:Cunningham, Erin (22 October 2013). 3778:Robin Pogrebin (December 20, 2017). 3086:Live Nude Girl: My Life as an Object 2116:working in their studio with models. 1884:. She was the mother of the painter 1614:Portrait study of the Haitian model 1038:Artist working from a costumed model 27:Person who poses for a visual artist 4050:. Merriam-Webster Online Dictionary 3708:Zack Stoycoff (February 20, 2019). 1787:in the 19th century. Women artists 1759:century, as were the students. The 1618:by ThĂ©odore GĂ©ricault, c. 1818–1819 613:Arrangement in Grey and Black No. 1 5935:Index of painting-related articles 4786:Lathers, Marie (15 October 2013). 4409:Katelyn Johns (October 19, 2012). 4092:"Christie's: Nude (Madonna), 1979" 3976:"Life-modelling: the art of poise" 3895:Geordie Greig (October 17, 2013). 3615:Columbus College of Art and Design 3561:Ringling College of Art and Design 2759:Mann, Sally; Gordon, Mary (1997). 2740:(111). Skidmore College: 144–145. 2317:. New York: Harry N. Abrams, Inc. 2263:(PhD). City University of New York 1502:, was an artist in her own right. 489:Columbus College of Art and Design 25: 5122:"The Artist and the Model (2012)" 4885:Heilbrunn Timeline of Art History 4188:Bishwabijoy, Mitra (2021-03-31). 3539:"UVSC drafts nude-modeling rules" 3537:Amy K. Stewart (March 26, 2008). 2953:The Independent Florida Alligator 2501:Denny, Diana (16 November 2012). 1828:who was romantically linked with 554:, a retrospective of the work of 6778: 6769: 6768: 5234:Fogel, Aly (February 21, 2020). 4695:Sorabella, Jean (January 2008). 4649: 4586:10.1111/j.1747-9991.2008.00154.x 4411:"Honor Code and the visual arts" 3926:from the original on 8 July 2018 3759:Randy Kennedy (March 19, 2010). 2191: 2036: 2020: 2004: 1985: 1946: 1927: 1789:were excluded from the life room 1607: 1592: 1573: 1548: 1529: 1511: 1488: 1463: 1444: 1425: 1388: 1362: 1091:in order to protect the model's 1007: 988: 970: 951: 932: 907: 892: 871: 843: 718: 693: 674: 653: 634: 605: 582: 300:Man as life model in Netherlands 289:photographed entire families of 164:Portrait d'Olga dans un fauteuil 5293:. University of Chicago Press. 5272:. Manchester University Press. 4794:. Routledge. pp. 315–316. 4790:. In Jiminez, Jill Berk (ed.). 4606:Postle, M.; Vaughn, W. (1999). 4291:. University of Georgia, Athens 4241:American Journal of Art Therapy 3137:"Attention: Will Strip for Art" 3054:Ben Bourgeois (March 5, 2010). 2398:. Boston: Houghton Mifflin Co. 2011:Photograph of Evelyn Nesbit by 923:, girlfriend and later wife of 666:Portrait of the Artist's Mother 537:Modeling for individual artists 5009:Kerley, Lela F. (2017-06-07). 4435:White, Jenny (March 1, 2012). 4356:Bower, Lorraine (2009-12-29). 4283:Holland, Maggie (2018-01-26). 4144:Angelica Frey (May 26, 2020). 3135:Jenkins, Audrey (2014-03-21). 2878:The Undressed Art: Why We Draw 2313:Annette and Luc Vizin (2003). 1862:, also a painter, modeled for 1662:The story of the love between 902:CĂ©zanne by Paul CĂ©zanne (1877) 852:The Prodigal Son in the Tavern 707:, as the Farmer's daughter in 1: 6680:Nudity in American television 5108:"Nothing Like the Real Thing" 4792:Dictionary of Artists' Models 4733:Bernstein, Joanne G. (1992). 4635:. Los Angeles: Balcony Press. 4610:. London: Merrell Holberton. 3734:"Yves Klein, Anthropometries" 3438:Western Washington University 3275:. Student Employment Office. 2998:Nesich, Hannah (2013-03-21). 2947:Sheets, Brenna (2021-06-03). 2903:"About | Figure On Diversity" 2881:. New York: Alfred A. Knopf. 2845:Harold Maass (July 5, 1990). 2634:"Italian Model's Strike 2008" 2524:"Register of Artists' Models" 2149:The Prime of Miss Jean Brodie 1836:James Abbott McNeill Whistler 1710:(died 1450), the mistress of 1680:artist-model relationship of 1162:Rhode Island School of Design 860: 474:Western Washington University 449:small liberal arts colleges. 5874:Museum collection management 5797:Art history (academic study) 5676:alternative exhibition space 5253:. Cornell University Press. 4978:Felter-Kerley, Lela (2010). 4310:"Home | Figure On Diversity" 3223:Bridgewater State University 3000:"Baring It All For Fine Art" 2979:Chattanooga Times Free Press 2168:(2012) — Tells the story of 1796:Late modern and contemporary 1435:was a favourite mistress of 309:this has not been the case. 306: 6728:Imagery of nude celebrities 6452:Social nudity organizations 6035:Colossal sculptures in situ 5739:Artist-in-residence program 4458:"Art Policy on Nude Models" 4333:Daniel Grant (2011-07-18). 2973:Leber, Holly (2012-02-24). 2655:"Paris Model's Strike 2008" 2369:Phillips, Sarah R. (2006). 1791:until late in that century. 1583:, Modern Dance pioneer, by 942:portrait of his young wife 454:City University of New York 6841: 6663:Nudity in live performance 6045:Contemporary art galleries 5940:Outline of the visual arts 4362:Christian Higher Education 2474:Borzello, Frances (2010). 2449:Berry, William A. (1977). 2394:Nicolaides, Kimon (1975). 2031:, modeled by Audrey Munson 1523:Pre-Raphaelite Brotherhood 1276:Ancient and Post-classical 1075: 437: 174:in an Armchair, 1917–1918) 40: 29: 6766: 6462:Timeline of social nudity 6196:Nakedness and colonialism 6115: 5106:Gail Gregg (2010-12-01). 5060:. Yale University Press. 4996:10.1215/00161071-2009-021 4984:French Historical Studies 4858:. Yale University Press. 4374:10.1080/15363750902973477 3761:"Who's Afraid of Marina?" 3553:"Figure Model Guidelines" 3489:Art Academy of Cincinnati 3169:Kansas City Art Institute 3084:Rooney, Kathleen (2009). 2875:Steinhart, Peter (2004). 2422:Drawing with an Open Mind 2419:Jacobs, Ted Seth (1986). 2289:Mayhew, Margaret (2010). 2257:Bharali, Kannaki (2019). 1878:Pierre Puvis de Chavannes 1874:Henri de Toulouse-Lautrec 1783:Male model posing at the 1476:Woman Bitten by a Serpent 682:The Artist and His Family 574:Family members of artists 470:Western Oregon University 6517:Clothing-optional events 6289:Clothing laws by country 6099:Most expensive paintings 5886:Conservation-restoration 5688:Contemporary art gallery 5144:"Camille Claudel (1988)" 4852:Campbell, Lorne (1990). 4226:Mental Health Foundation 3434:"Students Financial Aid" 3251:University of New Mexico 2828:"Jock Sturges Biography" 2688:. Ashville: R.S. Press. 2615:. Trove. 28 October 1941 2544:"Bay Area Models' Guild" 2097:The Artist and the Model 2029:Adolph Alexander Weinman 1354:Renaissance life drawing 1331:. This changed with the 1186:Brigham Young University 835:Artist's wives as models 756:The Banquet of Cleopatra 744:Dutch Golden Age painter 648:) by Claude Monet (1886) 642:The Woman with a Parasol 594:The Banquet of Cleopatra 462:University of California 52:Model (1914) drawing by 6810:Visual arts occupations 6582:Social nudity advocates 6364:Issues in social nudity 6230:Breastfeeding in public 6107:works by living artists 5869:Classificatory disputes 5314:. Burlington: Ashgate. 5287:Steiner, Wendy (2010). 5247:Lipton, Eunice (1992). 5081:Wendy, Steiner (2001). 5056:Sewell, Darrel (2001). 4933:Lathers, Marie (1996). 4824:Lathers, Marie (2001). 4672:Encyclopædia Britannica 4540:Clark, Kenneth (1956). 4069:Pierce, Andrew (2008). 3945:Ollman, Arthur (1999). 3514:Coast Community College 2684:Bullock, Linda (2005). 2396:The Natural Way to Draw 2144:), also poses for Maze. 1995:'s c. 1901 portrait of 1813:Le dĂ©jeuner sur l'herbe 1666:and his mistress-model 1239:A feminist view is the 522:Philbrook Museum of Art 326:Model writing postcards 228:Florence Wysinger Allen 188:independent contractors 6685:Nudity in music videos 6658:Nude photography (art) 6377:Sexual objectification 6179:Nakedness and clothing 5308:Waller, Susan (2006). 5034:Boime, Albert (1974). 4899:Ainsworth, Maryan Wynn 4546:The Naked and the Nude 4506:Elkins, James (2001). 4024:Rachel Kramer Bussel. 2955:. Gainesville, Florida 2373:. Albany: SUNY Press. 2088: 1993:James Carroll Beckwith 1792: 1755: 1153: 1078:Nude photography (art) 1055: 1039: 627:James McNeill Whistler 510: 414: 333: 301: 251: 244:Ringling Museum of Art 217:Training and selection 175: 56: 6695:Nudity in advertising 6690:Nudity in print media 6490:Nude swimming classes 5744:Artist-run initiative 5631:Visual arts education 3862:Butler, Ruth (2008). 3370:"Art Model * | UCnet" 2800:Powell, Lynn (2010). 2609:"Model's Strike 1941" 2569:Lifemodelssociety.org 2565:"Life Models Society" 2315:The 20th Century Muse 2174:Pierre-Auguste Renoir 2080: 1864:Pierre-Auguste Renoir 1782: 1744: 1712:Charles VII of France 1566:Pierre-Auguste Renoir 1437:Charles VII of France 1341:Leon Battista Alberti 1148: 1141:Nudity and body image 1045: 1037: 925:Pierre-Auguste Renoir 900:Marie-Hortense Fiquet 623:Anna McNeill Whistler 412: 324: 299: 241: 234:Appearance/age/gender 162: 51: 34:. For model art, see 6758:Softcore pornography 6635:Depictions of nudity 6399:Wardrobe malfunction 6299:Nudity and sexuality 6040:Contemporary artists 5903:Destination painting 5700:Single-artist museum 5589:Conservator-restorer 5193:. rottentomatoes.com 4739:Artibus et Historiae 3004:The New Paltz Oracle 2767:(114/115): 228–232. 2172:, the last model of 1919:19th-century America 1904:École des Beaux-Arts 1785:École des Beaux-Arts 1765:Royal Academy of Art 1214:Marie-ThĂ©rèse Walter 552:Museum of Modern Art 458:University of Alaska 440:Depictions of nudity 6705:Glamour photography 6653:Nude modeling (art) 6610:Henry S. Huntington 6030:Art reference books 5824:History of painting 5408:Fine-art photograph 5170:festival-cannes.com 4028:. The Village Voice 3897:"A Daughter's Tale" 3030:The Daily Collegian 2907:Figure on diversity 1893:Bal des Quat'z'Arts 1824:artists' model and 1747:The Art of Painting 1541:John Singer Sargent 920:La Baigneuse blonde 749:specialized in the 530:University of Tulsa 274:published the book 256:commercial modeling 43:The Blue Aeroplanes 18:Artist's model 6753:Nude psychotherapy 6710:Erotic photography 6625:Richard Ungewitter 6620:Elton Raymond Shaw 6457:Anarchist naturism 6447:Naturist magazines 6427:Christian naturism 6279:Nudity and protest 6218:Nudity in religion 6125:Visual arts portal 6055:National galleries 5908:Eclecticism in art 5863:Catalogue raisonnĂ© 5734:Artist cooperative 5217:The New York Times 5085:. The Free Press. 4920:2021-05-10 at the 4574:Philosophy Compass 4415:The Daily Universe 4194:The Times of India 3810:The New York Times 3784:THe New York Times 3765:The New York Times 3740:. January 17, 2013 3657:"Modeling Q&A" 3196:Kishwaukee College 2477:The Artist's Model 2208:The Helga Pictures 2170:Catherine Hessling 2089: 2068:In popular culture 1977:Early 20th century 1855:L'Origine du monde 1793: 1756: 1471:Apollonie Sabatier 1154: 1056: 1040: 880:The Startled Nymph 615:, better known as 481:Indiana University 466:University of Utah 415: 334: 317:Working as a model 302: 252: 242:Life class at the 211:figurative artists 176: 57: 6792: 6791: 6389:Indecent exposure 6337:Feminist stripper 6138: 6137: 5729:Artist collective 5543:Site-specific art 5393:Cultural artifact 5321:978-0-7546-3484-3 5279:978-0-7190-6662-7 5260:978-0-8014-8609-8 5092:978-0-684-85781-7 5020:978-0-8071-6634-5 4835:978-0-8032-2941-9 4617:978-1-85894-084-7 4558:978-0-691-01788-4 4523:978-0-252-06950-5 4337:. Huffington Post 4314:Figureondiversity 4289:The Red and Black 4228:. April 26, 2019. 4170:. NPR. 2020-09-15 3951:. Little, Brown. 3875:978-0-300-14953-1 3838:Christopher Lloyd 3273:"MOA: Life Model" 3161:"Artist Model Ad" 3111:"Art in the Nude" 3095:978-1-55728-891-2 2888:978-1-4000-4184-8 2851:Los Angeles Times 2834:on July 17, 2018. 2806:. The New Press. 2695:978-0-9613949-9-8 2460:978-0-442-20717-5 2432:978-0-8230-1464-4 2405:978-0-395-20548-8 2380:978-0-7914-6908-8 2138:Tourette syndrome 2121:La Belle Noiseuse 2108:(1988) — Depicts 2081:Audrey Munson in 2013:Gertrude Käsebier 1869:Dance at Bougival 1866:(most notably in 1802:Victorine Meurent 1727:Benvenuto Cellini 1682:Western tradition 1632:Venetian painting 1561:Dance at Bougival 1496:Victorine Meurent 1456:Gioachino Rossini 1417:Models in History 1172:Alternative views 1166:Glasgow, Scotland 1151:William Mortensen 1124:COVID-19 pandemic 1061:academic painting 1046:1917 portrait by 1000:Amedeo Modigliani 759:(1652 and 1669). 751:portrait historiĂ© 618:Whistler's Mother 434:Academic modeling 405:Types of modeling 248:Sarasota, Florida 155:Role of the model 89:artistic practice 16:(Redirected from 6832: 6782: 6772: 6771: 6743:Nudity in combat 6700:Nude photography 6432:Freikörperkultur 6203:Childhood nudity 6165: 6158: 6151: 6142: 6094:Stolen paintings 5962:Sociology of art 5913:Economics of art 5764:Sculpture garden 5749:Artist-run space 5548:Social sculpture 5418:Installation art 5353: 5346: 5339: 5330: 5325: 5304: 5283: 5264: 5243: 5221: 5220: 5219:. 23 March 2013. 5209: 5203: 5202: 5200: 5198: 5187: 5181: 5180: 5178: 5176: 5162: 5156: 5155: 5153: 5151: 5140: 5134: 5133: 5131: 5129: 5118: 5112: 5111: 5103: 5097: 5096: 5078: 5072: 5071: 5053: 5047: 5039: 5031: 5025: 5024: 5006: 5000: 4999: 4975: 4969: 4968: 4966: 4965: 4930: 4924: 4895: 4889: 4888: 4876: 4870: 4869: 4849: 4840: 4839: 4821: 4815: 4812: 4806: 4805: 4783: 4777: 4776: 4774: 4773: 4730: 4709: 4708: 4706: 4704: 4692: 4686: 4683: 4677: 4676: 4667:Models, Artists' 4655: 4653: 4652: 4646: 4637: 4636: 4628: 4622: 4621: 4603: 4590: 4589: 4569: 4563: 4562: 4550: 4537: 4528: 4527: 4503: 4497: 4496: 4494: 4492: 4478: 4472: 4471: 4469: 4467: 4462: 4454: 4448: 4447: 4445: 4444: 4432: 4426: 4425: 4423: 4421: 4406: 4400: 4399: 4397: 4396: 4353: 4347: 4346: 4344: 4342: 4330: 4324: 4323: 4321: 4320: 4306: 4300: 4299: 4297: 4296: 4280: 4274: 4273: 4271: 4270: 4255: 4249: 4248: 4236: 4230: 4229: 4218: 4212: 4211: 4209: 4208: 4185: 4179: 4178: 4176: 4175: 4160: 4154: 4153: 4141: 4135: 4134: 4132: 4131: 4109: 4103: 4102: 4100: 4098: 4088: 4082: 4081: 4079: 4077: 4066: 4060: 4059: 4057: 4055: 4044: 4038: 4037: 4035: 4033: 4026:"Model Behavior" 4021: 4015: 4014: 4012: 4010: 3996: 3990: 3989: 3987: 3986: 3972: 3963: 3962: 3942: 3936: 3935: 3933: 3931: 3911: 3905: 3904: 3892: 3886: 3885: 3883: 3882: 3859: 3853: 3835: 3829: 3828: 3826: 3824: 3801: 3795: 3794: 3792: 3790: 3775: 3769: 3768: 3756: 3750: 3749: 3747: 3745: 3730: 3724: 3723: 3721: 3720: 3710:"For art's sake" 3705: 3699: 3698: 3696: 3695: 3681: 3675: 3674: 3672: 3670: 3664:St. Olaf College 3661: 3653: 3647: 3646: 3644: 3642: 3632: 3626: 3625: 3623: 3621: 3612: 3608:"Model Handbook" 3604: 3598: 3597: 3595: 3593: 3579: 3573: 3572: 3570: 3568: 3557: 3549: 3543: 3542: 3534: 3525: 3524: 3522: 3520: 3506: 3500: 3499: 3497: 3495: 3486: 3478: 3472: 3471: 3469: 3468: 3454: 3448: 3447: 3445: 3444: 3430: 3424: 3423: 3421: 3420: 3414:Art & Design 3406: 3400: 3399: 3397: 3396: 3386: 3380: 3379: 3377: 3376: 3366: 3360: 3359: 3357: 3356: 3346: 3340: 3339: 3337: 3336: 3330: 3326:"CUNY Art Model" 3322: 3316: 3315: 3313: 3312: 3305:Williams College 3296: 3290: 3289: 3287: 3286: 3269: 3263: 3262: 3260: 3259: 3241: 3235: 3234: 3232: 3231: 3214: 3208: 3207: 3205: 3203: 3187: 3181: 3180: 3178: 3176: 3165: 3157: 3151: 3150: 3148: 3147: 3132: 3126: 3125: 3123: 3122: 3106: 3100: 3099: 3081: 3070: 3069: 3067: 3066: 3051: 3040: 3039: 3037: 3036: 3020: 3014: 3013: 3011: 3010: 2995: 2989: 2988: 2986: 2985: 2970: 2964: 2963: 2961: 2960: 2944: 2938: 2937: 2935: 2934: 2923: 2917: 2916: 2914: 2913: 2899: 2893: 2892: 2872: 2855: 2854: 2842: 2836: 2835: 2830:. Archived from 2824: 2818: 2817: 2797: 2791: 2790: 2788: 2787: 2756: 2750: 2749: 2733: 2727: 2726: 2712:Immediate Family 2706: 2700: 2699: 2681: 2666: 2665: 2663: 2662: 2657:. Bloomberg News 2651: 2645: 2644: 2642: 2641: 2630: 2624: 2623: 2621: 2620: 2605: 2599: 2598: 2596: 2595: 2585: 2579: 2578: 2576: 2575: 2561: 2555: 2554: 2552: 2550: 2540: 2534: 2533: 2531: 2530: 2520: 2514: 2513: 2511: 2509: 2498: 2492: 2491: 2471: 2465: 2464: 2446: 2437: 2436: 2416: 2410: 2409: 2391: 2385: 2384: 2366: 2329: 2328: 2310: 2304: 2303: 2301: 2300: 2286: 2273: 2272: 2270: 2268: 2254: 2201: 2196: 2195: 2194: 2051:with the artist 2040: 2024: 2008: 1989: 1950: 1931: 1818:Joanna Hiffernan 1752:Johannes Vermeer 1714:, in a panel by 1692:compositions by 1690:Virgin and Child 1611: 1596: 1585:Toulouse-Lautrec 1577: 1552: 1533: 1515: 1492: 1473:, here shown in 1467: 1452:Olympe PĂ©lissier 1448: 1429: 1392: 1366: 1294:Valerius Maximus 1234:Rachel Feinstein 1218:Fernande Olivier 1104:Vanessa Williams 1093:right to privacy 1030:Clothed modeling 1019:Georgia O'Keeffe 1015:Alfred Stieglitz 1011: 996:Jeanne HĂ©buterne 992: 974: 955: 936: 911: 896: 875: 865: 862: 847: 796:Georgia O'Keeffe 794:(whose wife was 792:Alfred Stieglitz 786:(whose wife was 765:Camille Doncieux 722: 697: 678: 669:, (October 1888) 661:Vincent van Gogh 657: 646:Suzanne HoschedĂ© 638: 621:, a portrait of 609: 598:Royal Collection 586: 556:Marina Abramović 501:St. Olaf College 422:are also called 277:Immediate Family 73:creative process 21: 6840: 6839: 6835: 6834: 6833: 6831: 6830: 6829: 6825:Art occupations 6805:Artists' models 6795: 6794: 6793: 6788: 6762: 6716: 6629: 6576: 6521: 6472:Nude recreation 6466: 6422:Naturist resort 6408: 6358: 6293: 6208:Sex segregation 6174: 6169: 6139: 6134: 6120:Painting portal 6111: 6018:sculpture parks 5971: 5930:Elements of art 5898:Cultural policy 5840: 5792:Timeline of art 5778: 5769:Sculpture trail 5648: 5642: 5567: 5484:Performance art 5366: 5357: 5322: 5307: 5301: 5286: 5280: 5267: 5261: 5246: 5233: 5230: 5228:Further reading 5225: 5224: 5211: 5210: 5206: 5196: 5194: 5189: 5188: 5184: 5174: 5172: 5164: 5163: 5159: 5149: 5147: 5142: 5141: 5137: 5127: 5125: 5120: 5119: 5115: 5105: 5104: 5100: 5093: 5080: 5079: 5075: 5068: 5055: 5054: 5050: 5033: 5032: 5028: 5021: 5008: 5007: 5003: 4977: 4976: 4972: 4963: 4961: 4932: 4931: 4927: 4922:Wayback Machine 4896: 4892: 4878: 4877: 4873: 4866: 4851: 4850: 4843: 4836: 4823: 4822: 4818: 4813: 4809: 4802: 4785: 4784: 4780: 4771: 4769: 4751:10.2307/1483430 4732: 4731: 4712: 4702: 4700: 4694: 4693: 4689: 4684: 4680: 4665:, ed. (1911). 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Deseret News. 3536: 3535: 3528: 3518: 3516: 3508: 3507: 3503: 3493: 3491: 3484: 3480: 3479: 3475: 3466: 3464: 3456: 3455: 3451: 3442: 3440: 3432: 3431: 3427: 3418: 3416: 3408: 3407: 3403: 3394: 3392: 3388: 3387: 3383: 3374: 3372: 3368: 3367: 3363: 3354: 3352: 3348: 3347: 3343: 3334: 3332: 3331:. July 10, 2017 3328: 3324: 3323: 3319: 3310: 3308: 3298: 3297: 3293: 3284: 3282: 3271: 3270: 3266: 3257: 3255: 3243: 3242: 3238: 3229: 3227: 3216: 3215: 3211: 3201: 3199: 3189: 3188: 3184: 3174: 3172: 3163: 3159: 3158: 3154: 3145: 3143: 3134: 3133: 3129: 3120: 3118: 3108: 3107: 3103: 3096: 3083: 3082: 3073: 3064: 3062: 3053: 3052: 3043: 3034: 3032: 3023: 3021: 3017: 3008: 3006: 2997: 2996: 2992: 2983: 2981: 2972: 2971: 2967: 2958: 2956: 2946: 2945: 2941: 2932: 2930: 2925: 2924: 2920: 2911: 2909: 2901: 2900: 2896: 2889: 2874: 2873: 2858: 2844: 2843: 2839: 2826: 2825: 2821: 2814: 2799: 2798: 2794: 2785: 2783: 2758: 2757: 2753: 2735: 2734: 2730: 2723: 2708: 2707: 2703: 2696: 2683: 2682: 2669: 2660: 2658: 2653: 2652: 2648: 2639: 2637: 2632: 2631: 2627: 2618: 2616: 2607: 2606: 2602: 2593: 2591: 2587: 2586: 2582: 2573: 2571: 2563: 2562: 2558: 2548: 2546: 2542: 2541: 2537: 2528: 2526: 2522: 2521: 2517: 2507: 2505: 2500: 2499: 2495: 2488: 2473: 2472: 2468: 2461: 2448: 2447: 2440: 2433: 2418: 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876: 867: 863: 848: 837: 836: 820:Masahisa Fukase 816:Lee Friedlander 784:Adolph de Meyer 740: 735: 734: 733: 730: 723: 714: 710:American Gothic 705:Nan Wood Graham 698: 689: 679: 670: 658: 649: 639: 630: 610: 601: 587: 576: 575: 548:performance art 539: 526:Tulsa, Oklahoma 513: 511:Artist's groups 446: 436: 407: 386: 369: 347:gesture drawing 342: 319: 236: 219: 200:Norman Rockwell 157: 71:as part of the 54:Boris Kustodiev 46: 39: 28: 23: 22: 15: 12: 11: 5: 6838: 6836: 6828: 6827: 6822: 6817: 6812: 6807: 6797: 6796: 6790: 6789: 6767: 6764: 6763: 6761: 6760: 6755: 6750: 6745: 6740: 6735: 6730: 6724: 6722: 6718: 6717: 6715: 6714: 6713: 6712: 6707: 6697: 6692: 6687: 6682: 6677: 6675:Nudity in film 6672: 6667: 6666: 6665: 6660: 6655: 6650: 6639: 6637: 6631: 6630: 6628: 6627: 6622: 6617: 6615:Heinrich Pudor 6612: 6607: 6602: 6597: 6592: 6586: 6584: 6578: 6577: 6575: 6574: 6569: 6564: 6563: 6562: 6557: 6547: 6542: 6537: 6531: 6529: 6523: 6522: 6520: 6519: 6514: 6509: 6504: 6499: 6494: 6493: 6492: 6482: 6476: 6474: 6468: 6467: 6465: 6464: 6459: 6454: 6449: 6444: 6439: 6434: 6429: 6424: 6418: 6416: 6410: 6409: 6407: 6406: 6401: 6396: 6391: 6386: 6385: 6384: 6379: 6368: 6366: 6360: 6359: 6357: 6356: 6351: 6346: 6341: 6340: 6339: 6334: 6329: 6324: 6319: 6309: 6303: 6301: 6295: 6294: 6292: 6291: 6286: 6281: 6276: 6275: 6274: 6269: 6259: 6254: 6249: 6248: 6247: 6237: 6235:Public bathing 6232: 6227: 6226: 6225: 6215: 6210: 6205: 6200: 6199: 6198: 6193: 6182: 6180: 6176: 6175: 6170: 6168: 6167: 6160: 6153: 6145: 6136: 6135: 6133: 6132: 6127: 6122: 6116: 6113: 6112: 6110: 6109: 6096: 6091: 6090: 6089: 6079: 6074: 6073: 6072: 6070:by nationality 6067: 6057: 6052: 6050:Modern artists 6047: 6042: 6037: 6032: 6027: 6026: 6025: 6020: 6015: 6010: 6000: 5995: 5993:Art techniques 5990: 5985: 5979: 5977: 5973: 5972: 5970: 5969: 5964: 5959: 5954: 5953: 5952: 5947: 5937: 5932: 5927: 5926: 5925: 5920: 5910: 5905: 5900: 5895: 5894: 5893: 5883: 5882: 5881: 5879:deaccessioning 5871: 5866: 5859: 5854: 5848: 5846: 5842: 5841: 5839: 5838: 5833: 5832: 5831: 5821: 5820: 5819: 5809: 5804: 5799: 5794: 5788: 5786: 5784:History of art 5780: 5779: 5777: 5776: 5774:Virtual museum 5771: 5766: 5761: 5756: 5751: 5746: 5741: 5736: 5731: 5726: 5721: 5716: 5715: 5714: 5704: 5703: 5702: 5692: 5691: 5690: 5680: 5679: 5678: 5671:Art exhibition 5668: 5663: 5658: 5652: 5650: 5644: 5643: 5641: 5640: 5639: 5638: 5628: 5623: 5618: 5613: 5608: 5603: 5602: 5601: 5596: 5586: 5581: 5575: 5573: 5569: 5568: 5566: 5565: 5560: 5555: 5553:Soft sculpture 5550: 5545: 5540: 5539: 5538: 5533: 5528: 5523: 5513: 5512: 5511: 5501: 5496: 5491: 5486: 5481: 5476: 5475: 5474: 5469: 5464: 5454: 5453: 5452: 5447: 5437: 5436: 5435: 5425: 5420: 5415: 5410: 5405: 5400: 5395: 5390: 5388:Conceptual art 5385: 5380: 5374: 5372: 5368: 5367: 5358: 5356: 5355: 5348: 5341: 5333: 5327: 5326: 5320: 5305: 5299: 5284: 5278: 5265: 5259: 5244: 5240:Oberlin Review 5229: 5226: 5223: 5222: 5204: 5182: 5157: 5135: 5113: 5098: 5091: 5073: 5066: 5048: 5026: 5019: 5001: 4970: 4925: 4890: 4871: 4864: 4841: 4834: 4816: 4814:Dunkerton, 186 4807: 4800: 4778: 4710: 4687: 4678: 4663:Chisholm, Hugh 4638: 4623: 4616: 4591: 4580:(5): 873–893. 4564: 4557: 4529: 4522: 4498: 4486:Gordon College 4473: 4449: 4427: 4401: 4348: 4325: 4301: 4275: 4250: 4231: 4213: 4180: 4155: 4136: 4104: 4083: 4061: 4039: 4016: 4004:Atelier Kanawa 4000:"Kimono Model" 3991: 3964: 3957: 3948:The Model Wife 3937: 3906: 3887: 3874: 3854: 3830: 3796: 3770: 3751: 3725: 3700: 3676: 3648: 3627: 3599: 3574: 3544: 3526: 3501: 3473: 3449: 3425: 3401: 3381: 3361: 3341: 3317: 3291: 3264: 3236: 3209: 3182: 3152: 3127: 3101: 3094: 3071: 3041: 3024:Baker, Laura. 3015: 2990: 2965: 2939: 2918: 2894: 2887: 2856: 2837: 2819: 2813:978-1595585516 2812: 2792: 2751: 2728: 2722:978-0893815233 2721: 2701: 2694: 2667: 2646: 2625: 2600: 2580: 2556: 2535: 2515: 2493: 2486: 2466: 2459: 2438: 2431: 2411: 2404: 2386: 2379: 2330: 2323: 2305: 2274: 2237: 2236: 2234: 2231: 2230: 2229: 2221: 2220:External links 2218: 2217: 2216: 2214:Russell Nesbit 2211: 2203: 2202: 2186: 2183: 2182: 2181: 2161: 2145: 2125: 2117: 2101: 2074: 2071: 2069: 2066: 2058: 2057: 2042: 2035: 2033: 2026: 2019: 2017: 2010: 2003: 2001: 1991: 1984: 1981: 1980: 1976: 1975: 1974: 1962: 1961: 1952: 1945: 1943: 1933: 1926: 1923: 1922: 1918: 1917: 1916: 1797: 1794: 1702:(or just post- 1694:court painters 1668:Margarita Luti 1628:Albrecht DĂĽrer 1621: 1620: 1613: 1606: 1604: 1598: 1591: 1589: 1579: 1572: 1570: 1554: 1547: 1545: 1537:Rosina Ferrara 1535: 1528: 1526: 1517: 1510: 1508: 1494: 1487: 1485: 1469: 1462: 1460: 1450: 1443: 1441: 1431: 1424: 1421: 1420: 1416: 1415: 1414: 1412: 1409: 1405: 1404: 1400:Albrecht DĂĽrer 1394: 1387: 1385: 1376:study for the 1368: 1361: 1358: 1357: 1353: 1352: 1351: 1312:, who advised 1277: 1274: 1248: 1245: 1228:. The painter 1194:Gordon College 1173: 1170: 1149:Nude study by 1142: 1139: 1133:Models at the 1119: 1116: 1076:Main article: 1073: 1070: 1031: 1028: 1024: 1023: 1013: 1006: 1004: 994: 987: 985: 976: 969: 967: 965:'s wife (1900) 963:Pierre Bonnard 957: 950: 948: 938: 931: 929: 915:Aline Charigot 913: 906: 904: 898: 891: 889: 877: 870: 868: 849: 842: 839: 838: 834: 833: 832: 828:Nicholas Nixon 824:Seiichi Furuya 808:Harry Callahan 780:The Model Wife 739: 736: 732: 731: 724: 717: 715: 699: 692: 690: 680: 673: 671: 659: 652: 650: 640: 633: 631: 611: 604: 602: 588: 581: 578: 577: 573: 572: 571: 538: 535: 512: 509: 435: 432: 406: 403: 385: 384:Emotional work 382: 368: 367:Aesthetic work 365: 341: 338: 318: 315: 266:age of consent 235: 232: 218: 215: 172:Olga Khokhlova 156: 153: 85:emotional work 69:visual artists 32:Model (person) 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6837: 6826: 6823: 6821: 6818: 6816: 6813: 6811: 6808: 6806: 6803: 6802: 6800: 6787: 6786: 6781: 6777: 6776: 6765: 6759: 6756: 6754: 6751: 6749: 6748:Nudity clause 6746: 6744: 6741: 6739: 6736: 6734: 6733:Nude calendar 6731: 6729: 6726: 6725: 6723: 6719: 6711: 6708: 6706: 6703: 6702: 6701: 6698: 6696: 6693: 6691: 6688: 6686: 6683: 6681: 6678: 6676: 6673: 6671: 6670:Body painting 6668: 6664: 6661: 6659: 6656: 6654: 6651: 6649: 6646: 6645: 6644: 6641: 6640: 6638: 6636: 6632: 6626: 6623: 6621: 6618: 6616: 6613: 6611: 6608: 6606: 6603: 6601: 6598: 6596: 6595:Lee Baxandall 6593: 6591: 6588: 6587: 6585: 6583: 6579: 6573: 6572:South America 6570: 6568: 6565: 6561: 6558: 6556: 6555:San Francisco 6553: 6552: 6551: 6550:North America 6548: 6546: 6543: 6541: 6538: 6536: 6533: 6532: 6530: 6528: 6524: 6518: 6515: 6513: 6510: 6508: 6505: 6503: 6500: 6498: 6495: 6491: 6488: 6487: 6486: 6485:Nude swimming 6483: 6481: 6478: 6477: 6475: 6473: 6469: 6463: 6460: 6458: 6455: 6453: 6450: 6448: 6445: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6425: 6423: 6420: 6419: 6417: 6415: 6411: 6405: 6402: 6400: 6397: 6395: 6392: 6390: 6387: 6383: 6382:Pornification 6380: 6378: 6375: 6374: 6373: 6372:Sexualization 6370: 6369: 6367: 6365: 6361: 6355: 6352: 6350: 6347: 6345: 6342: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6314: 6313: 6312:Exhibitionism 6310: 6308: 6307:Intimate part 6305: 6304: 6302: 6300: 6296: 6290: 6287: 6285: 6282: 6280: 6277: 6273: 6272:United States 6270: 6268: 6265: 6264: 6263: 6260: 6258: 6255: 6253: 6250: 6246: 6245:Finnish sauna 6243: 6242: 6241: 6238: 6236: 6233: 6231: 6228: 6224: 6221: 6220: 6219: 6216: 6214: 6211: 6209: 6206: 6204: 6201: 6197: 6194: 6192: 6189: 6188: 6187: 6184: 6183: 6181: 6177: 6173: 6166: 6161: 6159: 6154: 6152: 6147: 6146: 6143: 6131: 6128: 6126: 6123: 6121: 6118: 6117: 6114: 6108: 6104: 6100: 6097: 6095: 6092: 6088: 6085: 6084: 6083: 6080: 6078: 6077:Photographers 6075: 6071: 6068: 6066: 6063: 6062: 6061: 6058: 6056: 6053: 6051: 6048: 6046: 6043: 6041: 6038: 6036: 6033: 6031: 6028: 6024: 6023:single artist 6021: 6019: 6016: 6014: 6011: 6009: 6006: 6005: 6004: 6001: 5999: 5998:Art movements 5996: 5994: 5991: 5989: 5986: 5984: 5983:Art magazines 5981: 5980: 5978: 5974: 5968: 5965: 5963: 5960: 5958: 5955: 5951: 5948: 5946: 5943: 5942: 5941: 5938: 5936: 5933: 5931: 5928: 5924: 5923:art valuation 5921: 5919: 5916: 5915: 5914: 5911: 5909: 5906: 5904: 5901: 5899: 5896: 5892: 5889: 5888: 5887: 5884: 5880: 5877: 5876: 5875: 5872: 5870: 5867: 5865: 5864: 5860: 5858: 5855: 5853: 5850: 5849: 5847: 5843: 5837: 5834: 5830: 5827: 5826: 5825: 5822: 5818: 5815: 5814: 5813: 5810: 5808: 5807:Art movements 5805: 5803: 5802:Art manifesto 5800: 5798: 5795: 5793: 5790: 5789: 5787: 5785: 5781: 5775: 5772: 5770: 5767: 5765: 5762: 5760: 5757: 5755: 5752: 5750: 5747: 5745: 5742: 5740: 5737: 5735: 5732: 5730: 5727: 5725: 5724:Arts festival 5722: 5720: 5717: 5713: 5710: 5709: 5708: 5705: 5701: 5698: 5697: 5696: 5693: 5689: 5686: 5685: 5684: 5681: 5677: 5674: 5673: 5672: 5669: 5667: 5664: 5662: 5659: 5657: 5654: 5653: 5651: 5645: 5637: 5634: 5633: 5632: 5629: 5627: 5624: 5622: 5619: 5617: 5614: 5612: 5609: 5607: 5604: 5600: 5597: 5595: 5592: 5591: 5590: 5587: 5585: 5582: 5580: 5577: 5576: 5574: 5570: 5564: 5563:Artwork title 5561: 5559: 5558:Stained glass 5556: 5554: 5551: 5549: 5546: 5544: 5541: 5537: 5534: 5532: 5529: 5527: 5524: 5522: 5519: 5518: 5517: 5514: 5510: 5507: 5506: 5505: 5502: 5500: 5497: 5495: 5492: 5490: 5487: 5485: 5482: 5480: 5477: 5473: 5470: 5468: 5465: 5463: 5460: 5459: 5458: 5457:New media art 5455: 5451: 5448: 5446: 5443: 5442: 5441: 5438: 5434: 5431: 5430: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5378:Appropriation 5376: 5375: 5373: 5369: 5365: 5361: 5354: 5349: 5347: 5342: 5340: 5335: 5334: 5331: 5323: 5317: 5313: 5312: 5306: 5302: 5300:9780226772196 5296: 5292: 5291: 5285: 5281: 5275: 5271: 5266: 5262: 5256: 5252: 5251: 5245: 5241: 5237: 5232: 5231: 5227: 5218: 5214: 5208: 5205: 5192: 5191:"Maze (2001)" 5186: 5183: 5171: 5167: 5161: 5158: 5145: 5139: 5136: 5123: 5117: 5114: 5109: 5102: 5099: 5094: 5088: 5084: 5077: 5074: 5069: 5067:0-87633-143-6 5063: 5059: 5058:Thomas Eakins 5052: 5049: 5046: 5042: 5037: 5030: 5027: 5022: 5016: 5013:. LSU Press. 5012: 5005: 5002: 4997: 4993: 4989: 4985: 4981: 4974: 4971: 4960: 4956: 4952: 4948: 4944: 4940: 4936: 4929: 4926: 4923: 4919: 4916: 4912: 4911:0-8709-9870-6 4908: 4904: 4900: 4894: 4891: 4886: 4882: 4875: 4872: 4867: 4865:0-300-04675-8 4861: 4857: 4856: 4848: 4846: 4842: 4837: 4831: 4827: 4820: 4817: 4811: 4808: 4803: 4801:9781135959142 4797: 4793: 4789: 4782: 4779: 4768: 4764: 4760: 4756: 4752: 4748: 4745:(26): 49–63. 4744: 4740: 4736: 4729: 4727: 4725: 4723: 4721: 4719: 4717: 4715: 4711: 4698: 4691: 4688: 4682: 4679: 4674: 4673: 4668: 4664: 4659: 4658:public domain 4645: 4643: 4639: 4634: 4627: 4624: 4619: 4613: 4609: 4602: 4600: 4598: 4596: 4592: 4587: 4583: 4579: 4575: 4568: 4565: 4560: 4554: 4549: 4548: 4545: 4536: 4534: 4530: 4525: 4519: 4515: 4511: 4510: 4502: 4499: 4487: 4483: 4477: 4474: 4459: 4453: 4450: 4438: 4431: 4428: 4420:September 24, 4416: 4412: 4405: 4402: 4391: 4387: 4383: 4379: 4375: 4371: 4367: 4363: 4359: 4352: 4349: 4336: 4329: 4326: 4315: 4311: 4305: 4302: 4290: 4286: 4279: 4276: 4264: 4260: 4254: 4251: 4246: 4242: 4235: 4232: 4227: 4223: 4217: 4214: 4203: 4199: 4195: 4191: 4184: 4181: 4169: 4165: 4159: 4156: 4151: 4147: 4140: 4137: 4126: 4122: 4118: 4114: 4108: 4105: 4093: 4087: 4084: 4072: 4065: 4062: 4049: 4043: 4040: 4027: 4020: 4017: 4005: 4001: 3995: 3992: 3981: 3977: 3971: 3969: 3965: 3960: 3958:9780821221709 3954: 3950: 3949: 3941: 3938: 3925: 3921: 3917: 3910: 3907: 3902: 3898: 3891: 3888: 3877: 3871: 3867: 3866: 3858: 3855: 3851: 3850:1-902163-90-7 3847: 3843: 3839: 3834: 3831: 3819: 3815: 3811: 3807: 3800: 3797: 3785: 3781: 3774: 3771: 3766: 3762: 3755: 3752: 3739: 3735: 3729: 3726: 3715: 3711: 3704: 3701: 3690: 3689:CNA Lifestyle 3686: 3680: 3677: 3669:September 24, 3665: 3658: 3652: 3649: 3637: 3631: 3628: 3620:September 24, 3616: 3609: 3603: 3600: 3592:September 24, 3588: 3584: 3578: 3575: 3567:September 24, 3563: 3562: 3554: 3548: 3545: 3540: 3533: 3531: 3527: 3515: 3511: 3505: 3502: 3490: 3483: 3477: 3474: 3463: 3459: 3453: 3450: 3439: 3435: 3429: 3426: 3415: 3411: 3405: 3402: 3391: 3385: 3382: 3371: 3365: 3362: 3351: 3345: 3342: 3327: 3321: 3318: 3307: 3306: 3301: 3295: 3292: 3280: 3279: 3278:Bates College 3274: 3268: 3265: 3253: 3252: 3246: 3240: 3237: 3225: 3224: 3219: 3213: 3210: 3202:September 24, 3198: 3197: 3192: 3191:"Job Posting" 3186: 3183: 3175:September 24, 3171: 3170: 3162: 3156: 3153: 3142: 3138: 3131: 3128: 3116: 3115:The Collegian 3112: 3105: 3102: 3097: 3091: 3087: 3080: 3078: 3076: 3072: 3061: 3057: 3050: 3048: 3046: 3042: 3031: 3027: 3019: 3016: 3005: 3001: 2994: 2991: 2980: 2976: 2969: 2966: 2954: 2950: 2943: 2940: 2928: 2922: 2919: 2908: 2904: 2898: 2895: 2890: 2884: 2880: 2879: 2871: 2869: 2867: 2865: 2863: 2861: 2857: 2852: 2848: 2841: 2838: 2833: 2829: 2823: 2820: 2815: 2809: 2805: 2804: 2796: 2793: 2782: 2778: 2774: 2770: 2766: 2762: 2755: 2752: 2747: 2743: 2739: 2732: 2729: 2724: 2718: 2714: 2713: 2705: 2702: 2697: 2691: 2687: 2680: 2678: 2676: 2674: 2672: 2668: 2656: 2650: 2647: 2635: 2629: 2626: 2614: 2610: 2604: 2601: 2590: 2584: 2581: 2570: 2566: 2560: 2557: 2545: 2539: 2536: 2525: 2519: 2516: 2504: 2497: 2494: 2489: 2487:9780571269822 2483: 2479: 2478: 2470: 2467: 2462: 2456: 2452: 2445: 2443: 2439: 2434: 2428: 2424: 2423: 2415: 2412: 2407: 2401: 2397: 2390: 2387: 2382: 2376: 2372: 2365: 2363: 2361: 2359: 2357: 2355: 2353: 2351: 2349: 2347: 2345: 2343: 2341: 2339: 2337: 2335: 2331: 2326: 2324:0-8109-9154-3 2320: 2316: 2309: 2306: 2294: 2293: 2285: 2283: 2281: 2279: 2275: 2262: 2261: 2253: 2251: 2249: 2247: 2245: 2243: 2239: 2232: 2228: 2227:LIFE magazine 2224: 2223: 2219: 2215: 2212: 2210: 2209: 2205: 2204: 2200: 2199:Nudity portal 2189: 2184: 2179: 2175: 2171: 2167: 2166: 2162: 2159: 2155: 2151: 2150: 2146: 2143: 2139: 2135: 2131: 2130: 2126: 2123: 2122: 2118: 2115: 2111: 2110:Auguste Rodin 2107: 2106: 2102: 2099: 2098: 2094: 2093: 2092: 2086: 2085: 2079: 2072: 2067: 2065: 2054: 2053:Jacob Epstein 2050: 2046: 2039: 2034: 2030: 2023: 2018: 2014: 2007: 2002: 1998: 1997:Evelyn Nesbit 1994: 1988: 1983: 1973: 1970: 1959: 1958:Thomas Eakins 1955: 1949: 1944: 1940: 1939:Thomas Eakins 1937:, drawing by 1936: 1930: 1925: 1915: 1912: 1907: 1905: 1901: 1900: 1899:fin de siècle 1894: 1889: 1887: 1883: 1879: 1875: 1871: 1870: 1865: 1861: 1857: 1856: 1851: 1850: 1845: 1841: 1837: 1834: 1831: 1827: 1823: 1819: 1815: 1814: 1809: 1808: 1803: 1795: 1790: 1786: 1781: 1777: 1774: 1768: 1766: 1762: 1753: 1749: 1748: 1743: 1739: 1737: 1733: 1732:Lorenzo Lotto 1728: 1724: 1723:Autobiography 1719: 1717: 1713: 1709: 1705: 1701: 1700: 1699:Virgo lactans 1695: 1691: 1687: 1683: 1679: 1675: 1674: 1669: 1665: 1660: 1658: 1657: 1652: 1648: 1643: 1642: 1641:Dresden Venus 1637: 1633: 1629: 1617: 1610: 1605: 1601: 1595: 1590: 1586: 1582: 1576: 1571: 1567: 1563: 1562: 1557: 1551: 1546: 1542: 1538: 1532: 1527: 1524: 1520: 1514: 1509: 1505: 1501: 1500:Édouard Manet 1497: 1491: 1486: 1482: 1478: 1477: 1472: 1466: 1461: 1457: 1453: 1447: 1442: 1438: 1434: 1428: 1423: 1410: 1401: 1397: 1391: 1386: 1382: 1379: 1375: 1371: 1365: 1360: 1350: 1348: 1347: 1342: 1338: 1334: 1330: 1329:Last Judgment 1326: 1325:Kenneth Clark 1321: 1319: 1315: 1311: 1307: 1303: 1299: 1295: 1291: 1287: 1283: 1275: 1273: 1271: 1270:Quentin Crisp 1267: 1266:Audrey Munson 1261: 1259: 1254: 1246: 1244: 1242: 1237: 1235: 1231: 1227: 1223: 1219: 1215: 1210: 1207: 1206:Kenneth Clark 1202: 1198: 1195: 1189: 1187: 1183: 1179: 1171: 1169: 1167: 1163: 1159: 1152: 1147: 1140: 1138: 1136: 1131: 1129: 1125: 1117: 1115: 1113: 1109: 1105: 1101: 1096: 1094: 1090: 1086: 1085:true likeness 1079: 1071: 1069: 1065: 1062: 1053: 1049: 1044: 1036: 1029: 1020: 1016: 1010: 1005: 1001: 997: 991: 986: 982: 980: 973: 968: 964: 961:, modeled by 960: 954: 949: 945: 941: 935: 930: 926: 922: 921: 916: 910: 905: 901: 895: 890: 886: 885:Suzanne Manet 882: 881: 874: 869: 858: 854: 853: 846: 841: 831: 829: 825: 821: 817: 813: 809: 805: 804:Charis Wilson 801: 800:Edward Weston 797: 793: 789: 788:Olga de Meyer 785: 781: 776: 774: 770: 766: 762: 758: 757: 752: 748: 745: 737: 728: 721: 716: 712: 711: 706: 702: 696: 691: 687: 686:Lovis Corinth 683: 677: 672: 668: 667: 662: 656: 651: 647: 643: 637: 632: 628: 624: 620: 619: 614: 608: 603: 599: 595: 591: 585: 580: 570: 567: 563: 559: 557: 553: 549: 545: 536: 534: 531: 527: 523: 517: 508: 504: 502: 498: 492: 490: 484: 482: 478: 475: 471: 467: 463: 459: 455: 450: 445: 441: 433: 431: 429: 428:figure models 425: 421: 411: 404: 402: 398: 394: 391: 383: 381: 377: 375: 374:body position 366: 364: 360: 357: 351: 348: 340:Physical work 339: 337: 331: 327: 323: 316: 314: 310: 308: 298: 294: 292: 288: 283: 279: 278: 273: 269: 267: 263: 259: 257: 249: 245: 240: 233: 231: 229: 224: 216: 214: 212: 208: 203: 201: 197: 193: 189: 185: 181: 180:professionals 173: 169: 168:Pablo Picasso 165: 161: 154: 152: 150: 147:or paint the 146: 142: 138: 134: 129: 128:plaster casts 123: 121: 117: 113: 109: 105: 100: 98: 97:transgressive 94: 90: 86: 82: 81:physical work 78: 74: 70: 66: 63:poses, often 62: 55: 50: 44: 37: 36:Miniature art 33: 19: 6783: 6773: 6652: 6605:Ilsley Boone 6600:Paul Bindrim 6590:Kurt Barthel 6512:Nude beaches 6507:Nude wedding 6437:Gay naturism 6404:Strip search 6013:most visited 5861: 5620: 5489:Plastic arts 5413:Found object 5310: 5289: 5269: 5249: 5239: 5216: 5207: 5197:November 29, 5195:. 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Retrieved 2259: 2206: 2163: 2147: 2142:Laura Linney 2127: 2119: 2103: 2095: 2090: 2082: 2062: 1968: 1966: 1953: 1941:(c. 1863–66) 1934: 1908: 1897: 1890: 1867: 1853: 1847: 1811: 1805: 1799: 1769: 1757: 1745: 1722: 1720: 1716:Jean Fouquet 1703: 1697: 1673:La Fornarina 1671: 1661: 1654: 1651:Michelangelo 1639: 1625: 1559: 1474: 1411:Early modern 1395: 1381:Three Graces 1380: 1344: 1336: 1322: 1308:, quoted by 1279: 1262: 1250: 1238: 1211: 1201:James Elkins 1199: 1190: 1178:conservative 1175: 1155: 1132: 1121: 1097: 1084: 1081: 1066: 1057: 1052:Nina Hamnett 1017:portrait of 977: 958: 940:Paul Gauguin 918: 883:(modeled by 878: 850: 779: 777: 769:Lucian Freud 754: 741: 727:Peter Graham 708: 681: 664: 641: 625:by her son, 616: 612: 593: 564: 560: 540: 518: 514: 505: 493: 485: 476: 451: 447: 427: 423: 420:life drawing 416: 399: 395: 387: 378: 370: 361: 356:contrapposto 352: 343: 335: 330:Carl Larsson 325: 311: 307:historically 303: 287:Jock Sturges 275: 270: 260: 253: 220: 204: 196:illustration 177: 163: 137:art colleges 124: 119: 101: 60: 58: 6527:By location 6502:Naked party 6257:Toplessness 6130:Arts portal 6003:Art museums 5918:art finance 5719:Arts centre 5683:Art gallery 5666:Art commune 5656:Art auction 5499:Printmaking 5428:Mixed media 5423:Kinetic art 5360:Visual arts 4368:(1): 5–27. 3901:Vanity Fair 3789:October 30, 3738:Tate Modern 3714:Tulsa World 3218:"Art Model" 2267:December 5, 2178:Jean Renoir 2136:), who has 2084:Inspiration 2049:Sunita Devi 1969:Masked Nude 1935:Masked nude 1891:The second 1882:Edgar Degas 1708:Agnès Sorel 1653:'s earlier 1581:Loie Fuller 1519:Fanny Eaton 1433:Agnès Sorel 1333:Renaissance 1258:bohemianism 1230:John Currin 1122:During the 1072:Photography 864: 1635 812:Emmet Gowin 773:Annie Freud 761:Rose Beuret 747:Jan de Bray 590:Jan de Bray 566:Chuck Close 424:life models 282:Mary Gordon 192:art schools 184:gig workers 77:work of art 6799:Categories 6738:Naked News 6643:Nude (art) 6497:Naked yoga 6480:Nude beach 6442:Gymnosophy 6354:Candaulism 6327:Striptease 6284:Dress code 6262:Topfreedom 6103:sculptures 5957:Provenance 5852:Art market 5759:Commission 5707:Art school 5695:Art museum 5661:Art colony 5649:and events 5509:street art 5504:Public art 5110:. ArtNews. 4964:2022-10-29 4772:2020-12-08 4703:25 October 4443:2013-02-28 4395:2021-03-21 4319:2021-09-15 4295:2021-11-26 4269:2021-11-26 4207:2021-11-26 4174:2021-11-26 4130:2021-09-15 4097:20 October 4032:10 October 3985:2021-11-26 3881:2021-07-08 3823:August 19, 3719:2021-11-26 3694:2024-03-07 3641:18 October 3467:2021-11-26 3443:2021-11-26 3419:2021-11-26 3395:2021-11-26 3375:2021-11-26 3355:2021-11-26 3335:2021-11-26 3311:2024-03-07 3285:2024-03-07 3258:2024-03-07 3230:2024-03-07 3146:2021-11-26 3121:2021-11-26 3065:2021-11-26 3035:2021-11-26 3009:2021-11-26 2984:2021-11-26 2959:2024-05-06 2933:2024-01-07 2912:2024-05-05 2786:2021-12-24 2765:Salmagundi 2738:Salmagundi 2661:2012-10-10 2640:2012-10-10 2636:. 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Index

Artist's model
Model (person)
Miniature art
The Blue Aeroplanes

Boris Kustodiev
nude
visual artists
creative process
work of art
physical work
emotional work
artistic practice
nudity
transgressive
conflation
tropes
muses
mistress
plaster casts
life class
art colleges
classroom
draw
human form

Pablo Picasso
Olga Khokhlova
professionals
gig workers

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