102:. In 1969, the membership in this program rose with the introduction of a "lease-buy" option. The renter would pay a higher monthly fee for the art object in a long-term rental. At the end of the rental period, the renter would own the art object. Originally The Amsterdam "SBK" worked as a city SBBK from 1955 to 1998, when it privatized its activities.
63:. Both programs were designed to provide extra resources to needy artist families. Sometimes the artists gave art objects to the organization voluntarily; this eventually became a requirement ("contraprestatie").
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house to put SBBK art works on view rather than keep them stored in "art depots". Anyone living within bicycling distance of
Kooistra's house could rent an artwork for fl. 2.50 per month.
40:. Under these programs, artists exchanged their artworks to the organizations in return for cash subsidies. These art objects then became available for loan to the public through local
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The number of members grew from 35 to 300 a year later. The success led to opening its first "gallery" in 1959. They organized shows in large public buildings, such as the
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was developed. Under this program, all government buildings and individuals could loan artworks like a library system. The objective was to expose the public to
154:(Kunstenaars & CO). A year later, on 12 December 2002 the members of the VVK voted to end their operations per 1 January 2003.
166:(WW&IK) gave artists the chance to supplement their income for four years (maximum) if they were in financial difficulty.
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while reducing the inventory of art objects in storage. Most medium to large cities still have
Kunstuitleen lending points.
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Due to the massive influx of art works back into the koffers of the fund (that were not necessarily seen as
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79:(SBBK). This was the first government-sponsored fund for artists.
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The last artist subsidy program in the
Netherlands ended in 2012.
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In 1955, the artist Pieter
Kooistra started a foundation in his
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In 1956 on a national level, the SBBK changed into the
190:at the International Institute of Social History
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152:Kunstenaars & Cultuur en Ondernemerschap
24:refers to three former subsidy programs for
247:Arts organisations based in the Netherlands
162:From 1 January 2005 to 1 January 2012, the
142:On 1 January 2002, the VVK merged with the
77:Sociale Bijstand voor Beeldende Kunstenaars
55:In 1935, the Dutch government started the
83:Stichting Beeldend Kunst (SBK) Amsterdam
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252:Government agencies of the Netherlands
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59:(VVK) program. In 1938, it became the
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57:Voorzieningsfonds voor Kunstenaars
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144:Stichting Scheppende Kunstenaars
61:Fonds voor Bijzondere Doeleinden
164:Wet werk en inkomen kunstenaars
112:Beeldende Kunstenaars Regeling
1:
126:), in 1972 a program called
73:Department of Social Affairs
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214:March 1, 2013, at the
230:law as of 31-12-2011
71:In 1949, the Dutch
218:on its own website
150:(PKW), called the
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216:Wayback Machine
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148:PodiumKunstWerk
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18:Artist Subsidy
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28:artists; the
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128:Kunstuitleen
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118:Kunstuitleen
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75:created the
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42:Kunstuitleen
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22:Netherlands
241:Categories
170:References
146:(SSK) and
138:End of VVK
132:modern art
51:Background
36:, and the
257:Subsidies
228:WW&IK
209:about SBK
158:WW&IK
100:Bijenkorf
89:Amsterdam
44:shops.
38:WW&IK
212:Archived
188:Archives
98:and the
114:(BKR).
20:in the
124:equity
32:, the
26:Dutch
96:Hema
67:SBBK
34:SBBK
106:BKR
30:BKR
16:An
243::
195:^
178:^
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