337:"This was something unexpected for me". It was explained to him "that CEP needed to start a new phase with a new director". "When I returned to Chile after my studies abroad I wanted to contribute, as an intellectual, to the transition of my country from dictatorship to democracy. At CEP I found a place from where this was possible for me. I believe that CEP under my direction has been a meeting place, an institute were conversations have taken place, an institute devoted to analysis and discussions. CEP has been an independent academic institute, where people not only talk about freedom, but they experience freedom. CEP has not been in service of the right nor the center nor the left. Political Parties and their institutes perform that function. CEP has not been in service of the entrepreneurs either. Entrepreneurial associations perform that function. CEP has been in the service of Chile through its studies and seminars. The most visible example are CEP's polls but there are others"
910:"The first pages of La Vida Doble are so powerful, of such truly convulsive dramatic composition, that it seems almost impossible for the story to maintain the tension until the end. Nonetheless, the truth is that almost all the novel’s action scenes regain the electrifying atmosphere of the beginning, making the reader live through extraordinary suspense and emotion. . . . A novel that as a whole shows great ambition, a very serious documentary undertaking, and a great dexterity in structure and style. It should be read in one sitting, and one emerges from its pages quite shaken."
566:"they are situations or scenarios through which a person passes, leaving there his footprints, eyes, hair slowly falling backwards, a blink and the disturbing and mortal effect of that interruption, which interrupts the apparent stillness and anachronistic recollection of the scene and makes everything apparently innocent seem suspicious." When the book appeared, Ignacio Aguero recorded a video which gives an idea of how these poems should be spoken, using the voices of the actress Schlomit Baytelman and the author, with a commentary by the poet Diego Maquieira.
94:
877:"Lorena is... too malleable, and too intelligent; she is easily swayed and her clever and devious mind is ready with rationalizations every time. And yet she is the incarnation of the mostrous evil... The gap between that terrible fact and complexity of the woman seen in close-up is at the heart of this gripping novel. What makes one read on with wide-eye amazement is a sense of humility... I can think of novel which makes torture and abuse of human rights... seem more repugnant. But it does so in an original manner..."
658:, instead of consolidating his personality in the world, starts living through a process of losing his convictions or, to put it another way, begins to lose his traditional spiritual home and has to try and live in the inclemency of modern times. The narrative is in the first and third person, in the present and the past, forms which go on inserting themselves fluidly and often in the same paragraph. This type of mobile camera suggests that there are moments in the story when the life of the child
314:, the CEP became an intellectual centre of great academic prestige and influence. Of particular importance were its studies and proposals on subjects such as education, the environment, the reform of public administration, financing in politics, social and urban policies for Santiago, indigenous peoples and regulating telecommunications. The polls that they regularly carry out are the best sounding boards and the most credible of any in
441:"doesn’t pretend to give a neutral or bland account. The facts are presented from the perspective of human rights and the democracy that protects them. The great lesson to be learned is what it means to lose that democracy… the causes don’t excuse the later horrors and cruelty that… systematically violated the life, body and dignity of so many people. The State therefore became the sacrificial priest," wrote Fontaine.
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327:"Arturo Fontaine made of the CEP... an institution of high culture in which liberal theories inspired analysis, propositions (and) at the same time there were debates and meetings of intellectuals... of the most different persuasions... He created the most objective and reliable polls in Chile according to politicians of the whole political spectrum"
384:, based on the real story of a leftwing woman trained for the urban guerrilla warfare who was tortured and became a ferocious agent of the dictatorship, the seminars organized by CEP in which several experts questioned the credibility of the figures given by the government about poverty ( Casen poll) and then reached the news even outside Chile (
702:. In spite of its intimate tone, the novel raises questions about the brazenness, dreams and contradictions of a traditional society on its way to modernization. In the cruelty and violence of the youngsters at the school, some observers have seen a foretaste and preparation for the political violence that characterized the Pinochet regime.
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conserve identities, the faith in progress and the mimicry with respect to the dominant classes in society, the ambition and the fear, the hope and the resentment. According to the critic
Nicolas Salerno, it deals with "the problems and contradictions that are represented in this hybrid of modernity." For Maria Luisa Fischer,
940:"Lorena, talking nonstop, does so from a place beyond where language is truly comprehensible. ...She is a complex and original creation, acutely alert to the dark, even perverting, powers of her own story. She expresses no remorse...And yet, tragically, there was innocence. ...Lorena was in many ways a literary romantic."
666:, does. They are the fractures that stay in the reconstruction of memory and which the shape of the writing shows. "With delicate determination, he manages to construct the act of remembering, capturing the precise instance in which one’s experience fixes itself in the memory", remarks the Argentine critic
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points out that it deals, above everything else, with "the difficulty of assuming a past that has removed itself from every moral system and that, because of this, is revealed as largely unspeakable...in spite of all that
Fontaine insists on doing it, by dint of conferring a moral value to the events
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commented: "I find it really unusual that the author who wrote those powerful and extensive novels Oir su voz and Cuando eramos inmortales should be the same one who composes these laconic, brief and almost silent verses". The poems speak about a story of love "which the reader has to put together in
801:
in the daily paper La
Vanguardia from Barcelona commented that "we are playing here with a confusion of genres (historical and fictitious)….people with various identities, capable of possessing but very rarely of giving. Or ingenuous people who have believed themselves capable of dying for an ideal.
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stated that we are dealing with "an ambitious and profound novel which covers all the secrets of
Chilean society,"(blurb written by Vargas Llosa on the cover of the reedition of OĂr su voz by Alfaguara 2003) while the Chilean critic Camilo Marks commented that "for the first time, our insignificant,
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covered this story known as "Casengate"), and, in particular, Fontaine's poignant essays against for-profit universities which have influenced the students and are quoted often by the leaders of the students' movement explain CEP's board decision to fire
Fontaine. CEP's board, composed mainly by now
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MarĂa Teresa Teres
Lladser, Centros Privados de Investigación en Cs Socialesen Chile, Academia de Humanismo Cristiano y Facultad Latinoamericana de Cs. Sociales (FLACSO), 1986 and Jeffrey M. Puryear, thinking Politics, Intellectuals and Democracy in Chile, 1973–1988, Johns Hopkins University Press,
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wrote that this book "goes deeply into moral dilemmas and treachery…..nobody represents
Chilean writing better today than Arturo Talavera Fontaine…and maybe nobody… better places the movement of the political and social reality of Chile within their own literary reality and the tensions, struggles,
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The novel takes place in a social context marked by the tensions and fissures of a traditional and dependent society that is subjected to a process of a rapid and enforced globalization and capitalist transformation, a phenomenon in which are mixed together the search for the new and the impulse to
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is a collection where the monologues of different persons take precedence. Roberto Merino wrote: "Fontaine wants to restore the light, the shadow and the lost sense of intimacy, weaving together the most vulnerable elements into his text: memory and speech. The critic Carmen Foxley pointed out that
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wrote:"How can one write love poetry in these sceptical times?...to look at someone’s eyes is not just to contemplate them but to go inside them…."Tus parpados visten y desvisten a tus ojos" and later on, commenting on another poem that says "insisto llorando y te obligo a abrirme en gajos/a beber
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After the success of his novel, Fontaine surprised everyone with something totally different: poems along the lines of a negative mysticism, i.e. poems-prayers to a god that doesn't exist. "No podemos decir la palabra/por eso todas las demas". Tu nombre en vano, published in 1995, is a thoughtful
292:
Fontaine found in the CEP a method of channeling public anxieties and a way to influence the return of democracy. He published various articles, among them "¿Quién defiende la censura previa del libro?" in which he challenged the
Chilean censorship policies: "it is doubly serious to know that our
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demands "a reader who doesn’t let himself get seduced by the reality which the world on the surface and the references seem to offer him or, to put it in another way, that he observes what happens above and below the surface: a reader who reads the novel in the way that Pelayo comments with his
812:
as one of the writers who best incorporates into his work the recent current of actual realism. Fontaine has given life to various political conflicts so as to convert them into powerful moral dilemmas dealing with heroism, treachery and the surrendering of ideals to a world that has none". In
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is a model and in myriad ways a closing statement for authenticating historical periods. ...A whirlwind of self-estrangement, ideologically virtuous obsessions, bold sexuality, unalloyed grief, bottomless invectives... and, above all, page-turning psychological suspense. ... In great measure
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I bring together a plurality of jargons and languages. Juxtaposing them renders them comparable to each other. In their hand to hand combat they reveal themselves for what they are: voices. There is no single tone… only a criss-crossing of dissimilar voices and of heterogeneous linguistic
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which established him as one of the principal figures in the new
Chilean writing. The novel was both a great critical and public success, staying for more than 30 weeks on the best sellers list. There were a few exceptions to this, such as a virulent article from Ignacio Valente, an
598:
was undoubtedly "the star among the new
Chilean novels". "For a novelist with the talent of Fontaine, the social structure of Chile, with its mixture of 19th century hypocrisy and modern technology, has great literary potential." Continuing, Gallagher claims that reading
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and SUR, the CEP played a role in ending the dictatorship and the transition period contributing in the construction of an intellectual and politically calm climate, pragmatic, academically rigorous, and favourable to a peaceful and definitive establishment of democracy.
283:
Under his leadership the Centre for Public Studies (CEP) was transformed into a meeting place for intellectuals and the political class from all sectors. Many members of the opposition found a place there where they could put forward their points of view via articles in
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says that the novel maintains "a vigorous tension, because even though it is fiction, it underlines the possibilities of using fiction to tell the story of such horrendous events…..Fontaine’s technique is outstanding in describing violent and confused scenarios".
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and in numerous and popular seminars which were organized to discuss public affairs. The financing of the CEP came from foundations such as the Ford Foundation, the Tinker Foundation, the National Endowment for Democracy and donations from private businesses.
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intellectual friends, as fiction and not as a chronicle… to sum up, a reader who is suspicious of the enchantments in the allusions and who knows how to observe the contradictions that are being debated on the surface of the world that is being represented."
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affirmed that Fontaine "emerges with great force in Chilean poetry, with a youthful, wholesome and unforeseen energy.… is New York stands out for its personal structure, a structure eternal and momentary, apocalyptic and serene, sinister and translucent.
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889:" masterpiece...(A) lucid and moving novel... Fontaine's eloquent and coherent achievement... surpasses his national and Latin American cohort...Peerless as testimony, infinitely, memorable as a reassessment of memory's role in narrative,
710:"reveals in a certain way the essence of those who give orders and those who take them. Inasmuch as there are writers capable of representing this (and the case among our novelists is almost unique), it means that they are truly great".
409:
CEP's sponsors discovered that Arturo Fontaine is too independent for their taste. The independence of a writer and liberal intellectual would not be useful, in their view, under the present circunstances in Chile. It's "the hour of the
930:"Fontaine’s novel poses uneasy questions aimed at challenging the reader’s moral judgments. His way of creating suspense in describing the actions is itself morally challenging. In Lorena, Fontaine has created a forbidding character."
729:
tus labios me vas forzando sin querer" Rojo says: "This is the moment when the intensity of erotic ecstasy is substituted by boredom….a lovely book and much more profound than it would appear from a superficial reading". The poet
840:
This novel deserves to last. Based on real events, like a corkscrew it twists its way into the depths of the human condition. It shocks, disturbs, reveals and maintains a tremendous suspense from beginning to end….a book that is
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it is about "verses that are absolutely alive and uncontaminated, flashes of high definition, expressions of infinite tenderness…finally a book in which the striking beauty of Eros gives love the possibility of finding a home".
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his imagination because the pieces that complete it are absent and this absence is also called silence. Not any silence but the one that hides itself among the folds of love and the gaps in the words. And this is what
773:, it plunges the psychological depths of treachery and resentment, commitment and motherhood. The main character tells her story to an unnamed, silent journalist who listens to her and hopes to report on the story.
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will leave the reader "more alert when you’re taken to the Board Room. After a bit of haggling over the money on the table, you can smile when intellectuals discuss whether art is in the mind or to do with money."
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opinion, the novel "has managed to convey, like nothing before – neither in the cinema, nor literature nor even in the theatre – our complex and difficult recent history in a lucid, convincing and intimate way".
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Fontaine spent his childhood and adolescence between Santiago and Quechereguas, a small community near the River Maule, where the family had an old estate. He went to the Sagrados Corazones de Maquehue College.
866:"...A relentlessly harrowing book... Fontaine's novel is... a scientific report on the extremes of our behaviour. Not monsters but men and women, like any one of us, did these things and will do them again."
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His short stories have also been anthologized: "Honrrarás a tu padre" in 1998 and "Nuevos pecados capitales of Sergio Olguin" in 2001. He has also published essays on different themes in the magazine
538:(1976) were well received by critics. Filebo wrote: " …his book is a little treatise… on the glitter and misery of this Babylon where, day after day the flower of a new Apocalypse bursts forth."
261:, Fontaine returned to Chile to teach at a newly founded university. However, shortly after his return, the university folded due to the changing funding environment in the government of
307:) showing a general repudiation of the Pinochet regime and predicting its defeat in upcoming elections, contradicting three other published polls that predicted the triumph of Pinochet.
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has a lyrical and impressionistic tone but this does not mean that it doesn't have a solid plot. "The most entertaining of all the novels published this year" according to the writer
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1034:
280:, where he taught – and still teaches – a seminar on aesthetics and as a teacher of political philosophy at the Institute of Political Science in the Catholic University (1990–2007).
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newspaper and winner of the Premio Nacional for Journalism, Fontaine is the eldest of six children. He is married and separated from Mercedes Ducci, with whom he has two children.
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Fontaine graduated with maximum honours at the beginning of 1977. He was awarded a degree in philosophy and immediately afterwards was appointed as a teacher at his alma mater.
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it is "an original novel, which has to be savoured and relished. The quality of writing is such that it’s almost better on a second reading". The philosopher and historian
437:) which considers it to be both divisive and biased. The museum, which remembers those victims who suffered the violations of their human rights under the dictatorship of
332:
On May 10, 2013, after 31 years working in the institution, Fontaine was forced to resign by the Executive Committee of the Board of Trustees of CEP. Fontaine declared:
694:
commented along the same lines: "Fontaine has written one of the few Chilean novels in which the language of Castile has recovered its noble sound". The dramatist
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era: she was savagely tortured and later converted into working as an agent for that intelligence service and for many years fought her ex-comrades. More than a
461:. His first published book was one of poetry and in its narrative the city and the rural world became entwined. His poems have appeared in various anthologies:
454:
273:, a quarterly publication dedicated to the Social Sciences and the Humanities. In 1983 he was named Director of the CEP, an independent and liberal institute.
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Fontaine, Arturo (May 15, 2013). "Los 31 años de Arturo Fontaine en la dirección del CEP: Desde el prestigio de la encuesta a las opiniones sobre el lucro".
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culture is being censored and that, on top of that, no one sees the necessity to explain why." Together with other Centres for Studies such as CIEPLAN, CED,
1027:"Los 31 años de Arturo Fontaine en la direcciĂłn del CEP: Desde el prestigio de la encuesta a las opiniones sobre el lucro | PolĂtica | LA TERCERA"
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strategy to win the presidential election in 2013 and, specially, his affinity with the students' protests triggered CEP's Board of Trustees decision.
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ready to use the academic prestige of the institution to defend without nuances the existing economic model in Chile. According to Vargas Llosa:
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in 2013 in a translation by Megan McDowell. It is a novel based on a true story of a female guerilla captured by the secret police during the
644:
book which explores religiousness from the point of view of its absence and is constructed in the tradition of the psalms and mystic poetry.
212:
In September of the same year Fontaine travelled to the United States to continue his post graduate studies in the Philosophy department at
176:
Son of the poet Valentina Talavera Balmaceda (1928–2011) and the lawyer and journalist Arturo Fontaine Aldunate, ex-Chilean ambassador to
920:"La Vida Doble delves into moral dilemmas and betrayal. No one better represents contemporary Chilean narrative than Arturo Fontaine."
424:
377:
311:
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Fontaine, Arturo (May 15, 2013). "Terremoto en los think tanks: Las crĂticas que provocaron la caĂda de Fontaine en el CEP".
627:"power is always exercised through language. There is no human power anywhere that is not set forth in language. In my novel
266:
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It is a novel that never flags…Fontaine has fashioned, sentence by sentence, a story that doesn’t just end on the last page
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in 2007, a collection of brief love poems, several of which had appeared before in the magazine Letras Libres. The critic
590:
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and taught the course known at Columbia as "Humanities" where students read a selection of fundamental literature texts.
428:
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From an early age Fontaine stood out for his inclination towards letters and at fourteen he won his first prize, the
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1111:
Fontaine, Arturo (August 4, 2012). "Contra la visiĂłn fabril de la educaciĂłn: ÂżUniversidades con fines de lucro?".
224:, among others. He attended several workshops in the writing division of Columbia University and was a student of
163:, considered as one of the writers most representative of the Chilean "New Narrative" that surfaced in the 1990s.
35:
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have suggested that Fontaine critical analysis of President Piñera's administration, his positive evaluation of
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961:(awarded by the Foundation of the same name and the Faculty of Letters of the Catholic University of Chile)
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318:. The CEP also acts as a lively cultural centre which includes conferences and cinema. In the words of
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The media has interpreted Fontaine downfall as a sign of the present polarization in Chilean society.
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predominates and others when the reconstruction of the past made by the adult, who is not the child
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His second novel, Cuando eramos inmortales (1998), is a Bildungsroman, in which the central figure,
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priest, who objected to its "reality" and concluded that it was "a long novel born of frustration."
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Philosophy of Science Award David H. Ziff 1981, with a jury presided over by Professor Ernest Nagel
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Premio Las Americas 2011 for La vida doble (awarded at the Festival de la Palabra of Puerto Rico)
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670:. "A beautiful novel, full of suggestions, and above all a really successful achievement" said
770:
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116:
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Salerno, Nicolás (2005). "Quiebres y continuidades de la sociabilidad chilena: El realismoen
269:(Centre for Public Studies) as a translator. Here he soon found himself heading the magazine
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438:
262:
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uncertainties loyalties and treacheries of a society in flux"". In her review of the book,
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de Arturo Fontaine Talavera: La escritura de la superficie", in CortĂnez, VerĂłnica (Ed.).
521:
399:
427:, Fontaine has defended it against criticism from the Right (including politicians from
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774:
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237:
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Fointaine Talavera, Arturo (Fall 1994). "The Fiction of History in the New Fiction".
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loved, hated, despised, praised and unbalanced Santiago has found its own voice."
512:
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Gandolfo, Pedro (12 September 2010). "El Mercurio, Subterráneos de la História".
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With two master's degrees, an MA and an MPhil from the philosophy department of
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Fontaine, Arturo (April 1993). "¿Quién defiende la censura previa del libro?".
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Antologia de la Poesia Religiosa Chilena of Miguel Arteche and Rodrigo Canovas
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Presidents of the Pontifical Catholic University of Chile Student Federation
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expresses with impeccable intuition in Mis ojos x tus ojos". For the poet
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Fontaine, Arturo (September 2007). "Letras Libres N°72, De Transversal".
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160:
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Rojo, GrĂnor (17 June 2007). "The Book Review, section of El Mercurio".
220:, where he won the President's Fellowship scholarship and studied under
1185:(19 June 1977). "Delfines, museos y ciudades en la literatura chilena"
68:
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FarĂas, VĂctor (21 April 2000). "El Pasado del Futuro, ABC Cultural".
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Later he continued his studies in the department of Humanities at the
240:, Daniel Halpern, Frank MacShane, among others. In 1980 he was named
1604:
Rodenas, Juan Antonio Masilover (18 August 2010). "La Vanguardia".
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Vargas Llosa, Mario (June 2, 2013). "ÂżLa hora de las trincheras?".
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Gallagher, David Gallagher (8 July 1993). "Creating a new Chile".
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315:
120:
265:. Fontaine therefore found himself without a job and entered the
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156:
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De la Peña, Luis (13 May 2000). "Cultural Supplement Babelia".
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Fontaine, Arturo (September 29, 2012). "For richer—or poorer".
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Bryce, Alfredo. "A quote that was circulated with the novel".
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Merino, Roberto (12 June 1989). "Residuos del Alma fugitiva".
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An exceptional novel, in which the painful becomes more humane
366:
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while simultaneously studying law at the Catholic University (
15:
1343:
Skarmeta, Antonio (January 1999). "Book Review El Mercurio".
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Hopenhayn, Sylvia (24 October 1999). "Novela de la Memoria".
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At the same time he worked as a teacher of philosophy at the
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Fuentes, Carlos (17 July 2010). "The Cultural Supplement of
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In fact, his responsibility as a member of the board of the
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Jarque, Fietta (17 July 2010). "The Cultural Supplement of
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Nueva Antologia de la Poesia Castallana of Eduardo Anguita
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Fontaine, Arturo (January 2010). "El Poder de la Mafia",
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La vida doble appeared in 2010, published by Tusquets in
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Arturo Fontaine Talavera, "Memoria y Derechos Humanos",
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Everything is unmasked by the words of Lorena or Irene….
206:) (although he left his law studies before completion).
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Megan McDowell, World Literature Today, September 2013
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Marks, Camilo (3 January 1993). "Literature y Libros".
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it is " the fulfilled ambition of a great writer". For
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Fontaine, Arturo (August 2009). "La Firma de Borges".
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Silva, Ana Josefa (2010). "La segunda, El Mercurio".
700:"it as a beautiful novel about the pain of childhood"
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Antologia de Breve Poema en Chile of Floridor Perez
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126:
100:
84:
1755:Eugenio Tironi spoke about Arturo Fontaine and CEP
301:In June 1988, the CEP published a poll (cited by
782:in the Spanish daily paper El PaĂs, wrote that:
557:, Fontaine published his second book of poetry:
1490:Maquieira, Diego (2007). "On The Back Cover of
1403:De la Parra, Marco Antonio (11 November 1998).
75: and the second or maternal family name is
1806:Pontifical Catholic University of Chile alumni
1708:Constenla, Tereixa (May 8, 2011). "El PaĂs".
484:Poesia Chilena Desclasifcada of Sergio Olguin
8:
1264:Revista de CrĂtica literaria latinoamericana
1229:
1227:
1373:Edwards, Jorge (May 2000). "ADES(Madrid)".
576:In 1992 Fontaine published his first novel
494:and his literary articles have appeared in
1766:The Last Conference of Arturo Fontaine CEP
1471:Hahn, Ă“scar (2007). "On The Back Cover of
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553:Thirteen years after the publication of
46:of all important aspects of the article.
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1522:"Welcome | Yale University Press"
42:Please consider expanding the lead to
1585:EchevarrĂa, Ignacio (1 August 2010).
7:
1213:Foxley, Carmen Foxley (April 1987).
1007:Vargas Llosa, Mario (May 30, 2013).
1686:The Guardian, Saturday 27 July 2013
1723:Nuez MartĂn, JosĂ©. "El Mercurio".
1297:Latin American Literature and Arts
1284:Albricias, Editorial Cuarto Propio
915:Carlos Fuentes, "Babelia" Writes:
682:. In the judgment of the novelist
457:, whose jury was presided over by
14:
1668:Hopenhayn, Silvia (2011-01-19). "
1422:Uribe, Armando (15 August 1999).
957:Premio Jose Nuez Martin 2011 for
894:translator Megan McDowell relays
720:Fontaine returned to poetry with
524:can be seen on video in YouTube.
425:Museum of Memory and Human Rights
419:Museum of Memory and Human Rights
378:Museum of Memory and Human Rights
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534:The poems collected together in
20:
1649:Aguinis, Marcos (2010-10-22). "
516:and others. His conferences on
34:may be too short to adequately
1262:de Arturo Fontaine Talavera".
925:The New York Review of Books:
761:, and published in English by
453:, awarded by the organization
44:provide an accessible overview
1:
1278:Fisher, MarĂa Luisa (2000). "
1235:The Times Literary Supplement
1216:Revista Chilena de Literatura
1009:"ÂżLa hora de las trincheras?"
935:Los Angeles Review of Books:
591:The Times Literary Supplement
228:– the Argentinian novelist –
858:Alberto Manguel, writing in
797:by accepting them as thus".
431:, different journalists and
67:, the first or paternal
267:Centro de Estudios PĂşblicos
253:Centro de Estudios PĂşblicos
1822:
1670:La dura novela de un poeta
62:
1697:via Yale University Press
872:Times Literary Supplement
831:wrote in the daily paper
696:Marco Antonio de la Parra
91:
708:Cuando Ă©ramos inmortales
676:Cuando eramos inmortales
649:Cuando Ă©ramos inmortales
623:Fontaine himself says:
145:Arturo Fontaine Talavera
86:Arturo Fontaine Talavera
1303:. The Americas Society.
1015:– via elpais.com.
847:Reviews "La vida doble"
684:Alfredo Bryce Echenique
310:During the rule of the
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933:
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913:
900:
883:World Literature Today
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1749:at Wikimedia Commons
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763:Yale University Press
674:in Babelia. At times
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423:As a director of the
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1796:Chilean male writers
1171:Las Ăšltimas Noticias
1083:La Segunda, PolĂtica
1068:La Tercera, PolĂtica
588:David Gallagher, in
1492:Mis ojos X tus ojos
1473:Mis ojos X tus ojos
984:EconomĂa y Sociedad
881:And Will Corral in
722:Mis ojos x tus ojos
715:Mis ojos x tus ojos
278:University of Chile
259:Columbia University
214:Columbia University
200:University of Chile
1526:yalebooks.yale.edu
903:Mario Vargas Llosa
815:Ana Josefa Silva's
794:Ignacio EchevarrĂa
608:Mario Vargas Llosa
594:, maintained that
387:The New York Times
320:Mario Vargas Llosa
304:The New York Times
180:, director of the
1745:Media related to
1510:Tusquets Editores
1131:, 20 January 2010
1053:El PaĂs, PolĂtics
1031:www.latercera.com
851:Silvia Hopenhayn:
799:Masilover Rodenas
638:Tu nombre en vano
492:Estudios PĂşblicos
371:Michelle Bachelet
286:Estudios Publicos
271:Estudios PĂşblicos
142:
141:
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1651:Parte del Horror
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1033:. Archived from
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680:Antonio Skármeta
668:Sylvia Hopenhayn
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896:La Vida doble's
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810:Arturo Fontaine
771:political novel
751:
740:Diego Maquieira
736:Arturo Fontaine
718:
672:Luis de la Peña
652:
641:
574:
563:Poemas hablados
559:Poemas hablados
551:
548:Poemas Hablados
532:
522:Fernando Pessoa
447:
421:
400:Financial Times
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248:Career in Chile
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1737:
1736:External links
1734:
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1672:, La NaciĂłn".
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1653:, La NaciĂłn".
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1508:La Vida Doble,
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38:the key points
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898:brilliance."
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860:The Guardian
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65:Spanish name
49:
33:
31:lead section
1786:1952 births
1188:El Mercurio
1128:El Mercurio
726:GrĂnor Rojo
501:El Mercurio
459:Marcela Paz
434:El Mercurio
226:Manuel Puig
183:El Mercurio
135:Citizenship
127:Nationality
111:May 9, 1952
1780:Categories
1725:Literatura
1710:Literatura
1674:Literatura
1655:Literatura
1636:Literatura
1621:Literatura
1606:Literatura
1591:Literatura
1496:Literatura
1477:Literatura
1458:Literatura
1443:Literatura
1428:Literatura
1409:Literatura
1375:Literatura
1345:Literatura
1315:Literatura
1280:OĂr su voz
1260:OĂr su voz
966:References
841:different.
731:Oscar Hahn
632:material."
629:OĂr su voz
617:OĂr su voz
601:OĂr su voz
596:OĂr su voz
578:OĂr su voz
571:OĂr Su Voz
555:Nueva York
536:Nueva York
529:Nueva York
410:trenches,"
362:The Clinic
356:La Tercera
350:La Segunda
194:University
172:Early life
107:1952-05-09
833:La NaciĂłn
808:confirms
759:Argentina
561:in 1989.
513:Página/12
242:Preceptor
178:Argentina
167:Biography
36:summarize
1286:. p. 158
905:Writes:
885:writes:
767:Pinochet
583:Opus Dei
218:New York
204:CatĂłlica
161:essayist
153:novelist
149:Santiago
117:Santiago
77:Talavera
73:Fontaine
63:In this
1771:YouTube
1760:YouTube
1572:Cultura
1568:El PaĂs
1564:Babelia
1549:Cultura
1545:El PaĂs
1541:Babelia
1390:Cultura
1330:Cultura
1237:. p. 24
1113:Opinion
1013:El PaĂs
130:Chilean
69:surname
946:Prizes
862:said:
664:Emilio
660:Emilio
656:Emilio
486:(2001)
480:(2000)
474:(1998)
468:(1981)
451:Alsino
397:, the
295:FLACSO
1360:Novel
997:1994.
755:Spain
507:Nexos
316:Chile
138:Spain
121:Chile
1202:APSI
870:The
757:and
520:and
455:IBBY
365:and
159:and
157:poet
101:Born
1769:on
1758:on
1570:".
1566:of
1547:".
1543:of
1494:".
1475:".
1160:133
429:UDI
367:CNN
71:is
1782::
1589:.
1524:.
1426:.
1407:.
1301:49
1299:.
1267:31
1226:^
1220:29
1145:72
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395:t
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147:(
105:(
79:.
54:)
50:(
40:.
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