309:, Danto takes a conventional approach. Non-conventional definitions take a concept like the aesthetic as an intrinsic characteristic in order to account for the phenomena of art. Conventional definitions reject this connection to aesthetic, formal, or expressive properties as essential to defining art but rather, in either an institutional or historical sense, say that "art" is basically a sociological category. Danto's "institutional definition of art" defines art as whatever art schools, museums, and artists consider art, regardless of further formal definition. Danto wrote on this subject in several of his works and a detailed treatment is to be found in
355:, "Danto's definition has been glossed as follows: something is a work of art if and only if (i) it has a subject (ii) about which it projects some attitude or point of view (has a style) (iii) by means of rhetorical ellipsis (usually metaphorical) which ellipsis engages audience participation in filling in what is missing, and (iv) where the work in question and the interpretations thereof require an art historical context (Danto with
40:
375:. In the essay, Danto takes a contrary position to that of Plato who emphasized that art and artistic endeavors occupied an inferior position of importance among the endeavors of philosophers. Danto summarizes this ancient position of the Socratics with the phrase that "art is dangerous" on page four of the essay, which he then criticizes in the remainder of the essay.
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Arthur Danto argued that "a problem is not a philosophical problem unless it is possible to imagine that its solution will consist in showing how appearance has been taken for reality." While science deals with empirical problems, philosophy according to Danto examines indiscernible differences that
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Danto laid the groundwork for an institutional definition of art that sought to answer the questions raised by the emerging phenomenon of twentieth-century art. The definition of the term "art" is a subject of constant contention and many books and journal articles have been published arguing over
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dialectical history of art. "Danto is not claiming that no-one is making art anymore; nor is he claiming that no good art is being made any more. But he thinks that a certain history of western art has come to an end, in about the way that Hegel suggested it would." The "end of art" refers to the
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but serves a new purpose. Art began with an "era of imitation, followed by an era of ideology, followed by our post-historical era in which, with qualification, anything goes... In our narrative, at first only mimesis was art, then several things were art but each tried to extinguish its
359:). Clause (iv) is what makes the definition institutionalist. The view has been criticized for entailing that art criticism written in a highly rhetorical style is art, lacking but requiring an independent account of what makes a context art historical, and for not applying to music."
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competitors, and then, finally, it became apparent that there were no stylistic or philosophical constraints. There is no special way works of art have to be. And that is the present and, I should say, the final moment in the master narrative. It is the end of the story."
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Danto's
Hegelian position on the history of art and its reception was emphasized in his 1984 plenary address to the World Congress of Aesthetics held in Montreal in that year, and later published as the opening chapter in his book
348:. Dickie defined an art work as an artifact 'which has had conferred upon it the status of candidate for appreciation by some person or persons acting in behalf of a certain social institution (the artworld)' (p. 43.)"
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The basic meaning of the term "art" has changed several times over the centuries and continued to evolve during the 20th century as well. Danto describes the history of Art in his own contemporary version of
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After about 2005, Danto attempted to streamline his definition of art down to two principles: (i) art must have content or meaning and (ii) the art must embody that meaning in some appropriate manner.
256:). While an undergraduate he intended to become an artist, and began making prints in the Expressionist style in 1947 (these are now great rarities). He then pursued graduate study in philosophy at
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lie outside of experience. Noel
Carroll, writing as an art critic, has criticized Danto's anthropology stating that Danto "believe that persons are essentially systems of representation."
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1417:, Michael Kelly, Brigitte Hilmer, Robert Kudielka, Martin Seeland and Jacob Steinbrenner address his work; includes a final reply by the author.
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and has since been widely reprinted. It has had considerable influence on aesthetic philosophy and, according to professor of philosophy
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bringing together the series of five essays Danto had written on the artist over the previous 20 years after Danto's death in 2013.
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Upon retirement in 1992 he was named
Johnsonian Professor Emeritus of Philosophy. He was twice awarded fellowships from the
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1107:. New York: Acadia Summer Arts Program ASAP available through D.A.P./Distributed Art Publishers. pp. 113–114.
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from 1984 to 2009, and also published numerous articles in other journals. In addition, he was an editor of
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The 1964 essay "The
Artworld" in which Danto coined the term "artworld" (as opposed to the existing "
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home. After spending two years in the Army, Danto studied art and history at Wayne
University (now
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1911:
1310:: Absence Adorned." Tacoma, WA: Museum of Glass, International Center for Contemporary Art, (2005)
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1355:: A collection of essays edited by Daniel Herwitz and Michael Kelly, including contributions by
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This theory has been described as an "influential theory about the nature of art", according to
186:(January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at
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The
Partially Examined Life - Episode 16 (podcast by interpreters without Danto participating)
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Danto stated, "A work of art is a meaning given embodiment." Danto further stated, also in
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beginning of our modern era of art in which art no longer adheres to the constraints of
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327:", though they mean the same), by which he meant cultural context or "an atmosphere of
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journal, "Criticism, other than of content, is really of the mode of embodiment."
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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Noel
Carroll, "Danto's Comic Vision: Philosophical Method and Literary Style,"
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Noel
Carroll, "Danto's Comic Vision: Philosophical Method and Literary Style,"
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Danto and His
Critics: Art History, Historiography and After the End of Art
204:, though he contributed significantly to a number of fields, including the
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Arthur C. Danto's Biography on Columbia University Website. (Archived by
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283:. Danto died on October 25, 2013, aged 89 in Manhattan, New York City.
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Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective
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Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective
756:"The Poetry of Meaning and Loss: The Glass Dresses of Karen LaMonte"
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472:, to honor his long-term friendship with Danto, published the book
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190:. He was best known for having been a long-time art critic for
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After the end of art: contemporary art and the pale of history
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The Wake of Art: Criticism, Philosophy, and the Ends of Taste
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Mysticism and Morality: Oriental Thought and Moral Philosophy
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The Madonna of the Future: Essays in a Pluralistic Art World
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Embodied Meanings: Critical Essays and Aesthetic Meditations
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The Madonna of the Future: Essays in a Pluralistic Art World
1383:(1993). A collection of essays including contributions by
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The transfiguration of the commonplace: a philosophy of art
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Unnatural Wonders: Essays from the Gap Between Art and Life
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Art and Posthistory, Conversations on the End of Aesthetics
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Unnatural Wonders: Essays from the Gap Between Art and Life
1342:', by Raquel Cascales, Cambridge Scholars Publishing, 2019
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Connections to the World: The Basic Concepts of Philosophy
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Connections to the World: The Basic Concepts of Philosophy
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Encounters and Reflections: Art in the Historical Present
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Encounters and Reflections: Art in the Historical Present
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Encounters and Reflections: Art in the Historical Present
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As quoted by Professor David W. Cloweny on his website.
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1005:"Arthur Danto: The Transfiguration of the Commonplace,"
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Playing With the Edge: The Photographic Achievement of
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Playing With the Edge: The Photographic Achievement of
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Action, Art, History: Engagements with Arthur C. Danto
822:"Arthur C. Danto, a Philosopher of Art, Is Dead at 89"
2358:
The Work of Art in the Age of Mechanical Reproduction
1142:. By Arthur Danto. Columbia Univ Press. 1986. Page 4.
1130:. By Arthur Danto. Columbia Univ Press. 1986. Page 1.
517:(1968), republished, within additional material, as
279:, elected in 1980. He was one of the signers of the
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1445:"Creativity and Spirit in the Work of Arthur Danto"
848:"Groundbreaking art critic Arthur Danto dies at 89"
434:(Farrar, Straus & Giroux, 1990), which won the
430:, he published several collected essays, including
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19:"Danto" redirects here. For the Polish singer, see
260:. From 1949 to 1950, Danto studied in Paris on a
1454:in Randall E. Auxier and Lewis Edwin Hahn, ed.,
812:
810:
808:
806:
804:
900:. American Humanist Association. Archived from
16:American art critic and philosopher (1924–2013)
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268:, and in 1951 returned to teach at Columbia.
8:
2288:The Literary Mind and the Carving of Dragons
872:Arthur Danto - Interviewed by Zoe Sutherland
1140:The Philosophical Disenfranchisement of Art
1128:The Philosophical Disenfranchisement of Art
1003:Maes, Hans R.V. and Puolakka, Kalle (2012)
559:The Philosophical Disenfranchisement of Art
373:The Philosophical Disenfranchisement of Art
366:The philosophical disenfranchisement of art
208:. His interests included thought, feeling,
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1409:Journal where philosophers David Carrier,
1188:. Princeton University Press. p. 47.
38:
27:
453:(Farrar, Straus & Giroux, 2000); and
1270:"The Man Who Makes a Ruckus of New York"
1089:Note: Ross also refers to Dickie's book
1024:"Philosopher Art Critic Arthur C. Danto"
780:"Architectural Principles in the Art of
1152:Cloweny, David W. (December 21, 2009).
1056:The Stanford Encyclopedia of Philosophy
800:
697:Articles, book chapters and other works
1306:from: Danto, Arthur, Juli Cho Bailer "
926:(New York: Harper and Row, 1989), p.6.
761:(with Robert Fleck and Beate Söntgen)
677:The Body/Body Problem: Selected Essays
553:The Transfiguration of the Commonplace
1523:in November/December 2013 edition of
1329:, Jonathan Gilmore (eds.) Wiley, 2022
442:(Farrar, Straus & Giroux, 1992);
277:American Academy of Arts and Sciences
7:
296:"Artworld" and the definition of art
224:'s aesthetics, and the philosophers
1427:Cambridge Scholars Publishing, 2011
846:Italie, Hillel (October 28, 2013).
670:Philosophizing Art: Selected Essays
457:(Columbia University Press, 2007).
402:Arthur Danto was an art critic for
353:Stanford Encyclopedia of Philosophy
2609:21st-century American philosophers
2549:20th-century American philosophers
1460:The Library of Living Philosophers
1456:The Philosophy of Arthur C. Danto,
1156:. Rowan university. Archived from
737:A New History of German Literature
514:Analytical Philosophy of Knowledge
449:(University of California, 1995);
311:Transfiguration of the Commonplace
244:, January 1, 1924, and grew up in
196:and for his work in philosophical
14:
2624:The Nation (U.S. magazine) people
2594:Frank Jewett Mather Award winners
1425:Arthur Danto: Philosopher of Pop,
1347:The Philosophy of Arthur C. Danto
1093:(Cornell University Press, 1974).
952:39.2 (October 2015), p. 563 n. 8.
775:Sheila Hicks: Weaving as Metaphor
770:(a survey of their oeuvre) (2005)
464:Award for art criticism from the
414:and a contributing editor of the
307:classificatory disputes about art
2629:Writers from Ann Arbor, Michigan
2599:Artists from Ann Arbor, Michigan
2506:
1437:Dictionary of Literary Biography
1340:Arthur Danto and the End of Art'
1333:Arthur Danto's Philosophy of Art
1268:Hoving, Thomas (July 11, 2004).
500:Analytical Philosophy of History
1371:, Lydia Goehr, Gregg Horowitz,
1013:. Routledge. ISBN 9780415497701
533:Analytical Philosophy of Action
156:
2614:20th-century American painters
1335:, by Noël Carroll, Brill, 2021
569:(1989; with new preface, 1997)
1:
2589:Wayne State University alumni
2579:American contemporary artists
1452:"The Spirit of Arthur Danto,"
1434:in Philip B. Dematteis, ed.,
1222:. The College Art Association
1105:Remarks on Art and Philosophy
963:Philosophy Now, November 2013
746:and the spirit of Comedy" in
616:Remarks on Art and Philosophy
438:Prize for Criticism in 1990;
2564:American philosophers of art
2418:Aestheticization of politics
983:. Harvard University Press.
939:39.2 (October 2015), p. 556.
436:National Book Critics Circle
301:the answer to the question "
2574:Columbia University faculty
1323:A Companion to Arthur Danto
1077:. SUNY Press. p. 469.
1010:50 Key Texts in Art History
346:institutional theory of art
2645:
2584:American magazine founders
2569:Columbia University alumni
18:
2486:
1241:Danto, Arthur C. (2015).
950:Philosophy and Literature
937:Philosophy and Literature
773:"Weaving as Metaphor" in
724:Hegel's End-of-Art Thesis
460:In 1996, he received the
411:The Journal of Philosophy
334:The Journal of Philosophy
177:
101:
37:
1074:Art and its Significance
1058:, London, Oct 23, 2007.
492:Nietzsche as Philosopher
275:and was a member of the
218:philosophical psychology
2438:Evolutionary aesthetics
2388:The Aesthetic Dimension
1506:Arthur Danto - obituary
1247:. Dap-distributed Art.
1052:"The Definition of Art"
898:"Humanist Manifesto II"
791:August 2007 #103 (2007)
543:(1975), second edition
519:Narration and Knowledge
466:College Art Association
379:The Hegelian end of art
110:20th-century philosophy
2619:American male painters
2604:Painters from Michigan
2368:Avant-Garde and Kitsch
2318:Lectures on Aesthetics
1103:Danto, Arthur (2014).
742:"The world as ruckus:
468:. Danto artist friend
254:Wayne State University
92:Wayne State University
2513:Philosophy portal
1380:Danto and his Critics
1180:Danto, Arthur Coleman
1091:Art and the Aesthetic
707:Journal of Philosophy
331:", first appeared in
273:Guggenheim Foundation
262:Fulbright scholarship
248:. He was raised in a
202:philosophy of history
148:Philosophy of history
2559:American art critics
2458:Philosophy of design
2338:In Praise of Shadows
2328:The Critic as Artist
1484:- an interview with
1160:on December 27, 2009
820:(October 27, 2013).
641:The State of the Art
588:After the End of Art
206:philosophy of action
184:Arthur Coleman Danto
152:Philosophy of action
32:Arthur Coleman Danto
2554:Jewish philosophers
2468:Philosophy of music
2443:Mathematical beauty
1510:The Daily Telegraph
1069:Ross, Stephen David
904:on October 20, 2012
852:The Times of Israel
716:Robert Mapplethorpe
595:The Abuse of Beauty
462:Frank Jewett Mather
446:Robert Mapplethorpe
341:, "especially upon
258:Columbia University
242:Ann Arbor, Michigan
226:Friedrich Nietzsche
188:Columbia University
169:Post-historical Art
163:Narrative sentences
96:Columbia University
82:New York City, U.S.
64:Ann Arbor, Michigan
2463:Philosophy of film
2453:Patterns in nature
2423:Applied aesthetics
2398:Why Beauty Matters
2184:Life imitating art
2045:Art for art's sake
1490:ABC Radio National
1440:273 (2003), 39-48
1432:"Arthur C. Danto,"
1407:History and Theory
1274:The New York Times
1206:2009-12-27 at the
877:2018-09-29 at the
826:The New York Times
733:Wellbery, David E.
507:What Philosophy Is
417:Naked Punch Review
339:Stephen David Ross
287:Philosophical work
281:Humanist Manifesto
240:Danto was born in
120:Western philosophy
2521:
2520:
2473:Psychology of art
2348:Art as Experience
1464:, 671-700 (2013)
1447:(at academia.edu)
1254:978-3-7757-3963-4
1114:978-0-9797642-6-4
1050:Adajian, Thomas.
990:978-0-674-90346-3
712:Introduction to:
634:Essay collections
627:Demetrio Paparoni
351:According to the
210:philosophy of art
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144:Philosophy of art
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787:Border Crossings
540:Jean-Paul Sartre
474:Danto on Scully,
391:imitation theory
230:Jean-Paul Sartre
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75:October 25, 2013
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1942:Ortega y Gasset
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1515:Wayback Machine
1500:Wayback Machine
1478:
1411:Frank Ankersmit
1405:. An issue of
1369:Donald Davidson
1357:Frank Ankersmit
1319:
1317:Further reading
1314:
1305:
1301:
1291:
1289:
1288:on May 28, 2015
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1244:Danto on Scully
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1208:Wayback Machine
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343:George Dickie's
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236:Life and career
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2189:Magnificence
2171:
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1987:Schopenhauer
1826:
1822:Coomaraswamy
1740:Philosophers
1728:
1659:Aestheticism
1539:Arthur Danto
1524:
1508:
1482:"Is it art?"
1458:
1455:
1435:
1424:
1415:Noël Carroll
1402:
1378:
1361:Hans Belting
1352:
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1290:. Retrieved
1286:the original
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1224:. Retrieved
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1164:December 21,
1162:. Retrieved
1158:the original
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906:. Retrieved
902:the original
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855:. Retrieved
851:
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829:. Retrieved
825:
818:Johnson, Ken
785:
774:
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709:LXI, 571-584
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480:Publications
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357:Noël Carroll
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317:
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303:What is Art?
299:
290:
270:
239:
191:
183:
182:
77:(2013-10-25)
25:
2539:2013 deaths
2534:1924 births
2282:(c. 335 BC)
2272:(c. 390 BC)
2251:Work of art
2204:Picturesque
2060:Avant-garde
2017:Winckelmann
1892:Kierkegaard
1817:Collingwood
1787:Baudrillard
1714:Romanticism
1684:Historicism
1618:Mathematics
1450:D. Seiple,
1443:D. Seiple,
1430:D. Seiple,
1393:Jerry Fodor
1327:Lydia Goehr
1226:October 11,
884:Naked Punch
831:October 28,
782:Sean Scully
767:David Weiss
608:What Art Is
601:Andy Warhol
470:Sean Scully
44:Danto, 2012
21:Louis Danto
2528:Categories
2221:Recreation
2199:Perception
2092:Creativity
1792:Baumgarten
1782:Baudelaire
1664:Classicism
1579:Aesthetics
908:October 7,
749:Red Grooms
744:Red Grooms
405:The Nation
329:art theory
198:aesthetics
193:The Nation
167:End of Art
56:1924-01-01
2226:Reverence
2132:Eroticism
2102:Depiction
2075:Masculine
1977:Santayana
1937:Nietzsche
1882:Hutcheson
1872:Heidegger
1857:Greenberg
1812:Coleridge
1777:Balthasar
1762:Aristotle
1724:Theosophy
1719:Symbolism
1694:Modernism
1679:Formalism
1496:Biography
1492:(03/2006)
1292:March 11,
1282:0362-4331
857:August 6,
325:art world
266:Jean Wahl
2501:Category
2433:Axiology
2302:(c. 500)
2292:(c. 100)
2167:Judgment
2122:Emotions
2117:Elegance
2097:Cuteness
2070:Feminine
2033:Concepts
2002:Tanizaki
1982:Schiller
1967:Richards
1957:Rancière
1927:Maritain
1862:Hanslick
1802:Benjamin
1674:Feminism
1643:Theology
1623:Medieval
1613:Japanese
1608:Internet
1529:magazine
1521:Obituary
1220:"Awards"
1204:Archived
1182:(1998).
1071:(1984).
977:(1981).
875:Archived
729:preprint
423:Artforum
132:Analytic
2496:Outline
2411:Related
2278:Poetics
2246:Tragedy
2236:Sublime
2209:Quality
2194:Mimesis
2152:Harmony
2137:Fashion
2112:Ecstasy
2107:Disgust
2023:more...
1992:Scruton
1917:Lyotard
1852:Goodman
1832:Deleuze
1767:Aquinas
1757:Alberti
1730:more...
1709:Realism
1689:Marxism
1669:Fascism
1652:Schools
1638:Science
1593:Ancient
727:(1999)
705:(1964)
386:Hegel's
246:Detroit
2402:(2009)
2392:(1977)
2382:(1946)
2372:(1939)
2362:(1935)
2352:(1934)
2342:(1933)
2332:(1891)
2322:(1835)
2312:(1757)
2179:Kitsch
2157:Humour
2087:Comedy
2065:Beauty
2007:Vasari
1997:Tagore
1972:Ruskin
1912:Lukács
1902:Langer
1847:Goethe
1772:Balázs
1752:Adorno
1633:Nature
1598:Africa
1468:
1462:XXXIII
1395:, and
1280:
1251:
1192:
1111:
1081:
987:
777:(2006)
758:(2005)
752:(2004)
739:(2004)
735:(ed.)
719:(1995)
692:(2007)
686:(2000)
680:(1999)
672:(1999)
666:(1998)
658:(1994)
652:(1990)
644:(1987)
629:(2022)
619:(2014)
611:(2013)
603:(2009)
597:(2003)
591:(1997)
583:(1992)
577:(1990)
561:(1986)
555:(1981)
549:(1991)
546:Sartre
535:(1973)
529:(1969)
521:(1985)
509:(1968)
503:(1965)
495:(1965)
426:. In
264:under
127:School
116:Region
66:, U.S.
2491:Index
2260:Works
2241:Taste
2231:Style
2012:Wilde
1952:Plato
1947:Pater
1907:Lipps
1867:Hegel
1837:Dewey
1827:Danto
1807:Burke
1628:Music
1603:India
1586:Areas
796:Notes
485:Books
318:Veery
222:Hegel
2215:Rasa
2173:Kama
2147:Gaze
2082:Camp
1962:Rand
1897:Klee
1887:Kant
1877:Hume
1797:Bell
1543:IMDb
1466:ISBN
1294:2022
1278:ISSN
1249:ISBN
1228:2010
1190:ISBN
1166:2009
1109:ISBN
1079:ISBN
1035:2020
985:ISBN
910:2012
859:2017
833:2013
420:and
228:and
200:and
72:Died
50:Born
2142:Fun
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