29:
182:, does not mention any other possible arrangements and feels that “the wings are divided into two portions, one above the other, representing on the left the figures of the saved being escorted by angels into Paradise and on the right the fall of the damned into Hell. Some scholars believe that Visions of the Hereafter are the wings to a missing middle panel which would presumably be the Last Judgement.
162:
was placed on the left because it resembles other Eden panels by Bosch, especially with its landscape, fountain, and following biblical convention. Another possible arrangement is
941:
651:
887:
518:
846:
666:
608:
338:
767:
593:
503:
949:
367:
1082:
91:
painting made between 1505 and 1515. It depicts angels helping human souls towards heaven. The attribution to Bosch is not universally accepted.
1110:
1074:
933:
435:
979:
752:
361:
191:
737:
681:
1027:
910:
707:
450:
382:
420:
925:
782:
331:
488:
1115:
861:
823:
405:
390:
150:
138:
118:
112:
95:
73:
1039:
324:
1125:
1120:
533:
578:
563:
548:
1105:
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994:
902:
797:
623:
964:
179:
1048:
722:
473:
347:
88:
39:
1099:
28:
637:
465:
144:
124:
258:
178:
which takes inspiration from
Matthew 25: 32–3 in the Bible. The Bosch scholar,
65:
86.5 cm Ă— 39.5 cm (34.1 in Ă— 15.6 in)
224:
Reuterswärd, Patrik. “Hieronymus Bosch’s Four “Afterlife” Panels in Venice.”
103:
99:
451:
St. John the
Evangelist on Patmos/Scenes from the Passion of Christ
316:
320:
259:"VISIONS OF THE HEREAFTER | Gallerie dell'Accademia di Venezia"
263:
VISIONS OF THE HEREAFTER | Gallerie dell'Accademia di
Venezia
136:
When hung in Venice in 2011, the order of the panels was
1066:
1038:
1004:
879:
815:
699:
354:
69:
61:
53:
45:
35:
21:
652:The Seven Deadly Sins and the Four Last Things
332:
8:
519:Saint Christopher Carrying the Christ Child
339:
325:
317:
18:
768:Triptych of the Temptation of St. Anthony
237:
1075:Hieronymus Bosch, Touched by the Devil
436:St. John the Baptist in the Wilderness
228:12, no. 24 (November 24, 1991): 29–35.
192:List of paintings by Hieronymus Bosch
7:
738:The Crucifixion of Saint Wilgefortis
102:, Italy. This painting is part of a
1083:Jheronimus Bosch—Visions of Genius
221:Belgium: Brepols Publishers, 2014.
14:
383:Christ Child with a Walking Frame
214:London: Thames and Hudson, 1973.
207:New York: Harry N. Abrams, 1960.
27:
309:Art as History, History as Art,
283:Art as History, History as Art,
219:Art as History, History as Art.
783:The Garden of Earthly Delights
1:
1111:Paintings by Hieronymus Bosch
1053:
1017:
984:
980:Adoration of the Christ Child
969:
954:
915:
892:
866:
851:
836:
802:
787:
772:
757:
742:
727:
712:
686:
671:
656:
641:
628:
613:
598:
583:
568:
553:
538:
523:
508:
493:
489:Allegory of Gluttony and Lust
478:
455:
440:
425:
410:
395:
372:
934:The Temptation of St Anthony
824:Fall of the Damned into Hell
682:The Temptation of St Anthony
667:The Temptation of St Anthony
139:Fall of the Damned into Hell
132:Arrangement of the Polyptych
119:Fall of the Damned into Hell
16:Painting by Hieronymus Bosch
1142:
1028:The Marriage Feast at Cana
942:Christ Crowned with Thorns
609:Christ Crowned with Thorns
217:Hitchins, Stephen Graham.
950:Christ Carrying the Cross
594:Christ Carrying the Cross
504:Christ Carrying the Cross
26:
421:Crucifixion with a Donor
108:Visions of the Hereafter
106:of four panels entitled
1078:(2015 documentary film)
937:(Utrecht, c. 1525–1530)
96:Gallerie dell'Accademia
74:Gallerie dell'Accademia
995:Death of the Reprobate
929:(Indianapolis, 1510s)
888:Adoration of the Magi
832:Ascent of the Blessed
753:Adoration of the Magi
368:Adoration of the Magi
203:Baldass, Ludwig von.
156:Ascent of the Blessed
94:It is located in the
84:Ascent of the Blessed
22:Ascent of the Blessed
945:(El Escorial, 1530s)
906:(1490s – after 1500)
903:Head of a Halberdier
862:Terrestrial Paradise
798:The Haywain Triptych
391:St. Jerome at Prayer
226:Artibus et Historiae
160:Terrestrial Paradise
151:Terrestrial Paradise
113:Terrestrial Paradise
1116:Paintings in Venice
1005:Formerly attributed
624:Death and the Miser
965:Concert in the Egg
880:Works by followers
816:Triptych fragments
210:Gibson, Walter S.
180:Ludwig von Baldass
1093:
1092:
1086:(2016 exhibition)
911:The Last Judgment
847:The Last Judgment
723:The Hermit Saints
708:The Last Judgment
474:Cutting the Stone
362:List of paintings
296:Hieronymus Bosch,
246:Hieronymus Bosch,
212:Hieronymus Bosch.
205:Hieronymus Bosch.
110:. The others are
80:
79:
1133:
1058:
1057: 1505–1516
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1022:
1021: 1480–1485
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989:
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974:
971:
959:
958: 1510–1535
956:
920:
919: 1506–1508
917:
897:
894:
871:
870: 1490–1516
868:
857:; with workshop)
856:
853:
841:
840: 1505–1515
838:
807:
804:
792:
791: 1490–1510
789:
777:
774:
762:
761: 1485–1500
759:
747:
744:
732:
729:
717:
714:
691:
690: 1505–1525
688:
676:
675: 1500–1510
673:
661:
658:
646:
643:
633:
632: 1490–1516
630:
618:
615:
603:
602: 1505–1507
600:
588:
585:
573:
570:
558:
555:
543:
542: 1490–1500
540:
528:
527: 1490–1500
525:
513:
512: 1490–1500
510:
498:
497: 1490–1500
495:
483:
480:
460:
457:
445:
442:
430:
429: 1480–1485
427:
415:
414: 1475–1485
412:
400:
397:
377:
374:
348:Hieronymus Bosch
341:
334:
327:
318:
312:
305:
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292:
286:
279:
273:
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269:
255:
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89:Hieronymus Bosch
40:Hieronymus Bosch
31:
19:
1141:
1140:
1136:
1135:
1134:
1132:
1131:
1130:
1126:1510s paintings
1121:1500s paintings
1096:
1095:
1094:
1089:
1062:
1056:
1034:
1020:
1000:
987:
972:
957:
918:
895:
891:(Philadelphia,
875:
869:
854:
839:
811:
805:
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730:
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549:Head of a Woman
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17:
12:
11:
5:
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1049:The Owls' Nest
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1013:Two Male Heads
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779:
764:
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719:
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670:(Kansas City,
663:
648:
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3:
2:
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1109:
1107:
1106:Angels in art
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859:
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829:
827:(before 1490)
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649:
647:; attributed)
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581:
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566:
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534:Ship of Fools
531:
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355:Single panels
353:
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60:
56:
52:
48:
44:
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38:
34:
30:
25:
20:
1081:
1073:
1047:
1031:(after 1550)
1026:
1011:
993:
978:
963:
948:
940:
932:
924:
909:
901:
886:
860:
845:
831:
830:
822:
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781:
766:
751:
736:
721:
706:
680:
665:
650:
638:Flood Panels
622:
607:
592:
579:The Conjurer
577:
564:The Wayfarer
562:
547:
532:
517:
502:
487:
472:
469:(after 1490)
464:
449:
434:
419:
409:(Frankfurt,
404:
389:
381:
366:
308:
303:
295:
290:
282:
277:
266:. Retrieved
262:
253:
245:
240:
225:
218:
211:
204:
175:
171:
167:
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159:
155:
149:
143:
137:
135:
123:
117:
111:
107:
93:
83:
82:
81:
57:Oil on panel
49:c. 1505-1515
988: 1568
973: 1561
896: 1499
855: 1486
806: 1516
776: 1501
746: 1497
731: 1493
716: 1482
692:; disputed)
662:; disputed)
660: 1500
645: 1514
617: 1510
589:; disputed)
587: 1502
572: 1500
557: 1500
482: 1494
459: 1489
444: 1489
399: 1482
376: 1475
371:(New York,
1100:Categories
307:Hitchens,
281:Hitchens,
268:2021-09-14
198:References
62:Dimensions
926:Ecce Homo
914:(Munich,
850:(Bruges,
756:(Madrid,
711:(Vienna,
700:Triptychs
685:(Madrid,
612:(London,
597:(Madrid,
507:(Vienna,
406:Ecce Homo
294:Baldass,
148:, space,
104:polyptych
1040:Drawings
953:(Ghent,
244:Gibson,
186:See also
174:and the
168:Paradise
76:, Venice
70:Location
1067:Related
386:(1480s)
164:Ascent
158:. The
154:, and
100:Venice
54:Medium
36:Artist
233:Notes
87:is a
466:Hell
311:108.
285:109.
176:Fall
172:Hell
145:Hell
125:Hell
122:and
46:Year
298:27.
248:62.
98:in
1102::
1054:c.
1018:c.
985:c.
970:c.
955:c.
916:c.
893:c.
867:c.
852:c.
837:c.
803:c.
788:c.
773:c.
758:c.
743:c.
728:c.
713:c.
687:c.
672:c.
657:c.
642:c.
629:c.
614:c.
599:c.
584:c.
569:c.
554:c.
539:c.
524:c.
509:c.
494:c.
479:c.
456:c.
441:c.
426:c.
411:c.
396:c.
373:c.
261:.
170:,
166:,
142:,
128:.
116:,
1059:)
1052:(
1023:)
1016:(
990:)
983:(
975:)
968:(
960:)
921:)
898:)
872:)
865:(
842:)
835:(
808:)
801:(
793:)
786:(
778:)
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763:)
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733:)
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718:)
677:)
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640:(
634:)
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619:)
604:)
582:(
574:)
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559:)
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544:)
537:(
529:)
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514:)
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492:(
484:)
477:(
461:)
454:(
446:)
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431:)
424:(
416:)
401:)
394:(
378:)
340:e
333:t
326:v
271:.
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