787:
283:
while interpreting the stanza ...Consequently I rejoice, Having to construct something Upon which to rejoice... wherein he adds that he enjoyed every line, sentence, every page while writing books as they are building blocks for the final edifice. This is thus equated to the lines of T S Eliot, in
29:
313:
still." It is unclear whether this mistake is a genuine error of Harris's memory and/or research, or intentionally misquoted as a method of indirect characterization: Starling is described as well-read and intelligent, but more oriented toward action than she is toward academia.
165:" and "Ash-Wednesday" where he incorporated previously published poems to become sections of a larger work. Three of the five sections comprising "Ash-Wednesday" had already been published earlier as separate poems (years link to corresponding " in poetry" articles):
157:
The poem was first published as now known in April, 1930 as a small book limited to 600 numbered and signed copies. Later that month an ordinary run of 2000 copies was published in the UK, and in
September another 2000 copies were published in the US.
148:
In a 1930 letter, Eliot wrote "I fancy that parts IV and V of it are much better than II (Salutation)." In two separate letters, Eliot wrote that the leopards represent "the World, the Flesh and the Devil".
121:
that marks the beginning of Lent, forty days before Easter. It is a poem about the difficulty of religious belief, and concerned with personal salvation in an age of uncertainty. In
809:
1077:
101:", while in other quarters it was not well received. Among many of the more secular literati its groundwork of orthodox Christianity was discomfiting.
309:. In the poem, the lines read "Teach us to care and not to care / Teach us to sit still." In the book, Clarice recalls the latter line as "Teach us to
571:
537:
503:
802:
672:
1021:
125:
Eliot’s poetic persona, one who has lacked faith in the past, has somehow found the courage, through spiritual exhaustion, to seek faith.
1012:
996:
957:
705:
613:
547:
415:
301:
1223:
306:
943:
1213:
581:
513:
20:
971:
161:
Eliot is known to have collected poems and fragments of poems to produce new works. This is most clearly seen in his poems "
964:
761:
1005:
65:, the poem deals with the struggle that ensues when one who has lacked faith in the past strives to move towards God.
979:
925:
823:
1127:
712:
665:
218:
1228:
1151:
690:
190:
140:, and rendered the first line as "Because I do not hope to return". The idea of exile is thus also introduced.
1233:
1159:
1094:
950:
897:
726:
275:'s poem. According to David Rampton, "...Quilty's versified death sentence is, in part, a comic version of
1122:
918:
366:
133:
82:, is richly but ambiguously allusive and deals with the move from spiritual barrenness to hope for human
858:
1192:
816:
658:
641:
460:
320:
uses the two lines "Because I know that time is always time And place is always and only place" from
87:
1218:
1187:
1100:
768:
427:
268:
28:
217:
When first published, the poem bore the dedication "To my wife", referring to Eliot's first wife,
911:
904:
830:
404:
109:'Ash-Wednesday' is one of the most moving poems he has written, and perhaps the most perfect."
1177:
1072:
883:
844:
775:
609:
577:
543:
509:
411:
58:
1167:
1143:
1042:
1037:
851:
786:
292:
250:
222:
129:
33:
1067:
890:
719:
636:
280:
477:
1032:
747:
740:
264:
198:
181:
170:
162:
62:
1207:
1135:
1061:
865:
632:
296:
118:
91:
359:
837:
317:
1106:
242:
was largely positive, though some critics claimed his previous poems were better.
128:
In the first section, Eliot introduces the idea of renunciation with a quote from
681:
326:
272:
54:
197:"Som de l'escalina" (part III of "Ash-Wednesday") was published in the Autumn,
169:"Perch' Io non Spero" (part I of "Ash-Wednesday") was published in the Spring,
90:. "Ash-Wednesday" and the poems that followed had a more casual, melodic, and
1182:
1172:
102:
78:
733:
132:, in which the poet expresses his devotion to his lady as death approaches.
83:
221:, with whom he had a strained relationship, and from whom he initiated a
180:"Salutation" (now part II of "Ash-Wednesday") was published in December,
97:
Many critics were "particularly enthusiastic concerning 'Ash-Wednesday
259:
73:
27:
19:
This article is about a poem by T. S. Eliot. For other uses, see
225:
in 1933. The dedication does not appear in subsequent editions.
50:
654:
650:
86:. The style is different from his poetry which predates his
449:
T. S. Eliot: A Bibliography (A Revised and
Extended Edition)
330:. The French version of the film uses a quote from Racine.
451:
pp. 39–40, 218, 219, 223 (Harcourt Brace & World 1969)
263:. In chapter 35 of Part Two of Nabokov's book, Humbert's "
188:. It was also published in January, 1928 in Eliot's own
576:. Cambridge: Cambridge University Press. p. 112.
508:. Cambridge: Cambridge University Press. p. 112.
68:
Sometimes referred to as Eliot's "conversion poem",
1115:
1086:
1053:
989:
935:
875:
794:
697:
363:Britannica: Guide to the Nobel Prizes: Eliot, T.S.
324:as the epitaph to the English version of his film
810:The Awefull Battle of the Pekes and the Pollicles
360:http://www.britannica.com/nobel/micro/190_21.html
642:Full poem written and audio by Eliot (14 mins),
573:Vladimir Nabokov: A Critical Study of the Novels
505:Vladimir Nabokov: A Critical Study of the Novels
279:" There was a reference to 'Ash Wednesday' by
666:
633:An omnibus collection of T. S. Eliot's poetry
542:. New York and London: Garland. p. 620.
8:
291:are slightly misremembered by the character
1078:T. S. Eliot Prize (Truman State University)
284:the book A Bonsai Tree authored by Luther.
267:" on Quilty parodies the rhythm and use of
673:
659:
651:
369:and Allen Tate, accessed November 6, 2006.
539:The Garland Companion to Vladimir Nabokov
395:(New York: Oxford University Press, 2006)
339:
209:(Publication information from Gallup)
428:"In Eliot's Own Words: Ash Wednesday"
7:
1022:Canticle IV: The Journey of the Magi
138:Ballata, Written in Exile at Sarzana
958:Tradition and the Individual Talent
803:Old Possum's Book of Practical Cats
706:The Love Song of J. Alfred Prufrock
608:. St. Martin's Press. p. 142.
14:
409:, Syracuse University Press, 1998
350:pp. 395–396 (Harcourt Brace 1950)
785:
536:Alexandrov, Vladimir E. (1995).
205:along with a French translation.
177:along with a French translation.
117:The poem’s title comes from the
407:A Reader's Guide to T.S. Eliot
136:translated it under the title
57:during his 1927 conversion to
21:Ash Wednesday (disambiguation)
1:
186:Saturday Review of Literature
382:p. 396 (Harcourt Brace 1950)
307:1991 film adaptation thereof
1006:Assassinio nella cattedrale
972:A Choice of Kipling's Verse
1250:
1128:Vivienne Haigh-Wood Eliot
980:The Frontiers of Criticism
944:Selected Essays, 1917–1932
478:"Reception: Ash Wednesday"
119:Western Christian fast day
18:
1152:Charlotte Champe Stearns
783:
688:
246:References in other works
238:The initial reception of
219:Vivienne Haigh-Wood Eliot
1160:William Greenleaf Eliot
606:The Silence of the Lambs
302:The Silence of the Lambs
16:1930 poem by T. S. Eliot
1224:Faber & Faber books
1095:Portrait of T. S. Eliot
1014:Murder in the Cathedral
998:Murder in the Cathedral
951:Hamlet and His Problems
898:Murder in the Cathedral
824:Growltiger's Last Stand
727:Whispers of Immortality
604:Harris, Thomas (1988).
570:Rampton, David (1984).
502:Rampton, David (1984).
467:. Doubleday 2001, p. 4.
153:Publication information
143:
919:The Confidential Clerk
380:Modern American Poetry
348:Modern American Poetry
134:Dante Gabriel Rossetti
37:
1214:Poetry by T. S. Eliot
461:Seymour-Jones, Carole
32:First edition (publ.
31:
1193:William Butler Yeats
817:Gus: The Theatre Cat
405:Williamson, George.
1188:Jean Jules Verdenal
926:The Elder Statesman
769:Journey of the Magi
378:Untermeyer, Louis.
346:Untermeyer, Louis.
912:The Cocktail Party
905:The Family Reunion
831:The Naming of Cats
713:Portrait of a Lady
38:
1201:
1200:
1178:John Davy Hayward
1163:
1155:
1147:
1144:Henry Ware Eliot
1139:
1131:
1073:T. S. Eliot Prize
884:Sweeney Agonistes
776:A Song for Simeon
72:, with a base of
61:. Published in
34:Faber & Faber
1241:
1168:E. Martin Browne
1161:
1153:
1145:
1137:
1129:
852:The Dry Salvages
789:
675:
668:
661:
652:
620:
619:
601:
595:
594:
592:
590:
567:
561:
560:
558:
556:
533:
527:
526:
524:
522:
499:
493:
492:
490:
488:
474:
468:
458:
452:
447:Gallup, Donald.
445:
439:
438:
436:
434:
424:
418:
402:
396:
389:
383:
376:
370:
357:
351:
344:
293:Clarice Starling
251:Vladimir Nabokov
223:legal separation
108:
105:maintained that
100:
1249:
1248:
1244:
1243:
1242:
1240:
1239:
1238:
1229:Modernist poems
1204:
1203:
1202:
1197:
1111:
1082:
1068:Faber and Faber
1049:
985:
965:The Sacred Wood
931:
871:
790:
781:
693:
684:
679:
637:Standard Ebooks
629:
624:
623:
616:
603:
602:
598:
588:
586:
584:
569:
568:
564:
554:
552:
550:
535:
534:
530:
520:
518:
516:
501:
500:
496:
486:
484:
476:
475:
471:
459:
455:
446:
442:
432:
430:
426:
425:
421:
403:
399:
390:
386:
377:
373:
358:
354:
345:
341:
336:
297:Thomas Harris's
287:Two lines from
281:Narendra Luther
248:
236:
231:
215:
155:
146:
144:Eliot's Opinion
115:
106:
98:
24:
17:
12:
11:
5:
1247:
1245:
1237:
1236:
1234:American poems
1231:
1226:
1221:
1216:
1206:
1205:
1199:
1198:
1196:
1195:
1190:
1185:
1180:
1175:
1170:
1165:
1157:
1149:
1141:
1136:Valerie Eliot
1133:
1125:
1119:
1117:
1113:
1112:
1110:
1109:
1098:
1090:
1088:
1084:
1083:
1081:
1080:
1075:
1070:
1065:
1057:
1055:
1051:
1050:
1048:
1047:
1046:
1045:
1040:
1035:
1025:
1018:
1010:
1002:
993:
991:
987:
986:
984:
983:
976:
968:
961:
954:
947:
939:
937:
933:
932:
930:
929:
922:
915:
908:
901:
894:
887:
879:
877:
873:
872:
870:
869:
862:
859:Little Gidding
855:
848:
841:
834:
827:
820:
813:
806:
798:
796:
792:
791:
784:
782:
780:
779:
772:
765:
758:
751:
748:The Hollow Men
744:
741:The Waste Land
737:
730:
723:
716:
709:
701:
699:
695:
694:
689:
686:
685:
680:
678:
677:
670:
663:
655:
649:
648:
646:(Public Radio)
639:
628:
627:External links
625:
622:
621:
614:
596:
582:
562:
548:
528:
514:
494:
469:
465:Painted Shadow
453:
440:
419:
397:
391:Raine, Craig.
384:
371:
352:
338:
337:
335:
332:
277:Ash Wednesday.
265:death sentence
247:
244:
235:
232:
230:
227:
214:
211:
207:
206:
195:
178:
163:The Hollow Men
154:
151:
145:
142:
114:
111:
15:
13:
10:
9:
6:
4:
3:
2:
1246:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1211:
1209:
1194:
1191:
1189:
1186:
1184:
1181:
1179:
1176:
1174:
1171:
1169:
1166:
1164:
1162:(grandfather)
1158:
1156:
1150:
1148:
1142:
1140:
1138:(second wife)
1134:
1132:
1126:
1124:
1121:
1120:
1118:
1114:
1108:
1105:
1103:
1102:Tom & Viv
1099:
1097:
1096:
1092:
1091:
1089:
1085:
1079:
1076:
1074:
1071:
1069:
1066:
1064:
1063:
1062:The Criterion
1059:
1058:
1056:
1052:
1044:
1041:
1039:
1036:
1034:
1031:
1030:
1029:
1026:
1024:
1023:
1019:
1017:
1015:
1011:
1008:
1007:
1003:
1001:
999:
995:
994:
992:
988:
981:
977:
974:
973:
969:
967:
966:
962:
959:
955:
952:
948:
946:
945:
941:
940:
938:
934:
928:
927:
923:
921:
920:
916:
914:
913:
909:
907:
906:
902:
900:
899:
895:
893:
892:
888:
886:
885:
881:
880:
878:
874:
868:
867:
866:Four Quartets
863:
861:
860:
856:
854:
853:
849:
847:
846:
842:
840:
839:
835:
832:
828:
825:
821:
818:
814:
811:
807:
805:
804:
800:
799:
797:
793:
788:
777:
773:
770:
766:
764:
763:
759:
757:
756:
755:Ash Wednesday
752:
750:
749:
745:
743:
742:
738:
735:
731:
728:
724:
721:
717:
714:
710:
707:
703:
702:
700:
696:
692:
687:
683:
676:
671:
669:
664:
662:
657:
656:
653:
647:
645:
640:
638:
634:
631:
630:
626:
617:
615:0-312-02282-4
611:
607:
600:
597:
585:
579:
575:
574:
566:
563:
551:
549:9781136601576
545:
541:
540:
532:
529:
517:
511:
507:
506:
498:
495:
483:
479:
473:
470:
466:
462:
457:
454:
450:
444:
441:
429:
423:
420:
417:
416:9780815605003
413:
410:
408:
401:
398:
394:
388:
385:
381:
375:
372:
368:
367:Helen Gardner
364:
361:
356:
353:
349:
343:
340:
333:
331:
329:
328:
323:
322:Ash Wednesday
319:
315:
312:
308:
304:
303:
298:
294:
290:
289:Ash Wednesday
285:
282:
278:
274:
270:
266:
262:
261:
257:in his novel
256:
255:Ash Wednesday
252:
245:
243:
241:
240:Ash Wednesday
233:
228:
226:
224:
220:
212:
210:
204:
200:
196:
193:
192:
187:
183:
179:
176:
172:
168:
167:
166:
164:
159:
152:
150:
141:
139:
135:
131:
126:
124:
123:Ash Wednesday
120:
112:
110:
104:
95:
93:
92:contemplative
89:
85:
81:
80:
75:
71:
70:Ash-Wednesday
66:
64:
60:
56:
52:
48:
47:Ash-Wednesday
44:
43:
42:Ash Wednesday
35:
30:
26:
22:
1130:(first wife)
1123:Eliot family
1101:
1093:
1060:
1033:1981 musical
1027:
1020:
1013:
1004:
997:
970:
963:
942:
924:
917:
910:
903:
896:
889:
882:
864:
857:
850:
843:
838:Burnt Norton
836:
801:
760:
754:
753:
746:
739:
691:Bibliography
643:
605:
599:
587:. Retrieved
572:
565:
553:. Retrieved
538:
531:
519:. Retrieved
504:
497:
485:. Retrieved
481:
472:
464:
456:
448:
443:
431:. Retrieved
422:
406:
400:
392:
387:
379:
374:
362:
355:
347:
342:
325:
321:
318:Chris Marker
316:
310:
300:
288:
286:
276:
258:
254:
249:
239:
237:
216:
208:
202:
189:
185:
174:
160:
156:
147:
137:
127:
122:
116:
96:
77:
69:
67:
49:) is a long
46:
41:
40:
39:
25:
1104:(1984 play,
990:Adaptations
795:Later poems
762:Ariel Poems
698:Early poems
682:T. S. Eliot
482:T. S. Eliot
393:T. S. Eliot
327:Sans Soleil
273:T. S. Eliot
59:Anglicanism
55:T. S. Eliot
53:written by
45:(sometimes
1219:1930 poems
1208:Categories
1183:Ezra Pound
1173:Emily Hale
1107:1994 film)
1054:Publishing
845:East Coker
583:0521257107
515:0521257107
487:5 December
433:5 December
334:References
213:Dedication
130:Cavalcanti
103:Edwin Muir
88:conversion
79:Purgatorio
1043:2019 film
1038:1998 film
1016:(TV play)
734:Gerontion
253:parodied
229:Reception
201:issue of
194:magazine.
191:Criterion
173:issue of
84:salvation
1154:(mother)
1146:(father)
891:The Rock
720:Preludes
644:On Being
365:by Dame
305:and the
269:anaphora
203:Commerce
175:Commerce
113:Analysis
94:method.
1087:Related
1009:(opera)
589:27 July
555:27 July
521:27 July
234:Initial
1116:People
1000:(film)
975:(1941)
612:
580:
546:
512:
414:
260:Lolita
936:Prose
876:Plays
299:book
74:Dante
1028:Cats
610:ISBN
591:2015
578:ISBN
557:2015
544:ISBN
523:2015
510:ISBN
489:2023
435:2023
412:ISBN
199:1929
182:1927
171:1928
63:1930
51:poem
635:at
295:in
271:in
184:in
76:'s
1210::
480:.
463:.
311:be
982:"
978:"
960:"
956:"
953:"
949:"
833:"
829:"
826:"
822:"
819:"
815:"
812:"
808:"
778:"
774:"
771:"
767:"
736:"
732:"
729:"
725:"
722:"
718:"
715:"
711:"
708:"
704:"
674:e
667:t
660:v
618:.
593:.
559:.
525:.
491:.
437:.
107:"
99:'
36:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.