Knowledge (XXG)

Asturias (Leyenda)

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371: 799: 25: 146: 257: 244:—a sung verse following a specific form. Clark states that it is written in typical AlbĂ©niz form as it is "presented monophonically but doubled at the fifteenth for more fullness of sound." The music alters between a solo and accompaniment that is typical of flamenco. The short middle section of the piece is written in the style of a 215:
traditions (although the drama of the music is congruent with the landscape of the region of Asturias). The origin of the presumably misattributed name was that in fact Albéniz did compose a piano work actually called (by himself) 'Asturias', which made part of a set of pieces of folk music from all
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Albéniz's biographer, Walter Aaron Clark, describes the piece as "pure Andalusian flamenco". In the main theme the piano mimics the guitar technique of alternating the thumb and fingers of the right hand, playing a
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Though originally written to imitate guitar playing, the piece cannot be transcribed note for note for guitar. The original version makes uses of the piano keyboard's wider range compared to the
248:—another flamenco style piece. The malagueña borrows two motives from the previous copla and builds on them. The piece returns to its first theme until a slow "hymn-like" passage ends the piece. 406: 259: 380: 204:, although AlbĂ©niz never intended the piece for this suite. Despite the new name, this music is not considered suggestive of the folk music of the northern Spanish region of 236:—a fast flamenco form. The "marcato"/"staccato" markings suggest both guitar sounds and the footwork of a flamenco dancer. The piece sounds as though it is written in the 414: 823: 608: 833: 802: 626: 349: 305:'s transcription is the most famous and most influential. The piece has become one of the most important works of the classical guitar repertoire. 390: 581: 42: 490: 538: 108: 828: 326: 195: 843: 89: 61: 46: 601: 506: 245: 447: 216:
over Spain for the then Queen of Spain, but this piece is lost, and maybe its name was passed on the now so called one.
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open string with the index finger and a melody with the thumb. The theme itself suggests the rhythm of the
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Some performers see the piece as a challenge to play as fast as possible, though the composer specified
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https://web.archive.org/web/20160325024430/https://www.stanleyyates.com/articles/albeniz/leyenda.html
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who put it in its most recognizable key, E minor. According to the guitarist and guitar scholar
301:, the first guitar transcription of the piece was probably by Severino GarcĂ­a Fortea, although 534: 337: 302: 200: 82: 617: 178: 150: 139: 494: 356: 174: 286:
of the guitar, and the key of G minor is not suitable for the guitar—for example, in the
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The piece, which lasts around six minutes in performance, was originally written for the
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Everything You Ever Wanted To Know About... ALBÉNIZ'S LEYENDA (Preludio-Asturias),
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by its composer, is a musical work by the Spanish composer and pianist
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which is typical of bulerĂ­as. The second section is reminiscent of a
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Arrangement for castanets, bass and guitar, performed in 2001 by
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Many have attributed the first transcription for guitar to
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The opening is shown here in piano score. The repeated
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http://stanleyyates.com/articles/albeniz/leyenda.html
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was given to it posthumously by the German publisher
665: 633: 49:. Unsourced material may be challenged and removed. 407:Suite Española, Op. 47 – 5. Asturias (Leyenda) 602: 8: 533:. Oxford University Press. pp. 97–98. 290:, the pedal note D4 is not an open string. 609: 595: 587: 482: 480: 109:Learn how and when to remove this message 421:Performed on a guitar by Gordon Rowland. 359:has arranged this piece for solo viola. 255: 153:is an example of the use of a pedal note 439: 428: 531:Isaac Albeniz: Portrait of a Romantic 7: 524: 522: 47:adding citations to reliable sources 824:Spanish compositions for solo piano 429:Problems playing these files? See 14: 798: 797: 411: 385: 23: 325:quotes Asturias in their songs 220:, Hofmeister's subtitle, means 34:needs additional citations for 1: 834:Compositions by Isaac AlbĂ©niz 16:Musical work by Isaac AlbĂ©niz 529:Clark, Walter Aaron (2002). 165:. It was first published in 862: 793: 624: 507:"Ni asturias ni albéniz" 171:Juan Bta. Pujol & Co. 352:" is based on Asturias. 829:Compositions for guitar 58:"Asturias" Leyenda 844:1890s in Spanish music 374: 288:standard guitar tuning 279: 161:and set in the key of 154: 472:Allegro ma non troppo 373: 344:song to Asturias and 266: 148: 726:Rumores de la Caleta 627:List of compositions 559:partitura-verlag.com 355:The italian violist 43:improve this article 350:Middle of the Night 316:Waiting for the Sun 493:2021-02-13 at the 375: 280: 192:Asturias (Leyenda) 155: 839:1892 compositions 811: 810: 754:Cantos de Espagña 416: 391: 342:Angels don't Kill 340:attributed their 338:Children of Bodom 295:Francisco TĂĄrrega 270:performed at the 264: 173:, in 1892 as the 119: 118: 111: 93: 851: 801: 800: 611: 604: 597: 588: 569: 568: 566: 565: 551: 545: 544: 526: 517: 516: 503: 497: 484: 475: 468: 462: 461: 459: 458: 444: 418: 417: 393: 392: 381:Legend (Leyenda) 372: 265: 208:, but rather of 184:Chants d'Espagne 132:), named simply 114: 107: 103: 100: 94: 92: 51: 27: 19: 861: 860: 854: 853: 852: 850: 849: 848: 814: 813: 812: 807: 789: 661: 629: 620: 615: 578: 573: 572: 563: 561: 553: 552: 548: 541: 528: 527: 520: 515:. 23 June 2023. 505: 504: 500: 495:Wayback Machine 485: 478: 469: 465: 456: 454: 446: 445: 441: 436: 435: 427: 425: 424: 423: 422: 419: 412: 409: 403: 402: 401: 394: 386: 383: 376: 370: 365: 357:Marco Misciagna 309:, guitarist of 256: 254: 252:Guitar versions 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 859: 858: 855: 847: 846: 841: 836: 831: 826: 816: 815: 809: 808: 806: 805: 794: 791: 790: 788: 787: 780: 779: 778: 771: 764: 750: 743: 736: 729: 722: 721: 720: 713: 706: 699: 692: 681:Suite Española 677: 669: 667: 663: 662: 660: 659: 652: 649:Pepita GimĂ©nez 645: 642:Henry Clifford 637: 635: 631: 630: 625: 622: 621: 616: 614: 613: 606: 599: 591: 585: 584: 577: 576:External links 574: 571: 570: 546: 540:978-0199250523 539: 518: 498: 476: 463: 438: 437: 426: 420: 410: 405: 404: 398:Michael Laucke 395: 384: 379: 378: 377: 368: 367: 366: 364: 361: 331:To Tame A Land 307:Robbie Krieger 303:AndrĂ©s Segovia 253: 250: 201:Suite española 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 857: 856: 845: 842: 840: 837: 835: 832: 830: 827: 825: 822: 821: 819: 804: 796: 795: 792: 786: 785: 781: 776: 772: 769: 765: 762: 758: 757: 756: 755: 751: 749: 748: 744: 742: 741: 737: 735: 734: 733:Torre Bermeja 730: 728: 727: 723: 718: 714: 711: 707: 704: 700: 697: 693: 690: 686: 685: 684: 682: 678: 676: 675: 671: 670: 668: 664: 658: 657: 653: 651: 650: 646: 644: 643: 639: 638: 636: 632: 628: 623: 619: 618:Isaac AlbĂ©niz 612: 607: 605: 600: 598: 593: 592: 589: 583: 580: 579: 575: 560: 556: 550: 547: 542: 536: 532: 525: 523: 519: 514: 513: 508: 502: 499: 496: 492: 489: 483: 481: 477: 473: 467: 464: 453: 452:docplayer.net 449: 443: 440: 434: 432: 408: 399: 382: 362: 360: 358: 353: 351: 347: 343: 339: 334: 332: 328: 327:Mother Russia 324: 320: 318: 317: 312: 308: 304: 300: 299:Stanley Yates 296: 291: 289: 285: 277: 273: 269: 251: 249: 247: 243: 239: 238:Phrygian mode 235: 231: 225: 223: 219: 214: 211: 207: 203: 202: 197: 193: 188: 186: 185: 181:set entitled 180: 176: 172: 168: 164: 160: 152: 147: 143: 142:(1860-1909). 141: 140:Isaac AlbĂ©niz 137: 136: 131: 130: 125: 124: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 782: 760: 752: 745: 738: 731: 724: 716: 680: 672: 654: 647: 640: 562:. 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Retrieved 451: 442: 354: 335: 321: 314: 292: 281: 276:Sharon Isbin 267: 226: 221: 217: 199: 191: 189: 182: 156: 134: 133: 128: 127: 122: 121: 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 323:Iron Maiden 272:White House 177:of a three- 99:August 2014 818:Categories 740:Tango in D 564:2023-03-19 457:2023-11-24 431:media help 363:References 346:Elley DuhĂ© 230:pedal-note 210:Andalusian 196:Hofmeister 69:newspapers 768:Orientale 311:The Doors 284:tessitura 246:malagueña 190:The name 167:Barcelona 803:Category 747:Mallorca 717:Asturias 696:Cataluña 491:Archived 268:Asturias 213:flamenco 206:Asturias 179:movement 123:Asturias 784:La Vega 775:CĂłrdoba 761:Prelude 703:Sevilla 689:Granada 512:YouTube 234:bulerĂ­a 218:Leyenda 175:prelude 163:G minor 135:Prelude 129:Leyenda 83:scholar 674:Iberia 656:Merlin 634:Operas 537:  400:(6:53) 348:song " 222:legend 85:  78:  71:  64:  56:  710:CĂĄdiz 683:No. 1 666:Piano 336:Also 242:copla 169:, by 159:piano 90:JSTOR 76:books 535:ISBN 329:and 62:news 274:by 45:by 820:: 557:. 521:^ 509:. 479:^ 450:. 333:. 319:. 187:. 777:" 773:" 770:" 766:" 763:" 759:" 719:" 715:" 712:" 708:" 705:" 701:" 698:" 694:" 691:" 687:" 610:e 603:t 596:v 567:. 543:. 460:. 433:. 278:. 151:D 126:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Asturias" Leyenda
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Isaac Albéniz

D
piano
G minor
Barcelona
Juan Bta. Pujol & Co.
prelude
movement
Chants d'Espagne
Hofmeister
Suite española
Asturias
Andalusian
flamenco
pedal-note
bulerĂ­a
Phrygian mode
copla

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