224:, owned by the Bihari brothers and operated from Los Angeles. From the mid-1950s to the early 80s, Crown turned out hundreds of cheaply produced LPs of country, Hawaiian, Latin, and other musical genres; often performed by pseudonymous studio groups; as well as blues material reissued from the Modern label.
284:
Presley's major hit singles of the early 1970s - "Burning Love" and "Separate Ways" (and their respective flipsides) made their album debuts not on mainstream RCA releases, but on RCA Camden. Not long before
Presley's death, RCA licensed its Camden line to Pickwick, though it eventually revived the label.
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recordings on the Camden label, as well as previously released and also unreleased material he recorded for his motion pictures, making these albums among the select few budget albums to actually make the national best-selling charts. At one point, the Camden albums were doing so well that two of
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in 1955, a budget label for re-releasing older recordings by currently popular artists on the label or vintage material from previous decades. Occasionally, original music was produced for release on RCA Camden such as children's music and instrumentals. RCA Camden also released single albums of
521:
In
Venezuela (and arguably other Latin American countries)it was quite common to find these recordings in the Cassette format, which allowed for even cheaper and lower quantity of copies for each album issued. Usually rebranding from other budget label albums, were marketed under the Cim-Bra,
295:
just like the full-price product although RCA Camden did on occasion market their albums in speciality "drug store" racks. The major label budget albums usually had eight to ten songs on them (usually nine) as opposed to full-price releases which contained ten to twelve songs.
43:
of hit songs by name artists sung or performed on these albums by usually unidentified and unknown musicians). Prices ranged from as low as 59 U.S. cents (minor label releases of the 1950s) to $ 2.98 (major label repackaging of older material in the 1970s). In the UK
38:
music released during the 1950s to 1970s consisting either of previously released material (usually reissues drawn from the catalogs of major labels featuring older performances by well-known artists) or material recorded especially for the line (often
310:
The budget albums' peak was in the late 1960s and early 1970s when nearly every recording artist of note had one or more such collections on the market. Often these were recordings done for a previous record label before the star's current popularity.
306:
line around the same time for budget releases of older product repackaged. Harmony, however, seldom issued material that had not been previously released (Columbia has used the
Harmony name from 1926 through 1932 and again in the late 1940s).
126:
played or sung by unknown orchestras or singers, or conversely, once famous singers or orchestras playing music or songs that were relatively unknown (popular singers' early and obscure recordings were often showcased as well).
522:
Vallison, Co-Co, Allegro, Rotna, CM-Circulo
Musical labels, and even other popular labels mostly marketing local artists issued budget albums as well, such as Suramericana del Disco, Yare, Promus, among others.
171:
Despite major record companies lowering their prices or starting their own budget labels, the budget album companies, such as
Coronet (who sold their LPs for 99 cents), remained easily available.
236:
giving
Pickwick the rights to press and distribute Capitol's secondary and noncurrent titles on their label. Pickwick's records were mostly sold in stores other than record shops such as
209:
chain. Unlike most drugstore record producers, Light was well regarded both as a musician and for his technical recording knowledge; which he would make much use of later in establishing
162:" comprised very few musicians, were performed by background music companies, or were recorded outside the United States by orchestras credited under different names, such as
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to have their own exclusive label. Most of these records contained songs also available on many other 'exclusive' labels. (For example from the 1920s into the 1930s,
503:
484:
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69:) have had records produced for them by various record producing companies since the 1910s. It was fashionable for a chain like
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49:
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to perhaps encourage sales of the artists' full-priced product. RCA Camden was particularly successful in repackaging older
712:
460:
in 1963, Stereo
Fidelity, Audio Spectrum, Peter Rabbit (children's records), Azteca, Score Records (a subsidiary of
469:
199:
653:
518:, the booksellers. The MFP catalogue consisted of both original material and reissues of existing EMI recordings.
465:
496:
130:
By the LP era, in some cases (notably the least expensive of the records) the record album would have only one
35:
267:
country music recorded especially for the budget label by many of its newer country acts of the 1960s such as
252:. Pickwick later had several subsidiaries such as Bravo, Design, International Award, Hurrah, Grand Prix, and
764:
442:
175:
546:. Perhaps the most notable artists to emerge from a career as a "cover artist" for budget albums include
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record series, which operated between 1968 and 1985, was the most successful budget album range.
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service that turned into children's record label Voco
Records in 1946. In 1950, Leslie founded
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738:"Hdtracks - UK Home page | HDtracks - The World's Greatest-Sounding Music Downloads"
480:
417:
412:(in the UK) launched the budget 'Golden Guinea' Collection, with records priced at one
403:
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203:
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market providing lower priced records. Another early producer of drugstore records was
70:
62:
40:
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were called such as they were often sold in metal racks similar to the racks used for
16:
Low-priced vinyl LPs of popular and classical music released during the 1950s to 1970s
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446:
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345:
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The major labels' budget album releases were seldom sold at "drug stores", mainly at
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produced the 'Diva' label for W.T. Grant, and the Plaza Music
Company produced the '
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Notable artists to have begun their careers recording for budget albums include
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who, early in her career as a teenaged vocalist, recorded several covers of
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143:
104:
31:
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514:, which handled distribution in so-called non-traditional outlets, such as
678:
119:. These records were markedly less expensive than major label recordings.
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421:
245:
191:
116:
108:
625:
Hoffmann, Frank (editor) and Howard
Ferstler (technical editor).
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or obscure music never recorded by anyone else. Sometimes the "
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354:
216:
Probably the best known and most prolific drugstore label was
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of a famous song or tune. Many of these albums had attractive
314:
Major labels of the day with their own budget lines include:
232:
In 1954, Pickwick entered into a licensing arrangement with
439:(arguably a budget label itself) created Nashville Records
115:
in the 1960s for prices from half to a quarter of regular
558:, who recorded in the late 1960s and early 1970s for the
22:(also known as unofficially by some collectors as either
594:. Nielsen Business Media, Inc. October 4, 2003. p.
510:, which provided the source material, and the publisher
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label was founded in 1965 as a joint venture between
154:). The album were often filled out with music in the
122:The initial "drugstore records" mostly comprised
8:
182:. Leslie's first business was a prerecorded
97:' label for McCrory's, among many others.)
228:Major labels enter the budget album market
138:artwork (often picturing starlets such as
621:
619:
581:
89:produced the 'Romeo' label for Kress,
7:
554:hits for budget album release, and
174:Drugstore records originated with
81:produced the 'Broadway' label for
14:
190:and by 1953 Pickwick entered the
452:Other budget record labels were
321:had a short-lived budget label,
30:) were low-priced vinyl LPs of
713:"Diplomat Records Discography"
627:Encyclopedia of Recorded Sound
1:
700:The American Music Handbook
640:"Clarion Album Discography"
476:), and Ambassador Records.
786:
702:. Collier-Macmillan (2005)
470:Synthetic Plastics Company
202:under the auspices of the
200:Waldorf Music Hall Records
654:"Crown Album Discography"
504:Music for Pleasure (MFP)
359:Music for Pleasure (MFP)
698:Pavlakis, Christopher.
150:, and the then-unknown
443:United Artists Records
176:Pickwick International
570:List of record labels
406:created Crown Records
357:(in the UK) created
416:(equivalent to one
375:' budget label was
366:' budget label was
348:' budget label was
339:' budget label was
629:. Routledge (2005)
468:(a product of the
432:RCA Camden Records
428:RCA Victor Records
302:re-introduced the
264:RCA Camden Records
681:. spaceagepop.com
474:Peter Pan Records
293:department stores
238:department stores
220:, an offshoot of
101:Drugstore records
79:Paramount Records
67:department stores
24:drugstore records
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749:
748:
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724:
715:. Archived from
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656:. Archived from
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611:
610:
586:
495:, later part of
485:Woolworths Group
466:Diplomat Records
454:Somerset Records
368:Hamilton Records
350:Vocalion Records
337:Columbia Records
319:Atlantic Records
300:Columbia Records
254:Hallmark Records
188:Pickwick Records
152:Mary Tyler Moore
91:Columbia Records
46:Pickwick Records
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561:Top of the Pops
528:
526:Notable artists
489:Embassy Records
462:Aladdin Records
458:Alshire Records
437:Starday Records
382:Mercury Records
373:Liberty Records
341:Harmony Records
332:Wyncote Records
323:Clarion Records
304:Harmony Records
234:Capitol Records
230:
211:Command Records
140:Jayne Mansfield
83:Montgomery Ward
63:Discount stores
60:
58:Drugstore debut
51:Top of the Pops
17:
12:
11:
5:
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781:
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765:Music industry
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740:. hdtracks.com
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645:
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564:album series.
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493:Oriole Records
487:jointly owned
481:United Kingdom
450:
449:
440:
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404:Modern Records
401:
388:
379:
377:Sunset Records
370:
361:
352:
343:
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229:
226:
222:Modern Records
204:F.W. Woolworth
198:, who started
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56:
41:cover versions
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13:
10:
9:
6:
4:
3:
2:
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719:on 2012-03-20
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660:on 2009-02-17
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447:Unart Records
444:
441:
438:
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395:Metro Records
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328:Cameo-Parkway
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281:Elvis Presley
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218:Crown Records
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185:
184:greeting card
181:
178:, founded by
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156:public domain
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149:
148:Irish McCalla
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141:
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132:cover version
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125:
124:popular music
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118:
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98:
96:
92:
88:
87:Cameo Records
84:
80:
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68:
64:
57:
55:
53:
52:
47:
42:
37:
33:
29:
25:
21:
20:Budget albums
742:. Retrieved
732:
721:. Retrieved
717:the original
707:
699:
694:
683:. Retrieved
679:"Al Sherman"
673:
662:. Retrieved
658:the original
648:
634:
626:
607:. Retrieved
590:
584:
567:
566:
560:
548:Dolly Parton
544:Tina Charles
529:
520:
501:
478:
456:that became
451:
399:Lion Records
386:Wing Records
313:
309:
298:
289:record shops
286:
273:Liz Anderson
269:Connie Smith
258:
256:in the U.K.
250:supermarkets
231:
215:
173:
170:
163:
129:
121:
100:
99:
65:(as well as
61:
50:
28:junk records
27:
23:
19:
18:
770:Album types
552:Kitty Wells
512:Paul Hamlyn
464:), Custom,
410:Pye Records
391:MGM Records
364:Dot Records
277:Dottie West
262:introduced
260:RCA Records
196:Enoch Light
165:101 Strings
136:album cover
759:Categories
744:2015-08-20
723:2012-03-20
685:2015-08-20
664:2009-03-31
609:2015-08-20
576:References
556:Elton John
536:Jerry Cole
516:W.H. Smith
246:drugstores
242:dimestores
207:dime store
160:orchestras
113:dimestores
109:drugstores
604:0006-2510
591:Billboard
568:See also
540:Al Kooper
472:who made
445:produced
430:released
393:released
384:operated
180:Cy Leslie
144:Kim Novak
117:LP albums
107:books in
105:paperback
71:McCrory's
36:classical
532:Lou Reed
422:shilling
420:and one
330:created
32:popular
602:
483:, the
414:guinea
275:, and
248:, and
95:Oriole
491:with
418:pound
75:Kress
600:ISSN
542:and
502:The
397:and
291:and
34:and
508:EMI
497:CBS
479:In
355:EMI
111:or
73:or
26:or
761::
618:^
598:.
596:26
538:,
534:,
499:.
424:).
271:,
244:,
240:,
213:.
192:LP
168:.
146:,
142:,
85:,
48:'
747:.
726:.
688:.
667:.
642:.
612:.
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