554:(Buck Owens' band) were practicing for an upcoming tour, and that Joy would have to wait to record his original songs. Refusing to back down, Joy would show up at the studio at 8:00 every morning, only to be told that the Buckaroos were busy and that he would still have to wait. One night, Joy decided to take a walk around downtown Bakersfield, only to have the brand-new cowboy boots he'd been wearing give him blisters all over his feet: " barely made it back to the car, and on top of that, I was still upset about everything, and I went back to my hotel room and wrote "Streets of Bakersfield"". Owens liked the song and released a recording of it in 1973 on his album
653:, who sang "Bury Me" with Yoakam on his debut LP, provides background vocals on the song.) "Floyd County" chronicles the death of a man who was a pillar in the community. Even the closing number "Hold On to God," a gospel song written for his mother Ruth Ann, sounds more like a declaration of forbearance rather than a celebration of faith. Yoakam later quipped of the song cycle, "I get moody. I kill someone. Then I get religion in the end. This record’s more me – there are expressions of me that people have never heard before."
477:, who was enjoying his first taste of success around the same time. Earle later stated, "We butted heads a little bit, which was turned into this feud by some people, but there was never any personal animosity between us…He pushed my buttons that way, and I resented it. Nowadays, I sort of wonder what I was defending, because I defended that town right up to the time I left. And I don’t really anymore." Yoakam rubbed some critics the wrong way as well, with a writer from the
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624:, just to let me know for my next phone call I could walk outside and yell," the song is practically the album's only source for wry humor, detailing the troubles of a narrator trying to make ends meet while taking solace in the fact that he has the woman he loves "to ease my pains" and "keep me sane." This rosy outlook is shattered with the gentle
591:' to comfort him as he dies. He goes on to describe how others "walk on by" ignoring the man's suffering. The dying man warns the narrator with his final words to "run back home to that southern land" and escape "what life here has done to me". The song was released as a single in October 1988 and rose to the top of the charts the following year.
628:"One More Name’ as the narrator hears the woman uttering names in her sleep – presumably the names of her lovers. Now paranoia carries over into the drum-heavy "What I Don’t Know," which contains the near psychotic warning "What I don’t know might not hurt me, but what I don’t know might get you killed." A cover of
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despite being one of the most successful country artists of the 1960s, was semi-retired until Yoakam cajoled him into recording the song as a duet. The pairing proved so successful that Owens went on tour as Yoakam's special guest, where he received a regal welcome from a generation of fans who knew
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has anyone gone from love that is so obsessive it cares not a whit for the most basic of life's needs…to a murderous jealousy…to homicide in the first five songs. Side one begins with "I Got You," which was released in
February 1989 as the album's third single, peaking at #5. With lines like, "I
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Sr. soundalike-album". Joy initially refused, saying "I don't want to be like Hank, I just want to be me!" Eventually, he agreed to come in and record it, on the condition that he would also get to record some of his own songs as well. After the recording, however, the studio manager told Joy that
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The album's other number one single, "I Sang Dixie," was originally demoed in 1981. ("Floyd
Country" was also recorded during these demo sessions.) Anderson later commented, "’I Sang Dixie’ I'd always set a little aside, because I thought it was his best song. And I didn't want to put it on the
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Dwight went into the third album and, in his mind, he made a theme record. I don’t know if some of it’s thematic, but you don’t really care what someone’s motivation is. Five or six of those songs had been written for quite a while. And he slid in "She Wore Red
Dresses" and a couple of other
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The song was perfect for Yoakam, who, like Owens, endured criticism for saying what was on his mind, with lines like "I just want a chance to be myself" reflecting his vision of artistic independence and individualism. Owens, who was probably best known at the time for starring on
603:"is almost relentlessly bleak, occasionally lethal, a descent into the depths of honky-tonk hell." Side one of the original LP contains five songs that tell a paranoid tale of adultery and murder execution-style, although producer later Pete Anderson insisted to McLeese:
524:. This album would also see a personnel shift in Yoakam's backing band, the Babylonian Cowboys, with bassist J.D. Foster and fiddler Brantley Kearns leaving and new bassist Taras Prodaniuk, mandolinist Scott Joss, and keyboardist Skip Edwards joining.
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Side two maintains the album's thematic grimness and melancholy. The cover of Lazy Lester's "I Hear You
Knockin’" might sound comparatively cheery, but its lyrics reinforce the emotional bleakness, while Yoakam's interpretation of the
485:, composed much of his own material, and songs like "Miner’s Prayer" and "Readin’, Rightin’, Rt. 23" clearly showed a profound love and appreciation for his southern roots, and he achieved commercial success largely on his own terms.
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that finds the narrator "like a madman" praying for vengeance before tracking down the woman and her lover and shooting her in the head. Perhaps due to the song's dark subject matter, the single failed to make the country Top 40.
431:." A third song on the album, "I Got You," also an original composition, peaked at No. 5. The title song, "Buenas Noches from a Lonely Room (She Wore Red Dresses)," also charted, but only to the No. 46 position.
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first or even second album, because I thought this is a number one record. And you've got to beat the doors down with the other material so that they're ready to listen to you."
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country albums chart and established him as one of the hottest stars in what was being referred to as the "New
Traditionalist" movement, a shift away from the slick productions of
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The album is best remembered for containing Yoakam's first two number one hit singles, "Streets of
Bakersfield" and "I Sang Dixie." The former song was written by
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allowing that "he has an obnoxious, ass-twitching stage presence. Yet everything he does is hyper-calculated…all part of the pose." But Yoakam, who was born in
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and his hero Buck Owens, Yoakam honed his craft and developed a following away from the
Nashville – in his case by playing rock and punk clubs in and around
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AllMusic: "As chapter three in the Dwight Yoakam restoration of honky tonk music project, this is the best yet." The album was included in the book
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ranked "I Sang Dixie" No. 26 on its list of the 40 Saddest
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him only as a legend, while reinforcing a passing-of-the-torch claim to Yoakam's honky-tonk ascendance. Owens also appeared in the music video.
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things that made it a thematic record – in his mind. I just looked at it as a collection of really good songs that worked together.
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The album was one of
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in the media did not endear him to industry insiders and even some fellow musicians, such as
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did for Buck Owens, and along with Yoakam's nasal, high lonesome voice, created a unique sound rooted in the
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in 1988 (with slightly changed lyrics) reached number 1 on the Billboard Country Music charts.
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sound by employing accordion kingpin Flaco Jimenez, who previously worked with artists like
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honky-tonk scene from the fifties. However, for this album the pair introduced a
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Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's
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1001 Albums You Must Hear Before You Die: Revised and Updated Edition
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1001 Albums You Must Hear Before You Die: Revised and Updated Edition
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As noted by Yoakam biographer Don McLeese, the subject matter on
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classic "Send Me the Pillow" is full of longing and heartache. (
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Brantley Kearns – background vocals on "What I Don't Know"
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46:. Unsourced material may be challenged and removed.
1415:Dimery, Robert; Lydon, Michael (7 February 2006).
1461:Dimery, Robert; Lydon, Michael (23 March 2010).
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1441:"Rolling Stone's Highest Rated Albums of 1988"
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1513:Dwight Yoakam: A Thousand Miles from Nowhere
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1740:Reprise Please Baby: The Warner Bros. Years
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106:Learn how and when to remove this message
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1340:"40 Saddest Country Songs of All Time"
407:is the third studio album by American
118:1988 studio album by Dwight Yoakam
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615:critic Thom Jurek writes, "Not since
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1768:21st Century Hits: Best of 2000–2012
620:got a letter from the folks over at
44:adding citations to reliable sources
1545:Romanian Radio Broadcasting Company
1226:. rockandrolljunkie.com. 2009-12-04
461:to a more roots-based sound. Like
1878:Albums recorded at Capitol Studios
55:"Buenas Noches from a Lonely Room"
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1189:* denotes unknown peak positions
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1868:Albums produced by Pete Anderson
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1489:. NashvilleScene.com. 2014-07-17
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1761:The Very Best of Dwight Yoakam
1708:Swimmin' Pools, Movie Stars...
1596:Guitars, Cadillacs, Etc., Etc.
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446:Guitars, Cadillacs, Etc., Etc.
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1515:. University of Texas Press.
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556:Ain’t It Amazing, Gracie
419:singles. The first was "
1659:Tomorrow's Sounds Today
1376:"Los Lobos - Biography"
924:on "Send Me the Pillow"
543:Bakersfield, California
320:Released: February 1989
294:Released: June 17, 1988
1873:Reprise Records albums
1825:Awards and nominations
1726:Just Lookin' for a Hit
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817:Streets of Bakersfield
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421:Streets of Bakersfield
307:Released: October 1988
289:Streets of Bakersfield
254:Just Lookin' for a Hit
1754:Dwight's Used Records
1511:McLeese, Don (2012).
1287:The California Report
1094:Swedish Albums Chart
781:"I Hear You Knockin'"
583:dying on a street in
545:, about recording a "
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851:"Send Me the Pillow"
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344:Professional ratings
40:improve this article
1543:a radio channel of
1046:Top Country Albums
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945:Taras Prodaniuk –
912:– acoustic guitar,
732:"What I Don't Know"
439:Yoakam's first two
417:Hot Country Singles
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329:Released: June 1989
1617:If There Was a Way
1443:. RollingStone.com
1384:. Rovi Corporation
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1687:Dwight Sings Buck
1645:Come On Christmas
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1720:
1716:
1710:
1709:
1705:
1703:
1702:
1698:
1696:
1695:
1691:
1689:
1688:
1684:
1682:
1681:
1677:
1675:
1674:
1673:Population Me
1670:
1668:
1667:
1663:
1661:
1660:
1656:
1654:
1653:
1649:
1647:
1646:
1642:
1640:
1639:
1635:
1633:
1632:
1628:
1626:
1625:
1621:
1619:
1618:
1614:
1612:
1611:
1607:
1605:
1604:
1600:
1598:
1597:
1593:
1592:
1590:
1588:Studio albums
1586:
1582:
1581:Dwight Yoakam
1575:
1570:
1568:
1563:
1561:
1556:
1555:
1552:
1546:
1542:
1538:
1535:
1534:
1530:
1524:
1518:
1514:
1509:
1508:
1504:
1503:
1488:
1482:
1479:
1474:
1468:
1464:
1457:
1454:
1442:
1436:
1433:
1428:
1426:0-7893-1371-5
1422:
1418:
1411:
1408:
1404:
1399:
1396:
1383:
1382:
1377:
1370:
1367:
1363:
1358:
1356:
1352:
1347:
1346:
1345:Rolling Stone
1341:
1335:
1332:
1328:
1323:
1321:
1317:
1313:
1308:
1305:
1292:
1288:
1284:
1278:
1276:
1274:
1272:
1270:
1268:
1264:
1260:
1255:
1252:
1249:, p. 47.
1248:
1243:
1241:
1237:
1225:
1219:
1216:
1209:
1207:
1205:
1204:
1195:
1187:
1183:
1180:
1176:
1172:
1169:
1162:
1158:
1155:
1151:
1147:
1144:
1140:
1130:
1124:
1120:
1109:
1103:
1093:
1092:
1085:
1084:
1077:
1076:
1069:
1065:
1064:
1057:
1053:
1052:
1045:
1041:
1040:
1034:
1032:Chart (1988)
1031:
1030:
1024:
1019:
1014:
1011:
1008:
1005:
1001:
998:
995:
992:
989:
987:
983:
982:Flaco Jiménez
980:
977:
974:
972:
968:
966:
962:
960:
956:
953:
952:Dusty Wakeman
950:
948:
944:
942:
938:
935:
933:
929:
926:
923:
919:
915:
911:
910:Pete Anderson
908:
906:
902:
898:
897:Dwight Yoakam
895:
894:
890:
882:
879:Total length:
872:
869:
866:
862:
858:
856:
853:
850:
846:
842:
839:
836:
832:
828:
825:
822:
819:" (duet with
818:
814:
810:
806:
803:
800:
796:
792:
788:
786:
783:
780:
776:
772:
769:
766:
762:
758:
755:
752:
749:
745:
741:
737:
734:
731:
727:
723:
720:
717:
713:
709:
707:
706:Dwight Yoakam
704:
701:
697:
693:
677:
671:Track listing
670:
668:
666:
665:
656:
654:
652:
648:
642:
639:
638:murder ballad
635:
631:
627:
623:
618:
614:
609:
604:
602:
601:Buenas Noches
594:
592:
590:
586:
582:
578:
577:Rolling Stone
572:
569:
563:
561:
560:Dwight Yoakam
557:
553:
552:the Buckaroos
548:
547:Hank Williams
544:
540:
532:
527:
525:
523:
519:
515:
511:
507:
503:
499:
498:Pete Anderson
495:
494:Buenas Noches
488:
486:
484:
480:
479:Village Voice
476:
472:
468:
464:
463:Willie Nelson
460:
456:
452:
448:
447:
442:
434:
432:
430:
426:
422:
418:
414:
413:Dwight Yoakam
410:
409:country music
406:
405:
396:
366:
364:
361:
360:
352:
349:Review scores
347:
336:
323:
316:
310:
303:
297:
290:
284:
283:
280:
277:
273:
269:
265:
256:
255:
251:
247:
246:
242:
238:
237:
233:
232:
228:
224:
223:Dwight Yoakam
220:
217:
216:Pete Anderson
214:
212:
208:
205:
202:
200:
196:
184:
180:
177:
174:
172:
168:
164:
161:
157:
153:
149:
145:
144:Dwight Yoakam
140:
136:
132:
127:
122:
110:
107:
99:
96:February 2016
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
1834:
1791:
1784:
1766:
1759:
1752:
1745:
1738:
1731:
1724:
1718:Compilations
1706:
1699:
1692:
1685:
1678:
1671:
1664:
1657:
1650:
1643:
1636:
1629:
1622:
1615:
1609:
1608:
1601:
1594:
1537:Album online
1512:
1505:Bibliography
1491:. Retrieved
1481:
1465:. Universe.
1462:
1456:
1445:. Retrieved
1435:
1419:. Universe.
1416:
1410:
1403:McLeese 2012
1398:
1386:. Retrieved
1379:
1369:
1362:McLeese 2012
1343:
1334:
1327:McLeese 2012
1312:McLeese 2012
1307:
1295:. Retrieved
1286:
1259:McLeese 2012
1254:
1247:McLeese 2012
1228:. Retrieved
1218:
1201:
1199:
1167:"I Got You"
1127:CAN Country
1067:
1055:
1043:
855:Hank Locklin
799:I Sang Dixie
785:J. D. Miller
662:
660:
647:Hank Locklin
643:
611:
606:
600:
598:
576:
573:
567:
564:
555:
536:
493:
492:
478:
454:
450:
444:
438:
429:I Sang Dixie
403:
402:
401:
302:I Sang Dixie
275:
252:
244:
243:
234:
139:Studio album
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
1863:1988 albums
1820:Filmography
1786:Dwight Live
1778:Live albums
1004:Randy Weeks
991:Maria McKee
963:Don Reed –
947:bass guitar
928:Tom Brumley
754:Johnny Cash
651:Maria McKee
630:Johnny Cash
585:Los Angeles
528:Composition
510:Bakersfield
475:Steve Earle
467:Los Angeles
449:and 1987's
165:(Hollywood)
1852:Categories
1493:2016-02-03
1447:2016-02-03
1230:2015-05-13
1210:References
1139:Buck Owens
1123:US Country
997:Buck Owens
978:– mandolin
976:Scott Joss
937:Al Perkins
905:percussion
821:Buck Owens
617:Leon Payne
502:Telecaster
471:Music City
435:Background
425:Buck Owens
225:chronology
66:newspapers
1624:This Time
1541:Radio3Net
1066:Canadian
1056:Billboard
1044:Billboard
1037:position
986:accordion
891:Personnel
826:Homer Joy
700:I Got You
687:Writer(s)
657:Reception
539:Homer Joy
522:Doug Sahm
518:Ry Cooder
489:Recording
459:Nashville
455:Billboard
315:I Got You
1388:April 1,
1381:AllMusic
1297:April 6,
922:mandolin
613:AllMusic
506:Don Rich
483:Kentucky
363:Allmusic
211:Producer
159:Recorded
151:Released
141: by
1815:Singles
1694:3 Pears
1291:KQED-FM
1114:Single
1104:Singles
595:Concept
568:Hee-Haw
514:Tex-Mex
441:Reprise
411:singer
272:Singles
258:(1989)
249:(1988)
240:(1987)
204:Reprise
176:Country
163:Capitol
80:scholar
1810:Albums
1519:
1469:
1423:
1196:Legacy
1137:(with
965:fiddle
870:Yoakam
840:Yoakam
804:Yoakam
770:Yoakam
735:Yoakam
721:Yoakam
690:Length
357:Rating
354:Source
182:Length
82:
75:
68:
61:
53:
1164:1989
1132:1988
1111:Year
1054:U.S.
1042:U.S.
1025:Album
971:piano
959:drums
941:Dobro
883:36:38
684:Title
626:waltz
589:Dixie
274:from
199:Label
171:Genre
87:JSTOR
73:books
1631:Gone
1517:ISBN
1467:ISBN
1421:ISBN
1390:2012
1299:2012
1058:200
1035:Peak
873:3:14
859:3:00
843:2:55
829:2:48
807:3:47
789:3:12
773:4:31
759:2:52
738:3:46
724:3:05
710:3:28
632:’s "
622:Bell
520:and
395:link
59:news
1539:on
1184:52
1181:46
1097:37
1089:37
1081:47
1073:17
1068:RPM
1061:68
864:11.
848:10.
680:No.
42:by
1854::
1378:.
1354:^
1342:.
1319:^
1289:.
1285:.
1266:^
1239:^
1173:5
1170:5
1159:*
1156:1
1148:*
1145:1
1049:1
984:–
939:–
930:–
916:,
903:,
834:9.
812:8.
794:7.
778:6.
764:5.
743:4.
729:3.
715:2.
695:1.
667:.
191:38
187:36
1573:e
1566:t
1559:v
1525:.
1496:.
1475:.
1450:.
1429:.
1392:.
1301:.
1233:.
1141:)
823:)
815:"
801:"
797:"
750:"
746:"
702:"
698:"
317:"
313:"
304:"
300:"
291:"
287:"
189::
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
