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Elderly couple Shōzō and Tamoko have just successfully married away the third and youngest of their daughters, but get into an argument over their son
Kanichi, who is still in elementary school. Shōzō argues that he and Tamoko had Kanichi far too late, and instead of paying for his education another
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Tamoko and
Kanichi move into the apartment of daughter Itsuko and her husband. Shōzō has increasing doubts about his attitude towards Kanichi, and when his son shows up at his former home, he indulges him and feeds him his favourite food. Tamoko, asked to show more understanding for her husband's
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emphasises the film's character development: "Each of the family members is carefully drawn and each grows before us as an individual, surpassing the sort of character typing that was usual for family melodramas."
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twenty years, he should be taken out of school and sent to work. Tamoko protests his proposition, which infuriates Shōzō so much that he demands that she leaves the house.
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is "imbued with a naturalistic tone and ‘lived in' visual texture quite beyond
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perspective by her acquaintances and Itsuko, follows their advice and returns to Shōzō.
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337:'s list of the best films of the year. In 1985, it was screened at the
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was released in Japan on 10 December 1935 and reached #6 in
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The Cinema of Gosho
Heinosuke: Laughter Through Tears
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Mitsuyo
Mizushima as Machiko, the youngest daughter
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481:"The Burden of Life (Jinsei no Onimotsu)"
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631:Yellow Crow
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623:Growing Up
370:References
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424:Kinenote
420:"人生のお荷物"
389:"人生のお荷物"
207:Japanese
204:Language
191:66 mins.
155:Shochiku
138:Music by
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666:(1968)
658:(1965)
650:(1961)
642:(1957)
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578:(1930)
490:4 July
485:BAMPFA
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430:4 July
399:4 July
345:Legacy
240:人生のお荷物
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199:Japan
55:Kanji
515:IMDb
492:2023
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349:For
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