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collectors’ items and private collections, enlivened with notes on current art news, exhibitions and sales. The lavishness of this publication almost immediately created financial troubles and in
January 1905 Fry embarked on an American tour to find sponsorship to assure the survival of the journal, which he had quickly recognized as a magazine for the developing study of art history.
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tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to date: a combination of archival and formalist object-based art historical research juxtaposed to articles on
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editors and contributors were part of the institutional sphere of museums and academia and yet, unlike their German counterparts, they participated in the emerging world of the commercial galleries. The magazine remained independent from any institution and yet it was instrumental in the
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presented itself as synthesising opposing traditions – historicist versus aestheticism and academic versus commercial – by defining itself an exponent of "Austere
Epicureanism". Against the perceived "sameness" of the contemporary art panorama,
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was to act as a disinterested guide, directing the public's attention to high-quality art on offer both on the market and on institutional settings and educating its readers on the elevating qualities of ancient art.
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was founded as a journal of ancient art but already in its first decade, especially under the editorship of Fry articles on modern art became prominent. Topics covered in detail were:
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were printed on high-quality paper, had a typeface designed by
Herbert Horne and were richly illustrated with black and white photographs, many by the arts and crafts photographer
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and later discovered to be a forgery, and the role of archival research in the art historical reconstruction, with contributions by
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in the visual arts and consistently observed, reviewed and contributed to the body of attributions to various artists, notably
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of all periods. Established in 1903, it is the longest running art journal in the
English language. It has been published by a
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B. Pezzini, 'An open resource for scholars and a primary source for research: the
Burlington Magazine online index',
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dynamic between market and institution contributed to the creation of an original and multifaceted publication.
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Harold Child
Assistant Editor with the advice of a Consultative Committee: October and November 1909
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The magazine was established in 1903 by a group of art historians and connoisseurs which included
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356:(1948–1978). The journal's structure was loosely based on its contemporary British publication
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Sutton, Denys, Select
Chronology--'Letters of Roger Fry ', Chatto and Windus, London, 1972
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Introduction-'Letters of Roger Fry', Chatto and Windus, London, 1972
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The journal is published monthly, and features a cross-section of writers.
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Richard Shone and Bart
Cornelis (joint editors): January 2003 – March 2003
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acting editor (the magazine was officially without an editor): 1945–1947
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848:(600). Burlington Magazine Publications Ltd.: 63–65 March 1953.
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H. Rees Leahy. 'For Connoisseurs: The Burlington Magazine', in:
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348:. Its most esteemed editors have been Roger Fry (1909–1919),
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A. Helmreich, ‘The Death of the Victorian Art Periodical’,
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establishment of academic art history in Britain: its
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Visual arts magazines published in the United Kingdom
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578:Terence Hodgkinson: November 1978 – August 1981
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671:The Art Press – Two Centuries of Art Magazines
638:The Art Press – Two Centuries of Art Magazines
539:John Hope-Johnstone: July 1919 – December 1920
8:
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593:Andrew Hopkins: August 2002 – December 2002
840:"Fifty Years of The Burlington Magazine".
758:, 26, no. 3, (September 2010), pp. 242–253
416:, a debate on a bust of Flora ascribed to
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620:Christopher Baker: January 2024 – present
312:is a monthly publication that covers the
813:B. Nicolson, 'The Burlington Magazine',
660:, London and New York, 2002, pp. 231–245
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767:T. Fawcett, 'Scholarly Journals', in:
636:T. Fawcett, 'Scholarly Journals', in:
617:Michael Hall: May 2017 – December 2023
614:: acting editor August 2016 – May 2017
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802:Cézanne and the End of Impressionism
542:Robert R. Tatlock: Early 1921 – 1933
100:The Burlington Magazine Publications
18:Burlington Magazine for Connoisseurs
27:Monthly art journal (founded 1903)
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830:, 31 (November 1917), pp. 193–191
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658:Art History and its institutions
584:: September 1981 – February 1987
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707:Self and partners (Mostly self)
522:: December 1909 – December 1913
509:: October 1906 – September 1909
608:: September 2015 – August 2016
366:, however, added to this late
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1008:Magazines published in London
1003:Magazines established in 1903
602:: March 2003 – September 2015
503:: January 1904 – October 1906
804:, Chicago, 1984, pp. 143–152
709:, London, 1936, pp. 213–34,
412:in a debate between Fry and
551:Albert C. Sewter: 1939–1940
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771:, London, 1976, pp. 3–10,
673:, London, 1976, pp. 3–10,
640:, London, 1976, pp. 3–10,
426:Constance Jocelyn Ffoulkes
379:From its first editorial,
897:"The Burlington Magazine"
883:"The Burlington Magazine"
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536:: January 1914 – May 1919
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590:: March 1987 – July 2002
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475:The Burlington Magazine
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402:The Burlington Magazine
391:The Burlington Magazine
386:The Burlington Magazine
381:The Burlington Magazine
364:The Burlington Magazine
322:charitable organisation
309:The Burlington Magazine
36:The Burlington Magazine
116:Standard abbreviations
942:. British Art Network
826:W. Sickert, 'Degas',
789:Art Libraries Journal
493:: March–December 1903
1018:Art history journals
973:Examples of articles
473:The first issues of
940:"Christopher Baker"
572:: 1947 – July 1978
81:Publication details
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410:Post-Impressionism
978:Online books page
920:. 1 December 2016
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418:Leonardo da Vinci
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298:Online index
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89:1903–present
76:Michael Hall
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867:Editors of
815:Connoisseur
557:: 1940–1944
548:: 1933–1939
530:Lionel Cust
520:Lionel Cust
501:Robert Dell
491:Robert Dell
460:Edgar Degas
396:dialectical
987:Categories
946:6 February
800:R. Shiff:
731:0701115998
695:0701115998
625:References
466:Production
452:Caravaggio
153:MathSciNet
53:Discipline
534:More Adey
526:Roger Fry
516:Roger Fry
444:Rembrandt
368:Victorian
334:Roger Fry
263:0007-6287
107:Frequency
95:Publisher
279:00076287
182:Indexing
132:Bluebook
73: by
62:Language
485:Editors
448:Poussin
375:Content
328:History
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111:Monthly
86:History
65:English
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344:, and
247:Scopus
243:·
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71:Edited
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850:JSTOR
285:Links
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206:JSTOR
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186:CODEN
171:ISO 4
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120:ISO 4
948:2024
926:2017
773:ISBN
727:ISBN
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518:and
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314:fine
256:ISSN
227:MIAR
218:LCCN
198:alt2
458:on
239:alt
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