Knowledge (XXG)

Burton Silverman

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the Smithsonian National Portrait Gallery, the Delaware Art Museum, and the Arnot Art Museum. Public collections which host Silverman paintings includes, but is not limited to: the Brooklyn Museum, The Metropolitan Museum of Art, the Butler Institute of American Art, the Denver Art Museum, The Georgia Museum of Art, the Philadelphia Museum of Art, The New Britain Museum, the Mint Museum, the Smithsonian American Art Museum, the Delaware Art Museum, the Columbus Museum, the Arkansas Art Center, the Seven Bridges Foundation in Connecticut, and the Smith Museum of Auburn University also host Silverman paintings. Recently, Silverman has had solo exhibitions at Gallery Henoch in New York City and at the Haynes Galleries in Nashville, Tennassee. Commissioned portraits painted by Silverman have included notable jurists, medical doctors, and educators, from clients such as the University of Chicago, Yale University, Harvard University, Princeton University, and Weill Cornell Medical Center.
245:, Silverman is neither world famous nor rich. This situation says less about the immense talents of these two men than it does about the state of American art in the 20th century", the art historian Mathias Anderson wrote. According to Dartmouth College Robert C. McGrath, "His art may be seen as a kind of radical realism by virtue of its continuing devotion to a humanist vision that has survived modernist dogma of the 50s as well as the austere impersonal canons of judgment embedded in the 'new realism' of the eighties. For Silverman, form remains inextricably linked to meaning. Asserting itself throughout his painting is the fluid brushwork and natural coloration that informs the eye while eliciting, alchemically, a compassionate understanding of the human condition. In the final analysis, it is Silverman's unflinching vision together with his creative rethinking of tradition that constitutes his most defiant and enduring artistic contribution." 209:
throughout history. Realism has made something of a resurgence at the beginning of the 21st century and many in the latest generation cite Silverman's work as inspiration, much as Silverman himself drew upon and advanced upon the works of Rembrandt, Degas, Sargeant, and more. "I have tried to reunite form—both color and composition—with content. the realistic and narrative imagery, to arrive at some kind of synthesis of 20th century formalism with 20th century sensibilities", Silverman has said. "I do not believe that the way paint is applied to a canvas should be more important than what is portrayed." After being discharged from the U.S. Armed Forces, he worked as both gallery artist and illustrator. For the latter, he was election to the
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chose, according to the Rev. Martin Luther King Jr. to "walk with dignity rather than ride in humiliation". The drawings they created there were a dramatic reconstruction of this turning point in American culture. The drawings appeared in various solo exhibitions of Silverman's and Dinnerstein's artwork, but as a whole, the entire collection was first shown in 2005 at the Delaware Art Museum and the Montgomery Museum of Fine Art in 2006 an exhibition tilted: "In Glorious Dignity: Drawings of the Montgomery Bus Boycott". As described in the exhibition catalogue, "They traveled to document through their drawings ordinary people engaged in a mighty endeavor, a demonstration of civil disobedience which came to be known as the
241:, an iconic image that is still celebrated today. Beginning the early 1990s, Silverman focused on portraiture and refining his style, which ran in opposition to the dictums and tenets of modernist art—in and of itself a radical act. "In view of the many honors he has been accorded, it may seem odd to describe Burton Silverman as an artistic underdog, yet the designation actually fits. Unlike his exact contemporary, the abstract expressionist 200:. Soon what began as a local phenomenon received widespread national and international attention, serving as a catalyst for the Civil Rights Movement." According to Silverman and Dinnerstein, the boycott was "a struggle that went beyond specific issues of segregation in the buses to larger concerns of inequality across the nation". 195:
to Montgomery, Alabama, to document the profound social changes taking place after Black activists refused to ride the city's then segregated buses. During their visit, Dinnerstein and Silverman created more than 90 drawings ranging from courtroom scenes to church meetings to portraits of those who
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Silverman's work has been included in retrospectives at the Butler Institute of American Art, the Brigham Young Museum of Art, the Sherwin Miller Museum in Tulsa, Oklahoma, the Lyme Academy of Fine Arts University, and the Hofstra University Museum. His art has been featured at in group exhibits at
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He is the recipient of nine awards from the National Academy of Design Museum including two Henry W. Ranger Purchase Awards. He was awarded a Gold medal from the Portrait Society of America 2004, the Annual Distinguished Artist Award from the Newington Cropsey Cultural Foundation, The John Singer
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Silverman is considered one of America's most accomplished and important realist painters and illustrators. His draftsmanship, brushwork, composition, use of color, and tonality both owe a debt to and have continued the traditions and standards established by the great representationalist artists
551:, Madison Square Press, NY 1999, featuring essays by John McGrath, Philip Saietta, and Burton Silverman; preface by Campbell Gray, Director, BYU Museum; foreword by Louis Zona, Director, Butler Institute of American Art, 254:
Sargent Gold Medal from American Society of Portrait Artist, 2002, Lifetime Achievement Award The FACE Conference, 2018 and an Honorary Doctorate from the Academy of Art University in San Francisco, 2001.
874: 160:. Now entering his sixth decade as an artist, Silverman has also taught at the School of Visual Arts, the Art Students League, the National Academy School of Fine Arts, the 879: 656: 894: 904: 884: 869: 864: 854: 746: 168:'s College of Fine Arts. Silverman was also the Smith Distinguished Visiting Professor at George Washington University in Washington, D.C. 685:
James F Cooper (2010). "introduction to catalog 'Realism Recovered, The art of Burton Silverman'". Sherwin Miller Museum of Jewish Art.
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Mark M Johnson, essay by Clayborn Carson, and Burton Silverman and Harvey Dinnerstein (2006). "Protest in Montgomery".
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Mark M Johnson, "Protest in Montgomery", Montgomery Museum of Art, Alabama, introductions to the catalogue, 2006
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Silverman, Burton (May–June 2018). "Degas, an inspiring messenger from the past". Fine Art Connoisseur.
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2017 Jury's Selection, The Outwin Boochever Portrait Competition, Smithsonian National Portrait Gallery
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Herman Dutoit, "The Intimate Eye: The Drawings of Burton Silverman", Brigham Young University, 2006
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1991 Smith Distinguished Visiting Professor, the George Washington University, Washington, D.C.
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2020 The Benjamin West Clinedinst Memorial Medal for distinguished achievement in the Arts
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Karen York, "Realism Recovered: The Art of Burton Silverman", 2010 exhibition catalog
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1995 The Silver Medal of Honor, the Annual of the American Watercolor Society, NYC
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2001 Honorary Doctorate awarded by the Academy of Art College, San Francisco, CA
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Michael Gormley, "Face It; Talking about Portraiture with Burton Silverman",
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Naomi Esperigin, "What Is Genuine? Realist Artists Take on Hard Times",
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1997 Paul and Margaret Berkelson Prize, National Academy of Design, NYC
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2005 Newington Cropsey Cultural Center Award for Excellence in the Arts
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Moyers; Report from Philadelphia The Constitutional Convention of 1787
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Maureen Bloomfield, "In Context: an interview with Burton Silverman",
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2018 G&B Marble Medal, American Watercolor Society Exhibition, NYC
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1992 The Joseph Isidor Medal, National Academy of Design Annual, NYC
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2002 John S. Sargent Gold Medal, American Society of Portrait Artists
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2002 Dong Kingman Award, The American Watercolor Society Annual, NYC
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2006 Berkelson Award, the National Academy Museum 179th Exhibition
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2008 Berkelson Award, the National Academy Museum 181st Exhibition
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Born in Brooklyn, New York, in 1928, Silverman received a BA from
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Hall of Fame in 2001. In addition to illustrations featured in
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2004 Gold Medal Lifetime Award the Portrait Society of America
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Michael Gormley, "Three Painters Visualize the Real World",
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Matthias Alexander, "Burton Silverman: Sight and Insight",
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Burton Silverman, "Burton Silverman on Relevance in Art",
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1990 The Catherine Stroud Memorial Award, AWS Annual, NYC
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Brian O'Doherty, "Art: A Return to Old Masters' World",
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Tracy Fieldstat, "When Artists take on the Hard Times",
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Austin Williams, "7 Influential Teachers of Our Time",
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1991 Elected Hall of Fame, Pastel Society of America
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Ballantine Books. 1987. pp. preface. 655:: CS1 maint: multiple names: authors list ( 308:1994 Clara Stroud Memorial, AWS Annual, NYC 299:1997 Mario Cooper Award, The AWS Annual, NYC 391:Maureen Bloomfield, "Masters and Mentors", 538:, Society of Illustrators, Walt Read 2001 493:Charles Offin, "Burton Silverman at Far", 20: 880:The High School of Music & Art alumni 435:Ira Goldberg, "In search of the Humane", 314:1991 The High Winds Medal, AWS Annual NYC 302:1996 Clara Stroud Memorial, The AWS, NYC 775:McGrath, Silverman and Saietta (1999). 611: 895:Art Students League of New York alumni 648: 370:————, "Art for Pablo Picasso's Sake", 536:The Illustrator in America, 1860-2000 479:Michael Ward, "Letter From a Guest", 439:, The Art Student's League, Fall 2011 7: 472:Joseph Keiffer, "Burton Silverman", 762:Burton Silverman: Sight and Insight 905:20th-century American male artists 885:Columbia College (New York) alumni 870:21st-century American male artists 760:Mathias Anderson (February 2007). 61:The High School of Music & Art 14: 428:Adam Van Doren, "Realism Redux", 575:Breaking the Rules of Watercolor 419:John O'Hern, "Everyday People", 263:Face Lifetime Achievement Award 865:21st-century American painters 855:20th-century American painters 619:Bradway, Rich (July 2, 2020). 356:————, "What makes Art Great", 1: 16:American painter (born 1928) 34:1928 (age 95–96) 921: 805:www.americanmastersart.com 670:"25 Artists of Tomorrow". 577:, Watson Guptill, NY 1981 517:Naked: The Nude in America 363:————, "Homage to Eakins", 335:Family and Museum Magazine 184: 674:. No. December 2012. 486:Steven Heller, "Review", 342:Fine Art Connoisseur 162:Academy of Art University 779:. Madison Square Press. 166:Brigham Young University 25:Burton Phillip Silverman 764:. Fine Art Connoisseur. 564:, Watson Guptill, 1977 474:American Arts Quarterly 358:American Arts Quarterly 211:Society of Illustrators 140:is an American artist. 900:Pratt Institute alumni 890:Painters from Brooklyn 860:American male painters 625:Norman Rockwell Museum 198:Montgomery bus boycott 187:Montgomery bus boycott 181:Montgomery bus boycott 164:in San Francisco, and 481:The Artist's Magazine 386:The Artist's Magazine 350:The Artist's Magazine 519:, Dykstra, Bram 2010 461:Fine Art Connoisseur 451:Fine Art Connoisseur 400:Fine Art Connoisseur 811:on October 9, 2016. 422:American Art Review 154:Art Students League 152:and studied at the 75:Columbia University 65:Art Students League 511:Books by Silverman 506:, February 2, 1962 503:The New York Times 344:, July–August 2017 222:Sports Illustrated 193:Harvey Dinnerstein 709:Salt Lake Tribune 463:, March-Apr. 2007 258:Awards since 1990 135: 134: 114:Classical Realism 912: 831: 830: 828:Official website 813: 812: 807:. 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Index

Brooklyn
New York City
The High School of Music & Art
Art Students League
Columbia University
Painting
drawing
Aqualung
Classical Realism
www.burtonsilverman.com
Columbia College
Art Students League
Pratt Institute
Academy of Art University
Brigham Young University
Montgomery bus boycott
Harvey Dinnerstein
Montgomery bus boycott
Society of Illustrators
Time
Sports Illustrated
Esquire
Jethro Tull
Aqualung
Cy Twombly
The Artist's Magazine
American Art Review
The New York Times
ISBN
0-8425-2645-5

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