527:
making session, lunch, chat, and newspaper interview, all "choreographed" into one event by Tamano, she ordered the student, in broken
English, "Do interview." The new student was interviewed, without informing the reporter that the student had no knowledge what butoh was. The improvised information was published, "defining" butoh for the area public. Tamano then informed the student that the interview itself was butoh, and that was the lesson. Such "seditious acts," or pranks in the context of chaos, are butoh.
213:. The art form is known to "resist fixity" and is difficult to define; notably, founder Hijikata Tatsumi viewed the formalisation of butoh with "distress". Common features of the art form include playful and grotesque imagery, taboo topics, and extreme or absurd environments. It is traditionally performed in white body makeup with slow hyper-controlled motion. However, with time butoh groups are increasingly being formed around the world, with their various aesthetic ideals and intentions.
531:
Tatsumi did have a substantive methodical body of movement techniques called Butoh Fu. Butoh Fu can be described as a series of cues largely based on incorporating visualizations that directly affect the nervous system, producing qualities of movement that are then used to construct the form and expression of the dance. This mode of engaging the nervous system directly has much in common with other mimetic techniques to be found in the history of dance, such as
519:
drunks, a restaurant so camouflaged by dark and filth it easily escapes notice. But when the restaurant is full and bustling, there is a kind of theater that happens inside…" Butoh frequently occurs in areas of extremes of the human condition, such as skid rows, or extreme physical environments, such as a cave with no audience, remote
Japanese cemetery, or hanging by ropes from a skyscraper in front of the Washington Monument.
719:
45:
586:
Artist in
Residency; NY Butoh Kan Training Initiative which turned into the NY Butoh Kan Teaching Residency and now is called LEIMAY Ludus Training). A key element of LEIMAY's work has become transformation of specific spaces. In this way, the space – at times a body, environment or object – and the body – at times dancer, actor, performer or object – are fundamental to LEIMAY's work.
665:
582:
Company (Sweden), Marie-Gabrielle Rotie, Kitt
Johnson (Denmark), Vangeline (France), and Katharina Vogel (Switzerland). Such practitioners in Europe aim to go back to the original aims of Hijikata and Ohno and go beyond the tendency to imitate a ' master' and instead search within their own bodies and histories for 'the body that has not been robbed' (Hijikata).
623:. They designed all of their costumes, props, puppets, and site-specific installations, while collaborating with live musicians such as Sharkbait, Hollow Earth, Haunted by Waters, and Mandible Chatter. In 1996, they were featured at The International Performance Art Festival and also performed at Asian American Dance Performances, San Francisco Butoh Festival,
222:
142:
153:
441:
and, therefore, a "method" emerged. Both Mikami Kayo and Maro Akaji have stated that
Hijikata exhorted his disciples not to imitate his own dance when they left to create their own butoh dance groups. If this is the case, then his words make sense: There are as many types of butoh as there are butoh choreographers.
518:
article "The
Bizarre World of Butoh" was about former sushi restaurant Country Station, in which Koichi Tamano was "chef" and Hiroko Tamano "manager". The article begins, "There's a dirty corner of Mission Street, where a sushi restaurant called Country Station shares space with hoodlums and homeless
374:
Students of these two artists have been known to highlight the differing orientations of their masters. While
Hijikata was a fearsome technician of the nervous system influencing input strategies and artists working in groups, Ohno is thought of as a more natural, individual, and nurturing figure who
526:
slow Butoh". The Tamano's home seconds as a "dance" studio, with any room or portion of yard potentially used. When a completely new student arrived for a workshop in 1989 and found a chaotic simultaneous photo shoot, dress rehearsal for a performance at
Berkeley's Zellerbach Hall, workshop, costume
476:
Most exercises from Japan (with the exception of much of Ohno Kazuo's work) have specific body shapes or general postures assigned to them, while almost none of the exercises from
Western butoh dancers have specific shapes. This seems to point to a general trend in the West that butoh is not seen as
472:
Conventional butoh exercises sometimes cause great duress or pain but, as
Kurihara points out, pain, starvation, and sleep deprivation were all part of life under Hijikata's method, which may have helped the dancers access a movement space where the movement cues had terrific power. It is also worth
581:
More notable European practitioners, who have worked with butoh and avoided the stereotyped 'butoh' languages which some European practitioners tend to adopt, take their work out of the sometimes closed world of 'touring butoh' and into the international dance and theatre scenes include SU-EN Butoh
530:
While many approaches to defining butoh—as with any performative tradition—will focus on formalism or semantic layers, another approach is to focus on physical technique. While butoh does not have a codified classical technique rigidly adhered to within an authoritative controlled lineage, Hijikata
468:
Most butoh exercises use image work to varying degrees: from the razorblades and insects of Ankoku Butoh, to Dairakudakan's threads and water jets, to Seiryukai's rod in the body. There is a general trend toward the body as "being moved", from an internal or external source, rather than consciously
440:
Hijikata is often quoted saying what opposition he had to a codified dance: "Since I believe neither in a dance teaching method nor in controlling movement, I do not teach in this manner." However, in the pursuit and development of his own work, it is only natural that a "Hijikata" style of working
585:
LEIMAY (Brooklyn) emerged 1996-2005 from the creative work of Shige Moriya, Ximena Garnica, Juan Merchan, and Zachary Model at the space known as CAVE. LEIMAY has organized and run diverse programs including, the NY Butoh Kan Training Initiative which later became the NY Butoh Festival; Vietnamese
378:
Starting in the early 1980s, butoh experienced a renaissance as butoh groups began performing outside Japan for the first time; at this time the style was marked by "full body paint (white or dark or gold), near or complete nudity, shaved heads, grotesque costumes, clawed hands, rolled-up eyes and
492:
I have never heard of a butoh dancer entering a competition. Every butoh performance itself is an ultimate expression; there are not and cannot be second or third places. If butoh dancers were content with less than the ultimate, they would not be actually dancing butoh, for real butoh, like real
417:
There is much discussion about who should receive the credit for creating butoh. As artists worked to create new art in all disciplines after World War II, Japanese artists and thinkers emerged from economic and social challenges that produced an energy and renewal of artists, dancers, painters,
484:
The trend toward form is apparent in several Japanese dance groups, who recycle Hijikata's shapes and present butoh that is only body-shapes and choreography which would lead butoh closer to contemporary dance or performance art than anything else. A good example of this is Torifune Butoh-sha's
453:
established in Palermo, Italy where she founded the International Butoh Academy at the presence of master and butoh founder Yoshito Ohno. Sayoko Onishi and Yoshito Ohno are credited as being the first butoh choreographers to speak about New Butoh style. The academy name was changed to New Butoh
642:
founded the Flesh & Blood Mystery Theater to spread the art of butoh. Performing throughout the United States, Flesh & Blood Mystery Theater was a regular participant in the San Francisco Butoh Festival of which DeNatale was an Associate Producer. DeNatale's other butoh credits include
435:
While 'Ankoku Butoh' can be said to have possessed a very precise method and philosophy (perhaps it could be called 'inherited butoh'), I regard present-day butoh as a 'tendency' that depends not only on Hijikata's philosophical legacy but also on the development of new and diverse modes of
480:
Hijikata did in fact stress feeling through form in his dance, saying, "Life catches up with form," which in no way suggests that his dance was mere form. Ohno, though, comes from the other direction: "Form comes of itself, only insofar as there is a spiritual content to begin with."
600:, is the first indigenous and native-born African butoh performer. She invented a style called "Butoh-vocal theatre" which incorporates singing, talking, mudras, sign language, spoken word, and experimental vocalizations with butoh after the traditional dance styles of the
245:. Thus, he sought to "turn away from the Western styles of dance, ballet and modern", and to create a new aesthetic that embraced the "squat, earthbound physique... and the natural movements of the common folk". This desire found form in the early movement of "ankoku butō"
294:
being held between the legs of Kazuo Ohno's son Yoshito Ohno, after which Hijikata chased Yoshito off the stage in darkness. Mainly as a result of the audience outrage over this piece, Hijikata was banned from the festival, establishing him as an
241:, "in the protective shadow of the 1950s and 1960s avant-garde". A key impetus of the art form was a reaction against the Japanese dance scene then, which Hijikata felt was overly based on imitating the West and following traditional styles like
156:
161:
159:
155:
154:
160:
339:, he delved into grotesquerie, darkness, and decay. At the same time, Hijikata explored the transmutation of the human body into other forms, such as those of animals. He also developed a poetic and surreal choreographic language,
650:
redesigned Butoh Natyam with the blend of Indian classical dance Bharatanayam with the pedagogy of butoh and presented/performed across 200 shows in India. in later years Patruni also used Butoh as a part of their drag practice.
367:, Ohno is regarded as "the soul of butoh", while Hijikata is seen as "the architect of butoh". Hijikata and Ohno later developed their own styles of teaching. Students of each style went on to create different groups such as
477:
specific movement cues with shapes assigned to them such as Ankoku Butoh or Dairakudakan's technique work, but rather that butoh is a certain state of mind or feeling that influences the body directly or indirectly.
158:
1025:
began incorporating Butoh-inspired choreography into her live performances, including "highly stylized, sometimes unsettling gestures," developed with performance artist and movement coach Monica Mirabile.
615:
Performance Troupe (San Francisco) was established and co-founded by Indra Lowenstein and Terrance Graven in 1992 and was active until 2001. They were a movement-based troupe that incorporated butoh,
547:
Teachers influenced by more Hijikata style approaches tend to use highly elaborate visualizations that can be highly mimetic, theatrical, and expressive. Teachers of this style include Waguri,
532:
379:
mouths opened in silent screams." Sankai Juku was a touring butoh group; during one performance by Sankai Juku, in which the performers hung upside down from ropes from a tall building in
316:
to describe his dance. He later changed the word "buyo", filled with associations of Japanese classical dance, to "butoh", a long-discarded word for dance that originally meant European
383:, one of the ropes broke, resulting in the death of a performer. The footage was played on national news, and butoh became more widely known in America through the tragedy. A
431:, and Teru Goi. Although all manner of systematic thinking about butoh dance can be found, perhaps Iwana Masaki most accurately sums up the variety of butoh styles:
157:
255:. The term means "dance of darkness", and the form was built on a vocabulary of "crude physical gestures and uncouth habits... a direct assault on the refinement (
891:
The role was mostly performed as dance. The film has remained largely unseen in Japan for forty years because it was viewed as insensitive to the handicapped.
554:
There have been many unique groups and performance companies influenced by the movements created by Hijikata and Ohno, ranging from the highly minimalist of
2308:
2022:
1980:
679:
2060:
975:
1954:
1904:
2321:
727:
984:
cited the dance form as an inspiration for his animalistic portrayal of the villain Francis Dolarhyde (the "Red Dragon") in the third season of
855:
1614:
1352:
1324:
1305:
421:
A number of people with few formal connections to Hijikata began to call their own idiosyncratic dance "butoh". Among these are Iwana Masaki
2429:
675:
1874:
522:
Hiroko Tamano considers modeling for artists to be butoh, in which she poses in "impossible" positions held for hours, which she calls "
323:
In later work, Hijikata continued to subvert conventional notions of dance. Inspired by writers such as Yukio Mishima (as noted above),
1858:
1739:
1717:
1567:
128:
1589:
2353:
1549:
698:
643:
performing in the film Oakland Underground (2006) and touring Germany and Poland with Ex…it! ' 99 International Dance Festival.
2236:
1056:
628:
2250:
399:
66:
1530:
363:
with Tatsumi Hijikata was the beginning of what now is regarded as "butoh". In Nourit Masson-Sékiné and Jean Viala's book
2309:
https://www.theguardian.com/music/2022/jan/18/blackhaine-the-bleak-brilliant-lancashire-rapper-dancer-hired-by-kanye-west
2023:
https://www.theguardian.com/music/2022/jan/18/blackhaine-the-bleak-brilliant-lancashire-rapper-dancer-hired-by-kanye-west
694:
1377:
2339:
690:
1955:
https://www.telegraphindia.com/my-kolkata/people/patruni-sastry-the-dancer-who-brought-drag-to-hyderabad/cid/1946447
822:, wearing butoh-style face paint and performing bodily movements/facial expressions similar to those found in butoh.
109:
473:
noting that Hijikata's movement cues are, in general, much more visceral and complicated than anything else since.
1922:
387:
documentary of a butoh performance in a cave without an audience further broadened awareness of butoh in America.
81:
55:
849:
778:
The Finnish band Black Crucifixion's 2013 "Millions of Twigs Guide Your Way Through the Forest" features Ken Mai.
2158:
2064:
2036:"Midnight Eye review: The Horror of Malformed Men (Edogawa Rampo Zenshu Kyofu Kikei Ningen, 1969, Teruo ISHII)"
981:
886:
395:
2403:
1836:
436:
expression. The 'tendency' that I speak of involved extricating the pure life which is dormant in our bodies.
88:
801:
324:
469:
moving a body part. A certain element of "control vs. uncontrol" is present through many of the exercises.
1994:
1908:
1774:
1283:
964:
762:
539:'s rhythm and density within movement, and Zeami Motokiyo's qualitative descriptions for character types.
62:
2085:
Through A Glass Darkly: Exclusive interview with director Shimizu Takashi from the UK special edition DVD
1642:. Tokyo: The Japan Foundation, 1985; Viala, Jean. Butoh: Shades of Darkness. Tokyo: Shufunotomo, 1988.
2184:
2095:
1804:
1044:
1014:
758:
33:
1110:
1061:
972:
on a journey to Japan to grieve for his wife and develops an understanding of Butoh style performance.
166:
95:
1253:
1185:
1461:
Sanders, Vicki (Autumn 1988). "Dancing and the Dark Soul of Japan: An Aesthetic Analysis of "Butō"".
1434:
Sanders, Vicki (Autumn 1988). "Dancing and the Dark Soul of Japan: An Aesthetic Analysis of "Butō"".
1407:
Sanders, Vicki (Autumn 1988). "Dancing and the Dark Soul of Japan: An Aesthetic Analysis of "Butō"".
1258:
1150:
1130:
986:
829:
548:
1180:
1205:
1080:
839:
781:
1210:
1200:
1175:
1135:
559:
503:
77:
2358:
2137:
2123:
2113:
1470:
1443:
1416:
1278:
1273:
1190:
1145:
723:
287:
1195:
536:
2399:
1882:
1679:
Coelho, Abel. "A Compilation of Butoh Exercises" Honolulu: U H Dept. of Theatre and Dance 2008
1268:
1348:
1320:
1301:
951:
913:
866:
488:
Iwana Masaki, a butoh dancer whose work shies away from all elements of choreography, states:
197:
dance theatre that encompasses a diverse range of activities, techniques and motivations for
1125:
933:
819:
624:
589:
317:
303:
279:
271:
234:
206:
1966:
1855:
1747:
1725:
1575:
2424:
1862:
1840:
1492:
The Most Remote Thing in the Universe: Critical Analysis of Hijikata Tatsumi's Butoh Dance
1248:
1105:
922:
578:, Denise Fujiwara, incorporate butoh in their dance or have launched butoh dance troupes.
571:
406:
336:
959:
551:, Minako Seki and Koichi and Hiroko Tamano, founders of Harupin-Ha Butoh Dance Company.
2419:
1263:
1165:
1095:
1090:
1085:
811:
772:
647:
593:
455:
328:
275:
1314:
2413:
1115:
949:
movie genre, forming the basis for the appearance of the ghosts in seminal 2002 film
900:
878:
874:
795:
574:(or members of the Japanese diaspora), such as Japanese Canadians Jay Hirabayashi of
450:
391:
283:
2354:"Theatre: Bringing the performing art form butoh to Bengaluru | Bengaluru News"
2035:
1160:
1100:
1052:
1038:
938:
825:
639:
597:
575:
230:
202:
102:
718:
1298:
Butoh dance training : secrets of Japanese dance through the Alishina method
930:
in 2000, the dance moves of the hidden boss character Pander are based on Butoh.
510:
variably categorizes butoh as dance, theater, "kitchen," or "seditious act." The
1140:
1009:
927:
908:
882:
870:
807:
768:
739:
632:
555:
368:
180:
44:
306:) "Dance Experience". In the early 1960s, Hijikata used the term "Ankoku-Buyou"
2011:
1238:
1170:
1155:
895:
845:
835:
601:
360:
332:
296:
238:
210:
146:
1233:
409:, which attempts to be dedicated to regular professional butoh performances.
1120:
791:
787:
558:
to very theatrically explosive and carnivalesque performance of groups like
1930:
1008:
Butoh dancers play the coven of witches featured in the climax of the 2015
205:, butoh arose in 1959 through collaborations between its two key founders,
2296:"Bodies heading for the north: A dialogue with butoh dancer Bishop Yamada"
1342:
1243:
994:
946:
832:" by director Dave Ma with movement choreography by Marie-Gabrielle Rotie
605:
506:
has written that butoh is defined by its very evasion of definition. The
2251:"'RuPaul's Drag Race' Season 16, Episode 8 power ranking: Comic Ru-lief"
1474:
1447:
1420:
1055:
created an outfit inspired by Butoh for the Dancing Queen runway on the
221:
2142:
2118:
969:
722:
Jay Hirabayashi performs a butoh dance piece in memory of his parents,
616:
380:
291:
141:
2295:
2384:: photography, text and information about butoh in English and German
1022:
815:
627:, The Los Angeles County Exposition (L.A.C.E.), Stanford University,
620:
635:, and various other venues creating multi-media dance performances.
17:
2276:
2393:
1905:""Art/Trek NYC - Edoheart", NYC Media, The City of New York, 2012"
1833:
1504:
1036:
Choreography by Marie-Gabrielle Rotie for the Robert Eggers films
717:
220:
198:
194:
151:
140:
2387:
459:
997:-based artist, KETTLE, attributes their performance art pieces,
371:, a Japanese dance troupe well known to fans in North America.
2211:
1228:
658:
384:
242:
38:
1812:
1029:
Butoh dance is a recurring theme in the 2020 Taiwanese movie
2138:"The Australian National Anthem, by KETTLE (2001), Brisbane"
454:
School in 2007. In 2018 the New Butoh School established in
2375:
1494:. Diss. New York U, 1996. Ann Arbor: UMI, 1996. 9706275
747:
356:, to help the dancer transform into other states of being.
1319:(ebook ed.). London: Jessica Kingsley. 21 July 2015.
1223:
1844:
945:
The influence of Butoh has also been felt heavily in the
1981:"Integrating Bharatanatyam and Japan's Butoh with grace"
1695:. Trans. John Barrett. Middletown: Wesleyan U P, 2004.
1615:"World's first dedicated Butoh theater to open in Kyoto"
1486:
1484:
804:'s song "Something About Ghosts" features Gyohei Zaitsu
686:
2381:
1590:"New butoh venue aims for intimacy | The Japan Times"
1760:"Bizarre and Beautiful Butoh at Lab", Allan Ulrich,
1640:
An Overview of the Contemporary Japanese Dance Scene
917:
features performance choreographed by Yoshito Ohno.
1794:, Mark Holburn and Ethan Hoffman, Sadev Books, 1987
1712:
1710:
69:. Unsourced material may be challenged and removed.
1568:""The Dance: Sankai Juku Opens", Anna Kisselgoff,
2237:"Wrath of Desire Movie Behind the Scenes: Dance"
978:, the musical project of Anna-Varney Cantodea.
936:used Butoh movement for actors in the 2001 film
730:event in Seattle, Washington, February 22, 2014.
302:The earliest butoh performances were called (in
1021:In 2019, Japanese-American indie rock musician
856:Vegyn - "Nauseous / Devilish (feat. JPEGMAFIA)"
405:There is a theatre in Kyoto, Japan, called the
186:
2061:"Reviews: HORRORS OF MALFORMED MEN DVD Review"
1775:""The Bizarre World of Butoh", Bernice Yeung,
424:
345:
309:
248:
178:
1856:"Nigeriansk Butoh", Anna, Swedish Palms, 2011
1675:
1673:
1402:
1400:
1398:
402:, in an international religious celebration.
8:
2191:. No. July 8 & 15, 2019. Condé Nast
1995:"Video Premiere: MACHINE HEAD's 'Catharsis'"
1687:
1685:
1658:. Tokyo: Butoh Kenkyuu-jo Hakutou-kan, 2002.
2012:https://www.youtube.com/watch?v=iqX1I8ql0XA
742:featuring Butoh or butoh-style performance
418:musicians, writers, and all other artists.
1693:Kazuo Ohno's World from Without and Within
976:Sopor Aeternus and the Ensemble of Shadows
514:describes butoh as "unclassifiable". The
233:Japan in 1959, under the collaboration of
1550:"'Crazy Camel' helps butoh over the hump"
129:Learn how and when to remove this message
1650:
1648:
359:The work developed beginning in 1960 by
2114:"Otherwise, by KETTLE (2001), Brisbane"
1950:
1948:
1368:
2212:"Mitski on Austin City Limits "Happy""
2126:from the original on 21 December 2021.
1656:The Dance and Thoughts of Masaki Iwana
1300:(paperback ed.). Singing Dragon.
904:features scenes of Butoh performance.
535:'s range of nervous system qualities,
493:life itself, cannot be given rankings.
201:, performance, or movement. Following
2210:Austin City Limits (9 January 2020).
1779:, July 17-23, 2002, cover and p15-22"
873:hired Hijikata to play the role of a
604:of West Africa. She is also known as
263:) so valued in Japanese aesthetics."
7:
2320:Murthy, Neeraja (21 December 2018).
1347:. St Nicholas-at-Wade: Ozaru Books.
67:adding citations to reliable sources
1529:Loke, Margarett (1 November 1987).
1740:""Dance Kitchen", Dustin Leavitt,
1548:Tanaka, Nobuko (23 January 2016).
689:by removing the content or adding
25:
754:featuring Marie-Gabrielle Rotie
394:performed atop the giant drum of
2322:"Memories carved out of shadows"
2183:Talbot, Margaret (8 July 2019).
1718:"Dance Kitchen, Dustin Leavitt,
926:, a video game released for the
663:
43:
2157:Horn, Olivia (20 August 2020).
1834:http://www.rotieproductions.com
1691:Ohno, Kazuo and Yoshito Ohno.
685:Please help Knowledge (XXG) to
629:Yerba Buena Center for the Arts
54:needs additional citations for
1341:Mikami, Kayo (12 April 2016).
1003:The Australian National Anthem
619:, ecstatic trance states, and
400:Grace Cathedral, San Francisco
268:Forbidden Colors (禁色, Kinjiki)
1:
1805:"LINE掲示板は危険※安全なＬＩＮＥ交換方法はコレだ！"
1051:Taiwanese-American performer
726:and Esther Hirabayashi, at a
354:means "notation" in Japanese)
278:in 1959. It was based on the
229:Butoh first appeared in post-
27:Post-WWII Japanese dance form
2159:"Mitski Shows Off Her Moves"
596:and royal descendant of the
2430:Nudity in theatre and dance
850:Be Right Now / We Walk Away
794:" features the band member
286:. It explored the taboo of
187:
2446:
2277:"Butoh with Juju Alishina"
1531:"Butoh: Dance of Darkness"
814:features women dressed in
31:
2404:Google Arts & Culture
2185:"On the Road with Mitski"
1378:"Butoh, Bodies and Being"
1290:General and cited sources
1059:"Snatch Game" episode of
631:, the beginning years at
425:
375:influenced solo artists.
346:
310:
249:
179:
2340:"Dancing in the shadows"
887:Horrors of Malformed Men
655:Butoh in popular culture
396:San Francisco Taiko Dojo
2388:Hokkaido Butoh Festival
2096:"'Hannibal' Red Dragon"
1296:Alishina, Juju (2015).
266:The first butoh piece,
2100:The Hollywood Reporter
1845:http://www.butohuk.com
1762:San Francisco Examiner
763:Nothing Really Matters
731:
512:San Francisco Examiner
495:
438:
290:and ended with a live
280:novel of the same name
259:) and understatement (
226:
170:
149:
2281:www.dansejaponaise.fr
1875:"Performance Studies"
1463:Asian Theatre Journal
1436:Asian Theatre Journal
1409:Asian Theatre Journal
1224:Marie-Gabrielle Rotie
862:Other popular culture
721:
490:
433:
224:
164:
144:
34:Buto (disambiguation)
2067:on 14 September 2009
1777:San Francisco Weekly
1638:Kuniyoshi, Kazuko.
1344:The Body as a Vessel
1316:Butoh Dance Training
1284:Natalia Zhestovskaya
968:features a Bavarian
784:'s song "Catharsis".
687:improve this article
592:, a princess of the
390:In the early 1990s,
325:Comte de Lautréamont
314:, dance of darkness)
63:improve this article
32:For other uses, see
2040:www.midnighteye.com
1983:. 24 December 2018.
1667:quoted in Viala 186
1490:Kurihara, Nanako.
1376:Waychoff, Brianne.
840:Belong to the World
699:independent sources
2400:Torifune Butoh-sha
2359:The Times of India
2342:. 10 January 2016.
2257:. 25 February 2024
2163:The New York Times
2122:. 26 August 2006.
2001:. 8 December 2018.
1911:on 4 October 2013.
1885:on 12 October 2013
1861:2013-10-05 at the
1839:2019-02-12 at the
1815:on 20 October 2018
1809:www.harupin-ha.org
1535:The New York Times
1191:Atsushi Takenouchi
1062:RuPaul's Drag Race
1005:(2001), to Butoh.
732:
728:Day of Remembrance
365:Shades of Darkness
227:
171:
150:
2146:. 26 August 2006.
1967:"Patruni's Story"
1927:www.ipccalgary.ca
1354:978-0-9931587-4-2
1326:978-0-85701-226-5
1307:978-1-84819-276-8
1111:Mushimaru Fujieda
952:Ju-on: The Grudge
898:documentary film
867:Exploitation film
716:
715:
274:, premiered at a
167:Mushimaru Fujieda
162:
139:
138:
131:
113:
16:(Redirected from
2437:
2394:New Butoh School
2364:
2363:
2362:. February 2017.
2350:
2344:
2343:
2336:
2330:
2329:
2317:
2311:
2306:
2300:
2299:
2291:
2285:
2284:
2273:
2267:
2266:
2264:
2262:
2247:
2241:
2240:
2233:
2227:
2226:
2224:
2222:
2207:
2201:
2200:
2198:
2196:
2180:
2174:
2173:
2171:
2169:
2154:
2148:
2147:
2134:
2128:
2127:
2110:
2104:
2103:
2092:
2086:
2083:
2077:
2076:
2074:
2072:
2063:. Archived from
2057:
2051:
2050:
2048:
2046:
2031:
2025:
2020:
2014:
2009:
2003:
2002:
1991:
1985:
1984:
1977:
1971:
1970:
1969:. 19 April 2022.
1963:
1957:
1952:
1943:
1942:
1940:
1938:
1933:on 28 March 2016
1929:. Archived from
1919:
1913:
1912:
1907:. Archived from
1901:
1895:
1894:
1892:
1890:
1881:. Archived from
1871:
1865:
1853:
1847:
1831:
1825:
1824:
1822:
1820:
1811:. Archived from
1801:
1795:
1789:
1783:
1782:
1771:
1765:
1758:
1752:
1751:
1746:. Archived from
1736:
1730:
1729:
1724:. Archived from
1714:
1705:
1702:
1696:
1689:
1680:
1677:
1668:
1665:
1659:
1652:
1643:
1636:
1630:
1629:
1627:
1625:
1611:
1605:
1604:
1602:
1600:
1586:
1580:
1579:
1574:. Archived from
1564:
1558:
1557:
1545:
1539:
1538:
1526:
1520:
1519:
1517:
1515:
1501:
1495:
1488:
1479:
1478:
1458:
1452:
1451:
1431:
1425:
1424:
1404:
1393:
1392:
1390:
1388:
1373:
1358:
1337:
1335:
1333:
1311:
1254:Grigory Glazunov
1186:Minoru Hideshima
1126:Tatsumi Hijikata
982:Richard Armitage
934:Kiyoshi Kurosawa
877:-like reclusive
748:'Come Kali Come'
746:Lebanon Hanover
711:
708:
702:
667:
666:
659:
625:Theatre of Yugen
590:Eseohe Arhebamen
430:
428:
427:
355:
349:
348:
318:ballroom dancing
315:
313:
312:
272:Tatsumi Hijikata
254:
252:
251:
235:Tatsumi Hijikata
225:Butoh performers
207:Tatsumi Hijikata
192:
190:
184:
183:
163:
134:
127:
123:
120:
114:
112:
71:
47:
39:
21:
2445:
2444:
2440:
2439:
2438:
2436:
2435:
2434:
2410:
2409:
2373:
2368:
2367:
2352:
2351:
2347:
2338:
2337:
2333:
2319:
2318:
2314:
2307:
2303:
2293:
2292:
2288:
2275:
2274:
2270:
2260:
2258:
2249:
2248:
2244:
2235:
2234:
2230:
2220:
2218:
2209:
2208:
2204:
2194:
2192:
2182:
2181:
2177:
2167:
2165:
2156:
2155:
2151:
2136:
2135:
2131:
2112:
2111:
2107:
2102:. 24 July 2015.
2094:
2093:
2089:
2084:
2080:
2070:
2068:
2059:
2058:
2054:
2044:
2042:
2033:
2032:
2028:
2021:
2017:
2010:
2006:
1993:
1992:
1988:
1979:
1978:
1974:
1965:
1964:
1960:
1953:
1946:
1936:
1934:
1921:
1920:
1916:
1903:
1902:
1898:
1888:
1886:
1873:
1872:
1868:
1863:Wayback Machine
1854:
1850:
1841:Wayback Machine
1832:
1828:
1818:
1816:
1803:
1802:
1798:
1790:
1786:
1773:
1772:
1768:
1759:
1755:
1750:on 4 July 2008.
1738:
1737:
1733:
1728:on 4 July 2008.
1716:
1715:
1708:
1703:
1699:
1690:
1683:
1678:
1671:
1666:
1662:
1654:Iwana, Masaki.
1653:
1646:
1637:
1633:
1623:
1621:
1613:
1612:
1608:
1598:
1596:
1594:The Japan Times
1588:
1587:
1583:
1578:on 4 July 2008.
1566:
1565:
1561:
1554:The Japan Times
1547:
1546:
1542:
1528:
1527:
1523:
1513:
1511:
1503:
1502:
1498:
1489:
1482:
1460:
1459:
1455:
1433:
1432:
1428:
1406:
1405:
1396:
1386:
1384:
1375:
1374:
1370:
1365:
1355:
1340:
1331:
1329:
1327:
1313:
1308:
1295:
1292:
1259:Andrada Jichici
1249:Maureen Fleming
1220:
1215:
1131:Mitsutaka Ishii
1106:Maureen Fleming
1096:Eiko & Koma
1076:
1071:
1031:Wrath of Desire
965:Cherry Blossoms
923:Bust A Groove 2
864:
820:blackened teeth
737:
712:
706:
703:
684:
680:popular culture
668:
664:
657:
568:
549:Yumiko Yoshioka
545:
500:
466:
464:Butoh exercises
447:
422:
415:
407:Kyoto Butoh-kan
343:
337:Marquis de Sade
307:
246:
219:
176:
152:
135:
124:
118:
115:
72:
70:
60:
48:
37:
28:
23:
22:
15:
12:
11:
5:
2443:
2441:
2433:
2432:
2427:
2422:
2412:
2411:
2408:
2407:
2397:
2391:
2385:
2372:
2371:External links
2369:
2366:
2365:
2345:
2331:
2312:
2301:
2286:
2268:
2242:
2228:
2202:
2189:The New Yorker
2175:
2149:
2129:
2105:
2087:
2078:
2052:
2026:
2015:
2004:
1986:
1972:
1958:
1944:
1914:
1896:
1866:
1848:
1826:
1796:
1784:
1766:
1764:, Dec 1, 1989.
1753:
1731:
1706:
1697:
1681:
1669:
1660:
1644:
1631:
1606:
1581:
1570:New York Times
1559:
1540:
1521:
1505:"Publications"
1496:
1480:
1453:
1442:(2): 148–163.
1426:
1394:
1367:
1366:
1364:
1361:
1360:
1359:
1353:
1338:
1325:
1306:
1291:
1288:
1287:
1286:
1281:
1276:
1271:
1266:
1264:Patruni Sastry
1261:
1256:
1251:
1246:
1241:
1236:
1234:Katarina Vogel
1231:
1226:
1219:
1216:
1214:
1213:
1208:
1203:
1198:
1193:
1188:
1183:
1181:Mitsuyo Uesugi
1178:
1173:
1168:
1166:Nakajima Natsu
1163:
1158:
1153:
1148:
1143:
1138:
1133:
1128:
1123:
1118:
1113:
1108:
1103:
1098:
1093:
1091:Carlotta Ikeda
1088:
1086:Ushio Amagatsu
1083:
1077:
1075:
1072:
1070:
1067:
863:
860:
859:
858:
853:
843:
833:
823:
805:
799:
785:
779:
776:
773:Musik non stop
766:
752:
751:
736:
733:
714:
713:
678:references to
671:
669:
662:
656:
653:
648:Patruni Sastry
594:Kingdom of Ugu
567:
564:
544:
541:
499:
498:Defining butoh
496:
485:recent works.
465:
462:
456:Ruvo di Puglia
446:
443:
414:
411:
329:Antonin Artaud
276:dance festival
218:
215:
169:Butoh workshop
137:
136:
51:
49:
42:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2442:
2431:
2428:
2426:
2423:
2421:
2418:
2417:
2415:
2405:
2401:
2398:
2395:
2392:
2389:
2386:
2383:
2380:
2379:
2378:
2377:
2370:
2361:
2360:
2355:
2349:
2346:
2341:
2335:
2332:
2327:
2323:
2316:
2313:
2310:
2305:
2302:
2297:
2290:
2287:
2282:
2278:
2272:
2269:
2256:
2255:Xtra Magazine
2252:
2246:
2243:
2238:
2232:
2229:
2217:
2213:
2206:
2203:
2190:
2186:
2179:
2176:
2164:
2160:
2153:
2150:
2145:
2144:
2139:
2133:
2130:
2125:
2121:
2120:
2115:
2109:
2106:
2101:
2097:
2091:
2088:
2082:
2079:
2066:
2062:
2056:
2053:
2041:
2037:
2030:
2027:
2024:
2019:
2016:
2013:
2008:
2005:
2000:
1996:
1990:
1987:
1982:
1976:
1973:
1968:
1962:
1959:
1956:
1951:
1949:
1945:
1932:
1928:
1924:
1918:
1915:
1910:
1906:
1900:
1897:
1884:
1880:
1876:
1870:
1867:
1864:
1860:
1857:
1852:
1849:
1846:
1842:
1838:
1835:
1830:
1827:
1814:
1810:
1806:
1800:
1797:
1793:
1788:
1785:
1780:
1778:
1770:
1767:
1763:
1757:
1754:
1749:
1745:
1743:
1742:Kyoto Journal
1735:
1732:
1727:
1723:
1721:
1720:Kyoto Journal
1713:
1711:
1707:
1701:
1698:
1694:
1688:
1686:
1682:
1676:
1674:
1670:
1664:
1661:
1657:
1651:
1649:
1645:
1641:
1635:
1632:
1620:
1616:
1610:
1607:
1595:
1591:
1585:
1582:
1577:
1573:
1571:
1563:
1560:
1555:
1551:
1544:
1541:
1536:
1532:
1525:
1522:
1510:
1506:
1500:
1497:
1493:
1487:
1485:
1481:
1476:
1472:
1468:
1464:
1457:
1454:
1449:
1445:
1441:
1437:
1430:
1427:
1422:
1418:
1414:
1410:
1403:
1401:
1399:
1395:
1383:
1379:
1372:
1369:
1362:
1356:
1350:
1346:
1345:
1339:
1328:
1322:
1318:
1317:
1309:
1303:
1299:
1294:
1293:
1289:
1285:
1282:
1280:
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1260:
1257:
1255:
1252:
1250:
1247:
1245:
1242:
1240:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1221:
1217:
1212:
1209:
1207:
1206:Bishop Yamada
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1152:
1149:
1147:
1144:
1142:
1139:
1137:
1134:
1132:
1129:
1127:
1124:
1122:
1119:
1117:
1116:Anzu Furukawa
1114:
1112:
1109:
1107:
1104:
1102:
1099:
1097:
1094:
1092:
1089:
1087:
1084:
1082:
1081:Juju Alishina
1079:
1078:
1073:
1069:Butoh artists
1068:
1066:
1064:
1063:
1058:
1054:
1049:
1047:
1046:
1041:
1040:
1034:
1032:
1027:
1024:
1019:
1017:
1016:
1011:
1006:
1004:
1000:
996:
991:
989:
988:
983:
979:
977:
973:
971:
967:
966:
961:
956:
954:
953:
948:
943:
941:
940:
935:
931:
929:
925:
924:
918:
916:
915:
910:
905:
903:
902:
897:
892:
890:
888:
884:
880:
879:mad scientist
876:
875:Doctor Moreau
872:
868:
861:
857:
854:
851:
847:
844:
841:
837:
834:
831:
827:
824:
821:
817:
813:
809:
806:
803:
800:
797:
796:Oliver Riedel
793:
789:
786:
783:
780:
777:
774:
770:
767:
764:
760:
757:
756:
755:
749:
745:
744:
743:
741:
734:
729:
725:
720:
710:
700:
696:
692:
688:
682:
681:
677:
672:This article
670:
661:
660:
654:
652:
649:
644:
641:
636:
634:
630:
626:
622:
618:
614:
609:
607:
603:
599:
595:
591:
587:
583:
579:
577:
573:
566:International
565:
563:
561:
557:
552:
550:
542:
540:
538:
534:
528:
525:
520:
517:
513:
509:
508:Kyoto Journal
505:
497:
494:
489:
486:
482:
478:
474:
470:
463:
461:
460:
457:
452:
451:Sayoko Onishi
444:
442:
437:
432:
419:
412:
410:
408:
403:
401:
397:
393:
392:Koichi Tamano
388:
386:
382:
376:
372:
370:
366:
362:
357:
353:
342:
338:
334:
330:
326:
321:
319:
305:
300:
298:
293:
289:
288:homosexuality
285:
284:Yukio Mishima
281:
277:
273:
269:
264:
262:
258:
244:
240:
236:
232:
223:
216:
214:
212:
208:
204:
200:
196:
193:is a form of
189:
182:
175:
168:
148:
145:Butoh dancer
143:
133:
130:
122:
119:November 2022
111:
108:
104:
101:
97:
94:
90:
87:
83:
80: –
79:
75:
74:Find sources:
68:
64:
58:
57:
52:This article
50:
46:
41:
40:
35:
30:
19:
2374:
2357:
2348:
2334:
2325:
2315:
2304:
2289:
2280:
2271:
2259:. Retrieved
2254:
2245:
2231:
2219:. Retrieved
2215:
2205:
2193:. Retrieved
2188:
2178:
2166:. Retrieved
2162:
2152:
2141:
2132:
2117:
2108:
2099:
2090:
2081:
2069:. Retrieved
2065:the original
2055:
2043:. Retrieved
2039:
2029:
2018:
2007:
1999:Blabbermouth
1998:
1989:
1975:
1961:
1935:. Retrieved
1931:the original
1926:
1917:
1909:the original
1899:
1887:. Retrieved
1883:the original
1878:
1869:
1851:
1829:
1817:. Retrieved
1813:the original
1808:
1799:
1791:
1787:
1776:
1769:
1761:
1756:
1748:the original
1741:
1734:
1726:the original
1719:
1700:
1692:
1663:
1655:
1639:
1634:
1622:. Retrieved
1618:
1609:
1597:. Retrieved
1593:
1584:
1576:the original
1569:
1562:
1553:
1543:
1534:
1524:
1512:. Retrieved
1508:
1499:
1491:
1466:
1462:
1456:
1439:
1435:
1429:
1412:
1408:
1385:. Retrieved
1382:Kaleidoscope
1381:
1371:
1343:
1332:16 September
1330:. Retrieved
1315:
1297:
1218:Non-Japanese
1211:MUTSUMINEIRO
1201:Seiji Tanaka
1176:Yoshito Ohno
1161:Ko Murobushi
1136:Masaki Iwana
1101:Tadashi Endo
1060:
1053:Nymphia Wind
1050:
1043:
1039:The Northman
1037:
1035:
1030:
1028:
1020:
1013:
1007:
1002:
998:
992:
985:
980:
974:
963:
960:Doris Dörrie
957:
950:
944:
937:
932:
921:
919:
912:
906:
899:
893:
885:
881:in his 1969
865:
818:attire with
802:Matt Elliott
782:Machine Head
753:
740:Music videos
738:
735:Music videos
704:
674:may contain
673:
645:
640:Bob DeNatale
637:
612:
610:
598:Benin Empire
588:
584:
580:
576:Kokoro Dance
569:
560:Dairakudakan
553:
546:
529:
523:
521:
515:
511:
507:
504:Mark Holborn
501:
491:
487:
483:
479:
475:
471:
467:
448:
439:
434:
420:
416:
404:
389:
377:
373:
364:
358:
351:
340:
322:
301:
267:
265:
260:
256:
231:World War II
228:
203:World War II
173:
172:
125:
116:
106:
99:
92:
85:
73:
61:Please help
56:verification
53:
29:
1624:25 December
1619:Japan Today
1599:25 December
1509:nouritms.fr
1279:Rhizome Lee
1274:Maria Lappa
1229:Yumino Seki
1151:Akira Kasai
1146:Katsura Kan
1141:Sankai Juku
1042:(2022) and
1010:folk horror
1001:(2001) and
928:PlayStation
909:Hal Hartley
883:horror film
871:Teruo Ishii
808:Dir En Grey
798:performance
633:Burning Man
556:Sankai Juku
369:Sankai Juku
2414:Categories
2034:Mes, Tom.
1469:(2): 149.
1415:(2): 152.
1239:Blackhaine
1196:Hal Tanaka
1171:Kazuo Ohno
1156:Akaji Maro
896:Ron Fricke
846:Blackhaine
836:The Weeknd
707:April 2019
676:irrelevant
611:COLLAPSING
602:Edo people
516:SF Weekly
361:Kazuo Ohno
333:Jean Genet
297:iconoclast
239:Kazuo Ohno
211:Kazuo Ohno
147:Kazuo Ohno
89:newspapers
2326:The Hindu
2221:31 August
2195:31 August
2168:31 August
2071:2 October
1704:Viala 100
1363:Citations
1269:Adam Koan
1121:GooSayTen
1057:season 16
1045:Nosferatu
1015:The Witch
999:Otherwise
958:The 2008
907:The 1995
894:The 1992
869:director
812:"Obscure"
792:Mein Teil
788:Rammstein
691:citations
646:In 2018,
638:In 1992,
543:Influence
445:New Butoh
165:Video of
2382:butoh.de
2376:Butoh UK
2294:小菅, 隼人.
2124:Archived
2045:20 April
1937:20 April
1923:"U of C"
1889:20 April
1859:Archived
1837:Archived
1819:20 April
1514:20 April
1475:25161489
1448:25161489
1421:25161489
1244:Edoheart
1074:Japanese
1065:(2024).
995:Brisbane
987:Hannibal
947:J-Horror
810:'s 2003
695:reliable
606:Edoheart
458:, Italy.
449:In 2000
341:butoh-fu
195:Japanese
2396:(Italy)
2390:(Japan)
2261:2 March
2143:YouTube
2119:YouTube
1879:nyu.edu
1387:6 March
970:widower
830:Inhaler
759:Madonna
617:shibari
613:silence
537:Decroux
502:Critic
398:inside
381:Seattle
304:English
292:chicken
217:History
103:scholar
78:"Butoh"
2425:Breast
1473:
1446:
1419:
1351:
1323:
1304:
1023:Mitski
901:Baraka
816:Geisha
724:Gordon
621:Odissi
572:Nikkei
524:really
413:Debate
261:shibui
257:miyabi
105:
98:
91:
84:
76:
2420:Butoh
2216:Vimeo
1792:Butoh
1471:JSTOR
1444:JSTOR
1417:JSTOR
1012:film
962:film
939:Kairo
914:Flirt
911:film
826:Foals
570:Many
533:Lecoq
199:dance
174:Butoh
110:JSTOR
96:books
2402:(on
2263:2024
2223:2020
2197:2020
2170:2020
2073:2009
2047:2018
1939:2018
1891:2018
1821:2018
1744:#70"
1722:#70"
1626:2016
1601:2016
1516:2018
1389:2014
1349:ISBN
1334:2020
1321:ISBN
1302:ISBN
993:The
848:'s "
838:'s "
790:'s "
771:'s "
769:Kent
761:'s "
697:and
426:岩名雅紀
335:and
311:暗黒舞踊
250:暗黒舞踏
237:and
209:and
188:Butō
82:news
18:Butō
920:In
828:' "
693:to
385:PBS
347:舞踏譜
282:by
270:by
243:Noh
65:by
2416::
2356:.
2324:.
2279:.
2253:.
2214:.
2187:.
2161:.
2140:.
2116:.
2098:.
2038:.
1997:.
1947:^
1925:.
1877:.
1843:,
1807:.
1709:^
1684:^
1672:^
1647:^
1617:.
1592:.
1552:.
1533:.
1507:.
1483:^
1465:.
1438:.
1411:.
1397:^
1380:.
1312:/
1048:.
1033:.
1018:.
990:.
955:.
942:.
608:.
562:.
352:fu
350:,
331:,
327:,
320:.
299:.
185:,
181:舞踏
2406:)
2328:.
2298:.
2283:.
2265:.
2239:.
2225:.
2199:.
2172:.
2075:.
2049:.
1941:.
1893:.
1823:.
1781:.
1628:.
1603:.
1572:"
1556:.
1537:.
1518:.
1477:.
1467:5
1450:.
1440:5
1423:.
1413:5
1391:.
1357:.
1336:.
1310:.
889:.
852:"
842:"
775:"
765:"
750:.
709:)
705:(
701:.
683:.
429:)
423:(
344:(
308:(
253:)
247:(
191:)
177:(
132:)
126:(
121:)
117:(
107:·
100:·
93:·
86:·
59:.
36:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
