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But You Caint Use My Phone

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293:(2010), Badu was expected to release the third album in the series. However, Badu embarked on a five-year hiatus instead. In May 2013, Badu announced she was writing for her next project, but she was not placing a time constraint on it. In July 2014, Badu revealed she was still working on the album and had been recording in April in Africa, where she was "laying down drum tracks". She continued to reveal that prior to her trip to Africa she has meetings with her record label to set a deadline for the album. Later that year Badu expanded on the album, stating she was working with producer 322: 649: 644: 2834: 614: 516: 511: 609: 604: 599: 594: 506: 501: 496: 348:" and sent the remix through social media to Badu. Shortly thereafter, Badu decided to do a remix of Drake's 2015 single "Hotline Bling" and considered working with Witness. In the same week, Witness visited one of Badu's events where the pair exchanged numbers. The following week, the pair met again and went to Witness's home in 29: 368:
and Aubrey Davis, where they coined the genre of the mixtape "TRap & B". During post-production, Badu and Witness focused on creating "sympathetic vibrations" between the music's frequency and vibration, utilizing a tuning fork and Tibetan singing bowls to find the precise wavelengths. Speaking
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noted the mixtape's production as "experimental and improvisational but familiar", adding, "When puts her psychedelic soul spin on the trappy drums of today (what she calls trap&B), it's the sound of an artist embracing change and all the new possibilities and complications that go with it."
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on the post-production process, Badu stated, "It was fun, easy. I used tuning forks and singing bowls in the music in post production, just trying to create some frequencies that felt really good that I always use in all of my works. I wanted to make sure I implanted those things here too."
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The pair worked in his room for 11 days where they recorded the whole project; for two of the days Witness produced, reproduced, mixed, and mastered the project, while Badu recorded her vocals in one take for each song. The recording sessions were also visited by featured artists
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commented, "Despite the continuing theme the mixtape is no way disappoints, exuding a level of excitement and appreciation of a body of work that Erykah displays both through music and her own style." Jason Gubbels of
264:, with lyrics that focus on the themes of communication, notably through phones, with lyrics that touch upon ideas of "missed connections, call waiting, answering machines". The mixtape debuted at number 14 on the 1634: 719:
felt that the mixtape "may be initially frustrating to those longing for a real album (and real, full songs), but it's full of rewards for deep listening." In a less enthusiastic review, Andy Kellman of
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is how unpretentiously Badu comports herself, ever-mindful that one of her most special qualities as a vocalist remains her ability to entwine the resilient with the goofy." Kevin Ritchie of
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praised it as "a fantastic collection of songs, and while Badu has dubbed the release a mixtape, it's as strong, cohesive and consistent as any proper soul LP put out in recent memory."
443:, due to Badu releasing the record straight to iTunes. It also marked Badu's first release under her own record label, Control Freaq. Prior to the mixtape's release, Badu appeared on 2816: 2348: 744:
at number 15 on its list of The 25 Best Albums of 2015, stating it is "the closest Badu has gotten to pure artistic improvisation since her underrated, amorphous jam session
229:(2010), Badu embarked on a five-year hiatus, during which she traveled to Africa in an attempt to record new music, though this never surfaced. After receiving a remix of " 401:. The mixtape focuses on the themes of communication, notably through phones, with lyrics that touch upon ideas of "missed connections, call waiting, answering machines". 1644: 411:". Themes of modern-day phone obsession appear throughout the project. Badu claims to have been "initiated into a new frequency" by listening to Toronto artists like 669:, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 74, based on nine reviews. Ryan Dombal of 1824: 1969: 1943: 449:
on November 20, 2015, where she performed "Phone Down" and previewed new material in and out of commercial breaks. On November 25, 2016, a limited-edition
2561: 225: 180: 1760: 2239: 734:, "this free concept mini isn't the armed takedown of the distraction engine we need, but it's good to have those bee statistics out in memeland." 648: 643: 233:" from producer Zach Witness, Badu contacted him in order to record with him. Shortly thereafter, the pair met again and went to Witness's home in 439:
was released to other digital retailers and streaming services on December 4, 2015. The mixtape was released without the knowledge of her label
2361: 2554: 2509: 285: 1578: 241:, and worked in his bedroom studio, where they recorded the mixtape in 11 days. The mixtape features appearances from rapper ItsRoutine and 2795: 2701: 1698: 1792: 1887: 2085: 1995: 2866: 1915: 427:
Badu released the mixtape on November 27, 2015, and made it available for digital download and streaming exclusively through
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Described by Badu as "TRap & B", she attempted to create "a sound that brings peace and tranquility to its listener." A
2611: 2586: 1279: 2856: 2646: 2342: 2861: 2694: 2660: 2770: 2729: 2266: 2780: 2708: 2502: 2477: 1729: 1605: 1500: 344:. Zach Witness, also known as White Chocolate, was the mixtape's key producer. He did a remix of Badu's single " 2743: 2722: 2579: 28: 2760: 2291: 2205: 2811: 2653: 2395: 2145: 1639: 1474: 1245: 997: 458: 2448: 2391: 2057: 1852: 321: 2765: 2715: 2176: 2028: 1263:"What's Yo Phone Number / Telephone (Ghost of Screw Mix)" contains elements from "Telephone", written by 2785: 2625: 2547: 1453: 746: 440: 305:
at guitarist Steve Wilson's house. The album's title is derived from the closing ad-lib line in Badu's "
272: 2837: 2775: 2681: 2495: 2433: 2415: 2377: 1797: 1583: 1504: 1457: 537: 2206:"Review: Erykah Badu Continues R&B's Longtime Game of Telephone on 'But You Caint Use My Phone'" 1703: 1257: 670: 573: 390: 253: 88: 2736: 2429: 2407: 2373: 1920: 1829: 1249: 1009: 965: 382: 2639: 2326: 2235: 2062: 1307: 1231: 725: 688: 662: 525: 454: 445: 361: 333: 98: 2244: 2210: 2150: 1635:"Erykah Badu on that next record, playing casinos and Dave Chappelle's epic 'Block Party'" 1610: 730: 705: 695: 674: 635: 623: 561: 145: 1579:"Billboard 200 Chart Moves: Pentatonix & 47 More Holiday Albums Shine Bright on List" 1470: 1761:"Erykah Badu Talks New Mixtape, Mixes Thundercat, Deerhoof, Toro Y Moi, More on Beats 1" 2296: 1734: 1097: 971: 859: 736: 412: 1970:"Erykah Badu sits in with The Roots, previews her new mixtape on Jimmy Fallon — watch" 1667: 2850: 2632: 2618: 2540: 1892: 1725: 1486: 1340: 1294: 1290: 1235: 1181: 1169: 850: 821: 715: 585: 408: 386: 378: 365: 337: 265: 249: 242: 2821: 2667: 1916:"Erykah Badu Discusses Her New Mixtape, Relationship with Drake, and Twitter Jokes" 1374: 1283: 1264: 1082: 1048: 869: 432: 294: 124: 1241:"Phone Down" contains elements of "Loss Config.", written and performed by Zodiac. 2518: 2330: 1318: 1272: 790: 428: 306: 302: 216: 167: 80: 41: 2270: 2114: 1102: 864: 728:
named "Dial'Afreaq" and "Hello" as highlights while writing in his column for
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for the mixtape described it as having "weaves" of Badu's soulful vocals with
341: 93: 1860: 1268: 1253: 1053: 1014: 450: 419:, and felt incorporating that sound was "totally necessary for evolution." 2267:"Reviews for But You Cain't Use My Phone [Mixtape] by Erykah Badu" 1699:"Erykah Badu: "Hello" [ft. André 3000] (The Isley Brothers Cover)" 2790: 2674: 2119: 2032: 1944:"Erykah Badu Calls In Andre 3000 on 'But You Caint Use My Phone' Mixtape" 1825:"Erykah Badu talks 'But You Cain't Use My Phone' from inside a party bus" 1442: 1330: 721: 679: 549: 488: 398: 345: 261: 230: 2533: 2482: 298: 212: 36: 248:
Described by Badu as "TRap & B", the mixtape takes influence from
2334: 349: 326: 234: 220: 132: 2687: 353: 238: 394: 257: 2491: 2240:"Stoned Soul Quick Picks: Expert Witness with Robert Christgau" 2487: 1793:"Stream: Erykah Badu's new mixtape But You Caint Use My Phone" 1412: 1672: 677:, yet also steeped in history and wisdom." Kyle Mullin of 1033:"What's Yo Phone Number / Telephone (Ghost of Screw Mix)" 325:
The mixtape was recorded over 11 days in Badu's hometown
2430:"Erykah Badu Chart History (Top R&B/Hip-Hop Albums)" 2362:"Ultratop.be – Erykah Badu – But You Caint Use My Phone" 1606:"Janelle Monae, Erykah Badu Open Up About New Projects" 1244:"U Don't Have to Call" contains re-sung elements from " 1754: 1752: 2364:(in Dutch). Hung Medien. Retrieved December 5, 2015. 1289:"Cel U Lar Device" contains replayed elements from " 1278:"I'll Call U Back" contains replayed elements from " 2804: 2753: 2603: 2571: 2525: 775: 761: 166: 144: 123: 107: 79: 71: 63: 48: 35: 21: 724:dubbed the mixtape "a trivial if fun diversion". 641: 75:The Badudio, World Witness Studios (Dallas, Texas) 1692: 1690: 407:takes its title from a line in Badu's 1997 song " 2347:: CS1 maint: others in cite AV media (notes) ( 1230:"Hi" and "Hello" contain replayed elements of " 332:The mixtape developed from a rewrite of rapper 591: 493: 2503: 2374:"Erykah Badu Chart History (Canadian Albums)" 2146:">>> Album of the week: Erykah Badu" 2056:O'Loughlin-Hoste, Parris (December 9, 2015). 8: 2449:"Top R&B/Hip-Hop Albums – Year-End 2016" 2170: 2168: 1306:Credits adapted from the liner notes of the 223:and Control Freaq. Following the release of 2058:"Erykah Badu – But You Cain't Use My Phone" 2022: 2020: 219:. It was released on November 27, 2015, by 2562:New Amerykah Part Two (Return of the Ankh) 2510: 2496: 2488: 2108: 2106: 2086:"Erykah Badu – But You Caint Use My Phone" 2029:"But You Caint Use My Phone – Erykah Badu" 1524: 1421: 468: 291:New Amerykah Part Two (Return of the Ankh) 226:New Amerykah Part Two (Return of the Ankh) 181:New Amerykah Part Two (Return of the Ankh) 27: 18: 2177:"Erykah Badu: But You Caint Use My Phone" 2115:"Erykah Badu: But You Caint Use My Phone" 1823:Kennedy, Gerrick D. (November 27, 2015). 1818: 1816: 938:"U Use to Call Me" (featuring ItsRoutine) 661:received generally positive reviews from 431:. After one week of exclusive release on 2317: 2315: 2051: 2049: 758: 699:opined that "what's most charming about 320: 2230: 2228: 2199: 2197: 2084:Ramirez, Alejandra (December 9, 2015). 1569: 1361:FreeqLab Studio – art direction, design 1349:Aubrey Davis – production, programming 1210: 453:of the mixtape was released as part of 2392:"Official R&B Albums Chart Top 40" 2340: 2139: 2137: 1914:Jenkins, Brandon (November 25, 2015). 1577:Caulfield, Keith (December 10, 2015). 2555:New Amerykah Part One (4th World War) 1881: 1879: 1877: 1787: 1785: 1783: 1781: 1211: 474: 286:New Amerykah Part One (4th World War) 7: 2796:Out My Mind, Just in Time World Tour 1942:Platon, Adelle (November 27, 2015). 1851:DeVille, Chris (November 27, 2015). 1697:Greene, Jayson (November 30, 2015). 1666:Fennessey, Sean (November 3, 2011). 2702:Love of My Life (An Ode to Hip-Hop) 2204:Gubbels, Jason (December 1, 2015). 2144:Ritchie, Kevin (December 2, 2015). 1886:Arnold, Chuck (December 10, 2015). 1382:Zach Witness – engineering, mixing 593: 495: 2113:Mullin, Kyle (December 10, 2015). 1994:Minsker, Evan (October 25, 2016). 1759:Monroe, Jazz (November 26, 2015). 14: 2175:Dombal, Ryan (December 1, 2015). 1968:Young, Alex (November 21, 2015). 1633:Wilonsky, Robert (July 8, 2014). 356:, working in his bedroom studio. 301:years earlier; they later met in 2833: 2832: 647: 642: 612: 607: 602: 597: 592: 514: 509: 504: 499: 494: 2382:. Retrieved February 21, 2023. 1542:US Top R&B/Hip-Hop Albums ( 1526:Year-end chart performance for 1275:, and performed by Erykah Badu. 16:2015 mixtape by Erykah Badu 2438:. Retrieved December 8, 2015. 2420:. Retrieved December 8, 2015. 2398:. Retrieved October 14, 2017. 762: 673:wrote that the mixtape "feels 1: 2587:Icon: The Best of Erykah Badu 1423:Weekly chart performance for 2408:"Erykah Badu Chart History ( 2292:"The 25 Best Albums of 2015" 1888:"But You Caint Use My Phone" 1668:"The Survivors: Erykah Badu" 1511: 1493: 1479: 1464: 1447: 1293:", written and performed by 1282:", written and performed by 1234:", written and performed by 784:"Caint Use My Phone (Suite)" 311:"But you can't use my phone" 2329:exclusive LP liner notes). 686:Parris O'Loughlin-Hoste of 52:November 27, 2015 2883: 2771:Worldwide Underground Tour 2594:But You Caint Use My Phone 2478:But You Caint Use My Phone 2323:But You Caint Use My Phone 1998:But You Caint Use My Phone 1855:But You Caint Use My Phone 1528:But You Caint Use My Phone 1501:Top R&B/Hip-Hop Albums 1425:But You Caint Use My Phone 1390:; production, programming 1370:Robert Vosgien – mastering 1312:But You Caint Use My Phone 1280:Why Can't We Live Together 742:But You Caint Use My Phone 701:But You Caint Use My Phone 659:But You Caint Use My Phone 437:But You Caint Use My Phone 405:But You Caint Use My Phone 208:But You Caint Use My Phone 190:But You Caint Use My Phone 22:But You Caint Use My Phone 2830: 1857:Mixtape Feat. AndrĂ© 3000" 1541: 1536: 1533: 1498: 1484: 1469: 1452: 1440: 1433: 1430: 1164: 1126: 1077: 1029: 992: 960: 934: 893: 845: 808: 780: 772: 769: 766: 482: 479: 389:-inflected beats, smooth 174: 26: 2744:Turn Me Away (Get MuNNY) 1310:exclusive LP release of 340:", which Badu posted on 2396:Official Charts Company 1996:"Erykah Badu Releasing 1640:The Dallas Morning News 2817:Awards and nominations 2766:Frustrated Artist Tour 2716:Back in the Day (Puff) 1853:"Stream Erykah Badu's 1400:Ethan Worland – drums 1337:; executive production 329: 273:album-equivalent units 2867:Motown mixtape albums 2786:The Vortex World Tour 2761:Mama's Gun World Tour 2626:Otherside of the Game 2548:Worldwide Underground 1366:(tracks 2, 3, 10, 11) 1327:(tracks 2–4, 6, 8–11) 747:Worldwide Underground 423:Release and promotion 324: 2776:Sugar Water Festival 2337:. 2016. B0025475-01. 2090:Consequence of Sound 1974:Consequence of Sound 1798:Consequence of Sound 1355:ItsRoutine – vocals 1246:U Don't Have to Call 998:U Don't Have to Call 538:Consequence of Sound 470:Professional ratings 461:exclusive releases. 271:, generating 35,000 2857:2015 mixtape albums 2343:cite AV media notes 2300:. December 10, 2015 1801:. November 27, 2015 1730:"Godmother of Soul" 1647:on October 15, 2015 1530: 1427: 1364:Ben Hixon – guitar 1256:, and performed by 1168:"Hello" (featuring 471: 297:, whom she met via 275:in its first week. 215:by American singer 2862:Erykah Badu albums 2238:(March 25, 2016). 1728:(April 25, 2016). 1525: 1422: 1392:(tracks 2–4, 6–11) 1130:"I'll Call U Back" 469: 465:Critical reception 330: 2844: 2843: 2236:Christgau, Robert 1830:Los Angeles Times 1560: 1559: 1553: 1552: 1516: 1515: 1471:UK R&B Albums 1250:Pharrell Williams 1221: 1220: 1010:Pharrell Williams 966:Mr. Telephone Man 656: 655: 204: 203: 200: 199: 2874: 2836: 2835: 2805:Related articles 2682:Didn't Cha Know? 2512: 2505: 2498: 2489: 2464: 2463: 2461: 2459: 2445: 2439: 2427: 2421: 2405: 2399: 2389: 2383: 2371: 2365: 2359: 2353: 2352: 2346: 2338: 2327:Record Store Day 2319: 2310: 2309: 2307: 2305: 2288: 2282: 2281: 2279: 2277: 2263: 2257: 2256: 2254: 2252: 2232: 2223: 2222: 2220: 2218: 2201: 2192: 2191: 2189: 2187: 2172: 2163: 2162: 2160: 2158: 2141: 2132: 2131: 2129: 2127: 2110: 2101: 2100: 2098: 2096: 2081: 2075: 2074: 2072: 2070: 2053: 2044: 2043: 2041: 2039: 2024: 2015: 2014: 2012: 2010: 1991: 1985: 1984: 1982: 1980: 1965: 1959: 1958: 1956: 1954: 1939: 1933: 1932: 1930: 1928: 1911: 1905: 1904: 1902: 1900: 1883: 1872: 1871: 1869: 1867: 1848: 1842: 1841: 1839: 1837: 1820: 1811: 1810: 1808: 1806: 1789: 1776: 1775: 1773: 1771: 1756: 1747: 1746: 1744: 1742: 1722: 1716: 1715: 1713: 1711: 1694: 1685: 1684: 1682: 1680: 1663: 1657: 1656: 1654: 1652: 1643:. Archived from 1630: 1624: 1623: 1621: 1619: 1602: 1596: 1595: 1593: 1591: 1574: 1531: 1441:Belgian Albums ( 1428: 1413: 1403: 1397: 1393: 1389: 1385: 1379: 1367: 1358: 1352: 1346: 1336: 1335:(tracks 3, 7, 9) 1328: 1324: 1308:Record Store Day 1214: 851:Cel U Lar Device 764: 759: 726:Robert Christgau 713:Chuck Arnold of 652: 651: 646: 617: 616: 615: 611: 610: 606: 605: 601: 600: 596: 595: 519: 518: 517: 513: 512: 508: 507: 503: 502: 498: 497: 472: 455:Record Store Day 446:The Tonight Show 373:Music and lyrics 283:After releasing 176: 175: 119: 118: 114: 59: 57: 31: 19: 2882: 2881: 2877: 2876: 2875: 2873: 2872: 2871: 2847: 2846: 2845: 2840: 2826: 2800: 2749: 2599: 2567: 2521: 2516: 2473: 2468: 2467: 2457: 2455: 2447: 2446: 2442: 2428: 2424: 2406: 2402: 2390: 2386: 2372: 2368: 2360: 2356: 2339: 2321: 2320: 2313: 2303: 2301: 2290: 2289: 2285: 2275: 2273: 2265: 2264: 2260: 2250: 2248: 2234: 2233: 2226: 2216: 2214: 2203: 2202: 2195: 2185: 2183: 2174: 2173: 2166: 2156: 2154: 2143: 2142: 2135: 2125: 2123: 2112: 2111: 2104: 2094: 2092: 2083: 2082: 2078: 2068: 2066: 2055: 2054: 2047: 2037: 2035: 2027:Kellman, Andy. 2026: 2025: 2018: 2008: 2006: 1993: 1992: 1988: 1978: 1976: 1967: 1966: 1962: 1952: 1950: 1941: 1940: 1936: 1926: 1924: 1913: 1912: 1908: 1898: 1896: 1885: 1884: 1875: 1865: 1863: 1850: 1849: 1845: 1835: 1833: 1822: 1821: 1814: 1804: 1802: 1791: 1790: 1779: 1769: 1767: 1758: 1757: 1750: 1740: 1738: 1724: 1723: 1719: 1709: 1707: 1696: 1695: 1688: 1678: 1676: 1665: 1664: 1660: 1650: 1648: 1632: 1631: 1627: 1617: 1615: 1604: 1603: 1599: 1589: 1587: 1576: 1575: 1571: 1566: 1561: 1523: 1521:Year-end charts 1454:Canadian Albums 1435: 1420: 1410: 1401: 1395: 1391: 1387: 1383: 1377: 1365: 1357:(track 5, 7, 8) 1356: 1350: 1344: 1334: 1326: 1322: 1304: 1222: 1212: 1204: 1192: 1157: 1145: 1119: 1107: 1070: 1058: 1019: 985: 950: 927: 915: 886: 874: 838: 826: 798: 756: 613: 608: 603: 598: 515: 510: 505: 500: 467: 425: 375: 319: 281: 193: 184: 162: 140: 116: 112: 111: 103: 55: 53: 44: 17: 12: 11: 5: 2880: 2878: 2870: 2869: 2864: 2859: 2849: 2848: 2842: 2841: 2831: 2828: 2827: 2825: 2824: 2819: 2814: 2808: 2806: 2802: 2801: 2799: 2798: 2793: 2788: 2783: 2778: 2773: 2768: 2763: 2757: 2755: 2751: 2750: 2748: 2747: 2740: 2733: 2726: 2719: 2712: 2705: 2698: 2691: 2684: 2678: 2671: 2664: 2657: 2650: 2647:All Night Long 2643: 2636: 2629: 2622: 2615: 2607: 2605: 2601: 2600: 2598: 2597: 2590: 2583: 2575: 2573: 2569: 2568: 2566: 2565: 2558: 2551: 2544: 2537: 2529: 2527: 2523: 2522: 2517: 2515: 2514: 2507: 2500: 2492: 2486: 2485: 2472: 2471:External links 2469: 2466: 2465: 2440: 2422: 2400: 2384: 2366: 2354: 2311: 2297:Slant Magazine 2283: 2258: 2224: 2193: 2164: 2133: 2102: 2076: 2045: 2016: 1986: 1960: 1934: 1906: 1873: 1843: 1812: 1777: 1748: 1735:The New Yorker 1726:Sanneh, Kelefa 1717: 1686: 1658: 1625: 1614:. May 29, 2013 1597: 1568: 1567: 1565: 1562: 1558: 1557: 1551: 1550: 1547: 1539: 1538: 1535: 1522: 1519: 1517: 1514: 1513: 1510: 1496: 1495: 1492: 1482: 1481: 1478: 1467: 1466: 1463: 1450: 1449: 1446: 1438: 1437: 1432: 1419: 1416: 1411: 1409: 1406: 1405: 1404: 1402:(tracks 3, 10) 1398: 1396:(tracks 3, 10) 1388:(tracks 2, 11) 1380: 1378:(tracks 2, 11) 1373:RC Williams – 1371: 1368: 1362: 1359: 1353: 1347: 1338: 1303: 1300: 1299: 1298: 1287: 1276: 1269:Ahmir Thompson 1261: 1248:", written by 1242: 1239: 1225:Sample credits 1219: 1218: 1215: 1209: 1208: 1205: 1203: 1202: 1199: 1195: 1193: 1191: 1190: 1187: 1184: 1182:AndrĂ© Benjamin 1179: 1175: 1173: 1166: 1162: 1161: 1158: 1156: 1155: 1152: 1148: 1146: 1144: 1143: 1140: 1137: 1133: 1131: 1128: 1124: 1123: 1120: 1118: 1117: 1114: 1110: 1108: 1106: 1105: 1100: 1098:Greg Broussard 1095: 1092: 1088: 1086: 1079: 1075: 1074: 1071: 1069: 1068: 1065: 1061: 1059: 1057: 1056: 1054:Ahmir Thompson 1051: 1046: 1045:Seven Benjamin 1043: 1040: 1036: 1034: 1031: 1027: 1026: 1023: 1020: 1018: 1017: 1012: 1007: 1003: 1001: 994: 990: 989: 986: 984: 983: 980: 976: 974: 972:Ray Parker Jr. 969: 962: 958: 957: 954: 951: 949: 948: 945: 941: 939: 936: 932: 931: 928: 926: 925: 922: 918: 916: 914: 913: 910: 907: 904: 900: 898: 895: 891: 890: 887: 885: 884: 881: 877: 875: 873: 872: 867: 865:Paul Jefferies 862: 856: 854: 847: 843: 842: 839: 837: 836: 833: 829: 827: 825: 824: 819: 815: 813: 810: 806: 805: 802: 799: 797: 796: 793: 787: 785: 782: 778: 777: 774: 771: 768: 765: 757: 755: 752: 737:Slant Magazine 654: 653: 639: 631: 630: 627: 619: 618: 589: 581: 580: 577: 569: 568: 565: 557: 556: 553: 545: 544: 541: 533: 532: 529: 521: 520: 491: 485: 484: 481: 477: 476: 466: 463: 424: 421: 374: 371: 318: 315: 280: 277: 202: 201: 198: 197: 195: 186: 172: 171: 164: 163: 161: 160: 157: 154: 150: 148: 142: 141: 139: 138: 135: 129: 127: 121: 120: 109: 105: 104: 102: 101: 96: 91: 85: 83: 77: 76: 73: 69: 68: 65: 61: 60: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 2879: 2868: 2865: 2863: 2860: 2858: 2855: 2854: 2852: 2839: 2829: 2823: 2820: 2818: 2815: 2813: 2810: 2809: 2807: 2803: 2797: 2794: 2792: 2789: 2787: 2784: 2782: 2779: 2777: 2774: 2772: 2769: 2767: 2764: 2762: 2759: 2758: 2756: 2752: 2745: 2741: 2738: 2734: 2731: 2727: 2724: 2720: 2717: 2713: 2710: 2706: 2703: 2699: 2696: 2692: 2689: 2685: 2683: 2679: 2676: 2672: 2669: 2665: 2662: 2658: 2655: 2651: 2648: 2644: 2641: 2637: 2634: 2630: 2627: 2623: 2620: 2619:Next Lifetime 2616: 2613: 2609: 2608: 2606: 2602: 2596: 2595: 2591: 2589: 2588: 2584: 2582: 2581: 2577: 2576: 2574: 2570: 2564: 2563: 2559: 2557: 2556: 2552: 2550: 2549: 2545: 2543: 2542: 2538: 2536: 2535: 2531: 2530: 2528: 2526:Studio albums 2524: 2520: 2513: 2508: 2506: 2501: 2499: 2494: 2493: 2490: 2484: 2480: 2479: 2475: 2474: 2470: 2454: 2450: 2444: 2441: 2437: 2436: 2431: 2426: 2423: 2419: 2418: 2413: 2411: 2404: 2401: 2397: 2393: 2388: 2385: 2381: 2380: 2375: 2370: 2367: 2363: 2358: 2355: 2350: 2344: 2336: 2332: 2328: 2324: 2318: 2316: 2312: 2299: 2298: 2293: 2287: 2284: 2272: 2268: 2262: 2259: 2247: 2246: 2241: 2237: 2231: 2229: 2225: 2213: 2212: 2207: 2200: 2198: 2194: 2182: 2178: 2171: 2169: 2165: 2153: 2152: 2147: 2140: 2138: 2134: 2122: 2121: 2116: 2109: 2107: 2103: 2091: 2087: 2080: 2077: 2065: 2064: 2059: 2052: 2050: 2046: 2034: 2030: 2023: 2021: 2017: 2005: 2001: 1999: 1990: 1987: 1975: 1971: 1964: 1961: 1949: 1945: 1938: 1935: 1923: 1922: 1917: 1910: 1907: 1895: 1894: 1893:Rolling Stone 1889: 1882: 1880: 1878: 1874: 1862: 1858: 1856: 1847: 1844: 1832: 1831: 1826: 1819: 1817: 1813: 1800: 1799: 1794: 1788: 1786: 1784: 1782: 1778: 1766: 1762: 1755: 1753: 1749: 1737: 1736: 1731: 1727: 1721: 1718: 1706: 1705: 1700: 1693: 1691: 1687: 1675: 1674: 1669: 1662: 1659: 1646: 1642: 1641: 1636: 1629: 1626: 1613: 1612: 1607: 1601: 1598: 1586: 1585: 1580: 1573: 1570: 1563: 1556: 1548: 1545: 1540: 1534:Chart (2016) 1532: 1529: 1520: 1518: 1508: 1507: 1502: 1497: 1491: 1489: 1483: 1476: 1472: 1468: 1461: 1460: 1455: 1451: 1444: 1439: 1431:Chart (2015) 1429: 1426: 1418:Weekly charts 1417: 1415: 1414: 1407: 1399: 1381: 1376: 1372: 1369: 1363: 1360: 1354: 1348: 1342: 1339: 1332: 1325:; production 1320: 1317: 1316: 1315: 1313: 1309: 1301: 1296: 1295:Aubrey Graham 1292: 1291:Hotline Bling 1288: 1285: 1281: 1277: 1274: 1270: 1266: 1262: 1259: 1255: 1251: 1247: 1243: 1240: 1237: 1236:Todd Rundgren 1233: 1232:Hello It's Me 1229: 1228: 1227: 1226: 1216: 1213:Total length: 1206: 1200: 1197: 1196: 1194: 1188: 1185: 1183: 1180: 1177: 1176: 1174: 1171: 1167: 1163: 1159: 1153: 1150: 1149: 1147: 1141: 1138: 1135: 1134: 1132: 1129: 1125: 1121: 1115: 1112: 1111: 1109: 1104: 1103:Roger Clayton 1101: 1099: 1096: 1093: 1090: 1089: 1087: 1084: 1080: 1076: 1072: 1066: 1063: 1062: 1060: 1055: 1052: 1050: 1047: 1044: 1041: 1038: 1037: 1035: 1032: 1028: 1024: 1021: 1016: 1013: 1011: 1008: 1005: 1004: 1002: 999: 995: 991: 987: 981: 978: 977: 975: 973: 970: 967: 963: 959: 955: 952: 946: 943: 942: 940: 937: 933: 929: 923: 920: 919: 917: 911: 908: 905: 902: 901: 899: 896: 892: 888: 882: 879: 878: 876: 871: 868: 866: 863: 861: 860:Aubrey Graham 858: 857: 855: 852: 848: 844: 840: 834: 831: 830: 828: 823: 822:Todd Rundgren 820: 817: 816: 814: 811: 807: 803: 800: 794: 792: 789: 788: 786: 783: 779: 760: 754:Track listing 753: 751: 749: 748: 743: 739: 738: 733: 732: 727: 723: 718: 717: 716:Rolling Stone 711: 708: 707: 702: 698: 697: 691: 690: 684: 682: 681: 676: 672: 668: 664: 663:music critics 660: 650: 645: 640: 638: 637: 633: 632: 628: 626: 625: 621: 620: 590: 588: 587: 586:Rolling Stone 583: 582: 578: 576: 575: 571: 570: 566: 564: 563: 559: 558: 554: 552: 551: 547: 546: 542: 540: 539: 535: 534: 530: 528: 527: 523: 522: 492: 490: 487: 486: 478: 475:Review scores 473: 464: 462: 460: 456: 452: 448: 447: 442: 438: 434: 430: 422: 420: 418: 414: 410: 406: 402: 400: 396: 392: 388: 385:soundscapes, 384: 380: 379:press release 372: 370: 367: 363: 357: 355: 351: 347: 343: 339: 338:Hotline Bling 335: 328: 323: 316: 314: 312: 308: 304: 300: 296: 292: 288: 287: 278: 276: 274: 270: 268: 263: 259: 255: 251: 246: 244: 240: 236: 232: 228: 227: 222: 218: 214: 210: 209: 196: 192: 191: 187: 183: 182: 178: 177: 173: 169: 165: 158: 155: 152: 151: 149: 147: 143: 137:Control Freaq 136: 134: 131: 130: 128: 126: 122: 110: 106: 100: 97: 95: 92: 90: 87: 86: 84: 82: 78: 74: 70: 66: 62: 51: 47: 43: 38: 34: 30: 25: 20: 2822:Soulquarians 2668:Southern Gul 2593: 2592: 2585: 2578: 2572:Other albums 2560: 2553: 2546: 2539: 2532: 2476: 2458:December 10, 2456:. 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At 579:8.1/10 483:Rating 480:Source 433:iTunes 409:Tyrone 397:, and 350:Dallas 327:Dallas 260:, and 235:Dallas 221:Motown 133:Motown 108:Length 72:Studio 2754:Tours 2723:Honey 2688:Cleva 2412:200)" 2063:Clash 1331:agogĂ´ 1258:Usher 1217:36:05 953:Davis 944:Davis 767:Title 689:Clash 526:Clash 413:Drake 362:Drake 354:Texas 334:Drake 239:Texas 211:is a 125:Label 81:Genre 2580:Live 2460:2016 2349:link 2306:2015 2278:2015 2253:2017 2245:Vice 2219:2015 2211:Spin 2188:2015 2159:2015 2128:2015 2097:2015 2071:2015 2040:2015 2011:2017 1981:2015 1955:2015 1929:2015 1901:2015 1868:2015 1838:2015 1807:2015 1772:2015 1743:2016 1712:2015 1681:2015 1653:2015 1620:2015 1611:Vibe 1592:2015 1448:153 1434:Peak 1271:and 1252:and 1207:5:19 1198:Badu 1178:Badu 1160:1:57 1151:Badu 1136:Badu 1122:3:10 1113:Badu 1091:Badu 1073:5:10 1064:Badu 1039:Badu 1025:2:00 1006:Badu 988:3:11 979:Badu 956:1:13 930:3:28 921:Badu 903:Badu 889:6:28 880:Badu 841:0:35 832:Badu 818:Badu 812:"Hi" 804:3:34 731:Vice 696:Spin 636:Vice 629:8/10 624:Spin 555:8/10 531:8/10 415:and 395:jazz 258:jazz 94:soul 67:2015 2654:One 2481:at 2151:Now 1549:61 1499:US 1494:14 1490:200 1485:US 1480:19 1475:OCC 1465:96 1165:11. 1127:10. 763:No. 750:." 706:Now 567:4/5 562:Now 457:'s 309:": 269:200 2853:: 2451:. 2432:. 2414:. 2394:. 2376:. 2345:}} 2341:{{ 2333:. 2314:^ 2294:. 2269:. 2242:. 2227:^ 2208:. 2196:^ 2179:. 2167:^ 2148:. 2136:^ 2117:. 2105:^ 2088:. 2060:. 2048:^ 2031:. 2019:^ 2002:. 1972:. 1946:. 1918:. 1890:. 1876:^ 1859:. 1827:. 1815:^ 1795:. 1780:^ 1763:. 1751:^ 1732:. 1701:. 1689:^ 1673:GQ 1670:. 1637:. 1608:. 1581:. 1546:) 1512:2 1509:) 1477:) 1462:) 1329:; 1314:. 1267:, 1078:9. 1030:8. 993:7. 961:6. 935:5. 894:4. 846:3. 809:2. 781:1. 451:LP 435:, 393:, 364:, 352:, 313:. 256:, 252:, 245:. 237:, 117:05 113:36 2746:" 2742:" 2739:" 2735:" 2732:" 2728:" 2725:" 2721:" 2718:" 2714:" 2711:" 2707:" 2704:" 2700:" 2697:" 2693:" 2690:" 2686:" 2680:" 2677:" 2673:" 2670:" 2666:" 2663:" 2659:" 2656:" 2652:" 2649:" 2645:" 2642:" 2638:" 2635:" 2631:" 2628:" 2624:" 2621:" 2617:" 2614:" 2610:" 2511:e 2504:t 2497:v 2462:. 2351:) 2325:( 2308:. 2280:. 2255:. 2221:. 2190:. 2161:. 2130:. 2099:. 2073:. 2042:. 2013:. 1983:. 1957:. 1931:. 1903:. 1870:. 1840:. 1809:. 1774:. 1745:. 1714:. 1683:. 1655:. 1622:. 1594:. 1503:( 1473:( 1456:( 1297:. 1286:. 1260:. 1238:. 1172:) 1085:" 1081:" 1000:" 996:" 968:" 964:" 853:" 849:" 543:B 115:: 58:)

Index


Mixtape
Erykah Badu
Genre
R&B
soul
electronic
Label
Motown
Producer
Erykah Badu
New Amerykah Part Two (Return of the Ankh)
mixtape
Erykah Badu
Motown
New Amerykah Part Two (Return of the Ankh)
Bag Lady
Dallas
Texas
André 3000
hip hop
R&B
jazz
art rock
Billboard 200
album-equivalent units
New Amerykah Part One (4th World War)
Flying Lotus
Myspace
Los Angeles

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