Knowledge (XXG)

Byron Kim

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101:(1995) records his family members' various recollections of the color of a home Kim lived in as a child. Other works employ a more naturalistic approach to represent details such as the palms of the artist's hands, or the whorls in his children's hair. 86:. Although the works, at first glance, resemble minimalist paintings of the 1960s the racial and political dimensions became apparent after reading in the exhibition catalogue how the works came about. 380: 375: 355: 370: 350: 340: 335: 89:
These monochrome canvases were followed by two or three-zoned canvases that color-sampled objects, sites or people. Kim collaborated with artist
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Kim's work in the early 1990s consisted of monochrome canvases depicting the skin tones of friends and family. He gained early recognition for
132: 284: 261: 241: 155:"Artist Byron Kim's Deceptively Modest Meditations on Identity Pose Important Questions—Here Are 3 Facts to Know About His Work" 97:(1993), part of a series critiquing the 'prejudices' of art materials, specifically the hues of 'Flesh'-colored tubes of paint. 345: 124: 108: 365: 50:
paintings exploring racial identity. He graduated from Yale University in 1983 where he was a member of
296: 360: 179: 211: 51: 70:, which embodied the aesthetic and political aspirations of the art in that year's exhibition. 280: 257: 237: 128: 154: 79: 67: 43: 35: 31: 315: 207: 329: 90: 272: 75: 47: 27: 83: 39: 23: 104:
Kim also paints landscapes and makes photographic assemblages.
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His work may be found in the permanent collection of the
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of an individual who sat for Kim while he painted their
256:, Cambridge University Press, 2000, pp249-250. 8: 252:Michael Kelly in Salim Kemal, Ivan Gaskell, 232:Michael Kelly in Salim Kemal, Ivan Gaskell, 236:, Cambridge University Press, 2000, p249. 203: 201: 199: 213:Byron Kim at Max Protetch - Brief Article 279:, Oxford University Press, 2002, p237. 228: 226: 145: 78:paintings. Each panel recreates the 7: 74:(1991–1992) is a grid of 400 small, 254:Politics and Aesthetics in the Arts 234:Politics and Aesthetics in the Arts 381:American artists of Korean descent 376:20th-century American male artists 356:21st-century American male artists 14: 46:. In the early 1990s he produced 371:People from La Jolla, San Diego 66:, his contribution to the 1993 351:21st-century American painters 341:20th-century American painters 336:American contemporary painters 277:Twentieth-Century American Art 99:46 Halsey Drive Wallingford CT 1: 178:Berwick, Carly (2011-04-23). 125:Princeton Architectural Press 16:American painter (born 1961) 153:Vogel, Maria (2021-03-19). 397: 121:Inside the Artist's Studio 38:, and lives and works in 109:National Gallery of Art 346:American male painters 180:"Stranger in America" 111:in Washington, DC. 32:contemporary artist 302:The New York Times 52:Manuscript Society 95:Black & White 30:) is an American 22:(born in 1961 in 388: 320: 319: 312: 306: 293: 287: 270: 264: 250: 244: 230: 221: 205: 194: 193: 191: 190: 175: 169: 168: 166: 165: 150: 68:Whitney Biennial 396: 395: 391: 390: 389: 387: 386: 385: 326: 325: 324: 323: 314: 313: 309: 294: 290: 271: 267: 251: 247: 231: 224: 219:, October 2001. 206: 197: 188: 186: 177: 176: 172: 163: 161: 152: 151: 147: 142: 117: 60: 36:Korean American 17: 12: 11: 5: 394: 392: 384: 383: 378: 373: 368: 363: 358: 353: 348: 343: 338: 328: 327: 322: 321: 307: 304:, Dec 9, 2005. 295:Grace Glueck, 288: 265: 245: 222: 217:Art in America 208:Carey Lovelace 195: 170: 144: 143: 141: 138: 137: 136: 133:978-1616893040 116: 113: 59: 56: 15: 13: 10: 9: 6: 4: 3: 2: 393: 382: 379: 377: 374: 372: 369: 367: 366:Living people 364: 362: 359: 357: 354: 352: 349: 347: 344: 342: 339: 337: 334: 333: 331: 317: 311: 308: 305: 303: 299: 298:Art in Review 292: 289: 286: 285:0-19-284239-0 282: 278: 274: 269: 266: 263: 262:0-521-45418-2 259: 255: 249: 246: 243: 242:0-521-45418-2 239: 235: 229: 227: 223: 220: 218: 214: 209: 204: 202: 200: 196: 185: 181: 174: 171: 160: 156: 149: 146: 139: 134: 130: 126: 122: 119: 118: 114: 112: 110: 105: 102: 100: 96: 92: 87: 85: 81: 77: 76:monochromatic 73: 69: 65: 57: 55: 53: 49: 45: 41: 37: 33: 29: 25: 21: 310: 301: 297: 291: 276: 268: 253: 248: 233: 216: 212: 187:. Retrieved 183: 173: 162:. Retrieved 158: 148: 120: 106: 103: 98: 94: 88: 71: 63: 61: 19: 18: 361:1961 births 316:"Byron Kim" 184:ARTnews.com 159:Artnet News 91:Glenn Ligon 330:Categories 273:Erika Doss 189:2022-04-29 164:2023-07-10 140:References 80:skin color 72:Synecdoche 64:Synecdoche 48:minimalist 28:California 127:, 2015. ( 20:Byron Kim 115:See also 84:portrait 44:New York 40:Brooklyn 34:. He is 24:La Jolla 283:  260:  240:  131:  58:Works 281:ISBN 258:ISBN 238:ISBN 129:ISBN 93:on 332:: 300:, 275:, 225:^ 215:, 210:, 198:^ 182:. 157:. 123:, 54:. 42:, 26:, 318:. 192:. 167:. 135:)

Index

La Jolla
California
contemporary artist
Korean American
Brooklyn
New York
minimalist
Manuscript Society
Whitney Biennial
monochromatic
skin color
portrait
Glenn Ligon
National Gallery of Art
Princeton Architectural Press
ISBN
978-1616893040
"Artist Byron Kim's Deceptively Modest Meditations on Identity Pose Important Questions—Here Are 3 Facts to Know About His Work"
"Stranger in America"



Carey Lovelace
Byron Kim at Max Protetch - Brief Article, Art in America, October 2001.


ISBN
0-521-45418-2
ISBN
0-521-45418-2

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