136:
36:
1151:
259:
time signature; they both use subjects with semibreves and syncopated minims, with a rhythm of constant quavers, rather than constant semiquavers seen in most of Bach's fugues; they both use chromaticism, harmonic suspensions, and uninterrupted succession of subjects and answers.
425:
418:
154:
411:
145:
609:
439:
53:
153:
338:
945:
1025:
435:
965:
1088:
622:
981:
551:
1118:
537:
251:
development is only broken in the final four bars, when a few massive chords bring the piece to a close. The fugue of BWV 538 is very similar to the fugue of
1123:
498:
877:
864:
830:
817:
732:
719:
1128:
890:
785:
772:
745:
289:
600:
566:
342:
100:
1171:
72:
920:
532:
483:
213:
79:
1081:
903:
857:
850:
843:
810:
803:
765:
758:
712:
705:
686:
542:
518:
513:
508:
503:
493:
478:
473:
312:
190:
86:
677:
670:
663:
974:
224:
that continues almost uninterrupted to the end of the piece, and includes unusually elaborate concertato effects. Bach even notates
119:
68:
1186:
1095:
1176:
958:
592:
523:
1018:
1003:
57:
1141:
925:
914:
657:
556:
1038:
403:
93:
1045:
930:
459:
389:
46:
998:
561:
263:
Bach worked in Weimar between 1708 and 1717, during which he composed most of his organ works including BWV 538.
642:
939:
1155:
1103:
695:
647:
614:
571:
444:
186:
1009:
355:
1065:
652:
584:
468:
267:
951:
304:
396:
on an organ constructed by Aloys Mooser (1770–1839) in the church St.-Pierre-aux-Liens church in
366:
393:
371:
1181:
308:
287:
Wolff, Christoph; Emery, Walter (2001). "5. Weimar, Works: Organ (Independent of chorales)".
576:
300:
228:
changes for the organist, an unusual practice in the day as well as in Bach's organ output.
360:
347:
236:
1075:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
266:
It is also know well to be associate with horror themed media, especially works on the
244:
217:
1165:
225:
221:
202:
351:
248:
152:
240:
206:
35:
383:
256:
182:
169:
252:
17:
610:
Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
397:
377:
232:
407:
201:– a reference to the fact that the piece is written without a
29:
134:
212:
The two pieces are quite different musically. Like the
1139:
216:, it is nearly monothematic. It opens with a motoric
235:, also in D minor, is long and complex, involving a
1055:
991:
635:
452:
197:, although it is often referred to by the nickname
60:. Unsourced material may be challenged and removed.
288:
160:Jarle Fagerheim plays Bach: "Dorian" Toccata, 2011
524:Eight Short Preludes and Fugues, BWV 553–560
1082:Concerto transcriptions, BWV 592–596 and 972–987
499:Fantasia and Fugue in G minor ("Great"), BWV 542
489:Toccata and Fugue in D minor ("Dorian"), BWV 538
982:Capriccio on the departure of a beloved brother
552:Prelude (Toccata) and Fugue in E major, BWV 566
519:Prelude and Fugue in E minor ("Wedge"), BWV 548
557:Fantasia ("Pièce d'Orgue") in G major, BWV 572
1119:List of compositions by Johann Sebastian Bach
538:Toccata, Adagio and Fugue in C major, BWV 564
419:
8:
1124:List of fugal works by Johann Sebastian Bach
305:10.1093/gmo/9781561592630.article.6002278195
1129:List of concertos by Johann Sebastian Bach
426:
412:
404:
205:– a notation that leads one to assume the
567:Passacaglia and Fugue in C minor, BWV 582
460:Fugue in G minor, BWV 131a
392:, (audio only) played by French organist
343:International Music Score Library Project
120:Learn how and when to remove this message
1146:
279:
69:"Toccata and Fugue in D minor, BWV 538"
921:Fantasia and Fugue in C minor, BWV 906
533:Fantasia and Fugue in C minor, BWV 562
484:Fantasia and Fugue in C minor, BWV 537
214:Fantasia and Fugue in C minor, BWV 562
167:
687:Overture in the French style, BWV 831
648:English Suites, BWV 806–811
643:Inventions and Sinfonias, BWV 772–801
543:Toccata and Fugue in D minor, BWV 565
514:Prelude and Fugue in C minor, BWV 546
509:Prelude and Fugue in B minor, BWV 544
504:Prelude and Fugue in A minor, BWV 543
494:Toccata and Fugue in F major, BWV 540
479:Prelude and Fugue in D major, BWV 532
474:Prelude and Fugue in C major, BWV 531
339:Toccata and Fugue in D minor, BWV 538
179:Toccata and Fugue in D minor, BWV 538
7:
653:French Suites, BWV 812–817
562:Fugue in G minor ("Little"), BWV 578
58:adding citations to reliable sources
27:Organ music by Johann Sebastian Bach
625:Wo Gott der Herr nicht bei uns hält
975:Aria variata alla maniera italiana
696:Well-Tempered Clavier, BWV 846–893
25:
1149:
168:Problems playing this file? See
150:
34:
1172:Fugues by Johann Sebastian Bach
1026:Prelude, Fugue and Allegro in E
926:Toccatas, BWV 910–916
658:Partitas, BWV 825–830
594:Great Eighteen Chorale Preludes
193:, BWV 538 also bears the title
45:needs additional citations for
1:
915:Chromatic Fantasia and Fugue
243:and three upward leaps of a
195:Toccata and Fugue in D minor
1039:Prelude in C minor, BWV 999
572:Concertos, BWV 592–597
239:which prominently features
1203:
1089:KlavierbĂĽchlein W. F. Bach
1046:Fugue in G minor, BWV 1000
946:Harpsichord solo concertos
1114:
1019:Suite in C minor, BWV 997
1004:Suite in E minor, BWV 996
999:Suite in G minor, BWV 995
1069:: Prelude and Fugue in E
603:Sei gegrĂĽĂźet, Jesu gĂĽtig
385:Dorian Toccata and Fugue
348:Free download of BWV 538
189:. Like the better-known
1187:Compositions in D minor
934:, BWV 933–938
1177:Compositions for organ
1104:Twelve Little Preludes
291:Bach, Johann Sebastian
139:
445:Johann Sebastian Bach
255:. They both imply an
187:Johann Sebastian Bach
138:
618:, BWV 1090–1120
469:Sonatas, BWV 525–530
268:Phantom of the Opera
54:improve this article
1096:Notebook A. M. Bach
952:Goldberg Variations
932:Six Little Preludes
616:Neumeister chorales
596:, BWV 651–668
588:, BWV 645–650
580:, BWV 599–644
434:Compositions for
297:Grove Music Online
140:
1137:
1136:
1067:Clavier-Ăśbung III
1012:
968:
961:
906:
904:No. 24 in B minor
899:
886:
873:
860:
858:No. 12 in F minor
853:
846:
839:
826:
813:
806:
794:
781:
768:
766:No. 16 in G minor
761:
759:No. 10 in E minor
754:
741:
728:
715:
708:
680:
673:
666:
623:Chorale fantasia
586:SchĂĽbler Chorales
548:
529:
465:
440:keyboard and lute
356:Erasmus Bielfeldt
314:978-1-56159-263-0
155:
130:
129:
122:
104:
16:(Redirected from
1194:
1154:
1153:
1152:
1145:
1107:
1098:
1091:
1084:
1077:
1074:
1073:
1048:
1041:
1034:
1031:
1030:
1021:
1008:
964:
957:
940:Italian Concerto
902:
896:
895:
889:
883:
882:
876:
870:
869:
863:
856:
851:No. 6 in D minor
849:
844:No. 5 in D major
842:
836:
835:
829:
823:
822:
816:
811:No. 2 in C minor
809:
804:No. 1 in C major
802:
791:
790:
784:
778:
777:
771:
764:
757:
751:
750:
744:
738:
737:
731:
725:
724:
718:
713:No. 2 in C minor
711:
706:No. 1 in C major
704:
676:
669:
662:
601:Chorale partita
546:
527:
463:
447:
428:
421:
414:
405:
386:
375:
364:
341:: Scores at the
326:
325:
323:
321:
294:
284:
157:
156:
137:
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
1202:
1201:
1197:
1196:
1195:
1193:
1192:
1191:
1162:
1161:
1160:
1156:Classical music
1150:
1148:
1140:
1138:
1133:
1110:
1101:
1094:
1087:
1080:
1071:
1070:
1064:
1057:
1051:
1044:
1037:
1028:
1027:
1024:
1017:
987:
966:Gould recording
893:
892:
880:
879:
867:
866:
833:
832:
820:
819:
788:
787:
775:
774:
748:
747:
735:
734:
722:
721:
631:
448:
443:
432:
394:Nariné Simonian
384:
369:
358:
335:
330:
329:
319:
317:
315:
286:
285:
281:
276:
175:
174:
166:
164:
163:
162:
161:
158:
151:
148:
141:
135:
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
1200:
1198:
1190:
1189:
1184:
1179:
1174:
1164:
1163:
1159:
1158:
1135:
1134:
1132:
1131:
1126:
1121:
1115:
1112:
1111:
1109:
1108:
1099:
1092:
1085:
1078:
1061:
1059:
1053:
1052:
1050:
1049:
1042:
1035:
1032:major, BWV 998
1022:
1015:
1014:
1013:
1001:
995:
993:
989:
988:
986:
985:
978:
971:
970:
969:
962:
948:
943:
936:
928:
923:
918:
910:
909:
908:
907:
900:
887:
874:
861:
854:
847:
840:
827:
814:
807:
797:
796:
795:
782:
769:
762:
755:
742:
729:
716:
709:
699:
691:
690:
683:
682:
681:
674:
667:
655:
650:
645:
639:
637:
633:
632:
630:
629:
620:
612:
607:
598:
590:
582:
574:
569:
564:
559:
554:
549:
540:
535:
530:
521:
516:
511:
506:
501:
496:
491:
486:
481:
476:
471:
466:
456:
454:
450:
449:
433:
431:
430:
423:
416:
408:
402:
401:
400:, Switzerland.
381:
345:
334:
333:External links
331:
328:
327:
313:
278:
277:
275:
272:
245:perfect fourth
218:sixteenth note
165:
159:
149:
144:
143:
142:
133:
132:
131:
128:
127:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1199:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1170:
1169:
1167:
1157:
1147:
1143:
1130:
1127:
1125:
1122:
1120:
1117:
1116:
1113:
1106:
1105:
1100:
1097:
1093:
1090:
1086:
1083:
1079:
1076:
1068:
1063:
1062:
1060:
1054:
1047:
1043:
1040:
1036:
1033:
1023:
1020:
1016:
1011:
1007:
1006:
1005:
1002:
1000:
997:
996:
994:
990:
984:
983:
979:
977:
976:
972:
967:
963:
960:
956:
955:
954:
953:
949:
947:
944:
942:
941:
937:
935:
933:
929:
927:
924:
922:
919:
917:
916:
912:
911:
905:
901:
898:
888:
885:
875:
872:
862:
859:
855:
852:
848:
845:
841:
838:
828:
825:
815:
812:
808:
805:
801:
800:
798:
793:
783:
780:
770:
767:
763:
760:
756:
753:
743:
740:
730:
727:
717:
714:
710:
707:
703:
702:
700:
698:
697:
693:
692:
689:
688:
684:
679:
675:
672:
668:
665:
661:
660:
659:
656:
654:
651:
649:
646:
644:
641:
640:
638:
634:
628:
626:
621:
619:
617:
613:
611:
608:
606:
604:
599:
597:
595:
591:
589:
587:
583:
581:
579:
578:OrgelbĂĽchlein
575:
573:
570:
568:
565:
563:
560:
558:
555:
553:
550:
544:
541:
539:
536:
534:
531:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
500:
497:
495:
492:
490:
487:
485:
482:
480:
477:
475:
472:
470:
467:
461:
458:
457:
455:
451:
446:
441:
437:
429:
424:
422:
417:
415:
410:
409:
406:
399:
395:
391:
387:
382:
379:
373:
368:
365:organ in the
362:
357:
353:
349:
346:
344:
340:
337:
336:
332:
316:
310:
306:
302:
298:
293:
292:
283:
280:
273:
271:
269:
264:
261:
258:
254:
250:
247:. The strict
246:
242:
238:
234:
229:
227:
223:
220:(semiquaver)
219:
215:
210:
208:
204:
203:key signature
200:
196:
192:
188:
184:
180:
173:
171:
147:
124:
121:
113:
110:February 2024
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
1102:
1066:
980:
973:
950:
938:
931:
913:
694:
685:
624:
615:
602:
593:
585:
577:
488:
354:on the 1736
352:James Kibbie
350:recorded by
318:. Retrieved
296:
290:
282:
265:
262:
249:contrapuntal
241:syncopations
230:
211:
198:
194:
178:
176:
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
1058:collections
959:discography
891:No. 22 in B
878:No. 18 in G
865:No. 13 in F
786:No. 22 in B
773:No. 21 in B
370: [
367:St. Wilhadi
359: [
207:Dorian mode
1166:Categories
831:No. 4 in C
818:No. 3 in C
746:No. 7 in E
733:No. 4 in C
720:No. 3 in C
627:, BWV 1128
547:(doubtful)
528:(doubtful)
464:(doubtful)
376:church in
320:5 February
274:References
257:alla breve
170:media help
80:newspapers
605:, BWV 768
380:, Germany
185:piece by
1182:Toccatas
1072:♭
1029:♭
894:♭
881:♯
868:♯
834:♯
821:♯
789:♭
776:♭
749:♭
736:♯
723:♯
636:Keyboard
181:, is an
1010:Bourrée
799:Book 2
701:Book 1
390:YouTube
253:BWV 540
237:subject
191:BWV 565
146:BWV 538
94:scholar
18:BWV 538
1142:Portal
545:
526:
462:
311:
226:manual
199:Dorian
96:
89:
82:
75:
67:
1056:Mixed
897:minor
884:minor
871:major
837:minor
824:major
792:minor
779:major
752:major
739:minor
726:major
678:No. 6
671:No. 4
664:No. 2
453:Organ
436:organ
398:Bulle
378:Stade
374:]
363:]
233:fugue
222:motif
183:organ
101:JSTOR
87:books
992:Lute
322:2024
309:ISBN
231:The
177:The
73:news
442:by
388:on
301:doi
56:by
1168::
438:,
372:de
361:de
307:.
299:.
295:.
270:.
209:.
1144::
427:e
420:t
413:v
324:.
303::
172:.
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
