76:
1137:
1098:
1058:
976:
937:
890:
850:
1335:
1422:
663:"J.J." is short for "Jesu juva" (Jesus, help), a formula which Bach and others often wrote at the beginning of a sacred piece. The title in Latin translates to "Oratorio for the feast of the Ascension of Christ", and the scoring in a mixture of French and Italian names the parts and instruments as four vocal parts, three
1650:. The text expresses longing for the day of being united with Jesus in Heaven. The musicologist Julian Mincham interprets the mode of the tune as "the human state of waiting and hoping", while the concerto represents the fulfillment. Mincham compares the writing to the opening chorale fantasias of the
1560:" (innocence). Brian Robins notes "the lightly translucent texture reflecting the text's allusion to Christ leaving his body to ascend to Heaven". While Dürr saw the music as the illustrtion of a glance towards heaven, Jones thinks that the setting without an earthly continuo represents the
3345:
1240:
the festive opening chorus with trumpets and drums, the
Evangelist's secco recitatives, the intermediate four-part chorale, the meditative accompagnati, the semi-dramatic treatment of biblical characters (here the "two men in white") and the elaborate
1658:, finding the composition for the lower voices "endlessly inventive, frequently related to the textual images" pointing out "the passionate and clinging representation of kissing the Saviour beneath the caressing flutes, in the penultimate phrase".
718:
The structure shows symmetry around the central chorale. Expansive chorale movements using the complete orchestra frame the work. Both parts contain besides the bible narration (rec.) a reflective accompagnato recitative (acc.) and an aria with
3338:
1554:. It is one of the rare pieces in Bach's music without basso continuo, with the two unison flutes, the oboe and the unison strings playing a trio, augmented to a quartet by the singer. The original words in the wedding cantata mentioned "
650:
The oratorio spans eleven movements in two parts to be performed before and after the sermon, 1–6 before the sermon and 7–11 after the sermon. It takes about half an hour to perform. The title on the first page of the autograph reads:
597:. While the music for the narration and the first chorale were new compositions in 1738, Bach based the framing choral movements and the two arias on earlier compositions. He used the model for the alto aria again much later for the
3331:
1348:" (Ah, Jesus, is Your departure), shows the situation of the disciples afraid that Jesus will leave them soon. Marked "Rec: col accomp." (Recitative: with accomp), it is accompanied by the flutes and continuo as a
1588:. Set in the first person, it expresses the desire of the speaker for the "liebe Zeit" (dear time) when he sees the Saviour in his glory. Continuing saying "wir" (we), he imagines greeting and kissing him.
4657:
3729:
3354:
3937:
4431:
4804:
4739:
5096:
4976:
4024:
3767:
3932:
4824:
5133:
4981:
4956:
3559:
5011:
5006:
4918:
4264:
4244:
4039:
1498:" (And as they watched), telling of two men in white gowns addressing the disciples. The two men are represented by tenor and bass in a duet, which begins in homophony and leads to a
4632:
4946:
4617:
4567:
4154:
3549:
3751:
5026:
4819:
4784:
4769:
4869:
4475:
4426:
3942:
3277:
5016:
4971:
4951:
4612:
4540:
3574:
3554:
4556:
4369:
4274:
4874:
4411:
4084:
3999:
5110:
4834:
4229:
4184:
4829:
3201:
4139:
5001:
4936:
4864:
4652:
3700:
4510:
5021:
4607:
4389:
4349:
4169:
4159:
4124:
4094:
4079:
3927:
3802:
2199:
474:
1484:: oboes and violin I enforce the chorale tune, the flutes an octave higher, violin II plays with the alto, viola with the tenor, and the continuo with the bass.
566:). The biblical words are narrated by the tenor as the Evangelist. In his third recitative two men are quoted, for this quotation tenor and bass both sing in an
5106:
5058:
4961:
4577:
4550:
4495:
4401:
3857:
3837:
3611:
3564:
4996:
4592:
4436:
4284:
3979:
4941:
4744:
4687:
4642:
4520:
4480:
4334:
4329:
4304:
4299:
4259:
4249:
4164:
4099:
3902:
3852:
3822:
3812:
3807:
3745:
3675:
1516:" (Ah yes! Then come back soon), requests the return of Jesus. Parallel to the bass recitative in Part I, it is also accompanied by the flutes and continuo.
608:
Bach probably performed the oratorio first on 15 May 1738, while an older reference states that it was composed in 1735, in the same liturgical year as the
4535:
4441:
4416:
4359:
4324:
4289:
4224:
3984:
3710:
1253:
which also begins with an extended opening chorus and a chorale fantasia as a conclusion. Bach derived the opening chorus and two arias of earlier works.
5031:
4637:
4602:
4364:
4309:
3817:
2973:
1270:
4789:
4044:
3968:
3887:
3399:
4844:
4719:
4647:
4525:
4490:
4470:
4199:
4149:
4109:
3912:
3762:
3281:
4986:
4890:
4854:
4714:
4708:
4677:
4672:
4662:
4530:
4500:
4485:
4446:
4379:
4339:
4279:
4219:
3962:
3892:
3787:
4562:
4966:
4779:
4582:
4505:
4384:
4374:
4313:
4294:
4214:
4209:
4179:
4029:
3994:
3947:
3922:
3847:
3705:
3680:
3644:
3569:
739:, using the symbol for common time (4/4). Dürr gives the duration as 32 minutes. The timpani always play with the trumpets and are not mentioned.
4904:
4749:
4421:
4254:
3917:
4764:
4692:
4667:
4354:
4049:
3952:
3862:
3792:
3740:
3685:
3437:
2541:
5138:
4809:
4622:
4319:
4234:
4174:
4114:
4019:
3957:
3897:
3842:
3782:
3735:
3715:
3190:
2949:
2336:
2333:
2266:
2263:
4884:
4879:
4931:
4911:
4814:
4774:
4465:
4269:
4194:
4134:
4119:
4074:
4064:
4059:
4014:
4009:
3882:
3720:
3409:
1666:
The sortable listing is taken from the selection provided by Aryeh Oron on the Bach
Cantatas Website. Ensembles with period instruments in
4682:
3974:
3827:
4799:
4515:
4054:
3872:
3867:
3414:
1306:
Bach marks the first recitative of bible narration "Recit. nach dem ersten Chor" (Recitative after the first chorus). It is sung by the
4859:
4759:
4702:
4189:
3797:
4697:
4627:
4597:
4459:
4344:
4004:
3777:
3757:
3690:
1667:
4897:
4239:
3508:
1975:
4104:
4089:
4034:
3772:
3515:
393:
in two parts, taking about half an hour to perform. It is framed by extended choral movements, Part I is concluded by the fourth
4754:
4724:
4545:
3907:
3368:
4925:
4839:
4406:
4144:
3877:
3695:
3543:
3486:
5101:
4069:
1651:
5086:
4991:
4849:
4729:
4204:
4572:
4452:
3832:
3481:
499:
583:" in a four-part setting. Part II reflects the reaction of the disciples. The closing chorale on the seventh stanza of
5143:
3637:
3467:
3392:
3323:
3202:"Johann Sebastian Bach / Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9)"
1978:
2126:
4587:
4395:
3989:
3318:
2474:
2220:
1385:
4734:
3462:
3387:
1394:
1354:. The instruments add colour in long notes to the singing, and illustrate feelings and movements in transitions.
600:
111:
4794:
3501:
3494:
2404:
2150:
2117:
5076:
2977:
2001:
563:
555:
1286:. The orchestra with trumpets, flutes and oboes, begins with extended concertante music. The choir enters in
547:
531:
174:
164:
154:
5148:
3382:
3255:
3182:
2559:
2352:
2284:
1585:
584:
559:
551:
408:
203:
179:
169:
3104:
539:
159:
5071:
4129:
3663:
3630:
2745:
2139:
2123:
2047:
1894:
1655:
467:, in 1734, a work in six parts to be performed on six occasions during Christmas tide. He had composed an
331:
123:
54:
1448:" (Now everything is subject to You) imagines Jesus in heaven, with the angels and elements serving him:
5091:
5081:
5067:
5063:
3658:
3359:
2422:
321:
67:
2196:
1530:" (They however prayed to Him), telling of the disciples' return from the mountain which is named the
3023:
2608:
2289:
2038:
1927:
1917:
508:
386:
2941:
The
Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit
3170:
2698:
2621:
2395:
2327:
2228:
1912:
1903:
1847:
1741:
1724:
1374:" (Ah, just stay, my dearest Life). The music is based on a movement from the lost wedding cantata
1225:
3622:
3535:
3475:
2505:
2471:
2465:
1996:
1638:
1246:
455:
339:
81:
2688:
3606:
3404:
3238:
3186:
3174:
3052:
2945:
2939:
2669:
2435:
2159:
2058:
2052:
1313:
724:
704:
624:
519:
464:
348:
75:
3449:
2616:
2572:
2401:
2257:
1991:
1922:
1791:
1776:
1613:
1326:" (The Lord Jesus lifted up His hands), with Jesus blessing the disciples and leaving them.
1317:
594:
523:
418:
390:
1136:
1097:
1057:
975:
936:
889:
849:
3581:
3456:
3427:
3377:
2675:
2344:
2297:
2210:
2190:
1531:
672:
469:
434:
353:
3147:
86:
3288:
3166:
3151:
2693:
2683:
2602:
2427:
2417:
2365:
2274:
2215:
2144:
2079:
1852:
1834:
1283:
736:
732:
688:
504:
460:
442:
382:
344:
3297:
5127:
3143:
2631:
2564:
2554:
2549:
2497:
2487:
2482:
2412:
1862:
1805:
1619:
1499:
1279:
503:
and other works by Bach. It follows the story of the
Ascension as told both in Luke,
5042:
3653:
3226:
3222:
3109:
2134:
2074:
2069:
1969:
1900:
1721:
1715:
1643:
630:
130:
330:(Oratorio for the feast of the Ascension of Christ), composed for the service for
3105:"Lobet Gott in seinen Reichen (Ascension Oratorio) BWV 11; BWV 11 / 249b; BC D 9"
5037:
3179:
The
Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
3175:"Lobet Gott in seinen Reichen / Himmelfahrtsoratorium Ascension Oratorio BWV 11"
2639:
2535:
2492:
2279:
1867:
1857:
1647:
1479:
1439:
1425:
1295:
728:
574:
398:
196:
2031:
J. S. Bach: Das
Kantatenwerk • Complete Cantatas • Les Cantates, Folge / Vol. 3
723:
instruments. In the following table of the movements, the scoring is taken the
3312:
3024:"Chorale Melodies used in Bach's Vocal Works / Von Gott will ich nicht lassen"
2357:
1291:
515:
494:
3242:
3127:
2626:
1986:
1932:
1287:
720:
573:
Part I, which tells of the
Ascension, is concluded by the fourth stanza of
3079:"Cantata BWV 11 / Lobet Gott in seinen Reichen / (Himmelfahrts-Oratorium)"
1334:
3206:
3078:
1381:
1368:" (Aria Violins in unison and Alto). The singer requests Jesus to stay: "
490:
473:
already in 1725, and revised it for 1738. Bach composed the oratorio for
374:
370:
317:
135:
63:
1421:
1338:
Traverso by Boaz Berney, after an original by Thomas Lot, Paris ca. 1740
1290:, with its own themes. Two middle sections, similar to each other, have
3314:
J.S. Bach - Lobet Gott in seinen
Reichen BWV 11 / Collegium Vocale Gent
3148:"BWV 11 – Lobet Gott in seinen Reichen / (The Ascension Oratorio)"
1670:
and choirs of one voice per part (OVPP) is marked by green background.
1267:", is believed to be based on a movement from the lost secular cantata
1172:
929:
808:
692:
668:
664:
543:
527:
486:
430:
426:
407:" in a four-part setting. The closing chorale on the seventh stanza of
366:
228:
17:
2087:
920:
680:
567:
535:
394:
1548:" (Jesus, Your merciful gaze), is also based on the wedding cantata
1476:
It is composed as a four-part setting, with the instruments playing
3251:"Cantata BWV 11, Ascension Oratorio: Lobet Gott in seinen Reichen"
2009:
1420:
1333:
700:
684:
655:"J.J. Oratorium Festo Ascensionis Xsti. à 4 Voci. 3 Trombe Tamburi
482:
362:
514:
The bible narration is compiled from multiple sources: the first
3250:
708:
696:
676:
438:
421:. The work is richly scored for the feast day, exactly like the
248:
3626:
3327:
2662:
J. S. Bach: Cantatas for the
Complete Liturgical Year Vol. 10
1432:
The first chorale, closing part 1, is the fourth stanza of "
1407:
The
Evangelist continues the narration with the Ascension: "
3053:"Chapter 50 Bwv 11 – The Cantatas of Johann Sebastian Bach"
2816:
2814:
2812:
2810:
2808:
2866:
2864:
2862:
2806:
2804:
2802:
2800:
2798:
2796:
2794:
2792:
2790:
2788:
2775:
2773:
2771:
2769:
2767:
2765:
381:. It follows the story of the Ascension as told in Luke,
2912:
2910:
3438:
Jesus Christus ist um unsrer Missetat willen verwundet
3227:"Neuerkenntnisse zu einigen Kopisten der 1730er Jahre"
2110:
Bach Cantatas Vol. 3 – Ascension Day, Whitsun, Trinity
2849:
1578:" (When shall it happen"), is the seventh stanza of "
249:
2885:
2883:
2881:
2879:
2847:
2845:
2843:
2841:
2839:
2837:
2835:
2833:
2831:
2829:
1769:
Bach: Cantatas No. 67 & 11, from cantata No. 147
637:
it is numbered BC D 9 and included under oratorios.
3527:
3426:
3367:
1362:
Deeper reflection is expressed in an aria, marked "
615:In the first complete edition of Bach's works, the
257:
244:
236:
213:
188:
142:
129:
119:
105:
93:
32:
1320:, following an old tradition. The action begins, "
711:). The work is festively scored, exactly like the
1646:appears in the triumphant context of a different
1298:, but the general praise prevails there as well.
2595:J. S. Bach: Easter Oratorio · Ascension Oratorio
5134:Passions and oratorios by Johann Sebastian Bach
1590:
1450:
1261:The festive opening chorus expressing praise, "
1238:
657:2 Travers. 2 Hautb. 2 Violini, Viola e Cont. di
653:
3638:
3612:List of compositions by Johann Sebastian Bach
3339:
1477:
1391:Bach used the model for the alto aria of the
1363:
1349:
334:and probably first performed on 15 May 1738.
8:
2870:
2180:
1959:
1840:Stuttgarter Bach-ChorBadische Staatskapelle
1631:
1625:
1579:
1573:
1555:
1549:
1543:
1525:
1511:
1493:
1453:
1443:
1433:
1408:
1375:
1369:
1343:
1321:
1268:
1262:
1190:
1153:
1114:
1074:
1035:
992:
953:
906:
866:
827:
787:
622:
616:
588:
578:
412:
402:
311:
292:
109:
36:
2200:Württembergisches Kammerorchester Heilbronn
1708:Historic Bach cantatas (Karl Straube, 1931)
1617:
1392:
1316:), which Bach assigns to the tenor singing
1307:
598:
325:
97:
3645:
3631:
3623:
3355:Masses, magnificat, passions and oratorios
3346:
3332:
3324:
3046:
3044:
2998:
1672:
741:
74:
29:
3282:International Music Score Library Project
2916:
2820:
2779:
1961:Les Grandes Cantates de J. S. Bach Vol. 2
1782:The Cantata SingersThe Jacques Orchestra
2660:
2593:
2526:
2456:
2386:
2318:
2248:
2179:
2108:
2029:
1958:
1887:Bach Made in Germany Vol. 2 – Cantatas I
1885:
1825:
1767:
1706:
27:Oratorio by Johann Sebastian Bach (1729)
2967:
2965:
2963:
2961:
2933:
2931:
2929:
2927:
2925:
2761:
2748:, a thematic catalogue of Bach's works.
2737:
2542:Amsterdam Baroque Orchestra & Choir
633:(hence its low BWV number), and in the
389:. The oratorio is structured in eleven
152:
2976:(in German). s-line.de. Archived from
2901:
2889:
2853:
2458:Bach Edition Vol. 17 – Cantatas Vol. 2
1700:
1245:The oratorio is similar especially to
3298:"BWV 11 Lobet Gott in seinen Reichen"
3289:"BWV 11 Lobet Gott in seinen Reichen"
2528:J. S. Bach: Complete Cantatas Vol. 20
2337:Orchestra of the Age of Enlightenment
2267:Orchestra of the Age of Enlightenment
2250:J. S. Bach: Cantatas BWV 11 & 249
1624:in long notes,< on the melody of "
1413:" (And He was apparently lifted up).
1380:, BWV Anh. 196, written in 1725 on a
1371:Ach, bleibe doch, mein liebstes Leben
908:Ach, bleibe doch, mein liebstes Leben
7:
3278:Lobet Gott in seinen Reichen, BWV 11
3010:
1524:The evangelist ends the narration, "
1510:A reflecting recitative for alto, "
1463:Dir Fürsten stehn auch auf der Bahn
1342:A reflecting recitative for bass, "
327:Oratorium In Festo Ascensionis Xsti
298:(Laud to God in all his kingdoms),
2320:J. S. Bach: Himmelfahrts-Oratorium
2066:soloist of the Wiener Sängerknaben
1323:Der Herr Jesus hub seine Hände auf
829:Der Herr Jesus hub seine Hände auf
629:, the work was included under the
357:already in 1725. The text for the
25:
2334:Choir of the Age of Enlightenment
2264:Choir of the Age of Enlightenment
1668:historically informed performance
477:that same year. The text for the
3400:Kyrie–Gloria masses, BWV 233–236
1630:". Similar to the final chorale
1564:(glances of Grace) of the text.
1492:The evangelist begins Part II, "
1435:Du Lebensfürst, Herr Jesu Christ
1135:
1096:
1056:
974:
935:
888:
848:
580:Du Lebensfürst, Herr Jesu Christ
404:Du Lebensfürst, Herr Jesu Christ
373:who may also have worked on the
1428:, the writer of the hymn lyrics
3509:Wer ist der, so von Edom kömmt
2388:J. S. Bach: Ascension Cantatas
1976:Heinrich-Schütz-Chor Heilbronn
1685:Conductor / Choir / Orchestra
1627:Von Gott will ich nicht lassen
1282:, but dance-like elements and
554:), the last (9) from Luke 24 (
550:), the third (7) from Acts 1 (
351:, in 1734. He had composed an
99:Oratorium In Festo Ascensionis
85:, Church of the Holy Cross in
1:
2938:Jones, Richard D. P. (2013).
1465:Und sind dir willig untertan;
1410:Und ward aufgehoben zusehends
1272:Froher Tag, verlangte Stunden
1236:and arrives at similarities:
955:Und ward aufgehoben zusehends
707:, forming a four-part choir (
691:(Bc) by Bach. The voices are
5139:Oratorios based on the Bible
1676:Lobet Gott in seinen Reichen
1607:Komm, stelle dich doch ein!
1593:Wenn soll es doch geschehen,
1513:Ach ja! so komme bald zurück
1459:Die Engel müssen für und für
1457:Dich selbst nur ausgenommen;
1345:Ach, Jesu, ist dein Abschied
1264:Lobet Gott in seinen Reichen
1076:Ach ja! so komme bald zurück
868:Ach, Jesu, ist dein Abschied
789:Lobet Gott in seinen Reichen
489:, was presumably written by
425:for four vocal parts, three
369:, was presumably written by
294:Lobet Gott in seinen Reichen
38:Lobet Gott in seinen Reichen
3514:includes BWV 1088 and
3296:Bischof, Walter F. (2012).
3287:Ambrose, Z. Philip (2012).
2944:. Oxford University Press.
1979:Pforzheim Chamber Orchestra
1605:daß wir den Heiland küssen?
1603:daß wir den Heiland grüßen,
1601:Du Tag, wenn wirst du sein,
1575:Wenn soll es doch geschehen
1551:Auf, süß entzückende Gewalt
1455:Nun lieget alles unter dir,
1377:Auf, süß entzückende Gewalt
1365:Aria Violini unisoni e Alto
1192:Wenn soll es doch geschehen
481:, a compilation of several
361:, a compilation of several
5165:
2475:Netherlands Bach Collegium
1827:J. S. Bach: Cantata BWV 11
1633:Nun seid ihr wohl gerochen
1595:wenn kömmt die liebe Zeit,
1581:Gott fähret auf gen Himmel
1469:Muß dir zu Dienste werden.
1467:Luft, Wasser, Feuer, Erden
1445:Nun lieget alles unter dir
1386:Johann Christoph Gottsched
994:Nun lieget alles unter dir
590:Gott fähret auf gen Himmel
459:, based on the gospels of
414:Gott fähret auf gen Himmel
343:, based on the gospels of
5053:
3671:
3602:
1699:
1696:
1693:
1690:
1687:
1684:
1681:
1632:
1626:
1618:
1580:
1574:
1556:
1544:
1526:
1512:
1494:
1454:
1444:
1434:
1409:
1393:
1370:
1364:
1344:
1322:
1308:
1269:
1263:
1191:
1181:
1154:
1144:
1115:
1105:
1075:
1065:
1036:
1026:
1019:
993:
983:
954:
944:
907:
897:
867:
857:
828:
818:
788:
778:
773:
768:
765:
762:
759:
756:
753:
750:
747:
744:
623:
617:
599:
589:
579:
485:sources, free poetry and
413:
403:
365:sources, free poetry and
73:
62:
52:
3291:. University of Vermont.
3051:Mincham, Julian (2010).
2405:English Baroque Soloists
2151:Dietrich Fischer-Dieskau
2127:Münchener Bach-Orchester
1642:, the chorale tune in a
1616:. The soprano sings the
1545:Jesu, deine Gnadenblicke
1495:Und da sie ihm nachsahen
1399:of his Mass in B minor.
1155:Jesu, deine Gnadenblicke
1037:Und da sie ihm nachsahen
605:of his Mass in B minor.
3591:Ascension Oratorio
3537:Christmas Oratorio
3300:. University of Alberta
3256:Bach Choir of Bethlehem
3183:Oxford University Press
3081:. Bach Cantatas Website
2182:Die Bach Kantate Vol. 7
1599:in seiner Herrlichkeit?
1586:Gottfried Wilhelm Sacer
1527:Sie aber beteten ihn an
1461:Dir aufzuwarten kommen.
1351:recitativo accompagnato
1182:
1145:
1116:Sie aber beteten ihn an
585:Gottfried Wilhelm Sacer
534:), the second (5) from
409:Gottfried Wilhelm Sacer
240:11 in two parts (6 + 5)
204:Gottfried Wilhelm Sacer
3443:includes BWV 1084
3200:Robins, Brian (2015).
2746:Bach-Werke-Verzeichnis
2181:
1960:
1610:
1597:daß ich ihn werde sehn
1584:", written in 1697 by
1572:The closing chorale, "
1550:
1478:
1474:
1438:", written in 1641 by
1429:
1376:
1350:
1339:
1278:. The movement has no
1243:
1106:
1066:
1027:
984:
945:
898:
858:
819:
779:
661:
453:Bach had composed his
337:Bach had composed his
326:
312:
293:
124:Feast of the Ascension
110:
98:
37:
3659:Johann Sebastian Bach
3360:Johann Sebastian Bach
3028:Bach Cantatas Website
2972:Grob, Jochen (2014).
2917:Dürr & Jones 2006
2821:Dürr & Jones 2006
2780:Dürr & Jones 2006
2423:Anthony Rolfe Johnson
1738:Hans Schubert-Meister
1424:
1337:
646:Scoring and structure
532:Luke 24:50–51
322:Johann Sebastian Bach
313:Himmelfahrtsoratorium
218:15 May 1738
155:Luke 24:50–51
3583:Easter Oratorio
3185:. pp. 336–340.
3171:Jones, Richard D. P.
3077:Oron, Aryeh (2012).
2609:Bach Collegium Japan
2353:Christoph Prégardien
2290:David Wilson-Johnson
2285:Christoph Prégardien
2039:Nikolaus Harnoncourt
1940:Bach Archiv Leipzig
1928:Hans-Joachim Rotzsch
1652:second cantata cycle
552:Acts 1:10–11
509:Acts of the Apostles
387:Acts of the Apostles
170:Acts 1:10–11
3130:. bach-chorales.com
3126:Dahn, Luke (2024).
2699:Jan van der Crabben
2622:Patrick Van Goethem
2396:John Eliot Gardiner
2328:Philippe Herreweghe
2124:Münchener Bach-Chor
2048:Wiener Sängerknaben
1913:Knabenchor Hannover
1904:Gewandhausorchester
1848:Knabenchor Hannover
1742:Karl August Neumann
1725:Gewandhausorchester
1678:
1542:The soprano aria, "
1226:Richard D. P. Jones
564:Luke 24:52b
556:Luke 24:52a
324:, marked by him as
5144:Ascension of Jesus
3476:St Matthew Passion
3369:Latin church music
3225:(6 January 2022).
3057:jsbachcantatas.com
2974:"BWV 11 / BC A 90"
2506:Brilliant Classics
2472:Holland Boys Choir
2466:Pieter Jan Leusink
2349:Catherine Patriasz
2197:Gächinger Kantorei
1673:
1639:Christmas Oratorio
1430:
1340:
1251:Christmas Oratorio
1234:Ascension Oratorio
1230:Christmas Oratorio
713:Christmas Oratorio
610:Christmas Oratorio
548:Mark 16:19
500:St Matthew Passion
479:Ascension Oratorio
456:Christmas Oratorio
423:Christmas Oratorio
379:Christmas Oratorio
359:Ascension Oratorio
340:Christmas Oratorio
307:Ascension Oratorio
253:soloists and choir
175:Luke 24:52
165:Mark 16:19
44:Ascension Oratorio
5119:
5118:
3620:
3619:
3192:978-0-19-969628-4
2951:978-0-19-969628-4
2871:Bach Digital 2024
2729:
2728:
2670:Sigiswald Kuijken
2436:Archiv Produktion
2160:Archiv Produktion
2059:Leonhardt-Consort
2053:Chorus Viennensis
1918:Elisabeth Grümmer
1224:The Bach scholar
1217:
1216:
725:Neue Bach-Ausgabe
625:Bach Gesellschaft
560:Acts 1:12
493:who had been the
289:
288:
270:2 flauti traversi
180:Acts 1:12
16:(Redirected from
5156:
5111:Secular cantatas
5072:Chorale cantatas
5046:
3661:
3647:
3640:
3633:
3624:
3450:Weimarer Passion
3362:
3348:
3341:
3334:
3325:
3315:
3309:
3307:
3305:
3292:
3280:: Scores at the
3267:
3265:
3263:
3246:
3218:
3216:
3214:
3196:
3162:
3160:
3158:
3139:
3137:
3135:
3122:
3120:
3118:
3091:
3090:
3088:
3086:
3074:
3068:
3067:
3065:
3063:
3048:
3039:
3038:
3036:
3034:
3020:
3014:
3008:
3002:
2996:
2990:
2989:
2987:
2985:
2969:
2956:
2955:
2935:
2920:
2914:
2905:
2899:
2893:
2887:
2874:
2868:
2857:
2851:
2824:
2818:
2783:
2777:
2749:
2742:
2716:
2714:
2674:
2673:
2672:
2651:
2649:
2617:Yukari Nonoshita
2607:
2606:
2605:
2584:
2582:
2573:Antoine Marchand
2540:
2539:
2538:
2517:
2515:
2470:
2469:
2468:
2447:
2445:
2402:Monteverdi Choir
2400:
2399:
2398:
2377:
2375:
2332:
2331:
2330:
2309:
2307:
2262:
2261:
2260:
2258:Gustav Leonhardt
2240:
2238:
2207:Costanza Cuccaro
2195:
2194:
2193:
2184:
2171:
2169:
2153:
2122:
2121:
2120:
2099:
2097:
2043:
2042:
2041:
2021:
2019:
1992:Barbara Scherler
1974:
1973:
1972:
1963:
1950:
1948:
1899:
1898:
1897:
1839:
1838:
1837:
1817:
1815:
1792:Kathleen Ferrier
1781:
1780:
1779:
1777:Reginald Jacques
1759:
1757:
1720:
1719:
1718:
1702:
1679:
1656:chorale cantatas
1635:
1634:
1629:
1628:
1623:
1622:
1614:chorale fantasia
1583:
1582:
1577:
1576:
1559:
1558:
1553:
1547:
1546:
1529:
1528:
1515:
1514:
1497:
1496:
1483:
1471:
1470:
1447:
1446:
1437:
1436:
1412:
1411:
1398:
1397:
1379:
1373:
1372:
1367:
1366:
1353:
1347:
1346:
1325:
1324:
1318:secco recitative
1311:
1310:
1277:
1276:
1266:
1265:
1194:
1193:
1157:
1156:
1140:
1139:
1118:
1117:
1101:
1100:
1078:
1077:
1061:
1060:
1039:
1038:
1022:
996:
995:
979:
978:
957:
956:
940:
939:
910:
909:
893:
892:
870:
869:
853:
852:
831:
830:
811:
791:
790:
757:Brass and winds
742:
628:
627:
620:
619:
604:
603:
595:chorale fantasia
592:
591:
582:
581:
562:), and Luke 24 (
540:Acts 1:9
419:chorale fantasia
416:
415:
406:
405:
329:
315:
302:
296:
251:
232:
231:
225:
223:
206:
160:Acts 1:9
149:Luke, Acts, Mark
115:
101:
78:
40:
30:
21:
5164:
5163:
5159:
5158:
5157:
5155:
5154:
5153:
5124:
5123:
5120:
5115:
5068:Church cantatas
5049:
5035:
5034:— discography;
3667:
3657:
3651:
3621:
3616:
3598:
3597:
3523:
3522:
3502:St Mark Passion
3495:St Luke Passion
3457:St John Passion
3422:
3421:
3378:Mass in B minor
3363:
3358:
3352:
3313:
3303:
3301:
3295:
3286:
3274:
3261:
3259:
3249:
3221:
3212:
3210:
3199:
3193:
3165:
3156:
3154:
3142:
3133:
3131:
3125:
3116:
3114:
3103:
3100:
3095:
3094:
3084:
3082:
3076:
3075:
3071:
3061:
3059:
3050:
3049:
3042:
3032:
3030:
3022:
3021:
3017:
3009:
3005:
2999:Bach Choir 2024
2997:
2993:
2983:
2981:
2971:
2970:
2959:
2952:
2937:
2936:
2923:
2915:
2908:
2900:
2896:
2888:
2877:
2869:
2860:
2852:
2827:
2819:
2786:
2778:
2763:
2758:
2753:
2752:
2743:
2739:
2734:
2724:
2712:
2710:
2703:
2689:Petra Noskaiová
2676:La Petite Bande
2668:
2667:
2666:
2647:
2645:
2636:
2601:
2600:
2599:
2580:
2578:
2569:
2560:James Gilchrist
2534:
2533:
2532:
2513:
2511:
2502:
2464:
2463:
2462:
2443:
2441:
2432:
2394:
2393:
2392:
2373:
2371:
2362:
2345:Barbara Schlick
2326:
2325:
2324:
2305:
2303:
2294:
2256:
2255:
2254:
2236:
2234:
2225:
2221:Andreas Schmidt
2211:Mechthild Georg
2191:Helmuth Rilling
2189:
2188:
2187:
2167:
2165:
2156:
2149:
2116:
2115:
2114:
2095:
2093:
2084:
2057:
2037:
2036:
2035:
2017:
2015:
2006:
1968:
1967:
1966:
1946:
1944:
1937:
1911:soloist of the
1893:
1892:
1891:
1872:
1846:soloist of the
1833:
1832:
1831:
1813:
1811:
1802:
1799:William Parsons
1796:William Herbert
1775:
1774:
1773:
1755:
1753:
1746:
1714:
1713:
1712:
1664:
1612:It is set as a
1609:
1606:
1604:
1602:
1600:
1598:
1596:
1594:
1570:
1540:
1532:Mount of Olives
1522:
1508:
1490:
1473:
1468:
1466:
1464:
1462:
1460:
1458:
1456:
1419:
1405:
1360:
1332:
1304:
1259:
1241:chorale-finale.
1222:
1134:
1095:
1055:
1020:
973:
934:
887:
847:
807:
735:are taken from
733:time signatures
673:flauti traversi
660:
658:
656:
648:
643:
635:Bach Compendium
470:Easter Oratorio
451:
435:flauti traversi
354:Easter Oratorio
304:, known as the
300:
285:
227:
221:
219:
217:
209:
201:
184:
151:
150:
89:
58:
48:
28:
23:
22:
15:
12:
11:
5:
5162:
5160:
5152:
5151:
5149:1738 oratorios
5146:
5141:
5136:
5126:
5125:
5117:
5116:
5114:
5113:
5104:
5102:Picander cycle
5099:
5094:
5089:
5084:
5079:
5074:
5061:
5054:
5051:
5050:
5048:
5047:
5029:
5024:
5019:
5014:
5009:
5004:
4999:
4994:
4989:
4984:
4979:
4974:
4969:
4964:
4959:
4954:
4949:
4944:
4939:
4934:
4929:
4922:
4915:
4908:
4901:
4894:
4887:
4882:
4877:
4872:
4867:
4862:
4857:
4852:
4847:
4842:
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4802:
4797:
4792:
4787:
4782:
4777:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4705:
4700:
4695:
4690:
4685:
4680:
4675:
4670:
4665:
4660:
4655:
4650:
4645:
4640:
4635:
4630:
4625:
4620:
4615:
4610:
4605:
4600:
4595:
4590:
4585:
4580:
4575:
4570:
4565:
4560:
4553:
4548:
4543:
4538:
4533:
4528:
4523:
4518:
4513:
4508:
4503:
4498:
4493:
4488:
4483:
4478:
4473:
4468:
4463:
4456:
4449:
4444:
4439:
4434:
4429:
4424:
4419:
4414:
4409:
4404:
4399:
4392:
4387:
4382:
4377:
4372:
4367:
4362:
4357:
4352:
4347:
4342:
4337:
4332:
4327:
4322:
4317:
4307:
4302:
4297:
4292:
4287:
4282:
4277:
4272:
4267:
4262:
4257:
4252:
4247:
4242:
4237:
4232:
4227:
4222:
4217:
4212:
4207:
4202:
4197:
4192:
4187:
4182:
4177:
4172:
4167:
4162:
4157:
4152:
4147:
4142:
4137:
4132:
4127:
4122:
4117:
4112:
4107:
4102:
4097:
4092:
4087:
4082:
4077:
4072:
4067:
4062:
4057:
4052:
4047:
4042:
4037:
4032:
4027:
4022:
4017:
4012:
4007:
4002:
3997:
3992:
3987:
3982:
3977:
3972:
3965:
3960:
3955:
3950:
3945:
3940:
3935:
3930:
3925:
3920:
3915:
3910:
3905:
3900:
3895:
3890:
3885:
3880:
3875:
3870:
3865:
3860:
3855:
3850:
3845:
3840:
3835:
3830:
3825:
3820:
3815:
3810:
3805:
3800:
3795:
3790:
3785:
3780:
3775:
3770:
3765:
3760:
3755:
3748:
3743:
3738:
3733:
3723:
3718:
3713:
3708:
3703:
3698:
3693:
3688:
3683:
3678:
3672:
3669:
3668:
3652:
3650:
3649:
3642:
3635:
3627:
3618:
3617:
3615:
3614:
3609:
3603:
3600:
3599:
3596:
3595:
3587:
3585:, BWV 249
3579:
3578:
3577:
3572:
3567:
3562:
3557:
3552:
3546:
3539:, BWV 248
3532:
3531:
3529:
3525:
3524:
3521:
3520:
3519:
3518:
3505:
3498:
3491:
3490:
3489:
3484:
3472:
3471:
3470:
3465:
3453:
3446:
3445:
3444:
3433:
3432:
3430:
3424:
3423:
3420:
3419:
3418:
3417:
3412:
3402:
3397:
3396:
3395:
3390:
3385:
3374:
3373:
3371:
3365:
3364:
3353:
3351:
3350:
3343:
3336:
3328:
3322:
3321:
3310:
3293:
3284:
3273:
3272:External links
3270:
3269:
3268:
3247:
3219:
3197:
3191:
3163:
3152:Emmanuel Music
3144:Dellal, Pamela
3140:
3123:
3099:
3096:
3093:
3092:
3069:
3040:
3015:
3003:
2991:
2980:on 18 May 2015
2957:
2950:
2921:
2906:
2894:
2875:
2858:
2825:
2823:, p. 339.
2784:
2782:, p. 338.
2760:
2759:
2757:
2754:
2751:
2750:
2736:
2735:
2733:
2730:
2727:
2726:
2720:
2717:
2707:
2704:
2702:
2701:
2696:
2694:Christoph Genz
2691:
2686:
2684:Siri Thornhill
2680:
2678:
2664:
2658:
2657:
2654:
2652:
2642:
2637:
2635:
2634:
2629:
2624:
2619:
2613:
2611:
2603:Masaaki Suzuki
2597:
2591:
2590:
2587:
2585:
2575:
2570:
2568:
2567:
2562:
2557:
2552:
2546:
2544:
2530:
2524:
2523:
2520:
2518:
2508:
2503:
2501:
2500:
2495:
2490:
2485:
2479:
2477:
2460:
2454:
2453:
2450:
2448:
2438:
2433:
2431:
2430:
2428:Stephen Varcoe
2425:
2420:
2418:Michael Chance
2415:
2409:
2407:
2390:
2384:
2383:
2380:
2378:
2368:
2366:Harmonia Mundi
2363:
2361:
2360:
2355:
2350:
2347:
2341:
2339:
2322:
2316:
2315:
2312:
2310:
2300:
2295:
2293:
2292:
2287:
2282:
2277:
2275:Monika Frimmer
2271:
2269:
2252:
2246:
2245:
2243:
2241:
2231:
2226:
2224:
2223:
2218:
2216:Adalbert Kraus
2213:
2208:
2204:
2202:
2185:
2177:
2176:
2174:
2172:
2162:
2157:
2155:
2154:
2147:
2145:Peter Schreier
2142:
2137:
2131:
2129:
2112:
2106:
2105:
2102:
2100:
2090:
2085:
2083:
2082:
2080:Max van Egmond
2077:
2072:
2067:
2063:
2061:
2056:
2055:
2050:
2044:
2033:
2027:
2026:
2024:
2022:
2012:
2007:
2005:
2004:
2002:Jakob Stämpfli
1999:
1994:
1989:
1983:
1981:
1964:
1956:
1955:
1953:
1951:
1941:
1938:
1936:
1935:
1930:
1925:
1920:
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1889:
1883:
1882:
1880:
1878:
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1873:
1871:
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1865:
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1855:
1853:Rosl Schwaiger
1850:
1843:
1841:
1835:Marcel Couraud
1829:
1823:
1822:
1820:
1818:
1808:
1803:
1801:
1800:
1797:
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1789:
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1765:
1764:
1762:
1760:
1750:
1747:
1745:
1744:
1739:
1736:
1735:Frieda Dierolf
1733:
1729:
1727:
1710:
1704:
1703:
1698:
1695:
1692:
1689:
1686:
1683:
1674:Recordings of
1663:
1660:
1591:
1569:
1566:
1539:
1536:
1521:
1518:
1507:
1504:
1489:
1486:
1451:
1418:
1415:
1404:
1401:
1359:
1356:
1331:
1328:
1303:
1300:
1284:Lombard rhythm
1258:
1255:
1221:
1218:
1215:
1214:
1211:
1208:
1205:
1202:
1199:
1196:
1188:
1185:
1179:
1178:
1175:
1170:
1168:
1165:
1162:
1159:
1151:
1148:
1142:
1141:
1132:
1130:
1127:
1125:
1123:
1120:
1112:
1109:
1103:
1102:
1093:
1091:
1088:
1086:
1083:
1080:
1072:
1069:
1063:
1062:
1053:
1051:
1048:
1046:
1044:
1041:
1033:
1030:
1024:
1023:
1017:
1016:
1013:
1010:
1007:
1004:
1001:
998:
990:
987:
981:
980:
971:
969:
966:
964:
962:
959:
951:
948:
942:
941:
932:
927:
924:
917:
915:
912:
904:
901:
895:
894:
885:
883:
880:
878:
875:
872:
864:
861:
855:
854:
845:
843:
840:
838:
836:
833:
825:
822:
816:
815:
812:
805:
802:
799:
796:
793:
785:
782:
776:
775:
771:
770:
767:
764:
761:
758:
755:
752:
751:Text (source)
749:
746:
689:basso continuo
654:
647:
644:
642:
639:
593:" is set as a
450:
447:
441:, strings and
417:" is set as a
287:
286:
284:
283:
280:
277:
274:
271:
268:
265:
261:
259:
255:
254:
246:
242:
241:
238:
234:
233:
215:
211:
210:
208:
207:
199:
192:
190:
186:
185:
183:
182:
177:
172:
167:
162:
157:
148:
147:
146:
144:
140:
139:
133:
127:
126:
121:
117:
116:
107:
103:
102:
95:
91:
90:
79:
71:
70:
60:
59:
53:
50:
49:
47:
46:
41:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5161:
5150:
5147:
5145:
5142:
5140:
5137:
5135:
5132:
5131:
5129:
5122:
5112:
5108:
5105:
5103:
5100:
5098:
5095:
5093:
5090:
5088:
5085:
5083:
5080:
5078:
5075:
5073:
5069:
5065:
5062:
5060:
5056:
5055:
5052:
5045:
5044:
5039:
5033:
5030:
5028:
5025:
5023:
5020:
5018:
5015:
5013:
5010:
5008:
5007:1138.1–1139.1
5005:
5003:
5000:
4998:
4995:
4993:
4990:
4988:
4985:
4983:
4980:
4978:
4975:
4973:
4970:
4968:
4965:
4963:
4960:
4958:
4955:
4953:
4950:
4948:
4945:
4943:
4940:
4938:
4935:
4933:
4930:
4928:
4927:
4923:
4920:
4916:
4913:
4909:
4907:
4906:
4902:
4900:
4899:
4895:
4892:
4888:
4886:
4883:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
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4846:
4843:
4841:
4838:
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4833:
4831:
4828:
4826:
4823:
4821:
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4813:
4811:
4808:
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4803:
4801:
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4788:
4786:
4783:
4781:
4778:
4776:
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4771:
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4758:
4756:
4753:
4751:
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4733:
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4726:
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4710:
4706:
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4676:
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4664:
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4609:
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4604:
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4400:
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4318:
4315:
4311:
4308:
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4303:
4301:
4298:
4296:
4293:
4291:
4288:
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4278:
4276:
4273:
4271:
4268:
4266:
4263:
4261:
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4256:
4253:
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4248:
4246:
4243:
4241:
4238:
4236:
4233:
4231:
4228:
4226:
4223:
4221:
4218:
4216:
4213:
4211:
4208:
4206:
4203:
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4156:
4153:
4151:
4148:
4146:
4143:
4141:
4138:
4136:
4133:
4131:
4128:
4126:
4123:
4121:
4118:
4116:
4113:
4111:
4108:
4106:
4103:
4101:
4098:
4096:
4093:
4091:
4088:
4086:
4083:
4081:
4078:
4076:
4073:
4071:
4068:
4066:
4063:
4061:
4058:
4056:
4053:
4051:
4048:
4046:
4043:
4041:
4038:
4036:
4033:
4031:
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4011:
4008:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3988:
3986:
3983:
3981:
3978:
3976:
3973:
3970:
3966:
3964:
3961:
3959:
3956:
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3944:
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3939:
3936:
3934:
3931:
3929:
3926:
3924:
3921:
3919:
3916:
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3911:
3909:
3906:
3904:
3901:
3899:
3896:
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3891:
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3879:
3876:
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3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3849:
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3844:
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3834:
3831:
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3826:
3824:
3821:
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3816:
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3811:
3809:
3806:
3804:
3801:
3799:
3796:
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3784:
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3779:
3776:
3774:
3771:
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3766:
3764:
3761:
3759:
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3739:
3737:
3734:
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3727:
3724:
3722:
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3714:
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3709:
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3682:
3679:
3677:
3674:
3673:
3670:
3665:
3660:
3655:
3648:
3643:
3641:
3636:
3634:
3629:
3628:
3625:
3613:
3610:
3608:
3605:
3604:
3601:
3594:
3593:, BWV 11
3592:
3588:
3586:
3584:
3580:
3576:
3573:
3571:
3568:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3547:
3545:
3542:
3541:
3540:
3538:
3534:
3533:
3530:
3526:
3517:
3513:
3512:
3511:
3510:
3506:
3504:
3503:
3499:
3497:
3496:
3492:
3488:
3485:
3483:
3480:
3479:
3478:
3477:
3473:
3469:
3466:
3464:
3461:
3460:
3459:
3458:
3454:
3452:
3451:
3447:
3442:
3441:
3440:
3439:
3435:
3434:
3431:
3429:
3425:
3416:
3413:
3411:
3410:early version
3408:
3407:
3406:
3403:
3401:
3398:
3394:
3391:
3389:
3386:
3384:
3383:early version
3381:
3380:
3379:
3376:
3375:
3372:
3370:
3366:
3361:
3356:
3349:
3344:
3342:
3337:
3335:
3330:
3329:
3326:
3320:
3316:
3311:
3299:
3294:
3290:
3285:
3283:
3279:
3276:
3275:
3271:
3258:
3257:
3252:
3248:
3244:
3240:
3236:
3233:(in German).
3232:
3231:Bach-Jahrbuch
3228:
3224:
3223:Wollny, Peter
3220:
3209:
3208:
3203:
3198:
3194:
3188:
3184:
3180:
3176:
3172:
3168:
3164:
3153:
3149:
3145:
3141:
3129:
3124:
3112:
3111:
3106:
3102:
3101:
3098:Cited sources
3097:
3080:
3073:
3070:
3058:
3054:
3047:
3045:
3041:
3029:
3025:
3019:
3016:
3012:
3007:
3004:
3000:
2995:
2992:
2979:
2975:
2968:
2966:
2964:
2962:
2958:
2953:
2947:
2943:
2942:
2934:
2932:
2930:
2928:
2926:
2922:
2918:
2913:
2911:
2907:
2903:
2898:
2895:
2891:
2886:
2884:
2882:
2880:
2876:
2872:
2867:
2865:
2863:
2859:
2855:
2850:
2848:
2846:
2844:
2842:
2840:
2838:
2836:
2834:
2832:
2830:
2826:
2822:
2817:
2815:
2813:
2811:
2809:
2807:
2805:
2803:
2801:
2799:
2797:
2795:
2793:
2791:
2789:
2785:
2781:
2776:
2774:
2772:
2770:
2768:
2766:
2762:
2755:
2747:
2741:
2738:
2731:
2725:
2721:
2718:
2708:
2705:
2700:
2697:
2695:
2692:
2690:
2687:
2685:
2682:
2681:
2679:
2677:
2671:
2665:
2663:
2659:
2655:
2653:
2643:
2641:
2638:
2633:
2632:Chiyuki Urano
2630:
2628:
2625:
2623:
2620:
2618:
2615:
2614:
2612:
2610:
2604:
2598:
2596:
2592:
2588:
2586:
2576:
2574:
2571:
2566:
2565:Klaus Mertens
2563:
2561:
2558:
2556:
2555:Bogna Bartosz
2553:
2551:
2550:Sandrine Piau
2548:
2547:
2545:
2543:
2537:
2531:
2529:
2525:
2521:
2519:
2509:
2507:
2504:
2499:
2498:Bas Ramselaar
2496:
2494:
2491:
2489:
2488:Sytse Buwalda
2486:
2484:
2483:Marjon Strijk
2481:
2480:
2478:
2476:
2473:
2467:
2461:
2459:
2455:
2451:
2449:
2439:
2437:
2434:
2429:
2426:
2424:
2421:
2419:
2416:
2414:
2413:Nancy Argenta
2411:
2410:
2408:
2406:
2403:
2397:
2391:
2389:
2385:
2381:
2379:
2369:
2367:
2364:
2359:
2356:
2354:
2351:
2348:
2346:
2343:
2342:
2340:
2338:
2335:
2329:
2323:
2321:
2317:
2313:
2311:
2301:
2299:
2296:
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2286:
2283:
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2278:
2276:
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2272:
2270:
2268:
2265:
2259:
2253:
2251:
2247:
2244:
2242:
2232:
2230:
2227:
2222:
2219:
2217:
2214:
2212:
2209:
2206:
2205:
2203:
2201:
2198:
2192:
2186:
2183:
2178:
2175:
2173:
2163:
2161:
2158:
2152:
2148:
2146:
2143:
2141:
2140:Anna Reynolds
2138:
2136:
2133:
2132:
2130:
2128:
2125:
2119:
2113:
2111:
2107:
2103:
2101:
2091:
2089:
2086:
2081:
2078:
2076:
2073:
2071:
2068:
2065:
2064:
2062:
2060:
2054:
2051:
2049:
2046:
2045:
2040:
2034:
2032:
2028:
2025:
2023:
2013:
2011:
2008:
2003:
2000:
1998:
1995:
1993:
1990:
1988:
1985:
1984:
1982:
1980:
1977:
1971:
1965:
1962:
1957:
1954:
1952:
1942:
1939:
1934:
1931:
1929:
1926:
1924:
1923:Marga Höffgen
1921:
1919:
1916:
1914:
1910:
1909:
1907:
1905:
1902:
1896:
1890:
1888:
1884:
1881:
1879:
1876:
1874:
1869:
1866:
1864:
1863:Theo Altmeyer
1861:
1859:
1856:
1854:
1851:
1849:
1845:
1844:
1842:
1836:
1830:
1828:
1824:
1821:
1819:
1809:
1807:
1804:
1798:
1795:
1793:
1790:
1787:
1786:
1784:
1778:
1772:
1770:
1766:
1763:
1761:
1751:
1748:
1743:
1740:
1737:
1734:
1732:Anni Quistorp
1731:
1730:
1728:
1726:
1723:
1717:
1711:
1709:
1705:
1680:
1677:
1671:
1669:
1661:
1659:
1657:
1653:
1649:
1645:
1641:
1640:
1621:
1620:cantus firmus
1615:
1608:
1589:
1587:
1567:
1565:
1563:
1552:
1537:
1535:
1533:
1519:
1517:
1505:
1503:
1501:
1487:
1485:
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1481:
1472:
1449:
1441:
1427:
1423:
1416:
1414:
1402:
1400:
1396:
1389:
1387:
1383:
1378:
1357:
1355:
1352:
1336:
1329:
1327:
1319:
1315:
1301:
1299:
1297:
1293:
1289:
1285:
1281:
1275:
1274:, BWV Anh. 18
1273:
1256:
1254:
1252:
1248:
1242:
1237:
1235:
1231:
1228:compares the
1227:
1219:
1212:
1209:
1206:
1203:
1200:
1197:
1189:
1186:
1184:
1180:
1176:
1174:
1171:
1169:
1166:
1163:
1160:
1152:
1149:
1147:
1143:
1138:
1133:
1131:
1128:
1126:
1124:
1121:
1113:
1110:
1108:
1104:
1099:
1094:
1092:
1089:
1087:
1084:
1081:
1073:
1070:
1068:
1064:
1059:
1054:
1052:
1049:
1047:
1045:
1042:
1034:
1031:
1029:
1025:
1018:
1014:
1011:
1008:
1005:
1002:
999:
991:
988:
986:
982:
977:
972:
970:
967:
965:
963:
960:
952:
949:
947:
943:
938:
933:
931:
928:
925:
922:
918:
916:
913:
905:
902:
900:
896:
891:
886:
884:
881:
879:
876:
873:
865:
862:
860:
856:
851:
846:
844:
841:
839:
837:
834:
826:
823:
821:
817:
813:
810:
806:
803:
800:
797:
794:
786:
783:
781:
777:
772:
743:
740:
738:
734:
730:
726:
722:
716:
714:
710:
706:
702:
698:
694:
690:
686:
682:
678:
674:
670:
666:
652:
645:
640:
638:
636:
632:
626:
613:
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5059:Compositions
5041:
4924:
4903:
4896:
4555:
4451:
3750:
3725:
3590:
3589:
3582:
3536:
3507:
3500:
3493:
3474:
3455:
3448:
3436:
3302:. Retrieved
3260:. Retrieved
3254:
3234:
3230:
3211:. Retrieved
3205:
3178:
3167:Dürr, Alfred
3155:. Retrieved
3132:. Retrieved
3115:. Retrieved
3110:Bach Digital
3108:
3083:. Retrieved
3072:
3060:. Retrieved
3056:
3031:. Retrieved
3027:
3018:
3006:
2994:
2982:. Retrieved
2978:the original
2940:
2897:
2740:
2723:
2661:
2594:
2527:
2457:
2387:
2319:
2249:
2135:Edith Mathis
2118:Karl Richter
2109:
2075:Kurt Equiluz
2070:Paul Esswood
2030:
1970:Fritz Werner
1901:Thomanerchor
1886:
1826:
1788:Ena Mitchell
1768:
1722:Thomanerchor
1716:Karl Straube
1707:
1675:
1665:
1637:
1611:
1592:
1571:
1562:Gnadenblicke
1561:
1541:
1523:
1509:
1491:
1475:
1452:
1442:. The text "
1431:
1406:
1390:
1361:
1341:
1305:
1271:
1260:
1250:
1244:
1239:
1233:
1229:
1223:
717:
712:
662:
649:
634:
618:Bach-Ausgabe
614:
609:
607:
572:
513:
498:
478:
468:
454:
452:
422:
378:
358:
352:
338:
336:
306:
305:
299:
291:
290:
258:Instrumental
131:Cantata text
87:Jelenia Góra
80:
43:
3544:discography
3487:discography
3468:discography
3415:discography
3393:discography
2984:20 February
2902:Wollny 2022
2890:Robins 2015
2854:Dellal 2024
2536:Ton Koopman
2493:Knut Schoch
2280:Ralf Popken
1895:Kurt Thomas
1877:mid 1950s?
1868:Franz Crass
1858:Gisela Litz
1697:Choir type
1644:church mode
1480:colla parte
1440:Johann Rist
1426:Johann Rist
1309:Evangelista
1296:minor modes
1201:3Tr 2Ft 2Ob
798:3Tr 2Ft 2Ob
737:Alfred Dürr
575:Johann Rist
558:), Acts 1 (
526:2) is from
399:Johann Rist
197:Johann Rist
94:Native name
5128:Categories
3607:Evangelist
3405:Magnificat
3181:. Oxford:
3128:"BWV 11.6"
3085:4 December
2756:References
2358:Peter Kooy
1997:Kurt Huber
1749:Querstand
1701:Orch. type
1662:Recordings
1314:Evangelist
1294:themes in
1292:syncopated
1079:(Picander)
911:(Picander)
871:(Picander)
792:(Picander)
679:(Ob), two
675:(Ft), two
520:Evangelist
516:recitative
495:librettist
264:3 trumpets
222:1738-05-15
143:Bible text
68:J. S. Bach
5097:3rd cycle
5092:2nd cycle
5087:1st cycle
5012:1140–1141
3528:Oratorios
3482:structure
3463:structure
3388:structure
3243:0084-7682
3237:: 83–91.
3062:16 August
3011:Dahn 2024
2744:"BWV" is
2627:Jan Kobow
1987:Hedy Graf
1933:Theo Adam
1688:Soloists
1648:major key
1395:Agnus Dei
1288:homophony
1220:Movements
721:obbligato
687:(Va) and
601:Agnus Dei
577:'s hymn "
475:Ascension
401:'s hymn "
391:movements
332:Ascension
316:), is an
276:2 violins
237:Movements
214:Performed
112:Agnus Dei
82:Ascension
5109: ;
5066: ;
5064:Cantatas
5043:spurious
5038:doubtful
3730:oratorio
3654:Cantatas
3428:Passions
3304:27 April
3262:29 April
3207:AllMusic
3173:(2006).
3157:29 April
3146:(2024).
3134:29 April
3117:28 April
2229:Hänssler
1557:Unschuld
1382:libretto
1232:and the
760:Strings
665:trumpets
631:cantatas
524:movement
507:and the
497:for the
491:Picander
487:chorales
483:biblical
443:continuo
427:trumpets
385:and the
377:for the
375:libretto
371:Picander
367:chorales
363:biblical
318:oratorio
282:continuo
136:Picander
120:Occasion
64:Oratorio
5057:Lists:
5032:Anh. 18
5027:Anh. 11
4957:248 III
3548:Parts:
3319:YouTube
2722:Period
2711: (
2706:Accent
2656:Period
2646: (
2589:Period
2579: (
2522:Period
2512: (
2452:Period
2442: (
2382:Period
2372: (
2314:Period
2304: (
2298:Philips
2235: (
2166: (
2104:Period
2094: (
2016: (
1945: (
1812: (
1754: (
1636:of the
1249:of the
1247:Part VI
1210:D major
1195:(Sacer)
1187:chorale
1173:G major
1158:(Bible)
1119:(Bible)
1040:(Bible)
1021:Part II
1012:D major
1003:2Ft 2Ob
989:chorale
958:(Bible)
930:A minor
832:(Bible)
809:D major
774:Part I
693:soprano
681:violins
669:timpani
621:of the
544:Mark 16
528:Luke 24
518:of the
465:Matthew
449:History
431:timpani
349:Matthew
273:2 oboes
267:timpani
229:Leipzig
220: (
189:Chorale
106:Related
5082:Weimar
5022:Anh. 9
5017:Anh. 5
4972:248 VI
4962:248 IV
4952:248 II
3666:number
3241:
3213:12 May
3189:
3113:. 2024
3033:14 May
2948:
2088:Teldec
1691:Label
1682:Title
1204:2Vl Va
1167:unison
1164:2Ft Ob
1006:2Vl Va
997:(Rist)
801:2Vl Va
784:chorus
754:Vocal
727:. The
683:(Vn),
671:, two
667:(Tr),
568:arioso
542:) and
536:Acts 1
437:, two
433:, two
395:stanza
301:BWV 11
18:BWV 11
5077:Early
4967:248 V
4947:248 I
4314:motet
2732:Notes
2719:OVPP
2010:Erato
1806:Decca
1694:Year
1500:canon
1280:fugue
769:Time
763:Bass
748:Type
701:tenor
685:viola
677:oboes
641:Music
439:oboes
279:viola
245:Vocal
5107:Late
5002:1127
4997:1083
4992:1045
4987:1040
4982:249b
4977:249a
4942:244a
4885:216a
4850:210a
4835:208a
4825:207a
4810:205a
4765:197a
4740:193a
4720:190a
4628:173a
4491:147a
4417:134a
4396:131a
4335:120b
4330:120a
3516:1149
3306:2015
3264:2024
3239:ISSN
3215:2015
3187:ISBN
3159:2024
3136:2024
3119:2024
3087:2012
3064:2022
3035:2015
2986:2015
2946:ISBN
2713:2009
2709:2009
2648:2004
2644:2004
2581:2003
2577:2003
2514:2000
2510:2000
2444:2000
2440:2000
2374:1993
2370:1993
2306:1993
2302:1993
2237:1984
2233:1984
2168:1975
2164:1975
2096:1972
2092:1972
2018:1966
2014:1966
1947:1960
1943:1960
1814:1949
1810:1949
1756:1931
1752:1931
1213:6/4
1198:SATB
1177:3/8
1150:aria
1111:rec.
1071:acc.
1032:rec.
1015:3/4
1000:SATB
950:rec.
921:unis
919:Vl (
903:aria
863:acc.
824:rec.
814:2/4
795:SATB
766:Key
745:No.
731:and
729:keys
709:SATB
705:bass
703:and
697:alto
659:Bach
587:'s "
505:Mark
463:and
461:Luke
411:'s "
383:Mark
347:and
345:Luke
250:SATB
5040:);
4937:224
4932:223
4926:222
4919:221
4912:220
4905:219
4898:218
4891:217
4880:216
4875:215
4870:214
4865:213
4860:212
4855:211
4845:210
4840:209
4830:208
4820:207
4815:206
4805:205
4800:204
4795:203
4790:202
4785:201
4780:200
4775:199
4770:198
4760:197
4755:196
4750:195
4745:194
4735:193
4730:192
4725:191
4715:190
4709:189
4703:188
4698:187
4693:186
4688:185
4683:184
4678:183
4673:182
4668:181
4663:180
4658:179
4653:178
4648:177
4643:176
4638:175
4633:174
4623:173
4618:172
4613:171
4608:170
4603:169
4598:168
4593:167
4588:166
4583:165
4578:164
4573:163
4568:162
4563:161
4557:160
4551:159
4546:158
4541:157
4536:156
4531:155
4526:154
4521:153
4516:152
4511:151
4506:150
4501:149
4496:148
4486:147
4481:146
4476:145
4471:144
4466:143
4460:142
4453:141
4447:140
4442:139
4437:138
4432:137
4427:136
4422:135
4412:134
4407:133
4402:132
4390:131
4385:130
4380:129
4375:128
4370:127
4365:126
4360:125
4355:124
4350:123
4345:122
4340:121
4325:120
4320:119
4310:118
4305:117
4300:116
4295:115
4290:114
4285:113
4280:112
4275:111
4270:110
4265:109
4260:108
4255:107
4250:106
4245:105
4240:104
4235:103
4230:102
4225:101
4220:100
4120:80a
4060:69a
4040:66a
3883:36c
3878:36b
3873:36a
3858:34a
3833:30a
3664:BWV
3662:by
3656:by
3560:III
3357:by
3317:on
3235:102
2640:BIS
1654:of
1384:by
1085:2Ft
1043:T B
877:2Ft
445:.
397:of
320:by
226:?:
202:by
195:by
66:by
55:BWV
5130::
5070::
4215:99
4210:98
4205:97
4200:96
4195:95
4190:94
4185:93
4180:92
4175:91
4170:90
4165:89
4160:88
4155:87
4150:86
4145:85
4140:84
4135:83
4130:82
4125:81
4115:80
4110:79
4105:78
4100:77
4095:76
4090:75
4085:74
4080:73
4075:72
4070:71
4065:70
4055:69
4050:68
4045:67
4035:66
4030:65
4025:64
4020:63
4015:62
4010:61
4005:60
4000:59
3995:58
3990:57
3985:56
3980:55
3975:54
3969:53
3963:52
3958:51
3953:50
3948:49
3943:48
3938:47
3933:46
3928:45
3923:44
3918:43
3913:42
3908:41
3903:40
3898:39
3893:38
3888:37
3868:36
3863:35
3853:34
3848:33
3843:32
3838:31
3828:30
3823:29
3818:28
3813:27
3808:26
3803:25
3798:24
3793:23
3788:22
3783:21
3778:20
3773:19
3768:18
3763:17
3758:16
3752:15
3746:14
3741:13
3736:12
3726:11
3721:10
3575:VI
3565:IV
3555:II
3253:.
3229:.
3204:.
3177:.
3169:;
3150:.
3107:.
3055:.
3043:^
3026:.
2960:^
2924:^
2909:^
2878:^
2861:^
2828:^
2787:^
2764:^
1568:11
1538:10
1534:.
1502:.
1388:.
1207:Bc
1183:11
1146:10
1129:Bc
1090:Bc
1050:Bc
1009:Bc
968:Bc
926:Bc
923:.)
882:Bc
842:Bc
804:Bc
715:.
699:,
695:,
612:.
570:.
511:.
429:,
57:11
5036:(
4921:)
4917:(
4914:)
4910:(
4893:)
4889:(
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4707:(
4462:)
4458:(
4398:)
4394:(
4316:)
4312:(
3971:)
3967:(
3732:)
3728:(
3716:9
3711:8
3706:7
3701:6
3696:5
3691:4
3686:3
3681:2
3676:1
3646:e
3639:t
3632:v
3570:V
3550:I
3347:e
3340:t
3333:v
3308:.
3266:.
3245:.
3217:.
3195:.
3161:.
3138:.
3121:.
3089:.
3066:.
3037:.
3013:.
3001:.
2988:.
2954:.
2919:.
2904:.
2892:.
2873:.
2856:.
2715:)
2650:)
2583:)
2516:)
2446:)
2376:)
2308:)
2239:)
2170:)
2098:)
2020:)
1949:)
1816:)
1758:)
1520:9
1506:8
1488:7
1417:6
1403:5
1358:4
1330:3
1312:(
1302:2
1257:1
1161:S
1122:T
1107:9
1082:A
1067:8
1028:7
985:6
961:T
946:5
914:A
899:4
874:B
859:3
835:T
820:2
780:1
546:(
538:(
530:(
522:(
310:(
224:)
138:?
20:)
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