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Singet dem Herrn ein neues Lied, BWV 225

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by Sebastian Bach... he was told that the school possessed a complete collection of his motets and preserved them as a sort of sacred relic. 'That's the spirit! That's fine!' cried. 'Let's see them!' There was, however, no score... so he had the parts given to him, and ... sat himself down with the
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The motet is described as being for double-choir (in other words eight voices divided into two four-part choirs). It may have been composed to provide choral exercises for Bach's students at the
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Rochlitz, Johann Friedrich, in the Allgemeine Muiskalische Zeitung, 1799, p. 117, translation from Robert C. Marshall, "Bach and Mozart's Artistic Maturity," pp. 69-17, in
220:. The motet's biblical text would have been suited to that purpose. The final four-part fugue is titled "Alles was Odem hat" ("All that have voice, praise the Lord!"). 499: 555: 281: 597: 548: 430: 616: 472: 539: 280: 531: 463: 584: 575: 346: 397: 567: 272: 190: 100: 515: 507: 621: 435: 523: 456: 232: 210: 186: 86: 81: 415: 311: 307: 256:
parts all around him." Rochlitz also reports that Mozart requested a copy, and "valued it very highly..."
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Bach Werke Verzeichnis: Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
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Bach Perspectives 3: Creative Response to the Music of J. S. Bach from Mozart to Hindemith
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in two volumes in 1802/1803. The editor of both volumes is believed to have been
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and remained in Leipzig to study theology in 1789, reported ten years later that
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around (probably) 1727. The text of the three-movement motet is in German: after
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Robert Marshall writes that it is "certain" that this motet was one heard by
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The motet was included in the first edition of Bach motets, printed by
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Psalm-related compositions by Johann Sebastian Bach
141: 133: 118: 110: 95: 74: 32: 337:, Yoshitake Kobayashi (eds.), Kirsten Beißwenger. 422:Information on the work on www.bach-cantatas.com 457: 8: 33: 364:, p. 249 (W. W. Norton & Company 2001). 361:Johann Sebastian Bach: The Learned Musician 572:(BWV 1149, arrangement attributed to Bach) 464: 450: 442: 63: 29: 431:International Music Score Library Project 243:(a student of Bach, who through 1789 was 412:Singet dem Herrn ein neues Lied, BWV 225 247:of the Thomasschule and director of the 552:(BWV 118, formerly listed as a cantata) 326: 291: 501:Der Geist hilft unser Schwachheit auf 205:) for the second movement, and after 7: 418:(video and background information) 379:, p. 192 (Faber & Faber 2011). 25: 549:O Jesu Christ, meins Lebens Licht 292:Problems playing this file? See 277: 209::2 and 6 for its third movement 617:Motets by Johann Sebastian Bach 493:Singet dem Herrn ein neues Lied 427:Singet dem Herrn ein neues Lied 253:Singet dem Herrn ein neues Lied 158:Singet dem Herrn ein neues Lied 35:Singet dem Herrn ein neues Lied 564:according to Bach's autograph) 376:The Faber Pocket Guide to Bach 191:Nun lob, mein Seel, den Herren 101:Nun lob, mein Seel, den Herren 27:Motet by Johann Sebastian Bach 1: 557:Tilge, Höchster, meine Sünden 544:(BWV 28/2a, formerly BWV 231) 163:Sing unto the Lord a new song 585:Jauchzet dem Herrn alle Welt 560:(BWV 1083, after Pergolesi: 533:Lobet den Herrn, alle Heiden 177:. It was first performed in 541:Sei Lob und Preis mit Ehren 69:Manuscript of the beginning 643: 227:when he visited Leipzig's 595: 588:(BWV Anh. 160 = TWV 8:10) 487: 235:, who graduated from the 233:Johann Friedrich Rochlitz 62: 51: 41: 436:English and German texts 416:Netherlands Bach Society 312:Johann Gottfried Schicht 189:), the third stanza of " 185:for its first movement ( 225:Wolfgang Amadeus Mozart 308:Breitkopf & Härtel 266: 241:Johann Friedrich Doles 211:Psalms 150:2,6 187:Psalms 149:1–3 87:Psalms 150:2,6 82:Psalms 149:1–3 34: 569:Der Gerechte kömmt um 479:Johann Sebastian Bach 414:: performance by the 265: 175:Johann Sebastian Bach 577:Ich lasse dich nicht 373:Kenyon, Nicholas. 358:Wolff, Christoph. 517:Fürchte dich nicht 509:Jesu, meine Freude 273:Alles was Odem hat 267: 622:1727 compositions 604: 603: 438:at Emmanuel Music 282: 154: 153: 16:(Redirected from 634: 525:Komm, Jesu, komm 482: 481: 466: 459: 452: 443: 429:: Scores at the 400: 386: 380: 371: 365: 356: 350: 331: 284: 283: 264: 149: 129: 127: 67: 37: 30: 21: 642: 641: 637: 636: 635: 633: 632: 631: 607: 606: 605: 600: 591: 483: 477: 476: 470: 408: 403: 387: 383: 372: 368: 357: 353: 332: 328: 324: 304: 299: 298: 290: 288: 287: 286: 285: 278: 275: 268: 262: 125: 123: 91: 70: 47: 28: 23: 22: 15: 12: 11: 5: 640: 638: 630: 629: 624: 619: 609: 608: 602: 601: 596: 593: 592: 590: 589: 581: 573: 565: 553: 545: 537: 529: 521: 513: 505: 497: 488: 485: 484: 471: 469: 468: 461: 454: 446: 440: 439: 433: 424: 419: 407: 406:External links 404: 402: 401: 381: 366: 351: 347:978-3765102493 325: 323: 320: 303: 300: 289: 276: 271: 270: 269: 260: 259: 258: 203:Johann Gramann 152: 151: 143: 139: 138: 135: 131: 130: 120: 116: 115: 112: 108: 107: 105:Johann Gramann 97: 93: 92: 90: 89: 84: 78: 76: 72: 71: 68: 60: 59: 49: 48: 42: 39: 38: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 639: 628: 625: 623: 620: 618: 615: 614: 612: 599: 594: 587: 586: 582: 579: 578: 574: 571: 570: 566: 563: 559: 558: 554: 551: 550: 546: 543: 542: 538: 535: 534: 530: 527: 526: 522: 519: 518: 514: 511: 510: 506: 503: 502: 498: 495: 494: 490: 489: 486: 480: 474: 467: 462: 460: 455: 453: 448: 447: 444: 437: 434: 432: 428: 425: 423: 420: 417: 413: 410: 409: 405: 399: 398:0-8032-1048-5 395: 391: 385: 382: 378: 377: 370: 367: 363: 362: 355: 352: 348: 344: 340: 336: 330: 327: 321: 319: 317: 313: 309: 301: 297: 295: 274: 257: 254: 250: 246: 242: 238: 234: 230: 226: 221: 219: 214: 212: 208: 204: 200: 196: 192: 188: 184: 180: 176: 172: 168: 164: 160: 159: 150: 144: 140: 136: 132: 121: 117: 113: 109: 106: 102: 98: 94: 88: 85: 83: 80: 79: 77: 73: 66: 61: 58: 54: 50: 45: 40: 36: 31: 19: 583: 576: 568: 561: 556: 547: 540: 532: 524: 516: 508: 500: 492: 491: 389: 384: 374: 369: 359: 354: 338: 329: 316:Thomaskantor 315: 305: 252: 249:Thomanerchor 237:Thomasschule 229:Thomasschule 222: 218:Thomasschule 215: 166: 162: 157: 156: 155: 598:Discography 335:Alfred Dürr 318:from 1810. 302:Publication 611:Categories 322:References 294:media help 193:" (a 1530 75:Bible text 57:J. S. Bach 536:(BWV 230) 528:(BWV 229) 520:(BWV 228) 512:(BWV 227) 504:(BWV 226) 496:(BWV 225) 231:in 1789. 207:Psalm 150 199:Psalm 103 183:Psalm 149 145:2 choirs 134:Movements 119:Published 349:, p. 228 111:Composed 562:motetto 179:Leipzig 169:, is a 167:BWV 225 124: ( 114:c. 1727 96:Chorale 18:BWV 225 473:Motets 396:  345:  245:cantor 197:after 333:BWV: 171:motet 142:Vocal 103:" by 53:Motet 394:ISBN 343:ISBN 195:hymn 148:SATB 126:1802 122:1802 475:by 201:by 173:by 165:), 55:by 46:225 44:BWV 613:: 314:, 213:. 465:e 458:t 451:v 296:. 161:( 137:3 128:) 99:" 20:)

Index

BWV 225
BWV
Motet
J. S. Bach

Psalms 149:1–3
Psalms 150:2,6
Nun lob, mein Seel, den Herren
Johann Gramann
SATB
motet
Johann Sebastian Bach
Leipzig
Psalm 149
Psalms 149:1–3
Nun lob, mein Seel, den Herren
hymn
Psalm 103
Johann Gramann
Psalm 150
Psalms 150:2,6
Thomasschule
Wolfgang Amadeus Mozart
Thomasschule
Johann Friedrich Rochlitz
Thomasschule
Johann Friedrich Doles
cantor
Thomanerchor
Alles was Odem hat

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