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Wir danken dir, Gott, wir danken dir, BWV 29

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374: 65: 959: 858: 769: 1164:" (Hallelujah, power and might)‘’, repeating and reinforcing the thoughts of the first. The music repeats the main section of the tenor aria, now accompanied by the organ. This close connection within the structure of the work of both the theme (3 and 7) and the instrument (1 and 7) is unusual in Bach's cantatas. 407:. It was not a democratic election, but a "ceremonial transfer of office" of council members who were appointed. The service was not part of the liturgical year with cantata texts related to prescribed biblical epistle and gospel readings. For the same occasion, Bach had already written the cantata 1067:, and a climax is reached when the third trumpet and timpani enter. Hofmann comments that although the movement begins in old style, "Bach’s method of intensification (by means of which he gradually introduces trumpets and ultimately allows the theme to be heard in stretta) is thoroughly baroque. 418:, in his first year in Leipzig, 1723. For the Ratswechsel service, he could count on the entire council (his employer) listening, probably also civil servants and representatives of the Elector's administration for the region. The musicologist 1119:
rhythm. For long stretches in the vocal sections, Bach does without a continuo accompaniment (thus without the instrumental bass register) – a tactic that effectively contributes to creating a sonic impression of tenderness and charm".
543:(Bc). The autograph score is titled: "Bey der Rahts-Wahl / 1731. / Wir dancken dir, Gott, wir dancken dir. / à / 4 Voci. / 3 Trombe / Tamburi / 2 Hautbois / 2 Violini / Viola / e / Continuo / con Organo obligato / di / Joh.Seb:Bach. 2412: 487:
The cantata is structured in eight movements and takes about 28 minutes to perform. The instrumentation reflects the festive occasion for which it was written. Bach scored the work for four vocal soloists
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Several databases provide additional information on each cantata, such as history, scoring, sources for text and music, translations to various languages, discography, discussion and musical analysis.
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of the bible as "Unto thee, O God, do we give thanks, unto thee do we give thanks: for that thy name is near thy wondrous works declare". In contrast to the virtuoso introduction, the chorus begins in
4519: 3153: 342:. The full orchestra accompanies the first choral movement and plays with the voices in the closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately. 5224: 4892: 4827: 5184: 3222: 2109: 5064: 4112: 3855: 2746: 2532: 4020: 2667: 4912: 1115:" (Consider us with Your love)‘’ (‘Think of us with your love’) for "God’s future providence", described by Hofmann as "a musical display piece full of warmth and tenderness in a rocking 5069: 5044: 3509: 5099: 5094: 5006: 4352: 4332: 4127: 3656: 3561: 2712: 2662: 2463: 4720: 3466: 5034: 4705: 4655: 4242: 3501: 3110: 2592: 2562: 2405: 3839: 5114: 4907: 4872: 4857: 4957: 4563: 4514: 4030: 3461: 2707: 2657: 5104: 5059: 5039: 4700: 4628: 3589: 3521: 3505: 3446: 2602: 4644: 4457: 4362: 3072: 3052: 5219: 4962: 4499: 4172: 4087: 3125: 2846: 2811: 5198: 4922: 4317: 3327: 2398: 4272: 2907: 4917: 4227: 3395: 5089: 5024: 4952: 4740: 3788: 3666: 3085: 2917: 4598: 3262: 5109: 4695: 4477: 4437: 4257: 4247: 4212: 4182: 4167: 4015: 3890: 3322: 3312: 3307: 3037: 2776: 2771: 2727: 2687: 2632: 2453: 1466: 5194: 5146: 5049: 4665: 4638: 4583: 4489: 3945: 3925: 3568: 3513: 3472: 3456: 3239: 2702: 2552: 2507: 5084: 4680: 4524: 4372: 4067: 3527: 3377: 2932: 2692: 2642: 1006:. In the cantata for Ratswechsel, the solo organ plays the original violin part "in virtuoso motoric writing", while the full orchestra adds an accompaniment. 5029: 4832: 4775: 4730: 4608: 4568: 4422: 4417: 4392: 4387: 4347: 4337: 4252: 4187: 3990: 3940: 3900: 3895: 3833: 3763: 3610: 3600: 3594: 3578: 3400: 3347: 3292: 3196: 3188: 3140: 3105: 3077: 3002: 2997: 2756: 2741: 2717: 2682: 2577: 2468: 998: 4623: 4529: 4504: 4447: 4412: 4377: 4312: 4072: 3798: 3550: 3451: 3362: 3062: 2992: 2962: 2952: 2927: 5119: 4725: 4690: 4452: 4397: 3905: 3357: 3267: 3135: 3067: 2272: 1039:. The bass begins in great simplicity a theme in even steps; the tenor starts imitating almost immediately, the alto a little later, then the soprano. A 4877: 4132: 4056: 3975: 3631: 2836: 2816: 4932: 4807: 4735: 4613: 4578: 4558: 4287: 4237: 4197: 4000: 3850: 3605: 3337: 3244: 3178: 3090: 2967: 2831: 2786: 2766: 2512: 2113: 5074: 4978: 4942: 4802: 4796: 4765: 4760: 4750: 4618: 4588: 4573: 4534: 4467: 4427: 4367: 4307: 4050: 3980: 3875: 3646: 3641: 3431: 3382: 3206: 3173: 3168: 3158: 3120: 3017: 2982: 2977: 2796: 2751: 2647: 2547: 2527: 276:, the annual inauguration of a new town council, and first performed it on 27 August of that year. The cantata was part of a festive service in the 4650: 2587: 467:
Bach performed the cantata for Ratswechsel at least two more times, on 31 August 1739 and on 25 August 1749. He expanded the Missa of 1733 to his
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Bach first performed the cantata on 27 August 1731. In 1733, he adapted the music of the first choral movement with only minor changes for the
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notes: "It was an opportunity for Bach to show how sacred music was flourishing under his direction and to present himself as a composer."
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is provided using the symbol for common time (4/4). The timpani are listed with the trumpets because they always play together.
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J.S. Bach: Cantatas Vol. 52 - Wachet auf, ruft uns die Stimme, Cantatas · 29 · 112 · 140 (Cantatas from Leipzig 1730s-40s (I))
5013: 4927: 4494: 4232: 3965: 3783: 3095: 3022: 2972: 444: 299: 151: 5189: 4157: 3426: 2458: 1083:" (Alleluia, strength and power) is set as an aria for tenor. The voice, a solo violin and the continuo are equal partners. 1145: 464:, on a text expressing the same idea in Latin. According to Hofmann, the movement is based on an earlier lost composition. 5174: 5079: 4937: 4817: 4292: 3211: 3201: 2613: 1255: 4660: 4540: 3920: 2597: 1319: 377: 3725: 2296: 4675: 2826: 373: 5229: 4483: 4077: 3257: 1600: 1099:" (Praise God! It is well for us!) mentions that God "holds his hand protectively and in blessing above the city". 4822: 3540: 474: 468: 455: 356: 348: 105: 138: 4882: 2382: 5164: 2444: 2276: 1343: 430: 3695: 2187:
The complete recordings of Bach's cantatas are accompanied by liner notes from musicians and musicologists:
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with the voices, then a trumpet doubles the soprano. Developing further, two trumpets take part in the
1184:" (Glory, and praise with honor) the trumpets accentuate the ends of some lines of the fifth verse of 392:, the inauguration of the new town council, which was celebrated annually in a festive service in the 1798: 1741: 1724: 1378: 1273: 2161:
The Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit
1479: 64: 1526: 1499: 509: 305: 3710: 3497: 1756: 1631: 1597: 1591: 1028: 995:, BWV 1006, which Bach had already revised for organ and strings in 1729 for the wedding cantata 2165: 2159: 2146: 1392: 1268: 1263: 547: 501: 3691: 2316: 1696: 2390: 857: 768: 2349: 2192: 1457: 1278: 401: 362: 112: 2255: 2235: 2120:"Wir danken dir, Gott, wir danken dir BWV 29; BC B 8 / Sacred cantata (Council election)" 2201: 2138: 1792: 1751: 1563: 1474: 1419: 1328: 1185: 1148:, "und alles Volk soll sagen: Amen!" (And all the people shall answer and say, Amen.). 1040: 919: 555: 540: 434: 328: 293: 157: 2218: 958: 5213: 2292: 2251: 2188: 1746: 1688: 1678: 1673: 1623: 1613: 1608: 1545: 1036: 754: 536: 419: 324: 2297:"Wir danken dir, Gott, wir danken dir / Unto thee, O God, do we give thanks, BWV 29" 5130: 3741: 3680: 2123: 1550: 1540: 1414: 1409: 259: 1816: 69:
First page of the autograph manuscript of the organ obbligato part in the opening
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The entries of the following table are taken from the Bach Cantatas Website.
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by an unknown author includes in movement 2 the first verse of Psalm 75 (
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The cantata is one of few sacred Bach cantatas opened by an orchestral
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illustrates the telling of God's wonders, embellishing the words
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In the following table of the movements, the scoring follows the
380:, the regular location of the service celebrating the new council 521: 505: 493: 438: 317: 198: 3714: 2394: 1136:" (Do not forget later, with Your hand), concluded by a choral 2317:"Chapter 85 Bwv 29 – The Cantatas of Johann Sebastian Bach" 1922: 1920: 1918: 1916: 1144:. The surprise is an interpretation of a line quoted from 1128:
A recitative for alto is a prayer for future protection, "
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Bach used the music from the choral movement for both the
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J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 2
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and concluded his work by repeating the music as the
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The first vocal movement is a setting of verse 1 of
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Psalm-related compositions by Johann Sebastian Bach
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Bärenreiter-Verlag. 3726: 3146:Later additions to the chorale cantata cycle: 2406: 2354:"Wir danken dir, Gott, wir danken dir, BWV29" 2219:"BWV 29 Wir danken dir, Gott, wir danken dir" 2202:"BWV 29 Wir danken dir, Gott, wir danken dir" 1056: 8: 2880:Chorale cantatas between Trinity and Easter: 2379:Wir danken dir, Gott, wir danken dir, BWV 29 2110:Wir danken dir, Gott, wir danken dir, BWV 29 1926: 1447: 1189: 1178: 1158: 1130: 1109: 1093: 1077: 1050: 1044: 1019: 996: 974: 962:The first page of the autograph manuscript, 912: 874: 827: 785: 731: 690: 646: 442: 408: 393: 385: 297: 277: 271: 242: 149: 126: 33: 1467:Württembergisches Kammerorchester Heilbronn 472: 462:his Kyrie-Gloria Mass for the Dresden court 453: 354: 346: 103: 3733: 3719: 3711: 2413: 2399: 2391: 1938: 1204: 560: 63: 29: 5220:Council cantatas by Johann Sebastian Bach 2114:International Music Score Library Project 1306:J. S. Bach: Cantatas BWV 29 & BWV 135 400:on the Monday following the feast day of 331:. The organ dominates the first movement 1783: 1715: 1650: 1582: 1517: 1446: 1369: 1304: 1235: 2065: 2026: 2002: 1965: 1907: 1858: 1666:Amsterdam Baroque Orchestra & Choir 1584:Bach Edition Vol. 21 – Cantatas Vol. 12 1132:Vergiß es ferner nicht, mit deiner Hand 27:Church cantata by Johann Sebastian Bach 2275:(in German). s-line.de. Archived from 2143:Die Kantaten von Johann Sebastian Bach 1876: 1406:boy soprano of the Wiener Sängerknaben 1229: 829:Vergiß es ferner nicht mit deiner Hand 384:Bach composed the cantata in 1731 for 2302:. Bach Cantatas Website. pp. 7–8 2234:Browne, Francis; Oron, Aryeh (2008). 1977: 1953: 1652:J. S. Bach: Complete Cantatas Vol. 20 1237:Radio Recording - Archiv-Nr: U0-03176 7: 2089: 2077: 2050: 2038: 2014: 1208:Wir danken dir, Gott, wir danken dir 1022:Wir danken dir, Gott, wir danken dir 244:Wir danken dir, Gott, wir danken dir 35:Wir danken dir, Gott, wir danken dir 2359:. Bach Cantatas Website. p. 25 248:(We thank you, God, we thank you), 2385:(video and background information) 1156:The alto performs the last aria, " 1000:Herr Gott, Beherrscher aller Dinge 528:(Vl) (violin solo in movement 3), 25: 3083:Continuation of the second cycle: 2603:Köthen: BWV Anh. 5 1519:J. S. Bach: Wir danken dir, Gott 856: 767: 1107:The soprano aria is a prayer, " 2191:wrote for Masaaki Suzuki, and 1217:Conductor / Choir / Orchestra 1191:Nun lob, mein Seel, den Herren 1111:Gedenk an uns mit deiner Liebe 1024:, und verkündigen deine Wunder 787:Gedenk an uns mit deiner Liebe 445:Nun lob, mein Seel, den Herren 300:Nun lob, mein Seel, den Herren 152:Nun lob, mein Seel, den Herren 1: 2158:Jones, Richard D. P. (2013). 978:Weinen, Klagen, Sorgen, Zagen 3194:Other late chorale cantatas: 412:Preise, Jerusalem, den Herrn 3533:Council election (Leipzig): 2625:Between Trinity and Advent: 2217:Bischof, Walter F. (2012). 2200:Ambrose, Z. Philip (2012). 2164:. Oxford University Press. 1256:Hamburger Rundfunkorchester 1180:Sei Lob und Preis mit Ehren 1146:Deuteronomy 27:1526 988:of the prelude from Bach's 914:Sei Lob und Preis mit Ehren 5246: 1601:Netherlands Bach Collegium 1160:Halleluja, Stärk und Macht 1095:Gottlob! es geht uns wohl! 1079:Halleluja, Stärk und Macht 876:Halleluja, Stärk und Macht 733:Gottlob! es geht uns wohl! 692:Halleluja, Stärk und Macht 335:which Bach derived from a 5141: 3759: 3676: 1320:Süddeutscher Madrigalchor 1228: 1225: 1222: 1219: 1216: 1213: 1179: 1159: 1131: 1110: 1094: 1078: 1020: 997: 975: 913: 903: 875: 865: 828: 818: 786: 776: 732: 722: 691: 681: 647: 636: 598: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 473: 454: 409: 394: 355: 347: 298: 278: 150: 62: 51: 41: 3250:Liturgical year 1725–26: 2383:Netherlands Bach Society 2315:Mincham, Julian (2010). 1091:A recitative for bass, " 168:27 August 1731 2336:. Bach Cantatas Website 2238:. Bach Cantatas Website 2221:. University of Alberta 2204:. University of Vermont 1765:Deutsche Harmonia Mundi 1449:Die Bach Kantate Vol. 6 973:. Another is the early 2738:From Advent to Trinity 1939:Browne & Oron 2008 1734:Concentus Musicus Wien 1731:Arnold Schoenberg Chor 1448: 1399:Concentus Musicus Wien 1190: 1057: 1051: 1045: 966: 904: 866: 819: 777: 723: 682: 637: 599: 443: 386: 381: 378:Nikolaikirche, Leipzig 272: 243: 127: 104: 34: 3747:Johann Sebastian Bach 3686:List of Bach cantatas 2427:Johann Sebastian Bach 2381:: performance by the 2271:Grob, Jochen (2015). 1564:Harmonia Mundi France 1533:Collegium Vocale Gent 1491:Philippe Huttenlocher 1027:", translated in the 961: 649:Wir danken dir, Gott, 552:list of Bach cantatas 483:Scoring and structure 376: 288:, and as the closing 264:Johann Sebastian Bach 94:movement 2 basis for 2332:Oron, Aryeh (2014). 2319:. jsbachcantatas.com 1799:Bach Collegium Japan 1725:Nikolaus Harnoncourt 1717:J. S. Bach: Cantatas 1379:Nikolaus Harnoncourt 1274:Hans-Joachim Rotzsch 427:Wir danken dir, Gott 425:The cantata text of 292:the fifth stanza of 266:. He composed it in 100:Bach's Missa of 1733 84:movement 1 based on 3232:After Trinity 1725: 1527:Philippe Herreweghe 1388:Wiener Sängerknaben 1322:Consortium Musicum 1314:Wolfgang Gönnenwein 1210: 456:Gratias agimus tibi 349:Gratias agimus tibi 139:Psalms 75:1 1757:Christian Gerhaher 1632:Brilliant Classics 1598:Holland Boys Choir 1592:Pieter Jan Leusink 1464:Gächinger Kantorei 1205: 1029:King James version 984:. The music is an 967: 431:Psalm 75:1 382: 5230:1731 compositions 5207: 5206: 3708: 3707: 3562:1139.1, 1140–1141 2273:"BWV 29 / BC B 8" 2195:for Ton Koopman. 2171:978-0-19-969628-4 1927:Bach digital 2015 1851: 1850: 1742:Christine Schäfer 1393:Chorus Viennensis 1339:Johannes Hoefflin 1269:Ursula Zollenkopf 1264:Margot Guilleaume 946: 945: 548:Neue Bach-Ausgabe 510:Baroque orchestra 369:History and words 306:Baroque orchestra 239: 238: 16:(Redirected from 5237: 5199:Secular cantatas 5160:Chorale cantatas 5134: 3749: 3735: 3728: 3721: 3712: 3692:Monteverdi Choir 3534: 3476: 3429: 3389: 3251: 3233: 3195: 3147: 3084: 2881: 2739: 2626: 2429: 2415: 2408: 2401: 2392: 2368: 2366: 2364: 2358: 2350:Wolff, Christoph 2345: 2343: 2341: 2328: 2326: 2324: 2311: 2309: 2307: 2301: 2288: 2286: 2284: 2267: 2265: 2263: 2258:. Emmanuel Music 2247: 2245: 2243: 2230: 2228: 2226: 2213: 2211: 2209: 2175: 2154: 2127: 2112:: Scores at the 2093: 2087: 2081: 2075: 2069: 2063: 2054: 2048: 2042: 2036: 2030: 2024: 2018: 2012: 2006: 2000: 1981: 1975: 1969: 1963: 1957: 1951: 1942: 1936: 1930: 1924: 1911: 1905: 1880: 1874: 1841: 1839: 1797: 1796: 1795: 1776: 1774: 1729: 1728: 1727: 1708: 1706: 1697:Antoine Marchand 1664: 1663: 1662: 1643: 1641: 1596: 1595: 1594: 1575: 1573: 1531: 1530: 1529: 1511: 1509: 1493: 1462: 1461: 1460: 1451: 1439: 1437: 1383: 1382: 1381: 1363: 1361: 1318: 1317: 1316: 1298: 1296: 1249: 1248: 1247: 1231: 1211: 1193: 1182: 1181: 1162: 1161: 1134: 1133: 1113: 1112: 1097: 1096: 1081: 1080: 1062: 1054: 1049:("declare") and 1048: 1026: 1025: 1005: 1004: 983: 982: 916: 915: 878: 877: 861: 860: 852: 831: 830: 789: 788: 772: 771: 763: 758: 735: 734: 694: 693: 653: 652: 650: 629: 561: 478: 477: 475:Dona nobis pacem 459: 458: 448: 417: 416: 406: 399: 398: 391: 360: 359: 357:Dona nobis pacem 352: 351: 303: 302: 283: 282: 275: 255: 252: 246: 201: 182: 181: 175: 173: 155: 154: 130: 115: 109: 106:Dona nobis pacem 67: 37: 30: 21: 5245: 5244: 5240: 5239: 5238: 5236: 5235: 5234: 5210: 5209: 5208: 5203: 5156:Church cantatas 5137: 5123: 5122:— discography; 3755: 3745: 3739: 3709: 3704: 3672: 3671: 3532: 3471: 3425: 3417: 3411: 3410: 3387: 3249: 3231: 3217: 3216: 3193: 3145: 3082: 2879: 2869: 2865: 2857: 2856: 2737: 2624: 2615: 2608: 2607: 2464:1138.1 & .2 2436: 2430: 2425: 2422:Church cantatas 2419: 2375: 2362: 2360: 2356: 2348: 2339: 2337: 2331: 2322: 2320: 2314: 2305: 2303: 2299: 2291: 2282: 2280: 2279:on 2 April 2015 2270: 2261: 2259: 2250: 2241: 2239: 2233: 2224: 2222: 2216: 2207: 2205: 2199: 2193:Christoph Wolff 2172: 2157: 2137: 2118: 2101: 2096: 2088: 2084: 2076: 2072: 2064: 2057: 2049: 2045: 2037: 2033: 2025: 2021: 2013: 2009: 2001: 1984: 1976: 1972: 1964: 1960: 1952: 1945: 1937: 1933: 1925: 1914: 1906: 1883: 1875: 1860: 1856: 1846: 1837: 1835: 1826: 1791: 1790: 1789: 1772: 1770: 1761: 1723: 1722: 1721: 1704: 1702: 1693: 1684:James Gilchrist 1658: 1657: 1656: 1639: 1637: 1628: 1590: 1589: 1588: 1571: 1569: 1560: 1525: 1524: 1523: 1507: 1505: 1496: 1489: 1458:Helmuth Rilling 1456: 1455: 1454: 1435: 1433: 1424: 1397: 1377: 1376: 1375: 1359: 1357: 1348: 1312: 1311: 1310: 1294: 1292: 1283: 1279:Horst Sellentin 1243: 1242: 1241: 1200: 1172:In the closing 1170: 1154: 1126: 1105: 1089: 1073: 1035:style in grave 1012: 956: 951: 855: 850: 766: 759: 753: 648: 625: 506:four-part choir 485: 469:Mass in B minor 404: 402:St. Bartholomew 371: 363:Mass in B minor 253: 235: 177: 171: 169: 167: 118: 113:Mass in B minor 111: 91:, BWV 1006 73: 47: 28: 23: 22: 15: 12: 11: 5: 5243: 5241: 5233: 5232: 5227: 5222: 5212: 5211: 5205: 5204: 5202: 5201: 5192: 5190:Picander cycle 5187: 5182: 5177: 5172: 5167: 5162: 5149: 5142: 5139: 5138: 5136: 5135: 5117: 5112: 5107: 5102: 5097: 5092: 5087: 5082: 5077: 5072: 5067: 5062: 5057: 5052: 5047: 5042: 5037: 5032: 5027: 5022: 5017: 5010: 5003: 4996: 4989: 4982: 4975: 4970: 4965: 4960: 4955: 4950: 4945: 4940: 4935: 4930: 4925: 4920: 4915: 4910: 4905: 4900: 4895: 4890: 4885: 4880: 4875: 4870: 4865: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4825: 4820: 4815: 4810: 4805: 4800: 4793: 4788: 4783: 4778: 4773: 4768: 4763: 4758: 4753: 4748: 4743: 4738: 4733: 4728: 4723: 4718: 4713: 4708: 4703: 4698: 4693: 4688: 4683: 4678: 4673: 4668: 4663: 4658: 4653: 4648: 4641: 4636: 4631: 4626: 4621: 4616: 4611: 4606: 4601: 4596: 4591: 4586: 4581: 4576: 4571: 4566: 4561: 4556: 4551: 4544: 4537: 4532: 4527: 4522: 4517: 4512: 4507: 4502: 4497: 4492: 4487: 4480: 4475: 4470: 4465: 4460: 4455: 4450: 4445: 4440: 4435: 4430: 4425: 4420: 4415: 4410: 4405: 4395: 4390: 4385: 4380: 4375: 4370: 4365: 4360: 4355: 4350: 4345: 4340: 4335: 4330: 4325: 4320: 4315: 4310: 4305: 4300: 4295: 4290: 4285: 4280: 4275: 4270: 4265: 4260: 4255: 4250: 4245: 4240: 4235: 4230: 4225: 4220: 4215: 4210: 4205: 4200: 4195: 4190: 4185: 4180: 4175: 4170: 4165: 4160: 4155: 4150: 4145: 4140: 4135: 4130: 4125: 4120: 4115: 4110: 4105: 4100: 4095: 4090: 4085: 4080: 4075: 4070: 4065: 4060: 4053: 4048: 4043: 4038: 4033: 4028: 4023: 4018: 4013: 4008: 4003: 3998: 3993: 3988: 3983: 3978: 3973: 3968: 3963: 3958: 3953: 3948: 3943: 3938: 3933: 3928: 3923: 3918: 3913: 3908: 3903: 3898: 3893: 3888: 3883: 3878: 3873: 3868: 3863: 3858: 3853: 3848: 3843: 3836: 3831: 3826: 3821: 3811: 3806: 3801: 3796: 3791: 3786: 3781: 3776: 3771: 3766: 3760: 3757: 3756: 3740: 3738: 3737: 3730: 3723: 3715: 3706: 3705: 3703: 3702: 3688: 3683: 3677: 3674: 3673: 3670: 3669: 3664: 3659: 3654: 3649: 3644: 3639: 3634: 3628: 3623: 3618: 3613: 3608: 3603: 3597: 3592: 3586: 3581: 3576: 3571: 3565: 3558: 3553: 3548: 3543: 3538: 3530: 3525: 3495: 3490: 3485: 3480: 3469: 3464: 3459: 3454: 3449: 3444: 3439: 3434: 3427:Picander cycle 3422: 3421: 3419: 3413: 3412: 3409: 3408: 3403: 3398: 3393: 3385: 3380: 3375: 3370: 3365: 3360: 3355: 3350: 3345: 3340: 3335: 3330: 3325: 3320: 3315: 3310: 3305: 3300: 3295: 3290: 3285: 3280: 3275: 3270: 3265: 3260: 3255: 3247: 3242: 3237: 3228: 3227: 3225: 3219: 3218: 3215: 3214: 3209: 3204: 3199: 3191: 3186: 3181: 3176: 3171: 3166: 3161: 3156: 3151: 3143: 3138: 3133: 3128: 3123: 3118: 3113: 3108: 3103: 3098: 3093: 3088: 3080: 3075: 3070: 3065: 3060: 3055: 3050: 3045: 3040: 3035: 3030: 3025: 3020: 3015: 3010: 3005: 3000: 2995: 2990: 2985: 2980: 2975: 2970: 2965: 2960: 2955: 2950: 2945: 2940: 2935: 2930: 2925: 2920: 2915: 2910: 2905: 2900: 2895: 2890: 2885: 2876: 2875: 2873: 2859: 2858: 2855: 2854: 2849: 2844: 2839: 2834: 2829: 2824: 2819: 2814: 2809: 2804: 2799: 2794: 2789: 2784: 2779: 2774: 2769: 2764: 2759: 2754: 2749: 2744: 2735: 2730: 2725: 2720: 2715: 2710: 2705: 2700: 2695: 2690: 2685: 2680: 2675: 2670: 2665: 2660: 2655: 2650: 2645: 2640: 2635: 2630: 2621: 2620: 2618: 2610: 2609: 2606: 2605: 2600: 2595: 2590: 2585: 2580: 2575: 2570: 2565: 2560: 2555: 2550: 2545: 2540: 2535: 2530: 2525: 2520: 2515: 2510: 2505: 2500: 2495: 2486: 2481: 2476: 2471: 2466: 2461: 2456: 2451: 2441: 2440: 2438: 2432: 2431: 2420: 2418: 2417: 2410: 2403: 2395: 2387: 2386: 2374: 2373:External links 2371: 2370: 2369: 2346: 2329: 2312: 2293:Hofmann, Klaus 2289: 2268: 2252:Dellal, Pamela 2248: 2231: 2214: 2180:Online sources 2177: 2176: 2170: 2155: 2129: 2128: 2116: 2100: 2097: 2095: 2094: 2082: 2080:, p. 596. 2070: 2055: 2053:, p. 597. 2043: 2031: 2019: 2017:, p. 595. 2007: 1982: 1970: 1958: 1943: 1931: 1912: 1881: 1857: 1855: 1852: 1849: 1848: 1842: 1832: 1827: 1825: 1824: 1819: 1814: 1809: 1807:Hana Blažíková 1803: 1801: 1793:Masaaki Suzuki 1787: 1781: 1780: 1777: 1767: 1762: 1760: 1759: 1754: 1749: 1744: 1738: 1736: 1719: 1713: 1712: 1709: 1699: 1694: 1692: 1691: 1686: 1681: 1676: 1670: 1668: 1654: 1648: 1647: 1644: 1634: 1629: 1627: 1626: 1621: 1616: 1611: 1605: 1603: 1586: 1580: 1579: 1576: 1566: 1561: 1559: 1558: 1553: 1548: 1543: 1537: 1535: 1521: 1515: 1514: 1512: 1502: 1497: 1495: 1494: 1487: 1482: 1480:Elisabeth Graf 1477: 1475:Ulrike Sonntag 1471: 1469: 1452: 1444: 1443: 1440: 1430: 1425: 1423: 1422: 1420:Max van Egmond 1417: 1412: 1407: 1403: 1401: 1396: 1395: 1390: 1384: 1373: 1367: 1366: 1364: 1354: 1349: 1347: 1346: 1344:Jakob Stämpfli 1341: 1336: 1331: 1329:Herrad Wehrung 1325: 1323: 1308: 1302: 1301: 1299: 1289: 1284: 1282: 1281: 1276: 1271: 1266: 1260: 1258: 1239: 1233: 1232: 1227: 1224: 1221: 1218: 1215: 1206:Recordings of 1199: 1196: 1186:Johann Gramann 1169: 1166: 1153: 1150: 1125: 1122: 1104: 1101: 1088: 1085: 1072: 1069: 1041:countersubject 1011: 1008: 955: 952: 950: 947: 944: 943: 940: 937: 934: 931: 928: 925: 922: 917: 910: 907: 901: 900: 897: 894: 891: 889: 887: 885: 882: 879: 872: 869: 863: 862: 853: 847: 844: 842: 840: 838: 835: 832: 825: 822: 816: 815: 812: 807: 804: 801: 798: 796: 793: 790: 783: 780: 774: 773: 764: 751: 748: 746: 744: 742: 739: 736: 729: 726: 720: 719: 716: 711: 708: 705: 703: 701: 698: 695: 688: 685: 679: 678: 676: 673: 670: 667: 664: 661: 658: 655: 651:wir danken dir 643: 640: 634: 633: 630: 623: 620: 617: 614: 611: 609: 607: 605: 602: 596: 595: 592: 589: 586: 583: 580: 577: 574: 571: 568: 565: 556:time signature 541:basso continuo 484: 481: 435:Johann Gramann 370: 367: 329:basso continuo 320:, strings, an 294:Johann Gramann 260:sacred cantata 237: 236: 234: 233: 230: 227: 224: 221: 218: 215: 211: 209: 205: 204: 203:choir and solo 196: 192: 191: 188: 184: 183: 165: 161: 160: 158:Johann Gramann 146: 142: 141: 136: 132: 131: 124: 120: 119: 117: 116: 92: 81: 79: 75: 74: 68: 60: 59: 53:Sacred cantata 49: 48: 42: 39: 38: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5242: 5231: 5228: 5226: 5223: 5221: 5218: 5217: 5215: 5200: 5196: 5193: 5191: 5188: 5186: 5183: 5181: 5178: 5176: 5173: 5171: 5168: 5166: 5163: 5161: 5157: 5153: 5150: 5148: 5144: 5143: 5140: 5133: 5132: 5127: 5121: 5118: 5116: 5113: 5111: 5108: 5106: 5103: 5101: 5098: 5096: 5095:1138.1–1139.1 5093: 5091: 5088: 5086: 5083: 5081: 5078: 5076: 5073: 5071: 5068: 5066: 5063: 5061: 5058: 5056: 5053: 5051: 5048: 5046: 5043: 5041: 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3777: 3775: 3772: 3770: 3767: 3765: 3762: 3761: 3758: 3753: 3748: 3743: 3736: 3731: 3729: 3724: 3722: 3717: 3716: 3713: 3701: 3697: 3693: 3690:Discography: 3689: 3687: 3684: 3682: 3679: 3678: 3675: 3668: 3665: 3663: 3660: 3658: 3655: 3653: 3650: 3648: 3645: 3643: 3640: 3638: 3635: 3633: 3629: 3627: 3624: 3622: 3619: 3617: 3614: 3612: 3609: 3607: 3604: 3602: 3598: 3596: 3593: 3591: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3566: 3563: 3559: 3557: 3554: 3552: 3549: 3547: 3544: 3542: 3539: 3537: 3531: 3529: 3526: 3523: 3519: 3515: 3511: 3507: 3503: 3499: 3496: 3494: 3491: 3489: 3486: 3484: 3481: 3479: 3474: 3473:Late parodies 3470: 3468: 3465: 3463: 3460: 3458: 3455: 3453: 3450: 3448: 3445: 3443: 3440: 3438: 3435: 3433: 3428: 3424: 3423: 3420: 3414: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3386: 3384: 3381: 3379: 3376: 3374: 3371: 3369: 3366: 3364: 3361: 3359: 3356: 3354: 3351: 3349: 3346: 3344: 3341: 3339: 3336: 3334: 3331: 3329: 3326: 3324: 3321: 3319: 3316: 3314: 3311: 3309: 3306: 3304: 3301: 3299: 3296: 3294: 3291: 3289: 3286: 3284: 3281: 3279: 3276: 3274: 3271: 3269: 3266: 3264: 3261: 3259: 3256: 3254: 3248: 3246: 3243: 3241: 3238: 3236: 3230: 3229: 3226: 3224: 3220: 3213: 3210: 3208: 3205: 3203: 3200: 3198: 3192: 3190: 3187: 3185: 3182: 3180: 3177: 3175: 3172: 3170: 3167: 3165: 3162: 3160: 3157: 3155: 3152: 3150: 3144: 3142: 3139: 3137: 3134: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3102: 3099: 3097: 3094: 3092: 3089: 3087: 3081: 3079: 3076: 3074: 3071: 3069: 3066: 3064: 3061: 3059: 3056: 3054: 3051: 3049: 3046: 3044: 3041: 3039: 3036: 3034: 3031: 3029: 3026: 3024: 3021: 3019: 3016: 3014: 3011: 3009: 3006: 3004: 3001: 2999: 2996: 2994: 2991: 2989: 2986: 2984: 2981: 2979: 2976: 2974: 2971: 2969: 2966: 2964: 2961: 2959: 2956: 2954: 2951: 2949: 2946: 2944: 2941: 2939: 2936: 2934: 2931: 2929: 2926: 2924: 2921: 2919: 2916: 2914: 2911: 2909: 2906: 2904: 2901: 2899: 2896: 2894: 2891: 2889: 2886: 2884: 2878: 2877: 2874: 2871: 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2411: 2409: 2404: 2402: 2397: 2396: 2393: 2389: 2384: 2380: 2377: 2376: 2372: 2355: 2351: 2347: 2335: 2330: 2318: 2313: 2298: 2294: 2290: 2278: 2274: 2269: 2257: 2253: 2249: 2237: 2232: 2220: 2215: 2203: 2198: 2197: 2196: 2194: 2190: 2189:Klaus Hofmann 2185: 2182: 2181: 2173: 2167: 2163: 2162: 2156: 2152: 2148: 2144: 2140: 2136: 2135: 2134: 2133: 2125: 2121: 2117: 2115: 2111: 2108: 2107: 2106: 2105: 2098: 2091: 2086: 2083: 2079: 2074: 2071: 2067: 2062: 2060: 2056: 2052: 2047: 2044: 2040: 2035: 2032: 2028: 2023: 2020: 2016: 2011: 2008: 2004: 1999: 1997: 1995: 1993: 1991: 1989: 1987: 1983: 1979: 1974: 1971: 1967: 1962: 1959: 1955: 1950: 1948: 1944: 1940: 1935: 1932: 1928: 1923: 1921: 1919: 1917: 1913: 1909: 1904: 1902: 1900: 1898: 1896: 1894: 1892: 1890: 1888: 1886: 1882: 1878: 1873: 1871: 1869: 1867: 1865: 1863: 1859: 1853: 1847: 1843: 1833: 1831: 1828: 1823: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1804: 1802: 1800: 1794: 1788: 1786: 1782: 1778: 1768: 1766: 1763: 1758: 1755: 1753: 1750: 1748: 1747:Bernarda Fink 1745: 1743: 1740: 1739: 1737: 1735: 1732: 1726: 1720: 1718: 1714: 1710: 1700: 1698: 1695: 1690: 1689:Klaus Mertens 1687: 1685: 1682: 1680: 1679:Bogna Bartosz 1677: 1675: 1674:Sandrine Piau 1672: 1671: 1669: 1667: 1661: 1655: 1653: 1649: 1645: 1635: 1633: 1630: 1625: 1624:Bas Ramselaar 1622: 1620: 1617: 1615: 1614:Sytse Buwalda 1612: 1610: 1609:Marjon Strijk 1607: 1606: 1604: 1602: 1599: 1593: 1587: 1585: 1581: 1577: 1567: 1565: 1562: 1557: 1554: 1552: 1549: 1547: 1546:Ingeborg Danz 1544: 1542: 1539: 1538: 1536: 1534: 1528: 1522: 1520: 1516: 1513: 1503: 1501: 1498: 1492: 1488: 1486: 1483: 1481: 1478: 1476: 1473: 1472: 1470: 1468: 1465: 1459: 1453: 1450: 1445: 1441: 1431: 1429: 1426: 1421: 1418: 1416: 1413: 1411: 1408: 1405: 1404: 1402: 1400: 1394: 1391: 1389: 1386: 1385: 1380: 1374: 1372: 1368: 1365: 1355: 1353: 1350: 1345: 1342: 1340: 1337: 1335: 1332: 1330: 1327: 1326: 1324: 1321: 1315: 1309: 1307: 1303: 1300: 1290: 1288: 1285: 1280: 1277: 1275: 1272: 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515: 511: 507: 503: 499: 495: 491: 482: 480: 476: 470: 465: 463: 457: 450: 447: 446: 440: 436: 432: 428: 423: 421: 420:Klaus Hofmann 415: 413: 403: 397: 396:Nikolaikirche 390: 389: 379: 375: 368: 366: 364: 358: 350: 343: 341: 339: 334: 330: 326: 323: 319: 315: 311: 307: 301: 295: 291: 287: 281: 280:Nikolaikirche 274: 269: 265: 261: 257: 247: 245: 231: 228: 225: 222: 219: 216: 213: 212: 210: 206: 202: 197: 193: 189: 185: 180: 166: 162: 159: 153: 147: 143: 140: 137: 133: 129: 125: 121: 114: 108: 107: 101: 97: 93: 90: 88: 83: 82: 80: 76: 72: 66: 61: 58: 54: 50: 45: 40: 36: 31: 19: 5147:Compositions 5129: 5012: 4991: 4984: 4643: 4539: 3910: 3838: 3681:Bach cantata 3569:BWV 34a 3545: 3536:BWV 119 3432:BWV 149 3253:BWV 110 3235:BWV 168 3197:BWV 117 2863:Second cycle 2388: 2361:. Retrieved 2338:. Retrieved 2321:. Retrieved 2304:. Retrieved 2281:. Retrieved 2277:the original 2260:. Retrieved 2242:11 September 2240:. Retrieved 2223:. Retrieved 2206:. Retrieved 2186: 2183: 2179: 2178: 2160: 2142: 2139:Dürr, Alfred 2131: 2130: 2124:Bach Digital 2103: 2102: 2099:Bibliography 2085: 2073: 2066:Mincham 2010 2046: 2034: 2027:Bischof 2012 2022: 2010: 2005:, p. 8. 2003:Hofmann 2012 1973: 1966:Ambrose 2012 1961: 1934: 1910:, p. 7. 1908:Hofmann 2012 1845: 1784: 1716: 1651: 1583: 1551:Mark Padmore 1541:Deborah York 1518: 1415:Kurt Equiluz 1410:Paul Esswood 1370: 1305: 1236: 1207: 1201: 1177: 1171: 1157: 1155: 1137: 1129: 1127: 1108: 1106: 1092: 1090: 1076: 1074: 1037:stile antico 1021: 1013: 999: 990: 977: 968: 963: 645: 588:Organ/ Bass 573:Text source 545: 486: 466: 451: 426: 424: 411: 383: 344: 337: 332: 270:in 1731 for 249: 241: 240: 208:Instrumental 95: 86: 70: 3478:BWV 36 3391:BWV 82 3223:Third cycle 3149:BWV 80 2883:BWV 20 2742:BWV 40 2628:BWV 75 2614:First cycle 2493:BWV 61 2306:28 November 1877:Dellal 2012 1812:Robin Blaze 1752:Werner Güra 1660:Ton Koopman 1619:Knut Schoch 1485:Aldo Baldin 1334:Emmy Lisken 1254:Members of 1250:Members of 1059:colla parte 1046:verkündigen 986:arrangement 718:alla breve 441:of praise " 405:(24 August) 388:Ratswechsel 273:Ratswechsel 128:Ratswechsel 5214:Categories 3630:Doubtful: 3086:BWV 6 2449:BWV 4 1978:Jones 2013 1954:Wolff 2003 1854:References 1822:Peter Kooy 1556:Peter Kooy 1230:Orch. type 1198:Recordings 1002:, BWV 120a 993:for violin 849:D major – 824:Recitative 728:Recitative 539:(Org) and 524:(Ob), two 520:(Ti), two 449:" (1540). 340:for violin 214:3 trumpets 172:1731-08-27 135:Bible text 89:for violin 57:J. S. Bach 5185:3rd cycle 5180:2nd cycle 5175:1st cycle 5100:1140–1141 3588:Funeral: 3567:Wedding: 3418:and other 2616:(1723–24) 2323:18 August 2262:20 August 2090:Oron 2014 2078:Dürr 1971 2051:Dürr 1971 2039:Grob 2015 2015:Dürr 1971 1817:Gerd Türk 1245:Max Thurn 1220:Soloists 1117:siciliano 1065:polyphony 534:obbligato 532:(Va), an 512:of three 504:) (B), a 414:, BWV 119 322:obbligato 308:of three 226:2 violins 187:Movements 164:Performed 5197: ; 5154: ; 5152:Cantatas 5131:spurious 5126:doubtful 3818:oratorio 3742:Cantatas 2870:cantatas 2352:(2003). 2295:(2012). 2283:11 March 2254:(2012). 2141:(1971). 1500:Hänssler 1252:NDR Chor 1016:Psalm 75 980:, BWV 12 971:sinfonia 964:Sinfonia 604:Sinfonia 585:Strings 514:trumpets 508:, and a 500:(T) and 333:Sinfonia 310:trumpets 286:Psalm 75 232:continuo 123:Occasion 71:Sinfonia 5145:Lists: 5120:Anh. 18 5115:Anh. 11 5045:248 III 3696:Koopman 3599:Other: 3560:(lost: 2868:chorale 2437:Leipzig 2363:28 June 2340:4 March 2225:4 March 2208:4 March 2126:. 2015. 1844:Period 1836: ( 1779:Period 1771: ( 1711:Period 1703: ( 1646:Period 1638: ( 1578:Period 1570: ( 1506: ( 1442:Period 1434: ( 1358: ( 1293: ( 1174:chorale 991:Partita 939:D major 920:Gramann 909:Chorale 896:D major 851:D major 810:B minor 761:e minor 714:A major 707:Vl solo 675:D major 627:D major 526:violins 518:timpani 490:soprano 361:of his 338:Partita 314:timpani 290:chorale 268:Leipzig 258:, is a 220:2 oboes 217:timpani 179:Leipzig 170: ( 145:Chorale 110:of the 98:of the 96:Gratias 87:Partita 78:Related 5170:Weimar 5110:Anh. 9 5105:Anh. 5 5060:248 VI 5050:248 IV 5040:248 II 3754:number 3700:Teldec 2489:Weimar 2435:Before 2168:  2151:523584 2149:  2104:Scores 1428:Teldec 1223:Label 1214:Title 1142:unison 1052:Wunder 933:2Vl Va 927:3Tr Ti 893:Org Bc 837:A SATB 803:2Vl Va 669:2Vl Va 663:3Tr Ti 642:Chorus 622:Org Bc 619:2Vl Va 613:3Tr Ti 579:Brass 576:Vocal 554:. The 530:violas 516:(Tr), 316:, two 254:  18:BWV 29 5165:Early 5055:248 V 5035:248 I 4402:motet 3416:Later 3388:1727: 2866:(and 2445:Early 2357:(PDF) 2300:(PDF) 2132:Books 1226:Year 1033:motet 949:Music 881:anon. 834:anon. 792:anon. 738:anon. 697:anon. 657:Psalm 594:Time 582:Wood 570:Text 567:Type 537:organ 522:oboes 498:tenor 496:(A), 492:(S), 325:organ 318:oboes 229:viola 223:organ 195:Vocal 156:" by 5195:Late 5090:1127 5085:1083 5080:1045 5075:1040 5070:249b 5065:249a 5030:244a 4973:216a 4938:210a 4923:208a 4913:207a 4898:205a 4853:197a 4828:193a 4808:190a 4716:173a 4579:147a 4505:134a 4484:131a 4423:120b 4418:120a 3611:120b 3606:190a 3595:244a 3579:120a 3528:1083 3442:197a 2513:147a 2503:186a 2365:2013 2342:2015 2325:2022 2308:2013 2285:2015 2264:2022 2244:2011 2227:2015 2210:2015 2166:ISBN 2147:OCLC 1838:2011 1834:2011 1773:2007 1769:2007 1705:2002 1701:2002 1640:2000 1636:2000 1572:1999 1568:1999 1508:1984 1504:1984 1436:1974 1432:1974 1360:1963 1356:1963 1295:1958 1291:1958 1188:'s " 1138:Amen 942:3/4 924:SATB 899:6/8 871:Aria 814:6/8 782:Aria 687:Aria 660:SATB 632:3/4 591:Key 564:No. 502:bass 494:alto 439:hymn 353:and 327:and 296:'s " 200:SATB 102:and 5128:); 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Index

BWV 29
BWV
Sacred cantata
J. S. Bach

Partita for violin
Bach's Missa of 1733
Dona nobis pacem
Mass in B minor
Psalms 75:1
Nun lob, mein Seel, den Herren
Johann Gramann
Leipzig
SATB
sacred cantata
Johann Sebastian Bach
Leipzig
Nikolaikirche
Psalm 75
chorale
Johann Gramann
Nun lob, mein Seel, den Herren
Baroque orchestra
trumpets
timpani
oboes
obbligato
organ
basso continuo
Partita for violin

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