880:
1006:" (God has made everything well), is the first movement in a major mode, expressing pleasure with God's creation. It has a dominating two-part ritornello. Hofmann observes that the organ, this time the only partner of the voice, is "rich in coloratura" and has a theme, "heard throughout the movement, sometimes in the manner of an ostinato, sometimes freely developed; in its figuration and motoric drive it is stylized just like Bach’s writing for the
304:
68:
823:
705:
659:
1050:" (Ah, powerful God, let me ), is a prayer for the ability to always reflect on the miracle of creation. It quotes Jesus saying "Hephata" (Be opened) to the deaf mute man, and turns it to "the believer's heart would open up and his tongue would be loosened so that he might perceive and praise the divine miracles".
970:, a frequent feature in slow concerto movements by Bach and others. Hofmann concludes from many corrections in Bach's autograph that the aria is a new composition. He sees the "agility of the organ part which does not follow the siciliano pattern" as an image of the "confusion" mentioned in the text.
913:
distinguished Bach's use of the organ as "sacred icon" versus "galant conversationalist", writing on Bach's "assimilation of the secular solo concerto into his church cantatas and his adjustment of the normal concerto principle, that of soloist-versus-orchestra, through subtle shifts in role playing,
908:
in 2000, calls the occasion "one of the most cheerful programmes of the whole
Trinity season", leading Bach to compose "celebratory pieces", two with trumpets and timpani, and finally this one with an obbligato organ. In an expanded two-part structure, the organ is both an instrumental soloist in the
228:
as the basis for solo cantatas. The text quotes ideas from the gospel and derives from these the analogy that as the tongue of the deaf mute man was opened, the believer should be open to admire God's miraculous deeds. The cantatas for this Sunday have a positive character, which Bach stressed in
1070:
of positive character. The movement again uses a two-part ritornello. When contrasting aspects of life on earth are mentioned, such as "jammerreichen
Schmerzensjoch" (sorrowful yoke of pain) and "martervollen Leben" (tormented life), the music darkens to minor keys. The organ supplies triplet
990:" (I am amazed), expresses awe at the creation, rendered in the first person which according to Mincham underlines the cantata's "personal and individual emphasis". Beginning in a major mode which contrasts with the preceding aria, it turns to "the solemnity of the minor mode".
349:(1711). The text connects the healing of the deaf man to the thoughts of the believer who is left deaf and mute in awe looking at the healing of Jesus and God's creation. The text of the second aria is almost a quote of the gospel's last verse.
1030:
introduced by the keyboard". It may be based on the final movement of a concerto. The organ interacts with the orchestra without a prelude, which is unusual in Bach's concertos, but not without precedent, such as the
3481:
3741:
2995:
2067:
4421:
2275:
4222:
2769:
407:
3142:
3077:
4291:
3434:
297:
3815:
3601:
3314:
2362:
2105:
3736:
2270:
3162:
4578:
3319:
3294:
4725:
4630:
3781:
3731:
3532:
3349:
3344:
3256:
2602:
2582:
2377:
356:
has suggested that parts of this work may have been composed earlier than the first recorded
Leipzig performance. Bach had already composed his first solo cantata on a text by Lehms,
4535:
2970:
4570:
4179:
3661:
3631:
3474:
3284:
2955:
2905:
2492:
2089:
3364:
3157:
3122:
3107:
4530:
3776:
3726:
3207:
2813:
2764:
2280:
4658:
4590:
4574:
4515:
3671:
3354:
3309:
3289:
2950:
2878:
4141:
4121:
2894:
2707:
2612:
4194:
3915:
3880:
3212:
2749:
2422:
2337:
4789:
4396:
3467:
3448:
3172:
2567:
3976:
2522:
3167:
4464:
2477:
4735:
4154:
3986:
3339:
3274:
3202:
2990:
2038:
4331:
2848:
4391:
4381:
4376:
4106:
3845:
3840:
3796:
3756:
3701:
3522:
3359:
2945:
2727:
2687:
2507:
2497:
2462:
2432:
2417:
2265:
2140:
377:
293:
4637:
4582:
4541:
4525:
4308:
3771:
3621:
3576:
3444:
3396:
3299:
2915:
2888:
2833:
2739:
2195:
2175:
4596:
4446:
4001:
3761:
3711:
3334:
2930:
2774:
2622:
2317:
1859:
Fuchs, Robert; Hahn, Oliver; Oltrogge, Doris (2000). ""Geist und Seele sind verwirret...". Die
Tintenfraß-Problematik der Autographen Johann Sebastian Bachs".
4679:
4669:
4663:
4647:
4614:
4469:
4416:
4361:
4265:
4257:
4209:
4174:
4146:
4071:
4066:
3825:
3810:
3786:
3751:
3646:
3537:
3279:
3082:
3025:
2980:
2858:
2818:
2672:
2667:
2642:
2637:
2597:
2587:
2502:
2437:
2240:
2190:
2160:
2150:
2145:
2083:
2013:
55:
428:
for organ and orchestra, probably from a lost concerto for keyboard, oboe or violin, perhaps indicating that the cantata was composed for a seasonal choral
4619:
4520:
4431:
4131:
4061:
4031:
4021:
3996:
2873:
2779:
2754:
2697:
2662:
2627:
2562:
2322:
2048:
352:
Because of the requirements that "new music" be composed as often as possible, Bach seldom chose older poems for his cantatas; consequently, the conductor
4426:
4336:
4204:
4136:
3369:
2975:
2940:
2702:
2647:
2155:
388:
4700:
3905:
3885:
3127:
2382:
2306:
2225:
276:. The alto part is demanding and was probably written with a specific singer in mind, as with the two other solo cantatas composed in the same period.
1874:
4674:
4406:
4313:
4247:
4159:
4036:
3900:
3855:
3835:
3581:
3182:
3057:
2985:
2863:
2828:
2808:
2537:
2487:
2447:
2250:
2100:
1255:
4715:
4710:
4500:
4451:
4275:
4242:
4237:
4227:
4189:
4086:
4051:
4046:
3865:
3820:
3716:
3616:
3596:
3324:
3228:
3192:
3052:
3046:
3015:
3010:
3000:
2868:
2838:
2823:
2784:
2717:
2677:
2617:
2557:
2300:
2230:
2125:
3656:
2900:
4586:
4561:
4441:
4436:
4232:
4184:
4126:
4056:
4026:
4016:
4006:
3961:
3956:
3910:
3830:
3636:
3547:
3304:
3117:
2920:
2843:
2722:
2712:
2651:
2632:
2552:
2547:
2517:
2367:
2332:
2285:
2260:
2185:
2043:
2018:
1982:
4642:
4366:
3981:
3966:
3242:
3087:
2759:
2592:
2255:
244:
The cantata is structured in seven movements in two parts, to be performed before and after the sermon. Both parts are opened by an instrumental
930:
techniques, suggesting an origin in a pre-existing concerto. The organ performs both the solo melody and the continuo line, punctuated by quasi-
4694:
4510:
4351:
4199:
4116:
4111:
3870:
3860:
3721:
3571:
3102:
3030:
3005:
2692:
2387:
2290:
2130:
2078:
2023:
1429:
4684:
4604:
4474:
4371:
4346:
4252:
4217:
4169:
4081:
3641:
3626:
3586:
3147:
2960:
2657:
2572:
2512:
2452:
2357:
2295:
2235:
2180:
2120:
2073:
2053:
3222:
3217:
447:
Bach structured the cantata in two parts, four movements to be performed before the sermon, three after the sermon. Both parts begin with a
4730:
4720:
4356:
4321:
4076:
3971:
3850:
3801:
3766:
3746:
3651:
3611:
3566:
3561:
3552:
3269:
3249:
3152:
3112:
2803:
2607:
2532:
2472:
2457:
2412:
2402:
2397:
2352:
2347:
2220:
2063:
2058:
879:
400:
4551:
3920:
3606:
3020:
2312:
2165:
359:
4624:
4546:
3591:
3137:
2853:
2392:
2210:
2205:
4652:
4505:
3991:
3197:
3097:
3040:
2527:
332:
213:
3706:
2135:
966:" (Spirit and soul become confused), is characterized by a broken ritornello and a sense of confusion and uncertainty. The rhythm is
4705:
4386:
4341:
4303:
4096:
3951:
3791:
3517:
3035:
2965:
2935:
2797:
2682:
2342:
2115:
2095:
2028:
1813:
1080:
320:
3890:
3235:
2577:
374:
The cantata is one of three Bach cantatas written in
Leipzig in 1726 in which an alto is the only vocal soloist, the others being
4411:
4011:
3875:
3696:
2442:
2427:
2372:
2110:
4689:
4556:
4101:
3542:
3092:
3062:
2883:
2245:
1125:
4164:
4091:
4041:
3263:
3177:
2744:
2482:
2215:
2033:
1670:
1395:
324:
4495:
3527:
3439:
2407:
504:, using the symbol for common time (4/4). The instruments are shown separately for winds, strings, and organ and continuo.
4280:
4270:
3682:
3424:
3329:
3187:
3067:
2542:
3666:
2910:
2790:
2170:
1032:
1975:
3895:
2925:
4794:
4326:
2733:
2327:
1341:
4609:
3072:
399:
Bach had earlier composed two other cantatas for the twelfth Sunday after
Trinity, in his first year in Leipzig
3132:
1954:
1385:
1212:
3513:
3414:
1718:
4764:
901:
887:
353:
336:
312:
4768:
4459:
3936:
3409:
2467:
2001:
1968:
1166:
414:
45:
4754:
3931:
3557:
3495:
3490:
3429:
3419:
3405:
3401:
1996:
1297:
1079:
The table is based on the listing on the Bach
Cantatas website. Ensembles playing period instruments in
946:
is "subjected to intensive thematic working-out in the dialogue between solo instrument and orchestra".
843:
800:
679:
636:
592:
340:
221:
184:
72:
59:
432:
at
Thomaskirche. The first nine bars of the opening sinfonia are practically identical to the fragment
1519:
1160:
897:
229:
earlier works for the occasion by including trumpets in the score. In this work, he uses instead an
1660:
1379:
1291:
1222:
1007:
893:
883:
460:
452:
269:
261:
142:
1960:
4566:
1435:
1351:
1335:
1480:
1071:
figures, which the voice also uses to express "ein fröhliches
Halleluja" (a joyful hallelujah).
439:
Bach led the first performance on 8 September 1726, and probably played the organ part himself.
1014:
but also "characteristic string-crossing patterns" are reminiscent of violoncello piccolo use.
1875:"Geist und Seele wird verwirret BWV 35; BC A 125 / Sacred cantata (12th Sunday after Trinity)"
1809:
1803:
1469:
1130:
1119:
488:
303:
4760:
1841:
1829:
1752:
1681:
1624:
1441:
1249:
1027:
910:
905:
425:
238:
3459:
822:
704:
658:
1475:
1260:
1206:
396:. It seems likely that Bach had a capable alto singer at his disposal during this period.
208:(musical director) in Leipzig. The text is based on the day's prescribed reading from the
1581:
1664:
1066:" (I wish to live with God alone). It expresses the wish to dwell with God forever in a
1799:
1775:
1585:
1513:
1485:
1307:
1302:
501:
497:
480:
328:
273:
209:
196:
85:
67:
1900:
4783:
1714:
1666:
Johann
Sebastian Bach (1685–1750) / Cantatas Nos 33, 35, 69a, 77, 137 & 164
1577:
1346:
943:
939:
468:
234:
248:
with solo organ, probably derived from concerto music composed earlier in Weimar or
4749:
3380:
1991:
1878:
1217:
1171:
287:
204:
180:
1771:
3375:
1529:
1524:
1423:
1390:
1023:
909:
two sinfonias and a partner for the singer in all three arias. The musicologist
493:
1805:
The Cantatas of J.S. Bach: With Their Librettos in German-English Parallel Text
1845:
1832:(1985). "The metaphorical soloist: Concerted organ parts in Bach's cantatas".
979:
935:
257:
171:
914:
the instrument now posing as a soloist, now retreating into the background."
1011:
967:
464:
230:
249:
1719:"Geist und Seele sind verwirret, BWV 35 / Spirit and soul become confused"
1926:
927:
448:
433:
245:
217:
1756:
955:
931:
863:
697:
613:
260:, accompanied in all three arias by the organ as an equal partner. The
192:
106:
1950:
413:, first performed on 19 August 1725, as an added part of his cycle of
17:
1176:
1067:
472:
368:
225:
878:
476:
302:
1058:
The cantata concludes with an aria with the complete orchestra, "
896:, who conducted this work on the twelfth Sunday after Trinity in
486:
In the following table of the movements, the scoring follows the
456:
265:
253:
188:
126:
3463:
1964:
1462:
J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 5
1625:"Chapter 23 Bwv 35 – The Cantatas of Johann Sebastian Bach"
406:, first performed on 15 August 1723, and in his third year
1153:
J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 2
319:
The prescribed readings for the Sunday were from the
252:. The alto singer performs a sequence of alternating
451:. Bach scored the cantata for an alto soloist and a
4484:
4290:
3930:
3681:
3503:
421:) and use an orchestra including festive trumpets.
132:
122:
114:
91:
80:
34:
1022:Part 2 begins with another sinfonia, this time in
942:notes that in the movement in Italian style, the
1242:Bach Kantaten BWV 35, BWV 169, BWV 49 (Sinfonia)
284:Bach composed the cantata in his fourth year as
202:Bach composed the cantata in his fourth year as
1927:"Cantata BWV 35 Geist und Seele sind verwirret"
1506:J.S. Bach: Cantatas Vol. 37 – Leipzig Cantatas
409:Lobe den Herren, den mächtigen König der Ehren
4215:Later additions to the chorale cantata cycle:
3475:
1976:
1808:. Oxford University Press. pp. 506–510.
1743:Irving, David (2008). "Bach cantata cycles".
424:Furthermore, the work has two large concerto
8:
3949:Chorale cantatas between Trinity and Easter:
1196:
1060:
1044:
1000:
984:
960:
836:
793:
672:
629:
585:
386:
375:
357:
344:
285:
199:and first performed it on 8 September 1726.
163:
35:
3482:
3468:
3460:
1983:
1969:
1961:
1655:
1653:
1651:
1649:
1647:
1645:
1085:
713:
506:
66:
31:
1709:
1707:
1705:
1703:
1701:
1699:
1697:
1695:
1693:
1691:
1582:"BWV 35 – Geist und Seele wird verwirret"
1256:Kammerorchester Carl Philipp Emanuel Bach
1033:harpsichord concerto in F major, BWV 1057
4790:Church cantatas by Johann Sebastian Bach
1572:
1570:
1568:
1566:
1564:
1562:
1504:
1460:
1414:
1370:
1326:
1282:
1240:
1195:
1151:
1110:
224:, whose poetry Bach had used already in
1920:
1918:
1901:"BWV 35 Geist und Seele wird verwirret"
1558:
1026:. Hofmann describes it as "an engaging
27:Church cantata by Johann Sebastian Bach
1951:Geist und Seele wird verwirret, BWV 35
1794:
1792:
1372:Bach Cantatas Vol. 6: Köthen/Frankfurt
934:passages and interspersed ten-measure
1618:
1616:
1614:
1612:
1610:
1608:
1606:
1604:
1602:
1416:J. S. Bach: Complete Cantatas Vol. 17
1328:Bach Edition Vol. 8 – Cantatas Vol. 3
7:
1010:". Gardiner notes that not only the
1112:J. S. Bach: Cantatas No. 42, No. 35
1104:
339:). The cantata text was written by
187:. He composed the solo cantata for
169:(Spirit and soul become confused),
1957:(video and background information)
1284:J. S. Bach: Cantates pour alto ...
1083:are marked by a green background.
379:Vergnügte Ruh, beliebte Seelenlust
25:
4152:Continuation of the second cycle:
3672:Köthen: BWV Anh. 5
1135:Westminster / Baroque Music Club
1081:historically informed performance
1062:Ich wünsche nur bei Gott zu leben
838:Ich wünsche nur bei Gott zu leben
390:Gott soll allein mein Herze haben
321:Second Epistle to the Corinthians
821:
703:
657:
367:, composed during his tenure in
309:Christ healing the deaf mute man
296:. It is regarded as part of his
1126:Vienna Radio Symphony Orchestra
998:An aria with obbligato organ, "
962:Geist und Seele wird verwirret
717:Geist und Seele wird verwirret
587:Geist und Seele wird verwirret
510:Geist und Seele wird verwirret
417:. Both works focus on praise (
323:, the ministry of the Spirit (
165:Geist und Seele wird verwirret
37:Geist und Seele wird verwirret
1:
1724:. Bach Cantatas. pp. 6–7
453:Baroque instrumental ensemble
346:Gottgefälliges Kirchen-Opffer
262:Baroque instrumental ensemble
195:for the twelfth Sunday after
4263:Other late chorale cantatas:
371:, also for an alto soloist.
325:2 Corinthians 3:4–11
294:Twelfth Sunday after Trinity
4602:Council election (Leipzig):
3694:Between Trinity and Advent:
1772:"Bach Cantata Notes BWV 35"
1430:Amsterdam Baroque Orchestra
1046:Ach, starker Gott, laß mich
1042:Another secco recitative, "
402:Lobe den Herrn, meine Seele
4811:
1342:Netherlands Bach Collegium
1002:Gott hat alles wohlgemacht
674:Gott hat alles wohlgemacht
333:healing of a deaf mute man
214:healing of a deaf mute man
96:8 September 1726
4745:
3391:
2009:
1103:
1100:
1097:
1094:
1091:
1088:
1061:
1045:
1001:
985:
961:
837:
794:
750:
747:
744:
741:
738:
735:
732:
729:
726:
723:
673:
630:
586:
543:
540:
537:
534:
531:
528:
525:
522:
519:
516:
387:
376:
361:Widerstehe doch der Sünde
358:
307:The topic of the gospel,
65:
53:
43:
4319:Liturgical year 1725–26:
1955:Netherlands Bach Society
1623:Mincham, Julian (2010).
1386:English Baroque Soloists
1213:Bach-Collegium Stuttgart
1198:Die Bach Kantate Vol. 49
1903:. University of Alberta
1846:10.1093/earlyj/13.2.237
902:Bach Cantata Pilgrimage
888:Bach Cantata Pilgrimage
313:Bartholomeus Breenbergh
3807:From Advent to Trinity
1197:
1167:Concentus Musicus Wien
926:sinfonia incorporates
890:
831:
788:
756:
667:
624:
580:
549:
345:
316:
286:
164:
36:
4755:List of Bach cantatas
3496:Johann Sebastian Bach
1997:Johann Sebastian Bach
1953:: performance by the
1308:Harmonia Mundi France
1298:Collegium Vocale Gent
1092:Conductor / Ensemble
882:
443:Structure and scoring
341:Georg Christian Lehms
306:
222:Georg Christian Lehms
185:Johann Sebastian Bach
84:Twelfth Sunday after
73:Georg Christian Lehms
1661:Gardiner, John Eliot
1520:Bach Collegium Japan
1161:Nikolaus Harnoncourt
886:, who conducted the
337:Mark 7:31–37
75:, author of the text
4301:After Trinity 1725:
1899:Bischof, Walter F.
1380:John Eliot Gardiner
1292:Philippe Herreweghe
1008:violoncello piccolo
938:. The musicologist
894:John Eliot Gardiner
884:John Eliot Gardiner
720:
513:
298:third cantata cycle
292:in Leipzig for the
118:seven, in two parts
1629:jsbachcantatas.com
1436:Nathalie Stutzmann
1352:Brilliant Classics
1336:Pieter Jan Leusink
954:The first aria in
891:
714:
507:
317:
4795:1726 compositions
4777:
4776:
4631:1139.1, 1140–1141
3457:
3456:
1830:Dreyfus, Laurence
1757:10.1093/em/cam140
1551:
1550:
1470:Sigiswald Kuijken
1131:Maureen Forrester
1120:Hermann Scherchen
898:St. Jakob, Köthen
872:
871:
795:Ach, starker Gott
712:
711:
489:Neue Bach-Ausgabe
343:and published in
280:History and words
264:is formed by two
160:
159:
16:(Redirected from
4802:
4761:Monteverdi Choir
4603:
4545:
4498:
4458:
4320:
4302:
4264:
4216:
4153:
3950:
3808:
3695:
3498:
3484:
3477:
3470:
3461:
3449:Secular cantatas
3410:Chorale cantatas
3384:
1999:
1985:
1978:
1971:
1962:
1939:
1938:
1936:
1934:
1922:
1913:
1912:
1910:
1908:
1896:
1890:
1889:
1887:
1885:
1871:
1865:
1864:
1856:
1850:
1849:
1826:
1820:
1819:
1796:
1787:
1786:
1784:
1782:
1767:
1761:
1760:
1740:
1734:
1733:
1731:
1729:
1723:
1711:
1686:
1685:
1682:Hyperion Records
1679:
1677:
1657:
1640:
1639:
1637:
1635:
1620:
1597:
1596:
1594:
1592:
1574:
1541:
1539:
1518:
1517:
1516:
1497:
1495:
1474:
1473:
1472:
1453:
1451:
1442:Antoine Marchand
1438:
1428:
1427:
1426:
1407:
1405:
1384:
1383:
1382:
1363:
1361:
1340:
1339:
1338:
1319:
1317:
1296:
1295:
1294:
1275:
1273:
1265:Berlin Classics
1254:
1253:
1252:
1250:Hartmut Haenchen
1234:
1232:
1211:
1210:
1209:
1200:
1188:
1186:
1165:
1164:
1163:
1145:
1143:
1124:
1123:
1122:
1106:
1086:
1064:
1063:
1048:
1047:
1028:perpetuum mobile
1004:
1003:
988:
987:
980:secco recitative
964:
963:
911:Laurence Dreyfus
906:Monteverdi Choir
840:
839:
826:
825:
797:
796:
721:
708:
707:
676:
675:
662:
661:
633:
632:
616:
589:
588:
514:
415:chorale cantatas
395:
394:
384:
383:
366:
365:
348:
327:), and from the
291:
176:
173:
167:
110:
109:
103:
101:
70:
39:
32:
21:
4810:
4809:
4805:
4804:
4803:
4801:
4800:
4799:
4780:
4779:
4778:
4773:
4741:
4740:
4601:
4540:
4494:
4486:
4480:
4479:
4456:
4318:
4300:
4286:
4285:
4262:
4214:
4151:
3948:
3938:
3934:
3926:
3925:
3806:
3693:
3684:
3677:
3676:
3533:1138.1 & .2
3505:
3499:
3494:
3491:Church cantatas
3488:
3458:
3453:
3406:Church cantatas
3387:
3373:
3372:— discography;
2005:
1995:
1989:
1947:
1942:
1932:
1930:
1929:. Bach Cantatas
1924:
1923:
1916:
1906:
1904:
1898:
1897:
1893:
1883:
1881:
1873:
1872:
1868:
1858:
1857:
1853:
1828:
1827:
1823:
1816:
1798:
1797:
1790:
1780:
1778:
1769:
1768:
1764:
1742:
1741:
1737:
1727:
1725:
1721:
1713:
1712:
1689:
1675:
1673:
1671:Soli Deo Gloria
1669:(Media notes).
1659:
1658:
1643:
1633:
1631:
1622:
1621:
1600:
1590:
1588:
1576:
1575:
1560:
1556:
1546:
1537:
1535:
1512:
1511:
1510:
1493:
1491:
1481:Petra Noskaiová
1476:La Petite Bande
1468:
1467:
1466:
1449:
1447:
1434:
1422:
1421:
1420:
1403:
1401:
1396:Soli Deo Gloria
1378:
1377:
1376:
1359:
1357:
1334:
1333:
1332:
1315:
1313:
1290:
1289:
1288:
1271:
1269:
1261:Jochen Kowalski
1248:
1247:
1246:
1230:
1228:
1207:Helmuth Rilling
1205:
1204:
1203:
1184:
1182:
1159:
1158:
1157:
1141:
1139:
1118:
1117:
1116:
1077:
1056:
1040:
1020:
996:
986:Ich wundre mich
976:
952:
920:
900:as part of the
877:
820:
719:– Part 2
702:
656:
631:Ich wundre mich
612:
512:– Part 1
500:are taken from
498:time signatures
445:
282:
174:
156:
105:
99:
97:
95:
76:
49:
28:
23:
22:
15:
12:
11:
5:
4808:
4806:
4798:
4797:
4792:
4782:
4781:
4775:
4774:
4772:
4771:
4757:
4752:
4746:
4743:
4742:
4739:
4738:
4733:
4728:
4723:
4718:
4713:
4708:
4703:
4697:
4692:
4687:
4682:
4677:
4672:
4666:
4661:
4655:
4650:
4645:
4640:
4634:
4627:
4622:
4617:
4612:
4607:
4599:
4594:
4564:
4559:
4554:
4549:
4538:
4533:
4528:
4523:
4518:
4513:
4508:
4503:
4496:Picander cycle
4491:
4490:
4488:
4482:
4481:
4478:
4477:
4472:
4467:
4462:
4454:
4449:
4444:
4439:
4434:
4429:
4424:
4419:
4414:
4409:
4404:
4399:
4394:
4389:
4384:
4379:
4374:
4369:
4364:
4359:
4354:
4349:
4344:
4339:
4334:
4329:
4324:
4316:
4311:
4306:
4297:
4296:
4294:
4288:
4287:
4284:
4283:
4278:
4273:
4268:
4260:
4255:
4250:
4245:
4240:
4235:
4230:
4225:
4220:
4212:
4207:
4202:
4197:
4192:
4187:
4182:
4177:
4172:
4167:
4162:
4157:
4149:
4144:
4139:
4134:
4129:
4124:
4119:
4114:
4109:
4104:
4099:
4094:
4089:
4084:
4079:
4074:
4069:
4064:
4059:
4054:
4049:
4044:
4039:
4034:
4029:
4024:
4019:
4014:
4009:
4004:
3999:
3994:
3989:
3984:
3979:
3974:
3969:
3964:
3959:
3954:
3945:
3944:
3942:
3928:
3927:
3924:
3923:
3918:
3913:
3908:
3903:
3898:
3893:
3888:
3883:
3878:
3873:
3868:
3863:
3858:
3853:
3848:
3843:
3838:
3833:
3828:
3823:
3818:
3813:
3804:
3799:
3794:
3789:
3784:
3779:
3774:
3769:
3764:
3759:
3754:
3749:
3744:
3739:
3734:
3729:
3724:
3719:
3714:
3709:
3704:
3699:
3690:
3689:
3687:
3679:
3678:
3675:
3674:
3669:
3664:
3659:
3654:
3649:
3644:
3639:
3634:
3629:
3624:
3619:
3614:
3609:
3604:
3599:
3594:
3589:
3584:
3579:
3574:
3569:
3564:
3555:
3550:
3545:
3540:
3535:
3530:
3525:
3520:
3510:
3509:
3507:
3501:
3500:
3489:
3487:
3486:
3479:
3472:
3464:
3455:
3454:
3452:
3451:
3442:
3440:Picander cycle
3437:
3432:
3427:
3422:
3417:
3412:
3399:
3392:
3389:
3388:
3386:
3385:
3367:
3362:
3357:
3352:
3347:
3342:
3337:
3332:
3327:
3322:
3317:
3312:
3307:
3302:
3297:
3292:
3287:
3282:
3277:
3272:
3267:
3260:
3253:
3246:
3239:
3232:
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3130:
3125:
3120:
3115:
3110:
3105:
3100:
3095:
3090:
3085:
3080:
3075:
3070:
3065:
3060:
3055:
3050:
3043:
3038:
3033:
3028:
3023:
3018:
3013:
3008:
3003:
2998:
2993:
2988:
2983:
2978:
2973:
2968:
2963:
2958:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2913:
2908:
2903:
2898:
2891:
2886:
2881:
2876:
2871:
2866:
2861:
2856:
2851:
2846:
2841:
2836:
2831:
2826:
2821:
2816:
2811:
2806:
2801:
2794:
2787:
2782:
2777:
2772:
2767:
2762:
2757:
2752:
2747:
2742:
2737:
2730:
2725:
2720:
2715:
2710:
2705:
2700:
2695:
2690:
2685:
2680:
2675:
2670:
2665:
2660:
2655:
2645:
2640:
2635:
2630:
2625:
2620:
2615:
2610:
2605:
2600:
2595:
2590:
2585:
2580:
2575:
2570:
2565:
2560:
2555:
2550:
2545:
2540:
2535:
2530:
2525:
2520:
2515:
2510:
2505:
2500:
2495:
2490:
2485:
2480:
2475:
2470:
2465:
2460:
2455:
2450:
2445:
2440:
2435:
2430:
2425:
2420:
2415:
2410:
2405:
2400:
2395:
2390:
2385:
2380:
2375:
2370:
2365:
2360:
2355:
2350:
2345:
2340:
2335:
2330:
2325:
2320:
2315:
2310:
2303:
2298:
2293:
2288:
2283:
2278:
2273:
2268:
2263:
2258:
2253:
2248:
2243:
2238:
2233:
2228:
2223:
2218:
2213:
2208:
2203:
2198:
2193:
2188:
2183:
2178:
2173:
2168:
2163:
2158:
2153:
2148:
2143:
2138:
2133:
2128:
2123:
2118:
2113:
2108:
2103:
2098:
2093:
2086:
2081:
2076:
2071:
2061:
2056:
2051:
2046:
2041:
2036:
2031:
2026:
2021:
2016:
2010:
2007:
2006:
1990:
1988:
1987:
1980:
1973:
1965:
1959:
1958:
1946:
1945:External links
1943:
1941:
1940:
1914:
1891:
1866:
1851:
1840:(2): 237–247.
1821:
1814:
1788:
1776:Emmanuel Music
1770:Smith, Craig.
1762:
1751:(1): 150–152.
1735:
1715:Hofmann, Klaus
1687:
1641:
1598:
1586:Emmanuel Music
1578:Dellal, Pamela
1557:
1555:
1552:
1549:
1548:
1542:
1532:
1527:
1522:
1514:Masaaki Suzuki
1508:
1502:
1501:
1498:
1488:
1483:
1478:
1464:
1458:
1457:
1454:
1444:
1439:
1432:
1418:
1412:
1411:
1408:
1398:
1393:
1388:
1374:
1368:
1367:
1364:
1354:
1349:
1344:
1330:
1324:
1323:
1320:
1310:
1305:
1303:Andreas Scholl
1300:
1286:
1280:
1279:
1276:
1266:
1263:
1258:
1244:
1238:
1237:
1235:
1225:
1220:
1215:
1201:
1193:
1192:
1189:
1179:
1174:
1169:
1155:
1149:
1148:
1146:
1136:
1133:
1128:
1114:
1108:
1107:
1102:
1099:
1096:
1093:
1090:
1076:
1073:
1055:
1052:
1039:
1036:
1019:
1016:
995:
992:
975:
972:
951:
948:
919:
916:
876:
873:
870:
869:
866:
861:
858:
855:
852:
849:
846:
841:
834:
828:
827:
818:
816:
813:
811:
809:
806:
803:
798:
791:
785:
784:
781:
779:
776:
773:
770:
768:
766:
764:
759:
753:
752:
749:
746:
743:
740:
737:
734:
731:
728:
725:
710:
709:
700:
695:
692:
690:
688:
685:
682:
677:
670:
664:
663:
654:
652:
649:
647:
645:
642:
639:
634:
627:
621:
620:
617:
610:
607:
604:
601:
598:
595:
590:
583:
577:
576:
574:
572:
569:
566:
563:
561:
559:
557:
552:
546:
545:
542:
539:
536:
533:
530:
527:
524:
521:
518:
481:basso continuo
444:
441:
329:Gospel of Mark
281:
278:
274:basso continuo
272:, strings and
210:Gospel of Mark
181:church cantata
158:
157:
155:
154:
151:
148:
145:
140:
136:
134:
130:
129:
124:
120:
119:
116:
112:
111:
93:
89:
88:
82:
78:
77:
71:
63:
62:
56:church cantata
51:
50:
44:
41:
40:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4807:
4796:
4793:
4791:
4788:
4787:
4785:
4770:
4766:
4762:
4759:Discography:
4758:
4756:
4753:
4751:
4748:
4747:
4744:
4737:
4734:
4732:
4729:
4727:
4724:
4722:
4719:
4717:
4714:
4712:
4709:
4707:
4704:
4702:
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4676:
4673:
4671:
4667:
4665:
4662:
4660:
4656:
4654:
4651:
4649:
4646:
4644:
4641:
4639:
4635:
4632:
4628:
4626:
4623:
4621:
4618:
4616:
4613:
4611:
4608:
4606:
4600:
4598:
4595:
4592:
4588:
4584:
4580:
4576:
4572:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4548:
4543:
4542:Late parodies
4539:
4537:
4534:
4532:
4529:
4527:
4524:
4522:
4519:
4517:
4514:
4512:
4509:
4507:
4504:
4502:
4497:
4493:
4492:
4489:
4483:
4476:
4473:
4471:
4468:
4466:
4463:
4461:
4455:
4453:
4450:
4448:
4445:
4443:
4440:
4438:
4435:
4433:
4430:
4428:
4425:
4423:
4420:
4418:
4415:
4413:
4410:
4408:
4405:
4403:
4400:
4398:
4395:
4393:
4390:
4388:
4385:
4383:
4380:
4378:
4375:
4373:
4370:
4368:
4365:
4363:
4360:
4358:
4355:
4353:
4350:
4348:
4345:
4343:
4340:
4338:
4335:
4333:
4330:
4328:
4325:
4323:
4317:
4315:
4312:
4310:
4307:
4305:
4299:
4298:
4295:
4293:
4289:
4282:
4279:
4277:
4274:
4272:
4269:
4267:
4261:
4259:
4256:
4254:
4251:
4249:
4246:
4244:
4241:
4239:
4236:
4234:
4231:
4229:
4226:
4224:
4221:
4219:
4213:
4211:
4208:
4206:
4203:
4201:
4198:
4196:
4193:
4191:
4188:
4186:
4183:
4181:
4178:
4176:
4173:
4171:
4168:
4166:
4163:
4161:
4158:
4156:
4150:
4148:
4145:
4143:
4140:
4138:
4135:
4133:
4130:
4128:
4125:
4123:
4120:
4118:
4115:
4113:
4110:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4085:
4083:
4080:
4078:
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4048:
4045:
4043:
4040:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4018:
4015:
4013:
4010:
4008:
4005:
4003:
4000:
3998:
3995:
3993:
3990:
3988:
3985:
3983:
3980:
3978:
3975:
3973:
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3947:
3946:
3943:
3940:
3933:
3929:
3922:
3919:
3917:
3914:
3912:
3909:
3907:
3904:
3902:
3899:
3897:
3894:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
3852:
3849:
3847:
3844:
3842:
3839:
3837:
3834:
3832:
3829:
3827:
3824:
3822:
3819:
3817:
3814:
3812:
3805:
3803:
3800:
3798:
3795:
3793:
3790:
3788:
3785:
3783:
3780:
3778:
3775:
3773:
3770:
3768:
3765:
3763:
3760:
3758:
3755:
3753:
3750:
3748:
3745:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3708:
3705:
3703:
3700:
3698:
3692:
3691:
3688:
3686:
3680:
3673:
3670:
3668:
3665:
3663:
3660:
3658:
3655:
3653:
3650:
3648:
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3593:
3590:
3588:
3585:
3583:
3580:
3578:
3575:
3573:
3570:
3568:
3565:
3563:
3559:
3556:
3554:
3551:
3549:
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3351:
3348:
3346:
3345:1138.1–1139.1
3343:
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3338:
3336:
3333:
3331:
3328:
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3318:
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2209:
2207:
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2202:
2199:
2197:
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2187:
2184:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
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2159:
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2147:
2144:
2142:
2139:
2137:
2134:
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2129:
2127:
2124:
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2119:
2117:
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2109:
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2040:
2037:
2035:
2032:
2030:
2027:
2025:
2022:
2020:
2017:
2015:
2012:
2011:
2008:
2003:
1998:
1993:
1986:
1981:
1979:
1974:
1972:
1967:
1966:
1963:
1956:
1952:
1949:
1948:
1944:
1928:
1925:Oron, Aryeh.
1921:
1919:
1915:
1902:
1895:
1892:
1880:
1876:
1870:
1867:
1863:(2): 116–121.
1862:
1855:
1852:
1847:
1843:
1839:
1835:
1831:
1825:
1822:
1817:
1815:9780198167075
1811:
1807:
1806:
1801:
1795:
1793:
1789:
1777:
1773:
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1509:
1507:
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1499:
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1471:
1465:
1463:
1459:
1455:
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1443:
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1437:
1433:
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1425:
1419:
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1413:
1409:
1399:
1397:
1394:
1392:
1389:
1387:
1381:
1375:
1373:
1369:
1365:
1355:
1353:
1350:
1348:
1347:Sytse Buwalda
1345:
1343:
1337:
1331:
1329:
1325:
1321:
1311:
1309:
1306:
1304:
1301:
1299:
1293:
1287:
1285:
1281:
1277:
1267:
1264:
1262:
1259:
1257:
1251:
1245:
1243:
1239:
1236:
1226:
1224:
1221:
1219:
1216:
1214:
1208:
1202:
1199:
1194:
1190:
1180:
1178:
1175:
1173:
1170:
1168:
1162:
1156:
1154:
1150:
1147:
1137:
1134:
1132:
1129:
1127:
1121:
1115:
1113:
1109:
1087:
1084:
1082:
1074:
1072:
1069:
1065:
1053:
1051:
1049:
1037:
1035:
1034:
1029:
1025:
1017:
1015:
1013:
1009:
1005:
993:
991:
989:
981:
973:
971:
969:
965:
957:
949:
947:
945:
941:
940:Klaus Hofmann
937:
933:
929:
925:
917:
915:
912:
907:
903:
899:
895:
889:
885:
881:
874:
867:
865:
862:
859:
856:
853:
850:
847:
845:
842:
835:
833:
830:
829:
824:
819:
817:
814:
812:
810:
807:
804:
802:
799:
792:
790:
787:
786:
782:
780:
777:
774:
771:
769:
767:
765:
763:
760:
758:
755:
754:
722:
718:
715:Movements of
706:
701:
699:
696:
693:
691:
689:
686:
683:
681:
678:
671:
669:
666:
665:
660:
655:
653:
650:
648:
646:
643:
640:
638:
635:
628:
626:
623:
622:
618:
615:
611:
608:
605:
602:
599:
596:
594:
591:
584:
582:
579:
578:
575:
573:
570:
567:
564:
562:
560:
558:
556:
553:
551:
548:
547:
515:
511:
508:Movements of
505:
503:
499:
495:
491:
490:
484:
482:
478:
474:
470:
466:
462:
458:
454:
450:
442:
440:
437:
435:
431:
427:
422:
420:
416:
412:
410:
405:
403:
397:
393:
391:
382:
380:
372:
370:
364:
362:
355:
350:
347:
342:
338:
334:
330:
326:
322:
314:
310:
305:
301:
299:
295:
290:
289:
279:
277:
275:
271:
267:
263:
259:
255:
251:
247:
242:
240:
236:
232:
227:
223:
219:
215:
211:
207:
206:
200:
198:
194:
190:
186:
182:
178:
168:
166:
152:
149:
146:
144:
141:
138:
137:
135:
131:
128:
125:
121:
117:
113:
108:
94:
90:
87:
83:
79:
74:
69:
64:
61:
57:
52:
47:
42:
38:
33:
30:
19:
4750:Bach cantata
4638:BWV 34a
4605:BWV 119
4501:BWV 149
4401:
4322:BWV 110
4304:BWV 168
4266:BWV 117
3932:Second cycle
3397:Compositions
3379:
3262:
3241:
3234:
2893:
2789:
2200:
2088:
1931:. Retrieved
1905:. Retrieved
1894:
1882:. Retrieved
1879:Bach Digital
1869:
1860:
1854:
1837:
1833:
1824:
1804:
1800:Dürr, Alfred
1779:. Retrieved
1765:
1748:
1744:
1738:
1726:. Retrieved
1680:– via
1674:. Retrieved
1665:
1632:. Retrieved
1628:
1589:. Retrieved
1545:
1505:
1461:
1415:
1371:
1327:
1283:
1241:
1218:Julia Hamari
1172:Paul Esswood
1152:
1111:
1078:
1059:
1057:
1043:
1041:
1021:
999:
997:
983:
977:
959:
953:
923:
922:The opening
921:
892:
761:
716:
554:
509:
487:
485:
446:
438:
429:
423:
418:
408:
401:
398:
389:
378:
373:
360:
351:
318:
308:
288:Thomaskantor
283:
243:
205:Thomaskantor
203:
201:
170:
162:
161:
133:Instrumental
29:
4547:BWV 36
4460:BWV 82
4292:Third cycle
4218:BWV 80
3952:BWV 20
3811:BWV 40
3697:BWV 75
3683:First cycle
3562:BWV 61
1834:Early Music
1745:Early Music
1525:Robin Blaze
1424:Ton Koopman
1391:Robin Tyson
1024:binary form
936:ritornellos
805:Recitative
641:Recitative
502:Alfred Dürr
471:(Org), two
354:Craig Smith
258:recitatives
237:in several
4784:Categories
4699:Doubtful:
4155:BWV 6
3518:BWV 4
1554:References
1075:Recordings
479:(Va), and
218:librettist
100:1726-09-08
60:J. S. Bach
4657:Funeral:
4636:Wedding:
4487:and other
3685:(1723–24)
3435:3rd cycle
3430:2nd cycle
3425:1st cycle
3350:1140–1141
1933:11 August
1907:11 August
1884:11 August
1781:20 August
1728:11 August
1676:15 August
1634:18 August
1591:20 August
1095:Soloists
1012:tessitura
968:siciliano
904:with the
465:obbligato
426:movements
411:, BWV 137
404:, BWV 69a
392:, BWV 169
381:, BWV 170
239:movements
231:obbligato
191:voice in
115:Movements
92:Performed
3939:cantatas
3447: ;
3404: ;
3402:Cantatas
3381:spurious
3376:doubtful
2068:oratorio
1992:Cantatas
1861:Restauro
1802:(2006).
1717:(2007).
1684:website.
1663:(2010).
1223:Hänssler
928:concerto
762:Sinfonia
555:Sinfonia
449:sinfonia
434:BWV 1059
430:absentia
363:, BWV 54
246:sinfonia
153:continuo
81:Occasion
4765:Koopman
4668:Other:
4629:(lost:
3937:chorale
3506:Leipzig
3395:Lists:
3370:Anh. 18
3365:Anh. 11
3295:248 III
1544:Period
1536: (
1500:Period
1492: (
1456:Period
1448: (
1410:Period
1402: (
1366:Period
1358: (
1322:Period
1314: (
1278:Period
1270: (
1229: (
1191:Period
1183: (
1140: (
958:form, "
956:da capo
932:cadenza
924:allegro
864:C major
860:Org Bc
857:2Vl Va
854:2Ob Ot
778:Org Bc
775:2Vl Va
772:2Ob Ot
745:Others
742:Strings
698:F major
694:Org Bc
614:A minor
609:Org Bc
606:2Vl Va
603:2Ob Ot
571:Org Bc
568:2Vl Va
565:2Ob Ot
538:Others
535:Strings
473:violins
455:of two
197:Trinity
193:Leipzig
179:, is a
150:strings
107:Leipzig
98: (
86:Trinity
4769:Teldec
3558:Weimar
3504:Before
3420:Weimar
3360:Anh. 9
3355:Anh. 5
3310:248 VI
3300:248 IV
3290:248 II
2004:number
1812:
1486:Accent
1177:Teldec
1105:Instr.
1098:Label
1089:Title
1068:minuet
492:. The
483:(Bc).
475:(Vl),
463:(Ot),
461:taille
459:(Ob),
385:, and
369:Weimar
331:, the
315:, 1635
270:taille
250:Köthen
226:Weimar
216:. The
212:, the
175:
143:taille
18:BWV 35
4485:Later
4457:1727:
3935:(and
3514:Early
3415:Early
3305:248 V
3285:248 I
2652:motet
1722:(PDF)
1101:Year
944:theme
875:Music
851:Alto
848:Aria
844:Lehms
808:Alto
801:Lehms
751:Time
739:Winds
736:Vocal
730:Text
727:Title
687:Alto
684:Aria
680:Lehms
644:Alto
637:Lehms
600:Alto
597:Aria
593:Lehms
544:Time
532:Winds
529:Vocal
523:Text
520:Title
477:viola
469:organ
467:solo
457:oboes
311:, by
266:oboes
254:arias
235:organ
233:solo
147:organ
139:oboes
123:Vocal
54:Solo
4680:120b
4675:190a
4664:244a
4648:120a
4597:1083
4511:197a
3582:147a
3572:186a
3445:Late
3340:1127
3335:1083
3330:1045
3325:1040
3320:249b
3315:249a
3280:244a
3223:216a
3188:210a
3173:208a
3163:207a
3148:205a
3103:197a
3078:193a
3058:190a
2966:173a
2829:147a
2755:134a
2734:131a
2673:120b
2668:120a
1935:2015
1909:2015
1886:2015
1810:ISBN
1783:2022
1730:2015
1678:2018
1636:2022
1593:2022
1538:2006
1534:2006
1494:2006
1490:2006
1450:2001
1446:2001
1404:2000
1400:2000
1360:1999
1356:1999
1316:1997
1312:1997
1272:1994
1268:1994
1231:1984
1227:1984
1185:1974
1181:1974
1142:1964
1138:1964
868:3/8
783:3/8
748:Key
733:Type
724:No.
619:6/8
541:Key
526:Type
517:No.
496:and
494:keys
256:and
189:alto
127:alto
4736:224
4731:223
4726:221
4721:220
4716:217
4711:189
4706:142
4690:158
4670:194
4659:157
4653:197
4643:195
4620:120
4610:193
4579:III
4567:248
4562:200
4557:191
4536:174
4531:145
4526:159
4521:156
4516:171
4506:188
4475:173
4427:169
4397:102
4387:187
4382:170
4362:146
4332:151
4309:164
4276:100
4271:192
4248:177
4243:140
4238:112
4228:129
4223:137
4210:176
4205:175
4190:183
4185:128
4175:108
4170:103
4142:127
4137:126
4132:125
4122:111
4112:124
4107:123
4097:122
4092:133
4087:121
4072:116
4062:139
4057:115
4047:180
4032:114
4027:130
4002:113
3997:101
3987:178
3982:107
3967:135
3921:184
3896:166
3891:104
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