4120:
235:(published in 1818) and the Mass in B minor (heralded as "the greatest musical art work of all times and nations" in 1818), received a fair share of that renewed attention – the first 19th-century publication of a work for voices and orchestra on a German text only followed in 1821. In the second half of the 20th century Bach's compositions on a Latin text were grouped in the
4130:
782:, first published in Augsburg in 1709. Between 1736 and 1740 Bach had these six Masses copied, without the Benedictus and Agnus Dei, writing himself the Credo lyrics in the score. BWV 1081 is a Credo intonation in F major for SATB choir which Bach composed in 1747–48 as an insertion in the fifth of these masses.
113:. It depended on local traditions whether any of such Latin texts were used in church services occasionally. In Leipzig, compared to Lutheran practice elsewhere, an uncharacteristic amount of Latin was used in church: it included music on Latin texts being performed on ordinary Sundays, on high holidays (
1336:
active in the early 15th century: at the time native-language hymns, such as those sung by the
Hussites, were barred from official church practice. As a response the Hussites sought, and eventually received, permission to mix native-language phrases in an otherwise Latin text. Examples include:
422:(Latin for "short masses") or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39. Possibly they were written for Count
3335:
1187:
choir and orchestra, and then arranged it by adding a third trumpet part and a timpani part. That Torri was the composer of the original work was only discovered in 2012: before that, the work had been attributed to Bach and to
Antonio Lotti, and had been classified as
886:. The part scores were written out by J. S. Bach and others for performance in 1729. In his copy, J. S. Bach added 5 bars of music at the beginning of the Gloria. J. S. Bach's variant of the incipit of the Gloria is rendered in Vol. 41 of the
3253:(2015). "Vom „apparat der auserleßensten kirchen Stücke" zum „Vorrath an Musicalien, von J. S. Bach und andern berühmten Musicis": Quellenkundliche Ermittlungen zur frühen Thüringer Bach-Überlieferung und zu einigen Weimarer Schülern und Kollegen Bachs".
176:
structures in his own compositions in the last decade of his life. In the last years of his life Bach extracted a cantata on a Latin text from his 1733 Kyrie–Gloria Mass, and finally integrated that Mass, and various other earlier compositions, into his
3328:
409:
Apart from the 1733 Missa in B minor for the
Dresden court (later incorporated in the Mass in B minor), Bach wrote four further Kyrie–Gloria masses. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the
386:). Scoring and structure are identical with the later work. Another part of this Mass was derived from the 1724 Sanctus for six vocal parts. Also the music of several movements of his earlier German cantatas was integrated in this mass.
433:
Each of the Kyrie-Gloria Masses is in six movements: the Kyrie is one choral movement (with Kyrie/Christe/Kyrie subdivisions) and the Gloria is in five movements. The first and last movement of the Gloria are also choral, framing three
3321:
3783:
1498:
BWV 1081–1082 and BWV Anh. 24–25: Mona Spägele, Harry Van Berne, Stephan
Schreckenberger, Christiane Iven, Bremen Baroque Orchestra, Alsfelder Vocal Ensemble, Gesualdo Consort and others conducted by Wolfgang Helbich (before
1156:
Fascicle 1, in 1742. Bach's manuscript also contained a reworked version (i.e., expanded with two upper voices) of the "Suscepit Israel" movement in E minor: Bach's arrangement of that movement is known as BWV 1082.
105:, and Bach was a Lutheran, church services were generally in the native tongue, which was German for the places where Bach was employed. A few traditional Latin texts, such as the Magnificat and some excerpts of the
1300:, Bach's predecessor as Thomaskantor in Leipzig. On stylistic grounds the arrangement, including a transposition from F minor to E minor and an instrumental accompaniment, is attributed to Bach.
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As Bach generally only composed music for which he had a performance opportunity in mind, which performance opportunity, if any, could he have been thinking of for his Mass in B minor?
1095:
Later that year, for
Christmas, he presented this Magnificat again, with additionally four inserted hymns, partly in German and partly in Latin, related to the celebration of that feast.
3549:
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716:
299:) and elaborate orchestral score for the Christmas service. Bach revised it when he reused it in the Mass in B minor, changing its initial vocal scoring to SSAATB, and its meter from
90:
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and in a somewhat more elaborated orchestration, for the feast of
Visitation. It is this version of his Magnificat that would become the most frequently performed version.
553:
Bach composed and copied separate movements on a text extracted from the Mass ordinary. He also copied and arranged larger Mass compositions (mostly Kyrie–Gloria masses).
934:. One of its 18th-century manuscript copies, produced 1732–35 and 1738–39, is partially in J.S. Bach's handwriting. Published and performed as J. S. Bach's in 1805.
3719:
808:. The Kyrie was copied, and expanded with a melody line different from the continuo, in Weimar (1715–17). The Gloria was copied without modification in Leipzig (1724).
3794:
3691:
94:
3304:
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727:. In Part IV (1787) of the same edition the setting appears under the title "Sanctus, Sanctus Dominus Deus Sabaoth", that is the Latin text of the Sanctus. The
380:
In the last years of his life, Bach integrated the complete Mass for the
Dresden court as Kyrie and Gloria in his Mass in B minor, his only complete mass (in Latin:
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4154:
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Messa a 8 voci reali e 4 ripiene coll'accompagnamento di due
Orchestre, composta da Giov. Sebast. Bach: Partitura, copiata dalla partitura autografa dell' Autore
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236:
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189:
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Bach's manuscript of the
Sanctus in G major, BWV 240, dates from 1742. The authenticity of this composition for SATB choir and orchestra is however doubted.
2445:
202:
Bach reaching outside the confines of the circumstances of his employment, e.g. soliciting an appointment as Royal and Prince-Electoral court composer with
65:
2460:
Maria Zadori, Lena
Susanne Norin, Guy de Mey, Klaus Mertens, Veronika Winter, Gundula Anders, Hans Jörg Mammel, Hans-Joachim Weber, Annette Schneider, the
863:
BWV Anh. 29 is a Kyrie-Gloria Mass in C minor of which only the continuo part survives, found in a manuscript Bach wrote in the period from 1714 to 1717.
86:
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That being identifiable motivations for his involvement with Latin church music, some questions remain however without conclusive answer, including:
4159:
287:, of the first movement of Part II and of the Sanctus (Part III). The Mass in B minor is Bach's only setting of the complete ordinary of the mass.
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134:
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719:, in F major, which appears with the text "Heilig, heilig, heilig" (i.e. the German translation of the Sanctus) in Part III (1786) of
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in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of
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Mass in eight real voices and four additional voices, accompanied by two Orchestras, composed by Joh. Sebast. Bach: Score, copied from the
1486:
1059:
1043:
366:, possibly for a performance in 1745. The cantata was composed for a Christmas service sometime in the mid-1740s (between 1743 and 1746).
3627:
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1478:
890:. The text of the Gloria is partly in German: it intersperses the Latin text of the Gloria with, as cantus firmus, all four stanzas of "
697:
1830:
1685:
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261:. He also set the Sanctus part of the mass liturgy a few times, and copied and arranged mass-related compositions by other composers.
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Geschichte der Gewandhausconcerte zu Leipzig vom 25. November 1781 bis 25. November 1881: Im Auftrage der Concert-Direction verfasst
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203:
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of earlier cantata movements. Bach changed the music slightly to adjust to the Latin words, but kept the original instrumentation.
199:
A certain, but limited, demand for Latin church music in the places where he was employed as church musician (e.g. his Magnificat);
101:. His output of music on a Latin text, comprising less than a dozen of known independent compositions, was comparatively small: in
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in 2013. Bach probably performed his orchestrated version of the Kyrie and Gloria of this mass several times in Leipzig. The
608:, dates from around 1738 to 1741. It is a composition for SATB voices, string orchestra and continuo, based on the Gloria of
51:
period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as
3926:
3764:
1714:
3114:
498:, BWV 234, scored for flute, strings, SATB, and basso continuo, Bach parodied music from at least four earlier cantatas.
3471:
958:
164:, to a large extent based on earlier compositions. From around 1740 there was an increase of Bach copying and arranging
3144:[On the identification of the Magnificat BWV Anh. 30 from Johann Sebastian Bach's music library]. In
1050:. In the early 1740s he copied and arranged two Magnificats by other composers, apparently in view of performing them.
3457:
3382:
3313:
3272:
3167:
2395:
1735:
1432:
1410:
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605:
545:, BWV 236, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.
525:, BWV 235, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.
59:
and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early
682:
225:
From the early 19th century there was a renewed attention for Bach and his music: his Latin church music, including
4047:
60:
747:
version of the tune (Zahn No. 8634) did not appear in print before the Breitkopf edition of Bach's chorales.
3452:
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3021:
concerts in Leipzig from 25 November 1781 to 25 November 1881: As commissioned by the concert direction
2442:
2429:
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130:
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In 1818 this was one of a very few of Bach's compositions for voices and orchestra to appear in print prior the
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of the Christmas version of Bach's Magnificat (also: two of these four laudes are in German, two in Latin).
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Latin Church Music, Passions: Works with Doubtful Authenticity, Arrangements of Music from other Composers
2015:
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discovered the Bach autograph, stated that it was an important model for Bach in his exploration of the
971:
74:
28:
2526:
2219:
1930:
PL-Kj Mus. ms. Bach St 113, Fascicle 1 (olim: D-B Mus. ms. Bach St 113, Fascicle 1)
1322:
97:, was set to a German text, or incorporated one or more melodies associated with the German words of a
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2240:
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Johann Sebastian Bach: His Life, Art and Work – translated from the German, with notes and appendices
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Bach parodied and arranged Latin church music by other composers to church music on a German text.
1019:
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1575:, translated by Clara Bell and John Alexander Fuller-Maitland, In Three Volumes, Vol. II. London,
1375:
986:
Kyrie–Gloria Mass for SSATTB choir, and an orchestra consisting of cornets, trombones and continuo
978:). Bach transposed the Kyrie and Gloria sections from D minor to E minor and provided a
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1317:, the hymnal that was in use in Bach's Leipzig, contains a few hymns on a mixed German and Latin
1308:
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1170:
919:
875:
820:
613:
599:
168:
Latin church music by other composers, which sheds light on a style shift towards more outspoken
4042:
3237:]. Beihefte zum Archiv fĂĽr Musikwissenschaft (in German). Vol. VI. Wiesbaden: Steiner.
3048:
Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
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2992:
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2139:
1960:
1791:
1718:
1665:
1482:
1450:, Bremen Baroque Orchestra, Alsfelder Vokalensemble, Gesualdo Consort and others conducted by
693:
502:
427:
3141:
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1361:
3805:
3439:
3171:
3142:"Zur Identifizierung des Magnificats BWV Anh. 30 aus Johann Sebastian Bachs Notenbibliothek"
2953:
2949:
2040:
1834:
1693:
1451:
3254:
1327:
666:. Bach's manuscript of this Sanctus setting was written between July 1747 and August 1748.
140:
In his first years in Leipzig Bach produced a Latin Magnificat and several settings of the
4098:
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3571:
3446:
3417:
3367:
3223:
3149:
2449:
1783:
1447:
1342:
1286:
1145:
970:, and copied the other movements of this Mass, up to the Agnus dei, without modification (
895:
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609:
392:
described the work, in 1818, as "the greatest musical art work of all times and nations."
375:
258:
178:
82:
56:
1576:
579:
Bach's Sanctus in D major, BWV 238, for SATB choir and orchestra, was first performed on
564:
Bach composed the Sanctus in C major for SATB choir and orchestra, BWV 237, possibly for
707:. Elsewhere in the score there are some instances of Bach adjusting the text placement.
3916:
3891:
3861:
3042:
2391:
2060:
1564:
1252:
471:
304:
300:
149:
106:
36:
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Questions of authenticity in three motets attributed to Johann Sebastian Bach (Thesis)
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1297:
1031:
1027:
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931:
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724:
173:
165:
98:
184:
Bach's involvement with Latin church music thus stemmed from several circumstances:
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126:
78:
52:
40:
32:
231:(published as a composition by Bach in 1805), the Magnificat (published in 1811),
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2215:
1975:
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Johann Sebastian Bach: his work and influence on the music of Germany, 1685–1750
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44:
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1807:
785:
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Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition
2704:
D-B Mus. ms. 2755, Fascicle 1 (olim: D-B Mus. ms. Bach P 977)
728:
580:
169:
122:
114:
3228:
Stile antico in der Musik Johann Sebastian Bachs: Studien zu Bachs Spätwerk
2182:
285:
Missa in B minor for the Dresden court (Kyrie–Gloria mass composed in 1733)
17:
2976:
109:, had however not been completely banned from worship practice during the
4088:
3732:
1717:, J.S. Bach: A Life in Music, Cambridge University Press, 2007, pp. 259,
1256:
984:
orchestration for these sections, written out as performance parts for a
4129:
3612:
2762:
2638:
2160:"Heilig, heilig, heilig / Sanctus, Sanctus Dominus Deus Sabaoth BWV 325"
1964:
1664:
Christoph Wolff, Bach: The Learned Musician, W.W. Norton, 2000, p. 265,
1129:
of Caldara's Magnificat in C major, BNB I/C/1 and BWV 1082 (early 1740s)
991:
3175:
2948:, Christiane Iven, Bremen Baroque Orchestra, Alsfelder Vocal Ensemble,
1605:
1379:
1357:
1353:
1333:
1114:
1069:
819:
BWV Anh. 25 is a Kyrie–Gloria Mass in C major, sometimes attributed to
542:
522:
495:
463:
276:
232:
157:
153:
141:
73:
The bulk of Bach's sacred music, many hundreds of compositions such as
48:
866:
2329:
PL-Kj Mus. ms. Bach St 547 (olim: D-B Mus. ms. Bach St 547)
1089:
879:
868:
Missa super cantilena "Allein Gott in der Höh' sei Ehr", BWV Anh. 166
692:
for SATB choir and orchestra, BWV Anh. 26, based on a composition by
118:
3132:
1757:
1289: C 8, is a motet on a German text parodied from the Latin
937:
880:
Missa super cantilena "Allein Gott in der Höh' sei Ehr", JLB 38
2471:
Johann Ludwig Bach: Trauermusik (fĂĽr Soli, Doppelchor, 2 Orchester)
1160:
894:" (which is itself a paraphrase of the Gloria), a Lutheran hymn by
874:
BWV Anh. 166 is a Kyrie–Gloria Mass in E minor composed in 1716 by
188:
Assimilating music on a Latin text by other composers (e.g. Bach's
3235:
in the music of Johann Sebastian Bach: Studies on Bach's late work
3056:
1648:
1646:
1644:
1642:
1640:
1638:
1442:
Sanctus BWV 237, 239 and 240: Mona Spägele, Harry Van Berne,
681:
In the period from 1727 to 1732 Bach produced the manuscript of a
474:, Bach derived most of the six movements from earlier cantatas as
411:
330:
2375:
Johann Nikolaus Bach: Missa brevis Allein Gott in der Höh sei Ehr
918:
is a Kyrie–Gloria Mass in G major for double choir attributed to
586:
3214:(arranger); Horn, Paul (basso continuo realization). Stuttgart:
1321:
text. According to Vopelius the usage originated in the time of
1184:
1077:
467:
435:
296:
3616:
3317:
2590:
2510:
2508:
2350:
2187:
1046:, in 1723, and then revised it around 1733 to the better known
1428:
BWV 237–242, separate Sanctus and Christe Eleison compositions
359:
of his 1733 Mass for the Dresden court to compose the cantata
215:
2997:"Statistik der Concerte im Saale des Gewandhauses zu Leipzig"
1758:"Missa in B Minor ("Kyrie" and "Gloria" of the B Minor Mass)"
1531:
Kyrie–Gloria Mass for double choir, BWV Anh. 167#21st century
283:
including cantata movements and the early versions of Part I
1216:
Other adaptations of compositions originally on a Latin text
851:
BWV Anh. 28 is a Sanctus in B major by an unknown composer.
632:
3679:
Masses, Mass movements, Magnificats, Passions and Oratorios
721:
Breitkopf's first edition of Bach's chorale harmonisations
265:
Mass in B minor, BWV 232, and related earlier compositions
505:
complete edition in the second half of the 19th century.
2652:"Unbekannte Handschrift Johann Sebastian Bachs entdeckt"
1736:"Johann Sebastian Bach (1685–1750) / Missa (1733)"
1487:
Magnificat in E-flat major, BWV 243a#Selected recordings
3055:] (in German). Kirsten BeiĂźwenger (collaborator). (
2615:
D-B Mus. ms. 16714 (olim: D-B Mus. ms. Bach P 995)
1206:
of doubtful works, in all 20th-century editions of the
800:
BWV Anh. 24 is a Kyrie and Gloria in A minor after the
3428:
Jesus Christus ist um unsrer Missetat willen verwundet
2211:
Die Melodien der deutschen evangelischen Kirchenlieder
953:
Around 1742 Bach arranged the Kyrie and the Gloria of
832:
Sanctus in F major by Johann Ludwig Krebs, BWV Anh. 27
466:, BWV 233, scored for horns, oboes, bassoon, strings,
2397:
The Bach Family: Seven Generations of Creative Genius
2134:. Oxford, England: Oxford University Press. pp.
930:, formerly also attributed to Johann Ludwig Bach and
600:
Missa Providentiae § Sanctus in D minor, BWV 239
295:
In 1724 Bach composed a Sanctus for six vocal parts (
2899:"Der Gerechte kömmt um", No. 39 of D-B Mus. ms. 8155
1227:, BWV 1083, after Pergolesi's Stabat Mater (1745–47)
731:
used for this setting is derived from the melody of
649:
Sanctus for double SATB choir and orchestra, BWV 241
4056:
4025:
3959:
3840:
3819:
3741:
3659:
3650:
3517:
3416:
3357:
3210:. Stuttgarter Bach-Ausgaben. Vol. Full score.
1400:
Gloria in excelsis Deo, BWV 191#Selected recordings
1255:, written around 1745–47, used a German version of
671:
Kyrie–Gloria Mass in C minor after Durante, BWV 242
275:Around 1748–49 Bach completed his Mass in B minor,
1857:"Missae Breves & Sanctus BWV233-242 - Details"
1152:and completed his manuscript, later classified as
1109:In 1733 Bach again presented this Magnificat, but
882:. Previously the work had also been attributed to
696:. Bach's manuscript included his own setting of a
2035:
2033:
2031:
2029:
2027:
2025:
2023:
1439:Sanctus BWV 238: Brilliant Classics 99376/4
911:Kyrie–Gloria Mass for double choir, BWV Anh. 167
3305:Masses and Magnificats by Johann_Sebastian Bach
1148:. Bach started to copy Caldara's Magnificat on
711:Sanctus in F major, BWV 325 (four-part chorale)
257:, the first of which was later expanded to the
1064:A few weeks after arriving at his new post as
3628:
3602:List of compositions by Johann Sebastian Bach
3329:
2940:
2938:
2514:
2365:
2363:
1652:
1601:Neuaufgefundenes Bach-Autograph in WeiĂźenfels
337:, scored for five vocal parts and orchestra.
249:Settings of (parts of) the Latin mass liturgy
125:), and the Magnificat also on Marian feasts (
8:
4001:
3980:
3971:
3016:
3000:
2341:
2339:
2337:
1992:D-B Mus. ms. Bach P 13, Fascicle 2
1926:D-B Mus. ms. Bach P 13, Fascicle 3
1422:Kyrie–Gloria masses, BWV 233–236#Discography
1207:
1199:
549:Separate movements, copies, and arrangements
214:Did he compose the four Kyrie-Gloria Masses
1879:
1790:, 2nd edition 2007. S. Fischer, Frankfurt,
1621:
1054:Magnificat in E-flat major, BWV 243a (1723)
536:
516:
489:
457:
218: 233–236 for Leipzig or for elsewhere?
3837:
3656:
3635:
3621:
3613:
3345:Masses, magnificat, passions and oratorios
3336:
3322:
3314:
3033:: CS1 maint: location missing publisher (
2820:
2676:
1679:
1677:
1133:BNB I/C/1 refers to Bach's copy of a
903:Kyrie–Gloria Mass in G major, BWV Anh. 167
658:, is Bach's arrangement of the Sanctus of
323:Kyrie–Gloria mass for the court in Dresden
3309:International Music Score Library Project
1002:Francesco Gasparini § Missa canonica
996:(copied and orchestrated by Bach c. 1740)
857:Kyrie-Gloria Mass in C minor, BWV Anh. 29
813:Kyrie-Gloria Mass in C major, BWV Anh. 25
787:Kyrie–Gloria Mass in A minor, BWV Anh. 24
370:Mass in B minor, BWV 232 (around 1748–49)
2401:New York: Oxford University Press, 1954.
778:is a collection of six Mass settings by
41:settings of (parts of) the Mass ordinary
3127:] (in Italian and Latin). Leipzig:
2566:
2554:
1542:
1233:Tilge, Höchster, meine Sünden, BWV 1083
837:BWV Anh. 27 is a Sanctus in F major by
796:(Bach manuscript from 1715–17 and 1724)
156:. Around the same time he produced the
3076:
3026:
2999:[Statistic of the concerts in the
2499:
2045:Series II: Masses, Passions, Oratorios
1596:
1594:
1433:Sanctus in D minor, BWV 239#Recordings
1304:Hymns on a mixed German and Latin text
1223:
1161:Bach's version of Torri's Magnificat,
325:, a setting of two parts of the Latin
4155:Compositions by Johann Sebastian Bach
4004:Internationale Bachakademie Stuttgart
3105:. New York: Harcourt, Brace and Howe.
3045:; Kobayashi, Yoshitake, eds. (1998).
2832:
2746:
2542:
2214:(in German). Vol. V. GĂĽtersloh:
2131:Oxford Composer Companions: J.S. Bach
1833:. London Bach Society. Archived from
1099:Magnificat in D major, BWV 243 (1733)
759:Credo intonation in F major, BWV 1081
530:Kyrie–Gloria Mass in G major, BWV 236
510:Kyrie–Gloria Mass in G minor, BWV 235
483:Kyrie–Gloria Mass in A major, BWV 234
451:Kyrie–Gloria Mass in F major, BWV 233
281:based on various earlier compositions
7:
3772:Performance practice of Bach's music
2929:, Leipzig: Christoph Klinger, 1682,
1808:"Count Frantisek Antonin von Sporck"
1060:Magnificat in E-flat major, BWV 243a
1044:Magnificat in E-flat major, BWV 243a
311:Mass for the court at Dresden (1733)
144:. In 1733 he composed a large-scale
4084:Bach Prize (Royal Academy of Music)
1483:Magnificat (Bach)#Reception history
905:(Bach manuscript completed 1738–39)
321:In 1733, Bach composed an extended
160:. Probably around 1738–39 he wrote
291:Sanctus for six vocal parts (1724)
25:
2583:Giovanni Pierluigi da Palestrina
2435:Kirchenmusikwerke. Ergänzungsband
1624:, Terry's first footnote p.
1406:BWV 232(a), Missa/Mass in B minor
1014:, BNB deest, was rediscovered in
683:Kyrie–Gloria Mass in C minor
355:Bach used three movements of the
317:Mass for the Dresden court (Bach)
4128:
4119:
4118:
3390:Kyrie–Gloria masses, BWV 233–236
3204:(2013). Thielemann, Arne (ed.).
3073:. Preface in English and German.
1493:BWV 1081–1082 and BWV Anh. 24–25
1479:Discography of Bach's Magnificat
1417:BWV 233–236, Kyrie-Gloria masses
992:Kyrie and Gloria of Gasparini's
405:Kyrie–Gloria masses, BWV 233–236
397:Kyrie–Gloria masses, BWV 233–236
4160:Masses by Johann Sebastian Bach
3996:Johann Sebastian Bach Institute
2944:Mona Spägele, Harry Van Berne,
1270:attributed to Kuhnau (1723–50?)
846:Sanctus in B major, BWV Anh. 28
698:"Christe eleison", BWV 242
442:. The music consists mostly of
351:Gloria in excelsis Deo, BWV 191
158:final version of his Magnificat
61:Kyrie "Christe, du Lamm Gottes"
3784:Printed during Bach's lifetime
3499:Wer ist der, so von Edom kömmt
2904:Wer ist der, so von Edom kömmt
1105:Magnificat in D major, BWV 243
1048:Magnificat in D major, BWV 243
949:(Bach manuscript from c. 1742)
892:Allein Gott in der Höh sei Ehr
859:(Bach manuscript from 1714–17)
815:(Bach manuscript from 1740–42)
739:-less music notation in 1557 (
677:(Bach manuscript from 1727–32)
643:(Bach manuscript from 1747–48)
594:(Bach manuscript from 1738-41)
583:, 25 December 1723.
1:
1996:D-B Mus. ms. Bach St 115
1520:Johann Ludwig Bach#Recordings
1276:Der Gerechte kömmt um (motet)
1239:Tilge, Höchster, meine Sünden
1225:Tilge, Höchster, meine Sünden
824:
162:four more Kyrie–Gloria Masses
3267:(in German). Vol. 101.
3207:Magnificat in C: BWV Anh. 30
2346:Mass in E minor, BWV Anh 166
2039:Kirsten BeiĂźwenger, editor.
1738:. musicweb-international.com
1569:"Book V: Leipzig, 1723-1734"
1080:voices and orchestra at the
823:: copied by J. S. Bach
590:, after Gloria of Caldara's
3504:includes BWV 1088 and
3273:Evangelische Verlagsanstalt
3168:Evangelische Verlagsanstalt
3162:(in German). Vol. 98.
3133:Harvard Digital Collections
3023:] (in German). Leipzig.
2835:, pp. 21, 162 and 179.
2789:D-B Mus.ms. Bach P 195
1831:"Bach's Latin Church Music"
1686:"Bach's Latin Church Music"
1411:Mass in B minor discography
870:(Bach manuscript from 1729)
625:(Bach manuscript from 1742)
623:Sanctus in G major, BWV 240
606:Sanctus in D minor, BWV 239
588:Sanctus in D minor, BWV 239
573:Sanctus in D major, BWV 238
558:Sanctus in C major, BWV 237
4181:
4048:St. Thomas Church, Leipzig
3765:Bach's choir and orchestra
3083:: CS1 maint: postscript (
2959:The Sacred Apocryphal Bach
2901:(i.e., as included in the
1273:
1243:, is Bach's adaptation of
1230:
1181:Magnificat in C major
1168:
1135:Magnificat in C major
1102:
1072:in 1723, Bach presented a
1057:
1006:Bach's manuscript copy of
999:
908:
597:
568:, 24 June 1723.
418:), have been indicated as
402:
373:
348:
314:
268:
204:his 1733 Kyrie-Gloria Mass
4114:
3592:
3140:Thielemann, Arne (2012).
3111:Schicht, Johann Gottfried
2515:DĂĽrr & Kobayashi 1998
2464:, the Kleine Konzert and
2430:Bach-Gesellschaft Ausgabe
1734:Laurson, Jens F. (2009).
1653:DĂĽrr & Kobayashi 1998
1467:English Chamber Orchestra
1352:): harmonised by Bach as
888:Bach-Gesellschaft Ausgabe
780:Giovanni Battista Bassani
717:four-part chorale by Bach
604:Bach's manuscript of the
271:Mass in B minor structure
2926:Neu Leipziger Gesangbuch
1509:Pietro Torri#Discography
1474:BWV 243–243a, Magnificat
1373:Neu Leipziger Gesangbuch
1347:Neu Leipziger Gesangbuch
1314:Neu Leipziger Gesangbuch
1175:Around 1742 Bach copied
1022:, whose Deputy Director
194:Pergolesi's Stabat Mater
47:canticle—dates from his
3581:Ascension Oratorio
3527:Christmas Oratorio
3093:Forkel, Johann Nikolaus
3059: ed.). Wiesbaden:
2946:Stephan Schreckenberger
2805:Mus.ms. Bach P 195
2737:at Bach Digital website
2617:at Bach Digital website
2527:D-B Mus. ms. Bach P 659
2331:at Bach Digital website
2243:at Bach Digital website
1880:Forkel & Terry 1920
1622:Forkel & Terry 1920
1588:Spitta 1884, p. 266 ff.
1444:Stephan Schreckenberger
1356:(also chorale preludes
725:C. P. E. Bach
426:or performed by him in
345:, BWV 191 (around 1745)
4002:
3981:
3972:
3685:Chorale harmonisations
3433:includes BWV 1084
3212:Bach, Johann Sebastian
3129:Breitkopf & Härtel
3097:Terry, Charles Sanford
3061:Breitkopf & Härtel
3017:
3007:hall in Leipzig].
3001:
2875:Morton, Wyant (1992).
2439:Breitkopf & Härtel
2128:Boyd, Malcolm (1999).
1608:.gerda-henkel-stiftung
1457:Sanctus BWV 241:
1394:Gloria in excelsis Deo
1378:): partly included as
1209:Bach-Werke-Verzeichnis
1208:
1200:
974: I/P/2; BWV
924:Johann Philipp Krieger
752:Masses from Bassani's
537:
517:
490:
458:
424:Franz Anton von Sporck
362:Gloria in excelsis Deo
343:Gloria in excelsis Deo
242:Bach-Werke-Verzeichnis
111:Protestant Reformation
4165:18th century in music
4033:Bach House (Eisenach)
3983:Neue Bachgesellschaft
3754:Church music in Latin
3644:Johann Sebastian Bach
3350:Johann Sebastian Bach
3269:Neue Bachgesellschaft
3164:Neue Bachgesellschaft
2886:University of Arizona
2585:Missa sine nomine a 6
1861:www.bach-cantatas.com
1788:Johann Sebastian Bach
1763:World Digital Library
1292:Tristis est anima mea
1282:Der Gerechte kömmt um
1268:Tristis est anima mea
1264:Der Gerechte kömmt um
1103:Further information:
1058:Further information:
960:Missa sine nomine a 6
946:Missa sine nomine a 6
802:Missa Sancti Lamberti
793:Missa Sancti Lamberti
757:(copied 1736–40) and
374:Further information:
349:Further information:
315:Further information:
269:Further information:
29:Johann Sebastian Bach
4079:Bach Prize (Hamburg)
4011:J.S. Bach Foundation
3573:Easter Oratorio
3170:. pp. 217–224.
2909:Berlin State Library
2809:Berlin State Library
2172:; et al. 2019-03-11.
1684:Steinitz, Margaret.
1332:, a German-language
1034:in his last decade.
898:and Joachim SlĂĽter.
884:Johann Nicolaus Bach
806:Johann Christoph Pez
733:Sanctus minus summus
259:Mass in B minor
179:Mass in B minor
4038:Bach House (Köthen)
4017:List of Bach choirs
2656:Bach-Archiv Leipzig
2462:Rheinische Kantorei
2087:D-Cv A.V,1109,(1),
2057:Critical Commentary
1829:Margaret Steinitz.
1690:London Bach Society
1655:, pp. 234–250.
1463:London Bach Society
1369:Virga Jesse floruit
1038:Magnificat settings
1020:Bach-Archiv Leipzig
1008:Francesco Gasparini
855:Continuo part of a
839:Johann Ludwig Krebs
660:Johann Caspar Kerll
255:Kyrie–Gloria masses
253:Bach composed five
75:his church cantatas
3699:Organ compositions
3466:St Matthew Passion
3359:Latin church music
3261:Bach Yearbook 2015
3256:Bach-Jahrbuch 2015
3176:10.13141/bjb.v2012
3156:Bach Yearbook 2012
3151:Bach-Jahrbuch 2012
2921:Gottfried Vopelius
2448:2016-09-24 at the
2399:, footnote p. 117.
1810:. baroquemusic.org
1171:Magnificat (Torri)
1154:D-B Mus. ms. 2755,
1042:Bach composed the
920:Christoph Bernhard
876:Johann Ludwig Bach
821:Johann Ludwig Bach
615:Missa Providentiae
592:Missa Providentiae
91:four-part chorales
4142:
4141:
3974:Bach Gesellschaft
3955:
3954:
3815:
3814:
3706:Keyboard and lute
3610:
3609:
3282:978-3-374-04320-0
3185:978-3-374-02668-5
2654:(Press release).
2241:D-B Mus. ms. 1160
1796:978-3-596-16739-5
1723:978-0-521-87074-0
1323:Petrus of Dresden
743: 8633). The
694:Francesco Durante
503:Bach Gesellschaft
390:Hans Georg Nägeli
146:Kyrie–Gloria Mass
16:(Redirected from
4172:
4132:
4122:
4121:
4007:
3986:
3977:
3838:
3808:
3806:New Bach Edition
3786:
3774:
3767:
3729:
3722:
3720:Orchestral works
3715:
3708:
3701:
3694:
3687:
3657:
3637:
3630:
3623:
3614:
3440:Weimarer Passion
3352:
3338:
3331:
3324:
3315:
3307:: Scores at the
3294:
3246:
3224:Wolff, Christoph
3219:
3197:
3136:
3106:
3088:
3082:
3074:
3038:
3032:
3024:
3020:
3006:
2979:
2970:
2964:
2954:Wolfgang Helbich
2950:Gesualdo Consort
2942:
2933:
2918:
2912:
2896:
2890:
2889:
2883:
2872:
2866:
2857:
2851:
2842:
2836:
2830:
2824:
2818:
2812:
2802:
2796:
2786:
2780:
2771:
2765:
2756:
2750:
2744:
2738:
2729:
2717:
2711:
2701:
2695:
2686:
2680:
2674:
2668:
2667:
2665:
2663:
2648:
2642:
2624:
2618:
2604:
2598:
2597:
2594:
2592:
2580:
2574:
2564:
2558:
2552:
2546:
2540:
2534:
2524:
2518:
2512:
2503:
2497:
2491:
2482:
2476:
2458:
2452:
2423:
2417:
2408:
2402:
2389:
2383:
2367:
2358:
2357:
2354:
2352:
2343:
2332:
2326:
2320:
2311:
2305:
2296:
2290:
2283:D-LEb Mus. ms. 9
2280:
2274:
2265:
2259:
2250:
2244:
2230:
2224:
2223:
2202:
2196:
2194:
2191:
2189:
2180:
2174:
2173:
2156:
2150:
2149:
2125:
2119:
2106:
2100:
2085:
2079:
2070:
2064:
2041:New Bach Edition
2037:
2018:
2009:
2003:
1989:
1983:
1973:
1967:
1958:
1952:
1943:
1937:
1923:
1917:
1908:
1902:
1893:
1887:
1877:
1871:
1870:
1868:
1867:
1853:
1847:
1846:
1844:
1842:
1826:
1820:
1819:
1817:
1815:
1804:
1798:
1781:
1775:
1774:
1772:
1771:
1754:
1748:
1747:
1745:
1743:
1731:
1725:
1712:
1706:
1705:
1703:
1701:
1692:. Archived from
1681:
1672:
1662:
1656:
1650:
1633:
1619:
1613:
1612:
1609:
1607:
1598:
1589:
1586:
1580:
1577:Novello & Co
1562:
1556:
1547:
1452:Wolfgang Helbich
1331:
1211:
1205:
1193:
1164:
1155:
1151:
1143:
1128:
1124:
969:
948:
941:
904:
869:
858:
847:
833:
826:
814:
795:
788:
777:
760:
756:
706:
691:
676:
672:
657:
642:
636:, arranged from
635:
634:Sanctus, BWV 241
624:
589:
574:
559:
540:
531:
520:
511:
493:
484:
461:
452:
398:
230:
69:
21:
4180:
4179:
4175:
4174:
4173:
4171:
4170:
4169:
4145:
4144:
4143:
4138:
4110:
4099:Bach quadrangle
4052:
4043:Café Zimmermann
4021:
3951:
3897:Riemenschneider
3844:
3836:
3811:
3804:
3795:Reconstructions
3782:
3770:
3763:
3737:
3725:
3718:
3711:
3704:
3697:
3692:Songs and arias
3690:
3683:
3646:
3641:
3611:
3606:
3588:
3587:
3513:
3512:
3492:St Mark Passion
3485:St Luke Passion
3447:St John Passion
3412:
3411:
3368:Mass in B minor
3353:
3348:
3342:
3301:
3283:
3249:
3222:
3200:
3186:
3139:
3123:autograph score
3109:
3091:
3075:
3071:
3041:
3025:
3015:History of the
2993:Dörffel, Alfred
2991:
2988:
2983:
2982:
2971:
2967:
2943:
2936:
2919:
2915:
2897:
2893:
2881:
2874:
2873:
2869:
2858:
2854:
2843:
2839:
2831:
2827:
2821:Thielemann 2012
2819:
2815:
2803:
2799:
2787:
2783:
2772:
2768:
2757:
2753:
2745:
2741:
2735:Fascicle 2
2731:Fascicle 1
2727:
2718:
2714:
2702:
2698:
2687:
2683:
2677:Thielemann 2012
2675:
2671:
2661:
2659:
2650:
2649:
2645:
2625:
2621:
2605:
2601:
2589:
2581:
2577:
2565:
2561:
2553:
2549:
2541:
2537:
2525:
2521:
2513:
2506:
2498:
2494:
2483:
2479:
2475:Capriccio, 2011
2459:
2455:
2450:Wayback Machine
2424:
2420:
2409:
2405:
2392:Geiringer, Karl
2390:
2386:
2368:
2361:
2349:
2344:
2335:
2327:
2323:
2312:
2308:
2297:
2293:
2281:
2277:
2266:
2262:
2251:
2247:
2231:
2227:
2204:
2203:
2199:
2186:
2185:at Luke Dahn's
2181:
2177:
2158:
2157:
2153:
2146:
2127:
2126:
2122:
2107:
2103:
2086:
2082:
2071:
2067:
2038:
2021:
2010:
2006:
1990:
1986:
1974:
1970:
1959:
1955:
1944:
1940:
1924:
1920:
1909:
1905:
1894:
1890:
1878:
1874:
1865:
1863:
1855:
1854:
1850:
1840:
1838:
1837:on 15 July 2011
1828:
1827:
1823:
1813:
1811:
1806:
1805:
1801:
1784:Christoph Wolff
1782:
1778:
1769:
1767:
1756:
1755:
1751:
1741:
1739:
1733:
1732:
1728:
1713:
1709:
1699:
1697:
1696:on 15 July 2011
1683:
1682:
1675:
1663:
1659:
1651:
1636:
1620:
1616:
1604:
1599:
1592:
1587:
1583:
1565:Spitta, Philipp
1563:
1559:
1548:
1544:
1539:
1461:conducting the
1448:Christiane Iven
1389:
1343:In dulci jubilo
1325:
1306:
1278:
1272:
1235:
1229:
1218:
1189:
1173:
1167:
1162:
1153:
1149:
1146:Antonio Caldara
1137:
1131:
1126:
1122:
1107:
1101:
1062:
1056:
1040:
1004:
998:
963:
951:
943:
940:Mass, BNB I/P/2
939:
913:
907:
902:
896:Nicolaus Decius
872:
867:
861:
856:
849:
845:
835:
831:
817:
812:
798:
790:
786:
771:
768:Acroama missale
763:
761:(added 1747–48)
758:
754:Acroama missale
751:
735:, published in
713:
700:
685:
679:
674:
670:
651:
645:
637:
633:
627:
622:
610:Antonio Caldara
602:
596:
587:
577:
572:
562:
557:
551:
533:
529:
513:
509:
486:
482:
454:
450:
407:
401:
396:
378:
376:Mass in B minor
372:
353:
347:
319:
313:
293:
273:
267:
251:
226:
63:
23:
22:
15:
12:
11:
5:
4178:
4176:
4168:
4167:
4162:
4157:
4147:
4146:
4140:
4139:
4137:
4136:
4126:
4115:
4112:
4111:
4109:
4108:
4107:
4106:
4096:
4091:
4086:
4081:
4076:
4066:
4064:Bach festivals
4060:
4058:
4054:
4053:
4051:
4050:
4045:
4040:
4035:
4029:
4027:
4023:
4022:
4020:
4019:
4014:
4008:
3999:
3993:
3987:
3978:
3969:
3963:
3961:
3957:
3956:
3953:
3952:
3950:
3949:
3944:
3939:
3934:
3929:
3924:
3919:
3914:
3909:
3904:
3899:
3894:
3889:
3884:
3879:
3874:
3869:
3864:
3859:
3854:
3848:
3846:
3835:
3834:
3829:
3823:
3821:
3817:
3816:
3813:
3812:
3810:
3809:
3802:
3800:Transcriptions
3797:
3792:
3787:
3780:
3775:
3768:
3761:
3756:
3751:
3745:
3743:
3739:
3738:
3736:
3735:
3730:
3723:
3716:
3709:
3702:
3695:
3688:
3681:
3676:
3671:
3665:
3663:
3654:
3648:
3647:
3642:
3640:
3639:
3632:
3625:
3617:
3608:
3607:
3605:
3604:
3599:
3593:
3590:
3589:
3586:
3585:
3577:
3575:, BWV 249
3569:
3568:
3567:
3562:
3557:
3552:
3547:
3542:
3536:
3529:, BWV 248
3522:
3521:
3519:
3515:
3514:
3511:
3510:
3509:
3508:
3495:
3488:
3481:
3480:
3479:
3474:
3462:
3461:
3460:
3455:
3443:
3436:
3435:
3434:
3423:
3422:
3420:
3414:
3413:
3410:
3409:
3408:
3407:
3402:
3392:
3387:
3386:
3385:
3380:
3375:
3364:
3363:
3361:
3355:
3354:
3343:
3341:
3340:
3333:
3326:
3318:
3312:
3311:
3300:
3299:External links
3297:
3296:
3295:
3281:
3247:
3220:
3198:
3184:
3137:
3113:, ed. (1805).
3107:
3089:
3069:
3039:
2987:
2984:
2981:
2980:
2965:
2934:
2913:
2907:pasticcio) at
2891:
2867:
2852:
2837:
2825:
2813:
2797:
2781:
2766:
2751:
2739:
2712:
2696:
2681:
2679:, p. 217.
2669:
2643:
2619:
2599:
2593:.bach-cantatas
2575:
2559:
2547:
2535:
2519:
2517:, p. 460.
2504:
2502:, p. 132.
2492:
2477:
2453:
2426:Alfred Dörffel
2418:
2403:
2384:
2359:
2353:.bach-cantatas
2333:
2321:
2306:
2291:
2275:
2260:
2245:
2225:
2206:Zahn, Johannes
2197:
2190:.bach-chorales
2175:
2151:
2144:
2120:
2101:
2080:
2065:
2019:
2004:
1984:
1968:
1953:
1938:
1918:
1903:
1888:
1872:
1848:
1821:
1799:
1776:
1749:
1726:
1715:Peter Williams
1707:
1673:
1657:
1634:
1614:
1590:
1581:
1579:, 1884. p. 264
1557:
1541:
1540:
1538:
1535:
1534:
1533:
1527:
1523:
1522:
1516:
1512:
1511:
1505:
1501:
1500:
1495:
1494:
1490:
1489:
1475:
1471:
1470:
1455:
1440:
1436:
1435:
1429:
1425:
1424:
1418:
1414:
1413:
1407:
1403:
1402:
1396:
1388:
1385:
1384:
1383:
1376:pp. 77–83
1365:
1350:pp. 39–40
1305:
1302:
1296:attributed to
1271:
1261:
1228:
1222:
1217:
1214:
1198:, that is the
1166:
1159:
1130:
1119:
1113:to the key of
1100:
1097:
1055:
1052:
1039:
1036:
1012:Missa canonica
997:
994:Missa canonica
990:
950:
936:
909:Main article:
906:
900:
871:
865:
860:
853:
848:
843:
834:
829:
816:
810:
797:
784:
762:
749:
712:
709:
678:
668:
644:
631:
626:
620:
595:
585:
576:
570:
566:St. John's Day
561:
555:
550:
547:
532:
527:
512:
507:
485:
480:
472:basso continuo
453:
448:
438:for different
403:Main article:
400:
394:
371:
368:
346:
339:
312:
309:
292:
289:
266:
263:
250:
247:
223:
222:
219:
208:
207:
200:
197:
190:German version
24:
14:
13:
10:
9:
6:
4:
3:
2:
4177:
4166:
4163:
4161:
4158:
4156:
4153:
4152:
4150:
4135:
4131:
4127:
4125:
4117:
4116:
4113:
4105:
4102:
4101:
4100:
4097:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4077:
4074:
4070:
4067:
4065:
4062:
4061:
4059:
4055:
4049:
4046:
4044:
4041:
4039:
4036:
4034:
4031:
4030:
4028:
4024:
4018:
4015:
4012:
4009:
4006:
4005:
4000:
3997:
3994:
3991:
3988:
3985:
3984:
3979:
3976:
3975:
3970:
3968:
3965:
3964:
3962:
3960:Organizations
3958:
3948:
3945:
3943:
3940:
3938:
3935:
3933:
3930:
3928:
3925:
3923:
3920:
3918:
3915:
3913:
3910:
3908:
3905:
3903:
3900:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3865:
3863:
3860:
3858:
3855:
3853:
3850:
3849:
3847:
3843:
3839:
3833:
3830:
3828:
3825:
3824:
3822:
3818:
3807:
3803:
3801:
3798:
3796:
3793:
3791:
3788:
3785:
3781:
3779:
3776:
3773:
3769:
3766:
3762:
3760:
3757:
3755:
3752:
3750:
3747:
3746:
3744:
3740:
3734:
3731:
3728:
3724:
3721:
3717:
3714:
3713:Chamber music
3710:
3707:
3703:
3700:
3696:
3693:
3689:
3686:
3682:
3680:
3677:
3675:
3672:
3670:
3667:
3666:
3664:
3662:
3658:
3655:
3653:
3649:
3645:
3638:
3633:
3631:
3626:
3624:
3619:
3618:
3615:
3603:
3600:
3598:
3595:
3594:
3591:
3584:
3583:, BWV 11
3582:
3578:
3576:
3574:
3570:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3548:
3546:
3543:
3541:
3537:
3535:
3532:
3531:
3530:
3528:
3524:
3523:
3520:
3516:
3507:
3503:
3502:
3501:
3500:
3496:
3494:
3493:
3489:
3487:
3486:
3482:
3478:
3475:
3473:
3470:
3469:
3468:
3467:
3463:
3459:
3456:
3454:
3451:
3450:
3449:
3448:
3444:
3442:
3441:
3437:
3432:
3431:
3430:
3429:
3425:
3424:
3421:
3419:
3415:
3406:
3403:
3401:
3400:early version
3398:
3397:
3396:
3393:
3391:
3388:
3384:
3381:
3379:
3376:
3374:
3373:early version
3371:
3370:
3369:
3366:
3365:
3362:
3360:
3356:
3351:
3346:
3339:
3334:
3332:
3327:
3325:
3320:
3319:
3316:
3310:
3306:
3303:
3302:
3298:
3292:
3288:
3284:
3278:
3274:
3270:
3266:
3265:Bach-Jahrbuch
3262:
3258:
3257:
3252:
3251:Wollny, Peter
3248:
3244:
3240:
3236:
3234:
3229:
3225:
3221:
3217:
3213:
3209:
3208:
3203:
3202:Torri, Pietro
3199:
3195:
3191:
3187:
3181:
3177:
3173:
3169:
3165:
3161:
3160:Bach-Jahrbuch
3157:
3153:
3152:
3147:
3146:Wollny, Peter
3143:
3138:
3134:
3130:
3126:
3125:of the Author
3124:
3118:
3117:
3112:
3108:
3104:
3103:
3098:
3094:
3090:
3086:
3080:
3072:
3070:9783765102493
3066:
3062:
3058:
3054:
3050:
3049:
3044:
3040:
3036:
3030:
3022:
3019:
3012:
3011:
3005:
3004:
2998:
2994:
2990:
2989:
2985:
2978:
2974:
2969:
2966:
2962:
2960:
2956:(conductor).
2955:
2951:
2947:
2941:
2939:
2935:
2932:
2928:
2927:
2922:
2917:
2914:
2910:
2906:
2905:
2900:
2895:
2892:
2887:
2880:
2879:
2871:
2868:
2865:
2861:
2856:
2853:
2850:
2846:
2841:
2838:
2834:
2829:
2826:
2822:
2817:
2814:
2810:
2806:
2801:
2798:
2794:
2790:
2785:
2782:
2779:
2775:
2770:
2767:
2764:
2760:
2755:
2752:
2748:
2743:
2740:
2736:
2732:
2728:D-Bsa SA 301,
2725:
2721:
2716:
2713:
2709:
2705:
2700:
2697:
2694:
2690:
2685:
2682:
2678:
2673:
2670:
2658:. 6 June 2013
2657:
2653:
2647:
2644:
2640:
2636:
2632:
2628:
2623:
2620:
2616:
2612:
2608:
2603:
2600:
2596:
2587:
2586:
2579:
2576:
2572:
2568:
2563:
2560:
2556:
2551:
2548:
2544:
2539:
2536:
2532:
2528:
2523:
2520:
2516:
2511:
2509:
2505:
2501:
2496:
2493:
2490:
2486:
2481:
2478:
2474:
2472:
2468:(conductor).
2467:
2463:
2457:
2454:
2451:
2447:
2444:
2440:
2437:
2436:
2431:
2427:
2422:
2419:
2416:
2412:
2407:
2404:
2400:
2398:
2393:
2388:
2385:
2382:, 1976 (1993)
2381:
2378:
2376:
2371:
2370:Klaus Hofmann
2366:
2364:
2360:
2356:
2347:
2342:
2340:
2338:
2334:
2330:
2325:
2322:
2319:
2315:
2310:
2307:
2304:
2300:
2295:
2292:
2288:
2284:
2279:
2276:
2273:
2269:
2264:
2261:
2258:
2254:
2249:
2246:
2242:
2238:
2234:
2229:
2226:
2221:
2217:
2213:
2212:
2207:
2201:
2198:
2193:
2184:
2179:
2176:
2171:
2167:
2166:
2161:
2155:
2152:
2147:
2145:0-19-866208-4
2141:
2137:
2133:
2132:
2124:
2121:
2118:
2114:
2110:
2105:
2102:
2098:
2094:
2090:
2084:
2081:
2078:
2074:
2069:
2066:
2062:
2058:
2054:
2050:
2046:
2042:
2036:
2034:
2032:
2030:
2028:
2026:
2024:
2020:
2017:
2013:
2008:
2005:
2001:
1997:
1993:
1988:
1985:
1981:
1977:
1972:
1969:
1966:
1962:
1957:
1954:
1951:
1947:
1942:
1939:
1935:
1931:
1927:
1922:
1919:
1916:
1912:
1907:
1904:
1901:
1897:
1892:
1889:
1885:
1881:
1876:
1873:
1862:
1858:
1852:
1849:
1836:
1832:
1825:
1822:
1809:
1803:
1800:
1797:
1793:
1789:
1785:
1780:
1777:
1765:
1764:
1759:
1753:
1750:
1737:
1730:
1727:
1724:
1720:
1716:
1711:
1708:
1695:
1691:
1687:
1680:
1678:
1674:
1671:
1670:0-393-04825-X
1667:
1661:
1658:
1654:
1649:
1647:
1645:
1643:
1641:
1639:
1635:
1631:
1627:
1623:
1618:
1615:
1611:
1602:
1597:
1595:
1591:
1585:
1582:
1578:
1574:
1570:
1566:
1561:
1558:
1555:
1551:
1546:
1543:
1536:
1532:
1528:
1525:
1524:
1521:
1517:
1514:
1513:
1510:
1506:
1503:
1502:
1497:
1496:
1492:
1491:
1488:
1484:
1480:
1476:
1473:
1472:
1468:
1464:
1460:
1459:Paul Steinitz
1456:
1454:(before 2014)
1453:
1449:
1445:
1441:
1438:
1437:
1434:
1430:
1427:
1426:
1423:
1419:
1416:
1415:
1412:
1408:
1405:
1404:
1401:
1397:
1395:
1391:
1390:
1386:
1381:
1380:fourth laudes
1377:
1374:
1370:
1366:
1363:
1359:
1355:
1351:
1348:
1344:
1340:
1339:
1338:
1335:
1329:
1324:
1320:
1316:
1315:
1310:
1303:
1301:
1299:
1298:Johann Kuhnau
1295:
1293:
1288:
1284:
1283:
1277:
1269:
1265:
1262:
1260:
1258:
1254:
1250:
1246:
1242:
1240:
1234:
1226:
1221:
1215:
1213:
1210:
1204:
1203:
1197:
1192:
1186:
1182:
1178:
1172:
1158:
1147:
1141:
1136:
1118:
1116:
1112:
1106:
1098:
1096:
1093:
1091:
1087:
1083:
1079:
1075:
1071:
1067:
1061:
1053:
1051:
1049:
1045:
1037:
1035:
1033:
1029:
1025:
1021:
1017:
1013:
1009:
1003:
995:
989:
987:
983:
982:
977:
973:
967:
962:
961:
956:
947:
944:Palestrina's
938:Kyrie–Gloria
935:
933:
932:Antonio Lotti
929:
925:
921:
917:
912:
901:
899:
897:
893:
889:
885:
881:
877:
864:
854:
852:
844:
842:
840:
830:
828:
822:
811:
809:
807:
803:
794:
783:
781:
775:
770:
769:
755:
748:
746:
742:
738:
734:
730:
726:
722:
718:
715:BWV 325 is a
710:
708:
704:
699:
695:
689:
684:
669:
667:
665:
664:Missa superba
661:
655:
650:
641:
640:Missa superba
630:
621:
619:
617:
616:
611:
607:
601:
593:
584:
582:
571:
569:
567:
556:
554:
548:
546:
544:
539:
528:
526:
524:
519:
508:
506:
504:
499:
497:
492:
481:
479:
477:
473:
469:
465:
460:
449:
447:
445:
441:
437:
431:
429:
425:
421:
420:Missae breves
417:
413:
406:
395:
393:
391:
387:
385:
384:
377:
369:
367:
365:
363:
358:
352:
344:
340:
338:
336:
332:
328:
324:
318:
310:
308:
306:
302:
298:
290:
288:
286:
282:
278:
272:
264:
262:
260:
256:
248:
246:
244:
243:
238:
237:third chapter
234:
229:
220:
217:
213:
212:
211:
205:
201:
198:
195:
191:
187:
186:
185:
182:
180:
175:
171:
167:
163:
159:
155:
151:
147:
143:
138:
136:
132:
128:
124:
120:
116:
112:
108:
104:
100:
99:Lutheran hymn
96:
92:
88:
84:
80:
76:
71:
67:
62:
58:
54:
50:
46:
42:
38:
34:
30:
19:
4057:Other topics
4013:(St. Gallen)
3990:Bach Archive
3967:Bach Society
3845:and scholars
3753:
3749:Bach cantata
3652:Compositions
3580:
3572:
3526:
3497:
3490:
3483:
3464:
3445:
3438:
3426:
3358:
3260:
3255:
3233:Stile antico
3231:
3227:
3206:
3155:
3150:
3120:
3115:
3100:
3052:
3046:
3043:DĂĽrr, Alfred
3014:
3009:
2968:
2958:
2924:
2916:
2902:
2894:
2877:
2870:
2860:Bach Digital
2855:
2845:Bach Digital
2840:
2828:
2816:
2800:
2793:Bach Digital
2784:
2774:Bach Digital
2769:
2754:
2749:, p. 4.
2742:
2720:Bach Digital
2715:
2708:Bach Digital
2699:
2689:Bach Digital
2684:
2672:
2660:. Retrieved
2646:
2631:Bach Digital
2622:
2607:Bach Digital
2602:
2584:
2578:
2567:Dörffel 1884
2562:
2555:Schicht 1805
2550:
2538:
2531:Bach Digital
2522:
2495:
2485:Bach Digital
2480:
2470:
2456:
2433:
2421:
2411:Bach Digital
2406:
2396:
2387:
2380:Carus Verlag
2374:
2324:
2314:Bach Digital
2309:
2299:Bach Digital
2294:
2287:Bach Digital
2278:
2268:Bach Digital
2263:
2253:Bach Digital
2248:
2233:Bach Digital
2228:
2209:
2200:
2178:
2170:Bach Archive
2165:Bach Digital
2163:
2154:
2130:
2123:
2109:Bach Digital
2104:
2097:Bach Digital
2083:
2073:Bach Digital
2068:
2048:
2047:, Volume 9:
2012:Bach Digital
2007:
2000:Bach Digital
1987:
1980:SLUB Dresden
1976:Mus.2170-D-7
1971:
1956:
1946:Bach Digital
1941:
1934:Bach Digital
1921:
1911:Bach Digital
1906:
1896:Bach Digital
1891:
1884:p. xvii
1875:
1864:. Retrieved
1860:
1851:
1841:16 September
1839:. Retrieved
1835:the original
1824:
1814:20 September
1812:. Retrieved
1802:
1787:
1779:
1768:. Retrieved
1761:
1752:
1740:. Retrieved
1729:
1710:
1700:16 September
1698:. Retrieved
1694:the original
1660:
1617:
1584:
1572:
1560:
1550:Bach Digital
1545:
1526:BWV Anh. 167
1515:BWV Anh. 166
1393:
1372:
1358:BWV 608
1354:BWV 368
1346:
1312:
1307:
1291:
1280:
1279:
1267:
1263:
1249:Stabat Mater
1238:
1236:
1224:
1219:
1196:Anh. II
1177:Pietro Torri
1174:
1132:
1108:
1094:
1082:Marian feast
1066:Thomaskantor
1063:
1041:
1028:stile antico
1024:Peter Wollny
1011:
1005:
993:
979:
959:
952:
945:
916:BWV Anh. 167
914:
873:
862:
850:
836:
818:
801:
799:
792:
767:
764:
753:
732:
723:, edited by
714:
680:
663:
646:
639:
628:
614:
603:
591:
578:
563:
552:
534:
514:
500:
487:
455:
432:
408:
388:
381:
379:
361:
354:
342:
320:
294:
277:BWV 232
274:
252:
240:
233:BWV 234
228:BWV Anh. 167
224:
209:
183:
166:stile antico
139:
135:Purification
127:Annunciation
107:Mass liturgy
95:sacred songs
72:
53:Thomaskantor
33:church music
26:
4073:Competition
3998:(Göttingen)
3842:Biographers
3727:Fugal works
3534:discography
3477:discography
3458:discography
3405:discography
3383:discography
3271:. Leipzig:
3166:. Leipzig:
2961:(8-CD Set).
2952:, etc. and
2500:Wollny 2015
2466:Hermann Max
2443:p. 276
2394:and Irene.
2218:. pp.
2216:Bertelsmann
2168:. Leipzig:
2061:Bärenreiter
1742:12 February
1504:BWV Anh. 30
1387:Discography
1326: [
1191:BWV Anh. 30
1183:for double
1163:BWV Anh. 30
1150:31 May 1740
1138: [
1127:arrangement
1030:and of the
981:colla parte
964: [
928:David Pohle
878:, known as
827:1740-1742.
772: [
745:common time
701: [
686: [
652: [
440:voice types
103:Lutheranism
64: [
43:and of the
18:BWV Anh. 28
4149:Categories
4069:Bach Medal
3778:BACH motif
3597:Evangelist
3395:Magnificat
3018:Gewandhaus
3003:Gewandhaus
2931:p. 39
2833:Wolff 1968
2747:Torri 2013
2662:20 January
2569:, p.
2543:Wolff 1968
2428:(editor).
2372:(editor).
1882:, p.
1866:2024-07-31
1770:2013-08-08
1628:; p.
1537:References
1274:See also:
1241:, BWV 1083
1231:See also:
1169:See also:
1111:transposed
1086:Visitation
1074:Magnificat
1016:WeiĂźenfels
1000:See also:
955:Palestrina
598:See also:
399:(1738–39?)
383:missa tota
170:polyphonic
131:Visitation
45:Magnificat
31:'s extant
4094:Portraits
4075:(Leipzig)
3992:(Leipzig)
3907:Schmieder
3790:Reception
3742:More info
3518:Oratorios
3472:structure
3453:structure
3378:structure
3291:0084-7682
3243:651793960
3218:. 35.012.
3194:0084-7682
3079:cite book
3029:cite book
2977:181673660
2963:CPO, 2014
2763:467019500
2639:250000899
2633:website (
2627:D-WFe 191
2432:Vol. 41:
1965:212006716
1431:See also
1392:BWV 191,
1319:macaronic
1259:as text.
1251:. Bach's
1245:Pergolesi
729:hymn tune
581:Christmas
364:, BWV 191
152:court in
123:Pentecost
115:Christmas
87:oratorios
4124:Category
4089:Three Bs
3927:Williams
3872:Glöckner
3857:Dadelsen
3832:Students
3759:Passions
3669:Cantatas
3418:Passions
3226:(1968).
3099:(1920).
2995:(1884).
2811:website.
2795:website.
2446:Archived
2441:, 1894.
2208:(1892).
2195:website.
1982:website.
1309:Vopelius
1266:, after
1257:Psalm 51
1247:'s 1736
1165:(c.1742)
942:, after
789:, after
741:Zahn No.
638:Kerll's
535:For the
515:For the
488:For the
476:parodies
456:For the
444:parodies
414:and the
341:Cantata
150:Catholic
148:for the
83:Passions
27:Most of
3947:Zehnder
3912:Schulze
3892:Neumann
3877:Hofmann
3538:Parts:
3263:].
3158:].
3148:(ed.).
2986:Sources
2911:website
2710:website
2533:website
2289:website
2220:314–315
2183:BWV 325
2099:website
2063:, 2000.
2002:website
1936:website
1334:Hussite
1311:' 1682
1121:Bach's
1115:D major
1070:Leipzig
675:Anh. 26
560:(1723?)
543:G major
523:G minor
496:A major
464:F major
239:of the
174:canonic
154:Dresden
142:Sanctus
49:Leipzig
4104:crater
4026:Places
3942:Wollny
3917:Spitta
3867:Forkel
3827:Family
3820:People
3674:Motets
3661:by BWV
3289:
3279:
3241:
3192:
3182:
3067:
2975:
2761:
2637:
2142:
1963:
1794:
1766:. 1733
1721:
1668:
1469:(1965)
1253:parody
1202:Anhang
1140:scores
1090:2 July
966:scores
791:Pez's
774:scores
703:scores
688:scores
654:scores
575:(1723)
470:, and
416:Gloria
357:Gloria
335:Gloria
329:, the
297:SSSATB
119:Easter
79:motets
66:scores
57:German
4134:Audio
3937:Wolff
3922:Terry
3882:Jones
3852:Basso
3259:[
3230:[
3216:Carus
3154:[
3119:[
3051:[
3013:[
2882:(PDF)
2864:01532
2862:Work
2849:01269
2847:Work
2778:01338
2776:Work
2724:01268
2722:Work
2693:08841
2691:Work
2611:01676
2609:Work
2489:01478
2487:Work
2415:01477
2413:Work
2318:01337
2316:Work
2303:01336
2301:Work
2272:01333
2270:Work
2257:01332
2255:Work
2237:01267
2235:Work
2117:01334
2113:00301
2111:Work
2077:00300
2075:Work
2053:Score
2016:00299
2014:Work
1950:00298
1948:Work
1915:00297
1913:Work
1900:00296
1898:Work
1554:00292
1552:Work
1499:2014)
1330:]
1294:motet
1142:]
1078:SSATB
1032:canon
976:deest
968:]
776:]
737:meter
705:]
690:]
656:]
538:Missa
518:Missa
491:Missa
459:Missa
436:arias
412:Kyrie
331:Kyrie
68:]
37:Latin
4071:and
3932:Wolf
3902:Rust
3887:Maul
3862:DĂĽrr
3733:Anh.
3506:1149
3287:ISSN
3277:ISBN
3239:OCLC
3190:ISSN
3180:ISBN
3085:link
3065:ISBN
3035:link
2973:OCLC
2759:RISM
2733:and
2664:2015
2635:RISM
2595:.com
2355:.com
2192:.com
2140:ISBN
2115:and
2091:and
1994:and
1961:RISM
1928:and
1843:2010
1816:2010
1792:ISBN
1744:2013
1719:ISBN
1702:2010
1666:ISBN
1630:xvii
1606:lisa
1529:See
1518:See
1507:See
1485:and
1477:See
1465:and
1420:See
1409:See
1398:See
1360:and
1185:SATB
1125:and
1123:copy
1076:for
765:The
673:and
647:The
468:SATB
428:Lysá
333:and
327:mass
172:and
93:and
3550:III
3347:by
3172:doi
3057:BWV
2807:at
2791:at
2706:at
2629:at
2591:www
2588:at
2529:at
2351:www
2348:at
2285:at
2188:www
2136:299
2095:at
2059:).
1998:at
1978:at
1932:at
1626:141
1610:.de
1603:at
1571:in
1371:" (
1362:729
1345:" (
1194:in
1179:'s
1144:by
1084:of
1068:in
1010:'s
972:BNB
957:'s
926:or
804:by
662:'s
612:'s
541:in
521:in
494:in
462:in
303:to
216:BWV
192:of
137:).
35:in
4151::
3565:VI
3555:IV
3545:II
3285:.
3275:.
3188:.
3178:.
3131:.
3095:;
3081:}}
3077:{{
3063:.
3031:}}
3027:{{
2937:^
2923:.
2884:.
2726:;
2613:;
2507:^
2362:^
2336:^
2239:;
2162:.
2138:.
2093:1b
2089:1a
2055:–
2043:,
2022:^
1859:.
1786::
1760:.
1688:.
1676:^
1637:^
1593:^
1567:.
1481:,
1446:,
1328:de
1287:BC
1285:,
1212:.
1092:)
988:.
922:,
841:.
825:c.
618:.
478:.
430:.
307:.
279:,
245:.
196:);
181:.
133:,
129:,
121:,
117:,
89:,
85:,
81:,
77:,
70:.
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3629:t
3622:v
3560:V
3540:I
3337:e
3330:t
3323:v
3293:.
3245:.
3196:.
3174::
3135:.
3087:)
3037:)
2888:.
2823:.
2666:.
2641:)
2573:.
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2557:.
2545:.
2473:.
2377:.
2222:.
2148:.
2051:(
1886:.
1869:.
1845:.
1818:.
1773:.
1746:.
1704:.
1632:.
1367:"
1364:)
1341:"
1088:(
305:C
301:₵
206:.
39:—
20:)
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