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Tschaikovsky Piano Concerto No. 2 (ballet)

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Balanchine described, "It is a dance ballet and has no story." The choreography features academic steps inspired by Petipa. The ballet is danced by two principal ballerinas, a partner for the first ballerina, two men supporting the second ballerina, two female demi-soloists and a
344:] in a ballet, and rightly so. We see dancing better than we used to and prefer to see it directly, unencumbered. The music and the dancing themselves are enough here, I hope, to form illusions that scenery and costumes only made specific. 1932: 390:, is considered one of the most difficult roles among Balanchine's works. The role of her partner, however, is more subdued, serving mostly as a supporter for the lead ballerina. In 458:, Rio de Janeiro, during the first performance of the tour. American Ballet Caravan performed in nine countries, and the tour ended in October, after which the troupe disbanded. 215: 179:
In 1973, Balanchine, believing the audience no longer needed elaborate costumes and scenery to understand a ballet, removed all allusions to Imperial Russia and renamed it
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Balanchine spelled the last name of the composer as "Tschaikovsky" rather than "Tchaikovsky", as the composer used the "Tschaikovsky" spelling during a visit to New York.
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I made these changes because the times have changed since the ballet was first done. Our audiences these days don't require elaborate costumes and decoration [
374:, with no allusions to Imperial Russia, is "a work that alludes only to its Romantic, evocative score through powerful kinetic expressiveness," as described in the 355:. Karinska redesigned the costumes, with the women in mid-calf chiffon dresses rather than tutus. The costumes were redesigned several times throughout the years. 1649: 765:
Thirty Years: Lincoln Kirstein's The New York City Ballet : Expanded to Include the Years 1973–1978, in Celebration of the Company's Thirtieth Anniversary
1220: 273:. Though Petipa and Tchaikovsky had worked together, Petipa would not have used this type of music for dance as it was symphonic, not divided by numbers. 265:, "the father of the classic ballet." He also decided to make the ballet plotless to allow more time for dancing. Balanchine decided to use Tchaikovsky's 1547: 168:, where Balanchine received his ballet training. The ballet featured academic steps and alludes to Imperial Russia through the costumes and scenery. 1677: 1937: 183:, with the ballet now standing in relation to the music alone. The ballet has been performed by several ballet companies, including Balanchine's 982: 1927: 1851: 1250: 966: 935: 895: 1903: 1764: 226:. Kirstein said he "was given a check which seemed so large that I was as scared as if I had stolen it." Kirstein brought in choreographer 952: 921: 394:, he performs a mime passage. The second ballerina role was created because it would be impossible for one ballerina to dance to all the 1733: 1278: 1726: 1011: 266: 145: 1309: 863: 818: 773: 743: 704: 542:
After Balanchine's death in 1983, several ballet companies, including the Royal Ballet, began performing the ballet under the title
455: 330:, with the ballet standing only in relation to the music. Balanchine also removed the mime passage in the ballet. In his 1977 book 173: 81: 1428: 1213: 546:
and with the Imperial Russian grandeur again. Some troupes that acquired the ballet after Balanchine's death also opted to dance
31: 1792: 1922: 1643: 1454: 1046: 1658: 1321: 1785: 520: 1516: 1395: 1174: 257: 1568: 1561: 1533: 1206: 470: 261:, Balanchine decided to choreograph a new work that would revitalize the classical tradition, using the vocabulary of 1719: 1691: 1509: 1495: 1476: 214:
to organize a dance tour across South America subsidized by the US government. Rockefeller, who had been appointed
1684: 602: 239: 1813: 1799: 590: 60: 1373: 657: 1540: 1414: 594: 570: 498: 231: 153: 93: 1190: 1028: 1757: 1740: 1705: 1870: 1832: 1712: 1602: 1342: 219: 1421: 1146: 473:, where Balanchine was a resident choreographer, performed the ballet. The first cast featured Moylan, 1884: 1182: 1402: 504: 309: 293: 277: 184: 103: 1844: 1825: 1778: 1636: 1609: 1554: 478: 436: 423: 352: 117: 1771: 1295: 598: 562: 211: 398:. Though corps de ballet in Petipa's days were merely background to the soloists, the corps in 1698: 1670: 1435: 1335: 1264: 1233: 1007: 962: 931: 891: 859: 849: 814: 769: 739: 700: 653: 578: 574: 512: 466: 227: 141: 50: 292:, with the lead ballerina wearing a crown. Balanchine donated the Dobuzhinsky designs to the 156:'s 1941 South American tour, and was aimed at showing that the Americans were capable of the 1891: 1877: 1575: 1366: 759: 566: 532: 482: 367: 270: 246: 245:
Balanchine and Kirstein decided to present a work to show that Americans are capable of the
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In 1973, Balanchine stripped all allusions to Imperial Russia in the ballet and renamed it
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are active participants that dances challenging choreography like the principal dancers.
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traditions. The ballet pays tribute to Tchaikovsky, the classical ballet choreographer
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was first staged at the New York City Ballet, and was danced before a plain
305: 251: 1096: 1488: 313: 527:, Frank Ohman and Earle Sieveling in the leading roles. The premiere of 395: 454:, New York. The ballet then officially premiered on June 25, 1941, at 1229: 450:
had a preview performance on May 29, 1941, at the Little Theater of
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had subsequently been redesigned many times, by designers such as
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in 1973, also by the New York City Ballet featured a cast led by
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traditions. However, instead of reviving a classic such as
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and Ballet Caravan. Most of the dancers had trained at the
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Repertory in Review: 40 Years of the New York City Ballet
30:"Ballet Imperial" redirects here. For other uses, see 955:. In Dorris, George E.; Cohen, Selma Jeanne (eds.). 924:. In Dorris, George E.; Cohen, Selma Jeanne (eds.). 539:, Colleen Neary, Tracy Bennett and Victor Castelli. 1000:Craine, Debra; Mackrell, Judith (August 19, 2010). 696:
George Balanchine: Ballet Master : a Biography
507:, founded by Balanchine and Kirstein, first danced 465:was performed at the New Opera, with a cast led by 109: 99: 89: 66: 56: 46: 41: 855:Balanchine's Complete Stories of the Great Ballets 410:The dancers who originated the five lead roles in 332:Balanchine's Complete Stories of the Great Ballets 187:, though some troupes still perform the ballet as 370:, where Balanchine received his ballet training. 366:pays tribute to Petipa, Tchaikovsky and imperial 1933:Ballets to the music of Pyotr Ilyich Tchaikovsky 1029:"Rhapsody at Boston Ballet: World Premiere Plus" 234:, with dancers from their two previous troupes, 296:, to help wartime arts programs in army camps. 276:The original set and costumes were designed by 1214: 8: 844: 842: 840: 838: 836: 834: 832: 830: 1221: 1207: 1199: 879: 877: 875: 799: 797: 795: 793: 791: 789: 787: 785: 648: 646: 644: 642: 640: 638: 481:. In 1950, the Sadler's Wells Ballet (now 386:. The first ballerina role, originated by 38: 724: 722: 720: 718: 716: 685: 683: 681: 679: 677: 675: 673: 671: 669: 667: 1390:Divertimento from "Le Baiser De La FĂ©e" 915: 913: 911: 909: 907: 735:Mr. B: George Balanchine's 20th Century 634: 614: 553:Other ballet companies that had danced 1858:Variations Pour une Porte et un Soupir 1195:on the George Balanchine Trust website 1187:on the George Balanchine Trust website 216:Coordinator of Inter-American Affairs 7: 1904:List of ballets by George Balanchine 501:first performed the ballet in 1952. 958:International Encyclopedia of Dance 927:International Encyclopedia of Dance 469:, Dollar and Caccialanza. In 1945, 376:International Encyclopedia of Dance 316:, all inspired by Imperial Russia. 230:, and the two hurriedly formed the 1097:"Tchaikovsky Piano Concerto No. 2" 25: 1807:Tschaikovsky Piano Concerto No. 2 1548:Movements for Piano and Orchestra 1184:Tschaikovsky Piano Concerto No. 2 1176:Tschaikovsky Piano Concerto No. 2 559:Tschaikovsky Piano Concerto No. 2 529:Tschaikovsky Piano Concerto No. 2 372:Tschaikovsky Piano Concerto No. 2 349:Tschaikovsky Piano Concerto No. 2 328:Tschaikovsky Piano Concerto No. 2 321:Tschaikovsky Piano Concerto No. 2 181:Tschaikovsky Piano Concerto No. 2 131:Tschaikovsky Piano Concerto No. 2 42:Tschaikovsky Piano Concerto No. 2 280:. The backdrop showed a view of 32:Ballet Imperial (disambiguation) 27:1941 ballet by George Balanchine 172:premiered on June 25, 1941, at 140:, is a ballet choreographed by 1938:New York City Ballet repertory 1027:DeFord, Carla (May 30, 2019). 1003:The Oxford Dictionary of Dance 884:Anderson, ZoĂ« (May 29, 2015). 1: 1928:Ballets by George Balanchine 887:The Ballet Lover's Companion 1765:Symphony in Three Movements 1534:Metastaseis and Pithoprakta 1179:on the New York City Ballet 471:Ballet Russe de Monte-Carlo 334:, he explained the changes, 288:. The women are dressed in 1954: 1734:Stravinsky Violin Concerto 1429:L'enfant et les sortilèges 1072:"Peter Ilyich Tchaikovsky" 1047:"Journey with the Masters" 485:) debuted the ballet with 269:, the version abridged by 210:was invited by his friend 29: 1901: 1727:The Steadfast Tin Soldier 1685:Slaughter on Tenth Avenue 1322:Brahms–Schoenberg Quartet 1251:A Midsummer Night's Dream 1240: 1151:Pittsburgh Ballet Theatre 852:; Mason, Francis (1977). 603:Pittsburgh Ballet Theatre 240:School of American Ballet 1852:Variations for Orchestra 1814:Tschaikovsky Suite No. 3 1800:Tschaikovsky Pas de Deux 1310:Le Bourgeois Gentilhomme 1076:Pacific Northwest Ballet 920:Adler, Reba Ann (1998). 591:Pacific Northwest Ballet 61:Pyotr Ilyich Tchaikovsky 1541:Monumentum pro Gesualdo 595:Finnish National Ballet 571:American Ballet Theatre 499:La Scala Theatre Ballet 232:American Ballet Caravan 154:American Ballet Caravan 94:American Ballet Caravan 90:Original ballet company 71:June 25, 1941 1793:Le Tombeau de Couperin 1385:Divertimento Brillante 951:Finkel, Anita (1998). 346: 152:was choreographed for 1923:1941 ballet premieres 1871:Walpurgisnacht Ballet 1752:Symphonie Concertante 1678:The Seven Deadly Sins 1592:Pas de Trois (Minkus) 1587:Pas de Trois (Glinka) 1455:The Four Temperaments 1343:Le chant du rossignol 336: 220:Franklin D. Roosevelt 1786:Theme and Variations 1483:Hungarian Gypsy Airs 1409:Donizetti Variations 890:. pp. 132–134. 505:New York City Ballet 310:Rouben Ter-Arutunian 294:Museum of Modern Art 278:Mstislav Dobuzhinsky 267:Piano Concerto No. 2 206:In 1941, impresario 185:New York City Ballet 146:Piano Concerto No. 2 104:Mstislav Dobuzhinsky 1637:Raymonda Variations 1517:Liebeslieder Walzer 1471:Haieff Divertimento 1396:Divertimento No. 15 1279:Le baiser de la fĂ©e 738:. p. 305-308. 511:in 1964, staged by 497:in the lead roles. 479:Nicholas Magallanes 437:Nicholas Magallanes 424:Gisella Caccialanza 378:by Reba Ann Adler. 258:The Sleeping Beauty 118:Gisella Caccialanza 1747:Sylvia Pas de Deux 1659:Scherzo Ă  la Russe 1652:DavidsbĂĽndlertänze 1650:Robert Schumann's 1562:Noah and the Flood 1296:Ballo della Regina 1126:Los Angeles Ballet 858:. pp. 48–51. 850:Balanchine, George 654:Macaulay, Alastair 599:Los Angeles Ballet 563:Paris Opera Ballet 242:under Balanchine. 212:Nelson Rockefeller 176:, Rio de Janeiro. 1910: 1909: 1720:Stars and Stripes 1644:Requiem Canticles 1510:Kammermusik No. 2 1316:BourrĂ©e fantasque 1265:Allegro Brillante 1234:George Balanchine 1147:"Ballet Imperial" 968:978-0-19-512308-1 937:978-0-19-512308-1 922:"Ballet Imperial" 897:978-0-300-15429-0 813:. p. 64-66. 760:Kirstein, Lincoln 732:(November 2022). 579:Miami City Ballet 575:Australian Ballet 521:Jacques d'Amboise 513:Frederic Franklin 467:Mary Ellen Moylan 228:George Balanchine 144:to Tchaikovsky's 142:George Balanchine 127: 126: 51:George Balanchine 16:(Redirected from 1945: 1878:Western Symphony 1380:Cortège Hongrois 1367:Concerto Barocco 1223: 1216: 1209: 1200: 1162: 1161: 1159: 1157: 1143: 1137: 1136: 1134: 1132: 1118: 1112: 1111: 1109: 1107: 1093: 1087: 1086: 1084: 1082: 1068: 1062: 1061: 1059: 1057: 1043: 1037: 1036: 1024: 1018: 1017: 997: 991: 990: 989:. 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Index

Ballet Imperial
Ballet Imperial (disambiguation)
George Balanchine
Pyotr Ilyich Tchaikovsky
Teatro Municipal
American Ballet Caravan
Mstislav Dobuzhinsky
Marie-Jeanne
Gisella Caccialanza
William Dollar
George Balanchine
Piano Concerto No. 2
American Ballet Caravan
classical ballet
Marius Petipa
Saint Petersburg
Teatro Municipal
New York City Ballet
Lincoln Kirstein
Nelson Rockefeller
Coordinator of Inter-American Affairs
Franklin D. Roosevelt
World War II
George Balanchine
American Ballet Caravan
American Ballet
School of American Ballet
classical ballet
Swan Lake
The Sleeping Beauty

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