907:
899:
2109:
486:... I was stunned by the sight of the breech of a 75 millimeter in the sunlight. It was the magic of light on the white metal. That's all it took for me to forget the abstract art of 1912–1913. The crudeness, variety, humor, and downright perfection of certain men around me, their precise sense of utilitarian reality and its application in the midst of the life-and-death drama we were in ... made me want to paint in slang with all its color and mobility.
563:
5422:
2010:
891:
listener begins to wonder whether the piece is already over. Finally, there is a crescendo of pianola, a flurry of percussion and a bang to mark the real ending. The score indicates the last measure of the piece to be ended with the pianos and drums only, but modern performances have the xylophones joining back in and doubling the melody of the pianolas to create a more firm, solid, and recognizable ending.
165:
63:
777:
22:
439:, film historian Susan Delson writes that Murphy was the film's driving force but that Léger was more successful at promoting the film as his own creation. However, some scholars argue that Léger conceived of the film himself, as part of his making the dazzling effects of mechanical technology the exclusive subject of his art; this after fighting at the front in
903: = 152. All longer rests in the pianola part are notated in 8th rests, as if to suggest the exactness of the instrument. At this rate, the 1920s pianola played 8.5 feet per minute of paper rolls over three rolls. This logistical nightmare has been described by some scholars as being an error, and that Antheil's suggested tempo was actually half that
632:
by three baronesses and a duke. The work enraged some of the concertgoers, whose objections were drowned out by the cacophonous music, while others vocally supported the work. After the concert, there were some fights in the street. Antheil tried to replicate this scandal at
Carnegie Hall by hiring provocateurs, but they were largely ignored.
253:
993:
capable of good audio-video simultaneities in standard measures, but the fleeting and devilish rhythm of the work far exceeded its possibilities: especially the complex rhythms, of 7 and 5, very used in the work and impossible to obtain with a such precarious device. With a more restrained and square
965:
and independent concert, once proved that it could not synchronize its music together with the images of Léger. The true film score must have been much simpler and more precise, possibly for solo pianola and noise machines, and, after various reductions and modifications, close to the one he would
631:
Antheil assiduously promoted the work and even engineered his supposed "disappearance" while on a visit to Africa so as to get media attention for a preview concert. The official Paris première in June 1926 was sponsored by an
American patroness who at the end of the concert was tossed in a blanket
1016:
to search the exact copy of the film and the correct
Antheil score, which they both joined together in 1935 (the only time they know that proper 'timing' occurred, according to themselves). Thus, in each period, a slightly different copy of the Ballet has circulated. That explains, in part, doubts
890:
Coda – A startling change occurs when all instruments cut out except for a lone bell (m. 1134). This signals the beginning of a very long and thinly textured coda. It alternates between irregular measures of complete silence and pianola with percussion. The measures of silence get longer until the
639:
is not a show of human dancers but of mechanical instruments. Among these, player pianos, airplane propellers, and electric bells stand prominently onstage, moving as machines do, and providing the visual side of the ballet. As the bizarre instrumentation may suggest, this was no ordinary piece of
986:
mixing table in history and with which it is known that they were desperately trying for a while (as is documented) the material for that film, signed by Léger and
Delacommune). According to technical studies on documentation (the apparatus as such was lost in II World War), it seems that the
417:
1024:
The most modern and complete study on the subject, that of Elder, from 2018 (Cubism and
Futurism), supports, in whole or in part, those same ideas. Especially in the verification of the existence of many different versions of the film (12 at least, plus some others lost); in which the
595:
became a concert piece, premiered by
Antheil himself in Paris in 1926. As a composition, it is Antheil's best known and most enduring work. It remains famous for its radical repetitive style and instrumentation, as well as its storied history. The original orchestration called for 16
1008:(i.e., based on the "tempo-spatial" rhythmic patterns, or audiovisual "canons of proportions" which Léger and Antheil are known to have used to coordinate, or at least attempt to coordinate, images and music. This version, made by Ortiz Morales with the collaboration of the
732:, was repeated at the Friedberg Concert Hall at Peabody Conservatory on February 17, 2003. The work was then performed in Montreal at the Montréal/Nouvelles Musiques festival, conducted by Walter Boudreau. This version was then performed a dozen times in Europe by the
937:
Nevertheless, with respect to the original synchronized film, and despite the quality of last sound performance and its consistent reliability with
Antheil's original plans for its concert (made by Lehrman himself and endorsed by the Schirmer publisher for the DVD
700:
Although the film was intended to use
Antheil's score as a soundtrack, the two parts were not brought together until much later. In 2000, Paul Lehrman produced a married print of the film. This version of the film was included in the DVD collection
922:, into which musicians would insert object such as wooden poles or leather straps to create sound, since the fans don't make much noise. In the Paris performances, beginning in June 1926, the fans were pointed up at the ceiling. However, at the
446:
This controversy might be settled by observing that the 1924 version of the film, in its opening moments, credits Léger and Murphy equally. Despite that, the credits in the opening moments of a 2016 reconstruction mention only Léger.
546:-style paper puppet of Charlot, by Leger, appears several times in the film. It is only the first of many visual puns in the film—a seeming display of the film's sheer visual modernity, as intended by its creators from the get-go.
713:, which was released in April 2006. Lehrman used an edited version of the original orchestration in which he used player pianos recorded after the Lowell performance, with the rest of the instruments played electronically.
875:
to recall Theme 1 (m. 187). This is not strictly a repeat of Theme 1 but another variation and development upon it. This section descends into increasing chaos (starting m. 283) which signals a transition into part C (m.
421:
424:
423:
420:
418:
425:
879:
C – The xylophones and pianolas play a new tune. They stay in better rhythmic agreement here and give a more ordered feel to this section. The xylophones eventually cut out to make way for a serene pianola
994:
music, they could have been tuned and synchronized mechanically, which was what Léger promised to the press after talking to
Delacommune (but before having tried it in practice with the music of Antheil).
693:
Percussion
Ensemble, under the direction of Jeff Fischer, presented the first performance of the original score (without the film) using 16 player pianos and live players. The player pianos were
422:
400:. The film premiered in a silent version on September 24, 1924 at the Internationale Ausstellung neuer Theatertechnik (International Exposition for New Theater Technique) in Vienna presented by
887:
passage (m. 530) and miniature round (m. 622) between xylophones and pianolas. The pentatonic melody, hinted in part B, returns (m. 649) and gets developed in the context of the round.
716:
In November 2002, a version of the score for live ensemble (which required further editing, since live players couldn't play it as fast as electronic instruments) was premiered in
957:
around the film. Among others, the score of 30 minutes and 16 synchronized pianolas so laboriously obtained is not really the original musical idea for the film, but a subsequent
1091:"Ballet Mecanique and Other Works for Player Pianos, Percussion, and Electronics." UMass Lowell Percussion Ensemble, cond. Jeffrey Fischer. Electronic Music Foundation, 2000.
628:
synchronized, so early performances combined the four parts into a single set of pianola rolls and augmented the two human-played pianos with 6 or more additional instruments.
4180:
743:
in Washington, DC commissioned Lehrman and the League of Electronic Musical Urban Robots (LEMUR), Eric Singer, director, to create a computer-driven robotic ensemble to play
970:
was never in the 16 synchronized pianolas of the giant score, but the problem with the simple version (for the film) must have been in the device that had to synchronize it
5449:
1094:"George Antheil Ballet Mecanique (1953)" (and other works by Antheil), Philadelphia Virtuosi Chamber Orchestra, Daniel Spalding, conductor, Naxos American Classics, 2001.
588:. However before completion, director and composer agreed to go their separate ways. The musical work runs close to 30 minutes, while the film is about 19 minutes long.
585:
953:, in 2008. He discuss most of the points of view that have given origin to the realization of Lehrman and proposes other alternatives within what he calls
868:
but often making no tonal sense at all. Antheil uses pianolas for things that would be difficult for human players (a 7-note chord at m. 142, for example).
2046:
5474:
1856:
5479:
2013:
419:
763:. During the run of the play, the Léger/Murphy film was shown, with the robotic orchestra performing the score, at two special "after-concerts."
5454:
5038:
1453:
1304:
1221:
1171:
1138:
1061:
generally accepted in the US about the almost exclusive Dadaism of the film are obviously exaggerated and do not correspond to the reality:
1518:
80:
35:
2204:
883:
A″B″ – The xylophones return (m. 403) with the theme from the beginning. There are differences from the original AB part, including new
522:
that first appeared in January 1917 and continued to be published until 1924. It is not known if Fernand Léger was aware of it or not.
5499:
4240:
690:
4966:
174:
1476:
1239:
1194:
1113:
820:
756:
225:
207:
146:
127:
49:
4192:
787:
99:
1788:
1130:
2165:
1053:
or a simple player piano with a single roll; in that since 1927 there have been various modifications of the film, and of the
5187:
5180:
5002:
2039:
106:
84:
4779:
1874:
450:
Léger's experiences in World War I had a significant effect on all of his work. Mobilized in August 1914 for service in the
906:
898:
5489:
1296:
721:
475:
5484:
4216:
2330:
1849:
751:
in Miami Beach, FL, and again at 3-Legged Dog in New York City, where it was used to accompany a play about Antheil and
667:
In 1953, Antheil wrote a shortened (and much tamer) version for 4 pianos, 4 xylophones, 2 electric bells, 2 propellers,
482:(1917), a canvas whose robot-like, monstrous figures reflect the ambivalence of his experience of war. As he explained:
113:
5504:
5469:
5280:
5208:
4264:
4049:
989:
1037:", before becoming the name of its own production company, and was the one that was tried to be used in the original
802:
5229:
5138:
2088:
1283:
1246:
458:. He produced many sketches of artillery pieces, airplanes, and fellow soldiers while in the trenches, and painted
1763:
798:
95:
73:
5464:
3533:
2619:
2032:
3092:
178:
4154:
3700:
3001:
2793:
864:, supported by drums. The melody is mostly built from parallel series of consonant chords, sometimes sounding
41:
747:. This installation was at the Gallery from 12 March to 7 May 2006. It was installed in December 2007 at the
5287:
5173:
4356:
4252:
2891:
2814:
2197:
1842:
1770:
1338:
1119:
740:
252:
1490:
845:
A – Theme 1 starts at the beginning of the piece. It is easily identified by the oscillating melody in the
5459:
5414:
5371:
5222:
4300:
3581:
3013:
2917:
584:(1924) was originally conceived as an accompaniment for the film and was scheduled to be premiered at the
5350:
5273:
4570:
3463:
3302:
2723:
2647:
2444:
1995:
1951:
1088:"George Antheil: Ballet Mécanique." Boston Modern Orchestra Project, cond. Gil Rose. BMOP/sound, 2013.
4507:
4493:
3910:
926:
premiere on 10 April 1927, the fans were positioned to blow into the audience, upsetting the patrons.
5494:
5407:
5194:
5050:
3945:
2264:
1153:
498:
5444:
5252:
4709:
4702:
4288:
4084:
3998:
3917:
3672:
3665:
3540:
3421:
2612:
2314:
1149:
1026:
979:
120:
5425:
5236:
5131:
5088:
5026:
5014:
4930:
4605:
4563:
4161:
3896:
3714:
3253:
3239:
3134:
2989:
2965:
2849:
2435:
2190:
733:
613:
4954:
4862:
4716:
1337:
Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford:
1118:
Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford:
1443:
5159:
5062:
4799:
4751:
4723:
4630:
4591:
4556:
4465:
4402:
4386:
3854:
3826:
3686:
3379:
3295:
3197:
3162:
2929:
2709:
2675:
2556:
2171:
2158:
2078:
1829:
1810:
1472:
1449:
1310:
1300:
1235:
1217:
1190:
1182:
1167:
1163:
Sylvia Beach and the Lost Generation: A History of Literary Paris in the Twenties and Thirties
1134:
1109:
1085:"Fighting the Waves: Music of George Antheil." Ensemble Moderne, cond. HK Gruber. RCA, 1996.
748:
694:
455:
405:
401:
1213:
5392:
5385:
5124:
4904:
4813:
4806:
4737:
4639:
4598:
4549:
4500:
4312:
4204:
4098:
4091:
3924:
3749:
3707:
3526:
3442:
3344:
3337:
3330:
3323:
3246:
3148:
3106:
3078:
2693:
2563:
2528:
2521:
2507:
2486:
2401:
2294:
2055:
1386:
1351:
1062:
865:
725:
641:
385:
263:
3938:
1673:"TheLondon Sinfonietta tours the Ballet mécanique – music by Antheil, film by Léger/Murphy"
1396:
Ballet Mecanique. 1924 - Fernand Léger / George Antheil. Ensemble Modern. Canonical Version
562:
5378:
5329:
5315:
5308:
4869:
4772:
4584:
4577:
4479:
4451:
4423:
4375:
4228:
4147:
4119:
4014:
3889:
3777:
3742:
3630:
3623:
3567:
3519:
3428:
3316:
3169:
3141:
2941:
2863:
2856:
2835:
2772:
2730:
2640:
2633:
2591:
2535:
2093:
1967:
1932:
1038:
1030:
1009:
1001:
535:
519:
4021:
3840:
3616:
3120:
2472:
1034:
975:
5336:
5266:
5259:
5201:
5145:
5115:
4978:
4890:
4820:
4765:
4744:
4667:
4660:
4653:
4514:
4472:
4458:
4444:
4395:
4140:
4133:
4112:
4105:
4056:
4035:
4028:
3952:
3791:
3609:
3602:
3595:
3574:
3558:
3491:
3477:
3365:
3274:
3204:
3183:
3176:
3099:
3085:
3071:
2953:
2884:
2821:
2765:
2702:
2682:
2661:
2598:
2458:
2228:
2073:
1865:
1058:
850:
717:
676:
513:
397:
309:
5438:
5357:
5322:
5215:
4897:
4841:
4827:
4674:
4535:
4437:
4430:
4416:
4126:
4007:
3875:
3770:
3728:
3679:
3637:
3512:
3505:
3470:
3435:
3386:
3358:
3281:
2877:
2807:
2779:
2751:
2654:
2570:
2542:
2514:
2500:
2493:
2479:
2387:
2367:
2305:
2285:
2257:
2098:
1990:
1959:
1390:
1355:
1206:
1046:
946:
923:
838:
683:
605:
467:
389:
295:
267:
5152:
4990:
4883:
4855:
4790:
4758:
4730:
4695:
4688:
4681:
4646:
4612:
4528:
4486:
4344:
4333:
4323:
4070:
4042:
3980:
3973:
3959:
3931:
3903:
3868:
3861:
3833:
3819:
3805:
3784:
3693:
3651:
3644:
3484:
3456:
3407:
3393:
3267:
3232:
3127:
3113:
3050:
2977:
2870:
2828:
2626:
2451:
2123:
2083:
983:
919:
872:
834:
672:
648:
597:
539:
189:
3372:
1621:"Another premiere, this time with live musicians performing while the film plays…"
1161:
997:
This thesis was reinforced in 2016 with the publication of the reconstruction of
675:, and other percussion. The original orchestration was first realized in 1992 by
5364:
5245:
5104:
5095:
4911:
4834:
3882:
3847:
3763:
3756:
3498:
3400:
3288:
3218:
3155:
3032:
2898:
2758:
2716:
2668:
2605:
2584:
2577:
2549:
2465:
2408:
2248:
2108:
2059:
1985:
1723:
1050:
752:
697:, controlled via MIDI using the Macintosh software program Opcode StudioVision.
656:
463:
451:
440:
361:
62:
1697:
1469:
Wild Heart: A Life: Natalie Clifford Barney and the Decadence of Literary Paris
185:
5294:
4848:
4619:
4542:
4521:
4409:
4077:
4063:
3812:
3798:
3735:
3658:
3547:
3414:
3351:
3211:
3041:
2842:
2800:
2737:
2394:
1824:
1394:
1359:
1054:
1045:'s "Ballet" was most likely a different version of the famous 16 synchronized
998:
728:. The performance, with the newly-realized soundtrack and the 1952 version of
652:
285:
841:, B is a second theme, and C is a middle section loosely related to A and B:
5343:
5301:
5166:
4876:
3966:
3721:
3588:
3309:
3260:
3225:
2786:
2213:
1646:
1361:
Ballet Mécanique (1924, 2K Digitally Restored, With Score by George Antheil)
1314:
1018:
1013:
846:
617:
609:
601:
2024:
640:
music; it was loud and percussive, a medley of noises, much as the Italian
1736:
1082:"Ballet Mécanique" MusicMasters. Cond. Maurice Peress, 1992. 01612-67094-2
1065:
retouched the original film so much that the copies we know are much more
497:
is a part, an artistic technique that combined the dynamic abstraction of
3190:
3057:
2426:
2415:
2376:
2360:
2346:
2237:
1804:
966:
end up orchestrating in 1935. It argues, therefore, that the problem of
4942:
3987:
3449:
3064:
2353:
2337:
2323:
1407:
1372:
1070:
1042:
884:
861:
709:, which also contains Lehrman's documentary film about Antheil and the
668:
625:
621:
393:
377:
299:
443:
and spending the year of 1917 in a hospital after being gassed there.
2271:
1189:. Chapel Hill: University of North Carolina Press. pp. 175–202.
1066:
543:
471:
381:
1033:
was called in 1924 "Synchronismes Cinématographiques", abbreviated "
942:, 2005), its timing with the film it is still in full debate today.
805:. Statements consisting only of original research should be removed.
659:
1927". Unfortunately, these piano rolls are now thought to be lost.
462:(1916) while on furlough. In September 1916, he almost died after a
1647:"All the bells and whistles Weird 1926 piece resonates at festival"
1620:
1825:
1924. The first version of the film, co-crediting Léger and Murphy
561:
415:
1834:
1672:
2744:
2278:
502:
2186:
2028:
1838:
1785:
Cubism and Futurism-spiritual machines and the cinematic effect
1183:"George Antheil's Ballet Mécanique and Transatlantic Modernism"
1127:
Cubism and Futurism-spiritual machines and the cinematic effect
849:. It moves through rhythmic and intervallic variations until a
1144:
James Donald, "Jazz Modernism and Film Art: Dudley Murphy and
770:
158:
56:
15:
1057:, each time shorter and tighter; and in that the theories of
837:
with the following sections: pattern, where A is a first
2182:
1597:
961:
of the original idea, which was carried out by Antheil as a
1830:
2016. The last version of film : the canonical version
1543:
655:
was performed on 16 July 1927 at the "Deutsche Kammermusik
647:
In 1927, Antheil arranged the first part of the Ballet for
384:
art film conceived, written, and co-directed by the artist
566:
Antheil posing with one of the "noisemakers" he built for
1815:
1571:
1041:
with unsuccessful result; in that the original music for
493:
marked the beginning of his "mechanical period" of which
940:
Unseen Cinema: Early American Avant Garde Film 1894–1941
703:
Unseen Cinema: Early American Avant Garde Film 1894–1941
1187:
A modern mosaic: art and modernism in the United States
794:
505:. We see this trend in the film from beginning to end.
1572:"Paul Lehrman's website devoted to the film and music
1494:. San Francisco, Calif: San Francisco Symphony, 2001.
624:. As it turned out, there was no way to keep so many
530:
In its original release, the film's French title was
1507:(CD liner notes). MusicMasters. 1992. 01612-67094-2.
682:
In 1986, the film was premiered with a new score by
5080:
4921:
4789:
4629:
4385:
4374:
4181:
A Sunday Afternoon on the Island of La Grande Jatte
4171:
3997:
3557:
3040:
3031:
2908:
2692:
2434:
2425:
2220:
2150:
2132:
2116:
2066:
1978:
1943:
1916:
1881:
508:However, a photo of a Dada sculpture with the name
396:). It has a musical score by the American composer
357:
349:
339:
315:
305:
291:
281:
273:
259:
245:
87:. Unsourced material may be challenged and removed.
1333:
1331:
1282:
1252:. Thesis COM/CAP.UMA-Málaga. Reg:2012/00200020399.
1205:
1448:, Reproducing Piano Roll Fnd., pp. 1297–98,
895:The mechanical pianos keep the tempo strictly at
705:released in October 2005 and also in the DVD set
600:(or pianolas) in four parts, 2 regular pianos, 3
518:, a periodical created and edited by the Dadaist
1924:
1488:Key, Susan, Larry Rothe, and Thomas M. Tilson.
1445:Greene's biographical encyclopedia of composers
1284:"Vexed and Disputed: The Multiple Histories of
586:Internationale Ausstellung neuer Theatertechnik
484:
404:. It is considered to be a major work of early
1757:
1755:
1753:
1751:
1749:
1566:
1564:
534:(as seen on the original print), referring to
2198:
2040:
1850:
8:
5113:
5102:
2303:
2292:
2246:
2235:
918:The airplane propellers were actually large
911: = 76, but in fact Antheil's 1953
2374:
50:Learn how and when to remove these messages
4382:
3037:
2431:
2205:
2191:
2183:
2047:
2033:
2025:
1857:
1843:
1835:
1208:Making Music Modern: New York in the 1920s
644:envisioned new music of the 20th century.
542:as he was known in France. The image of a
251:
242:
188:. Please do not remove this message until
5450:French avant-garde and experimental films
821:Learn how and when to remove this message
226:Learn how and when to remove this message
208:Learn how and when to remove this message
147:Learn how and when to remove this message
1276:
1274:
1247:"El Synchro-Ciné de Charles Delacommune"
501:with the absurd and unruly qualities of
184:Relevant discussion may be found on the
1764:"El ballet mécanique y el Synchro-Ciné"
1519:"Michael Nyman | Encyclopedia.com"
1270:
1471:(New York: HarperCollins, 2002): 249.
951:El ballet mécanique y el Synchro-ciné
532:"Charlot présente le ballet mécanique"
474:. During a period of convalescence in
5039:Six Characters in Search of an Author
1820:both Leger's film and Antheil's music
1718:Prefatory material from the score of
1429:
454:, he spent two years at the front in
7:
1737:"1927: Trenton's 'bad boy' of music"
1212:. Oxford University Press. pp.
915:score indicates a tempo of 144–160.
85:adding citations to reliable sources
1234:. New York: BDD Illustrated Books.
945:New points of view were offered by
4241:Nude Descending a Staircase, No. 2
1293:Dudley Murphy, Hollywood Wild Card
1108:. New York: Abbeville Publishers.
1017:about its ascription to a certain
691:University of Massachusetts Lowell
437:Dudley Murphy: Hollywood Wild Card
14:
860:B – Theme 2 (m. 77) features the
392:(with cinematographic input from
31:This article has multiple issues.
5421:
5420:
2107:
2009:
2008:
1789:Wilfrid Laurier University Press
1185:. In Ludington, Townsend (ed.).
1131:Wilfrid Laurier University Press
905:
897:
775:
512:had been previously featured in
163:
61:
20:
5475:Films directed by Dudley Murphy
2166:Manifesto of Futurist Musicians
1104:Buck, Robert T. et al. (1982).
854:
72:needs additional citations for
39:or discuss these issues on the
5480:Films scored by George Antheil
5188:Grosvenor School of Modern Art
5181:Fourth dimension in literature
1166:. W. W. Norton & Company.
1:
1816:Paul Lehrman's website about
1297:University of Minnesota Press
722:Peabody Conservatory of Music
571:
5455:French black-and-white films
1773:2008. RPI: 2009/99900744172.
1442:Greene, David Mason (1985),
1245:Ortiz Morales, J.M. (2012).
857:38 in the original scoring).
5281:List of avant-garde artists
4265:The Cabinet of Dr. Caligari
1762:Ortiz Morales, J.M (2008).
1544:"The Ballet Mecanique Page"
1004:according to the so-called
801:the claims made and adding
324:24 September 1924
190:conditions to do so are met
5521:
5139:Classical Hollywood cinema
2089:Francesco Balilla Pratella
1743:Retrieved 10 November 2013
1160:Fitch, Noel Riley (1985).
871:A′ – Xylophones return in
757:spread-spectrum technology
5500:French silent short films
5402:
4217:Les Demoiselles d'Avignon
2105:
2004:
1872:
1735:Jon Blackwell (undated).
1677:The Ballet Mecanique Page
1651:The Ballet Mecanique Page
1625:The Ballet Mecanique Page
755:, and their invention of
250:
3002:The Master and Margarita
1260:(Thames and Hudson 1965)
968:original synchronization
720:by an ensemble from the
635:In concert performance,
5288:List of modernist poets
5174:Fourth dimension in art
4357:Meshes of the Afternoon
1339:Oxford University Press
1120:Oxford University Press
741:National Gallery of Art
412:Film credit and history
406:experimental filmmaking
5372:Second Viennese School
5114:
5103:
3014:The Sound and the Fury
2918:In Search of Lost Time
2375:
2304:
2293:
2247:
2236:
1281:Delson, Susan (2006).
1258:Dada: Art and Anti-Art
1230:Néret, Gilles (1993).
1204:Oja, Carol J. (2000).
955:the state of confusion
577:
540:Little Tramp character
488:
432:
5351:Reactionary modernism
5274:List of art movements
1049:and was for either a
982:, possibly the first
853:into the next theme (
565:
428:
5490:Ballet controversies
5195:Hanshinkan Modernism
5051:The Threepenny Opera
4967:Pelléas et Mélisande
1875:List of compositions
1771:University of Málaga
1700:. Hourglassgroup.org
1523:www.encyclopedia.com
933:as synchronized film
591:Antheil's music for
81:improve this article
5485:Music controversies
5253:International Style
5003:Afternoon of a Faun
4289:Battleship Potemkin
4193:Mont Sainte-Victoir
1787:. Ontario (Canadá)
1698:"Frequency Hopping"
1600:. Bad Boy Made Good
1598:"Bad Boy Made Good"
1181:Oja, Carol (2000).
1150:Modernism/modernity
1129:. Ontario (Canadá)
1077:Discography (audio)
987:synchro-ciné was a
980:Charles Delacommune
460:Soldier with a Pipe
177:of this article is
5505:1920s French films
5470:French short films
5132:Buddhist modernism
5089:American modernism
5015:The Rite of Spring
2990:The Sun Also Rises
2966:The Magic Mountain
1491:American Mavericks
1467:Suzanne Rodriguez
1420:Néret 1993, p. 66.
1299:. pp. 41–68.
786:possibly contains
736:in 2004 and 2005.
734:London Sinfonietta
695:Yamaha Disklaviers
578:
575: early 1920s
433:
388:and the filmmaker
365:French intertitles
96:"Ballet Mécanique"
5432:
5431:
5160:Experimental film
5076:
5075:
5063:Waiting for Godot
4370:
4369:
3027:
3026:
2930:The Metamorphosis
2180:
2179:
2172:Modernism (music)
2159:The Art of Noises
2079:Alexander Mosolov
2022:
2021:
1901:Death of Machines
1769:. Tesina COM/CAP.
1455:978-0-385-14278-6
1432:, pp. 192–93
1306:978-0-8166-4654-8
1223:978-0-19-516257-8
1173:978-0-393-30231-8
1139:978-1-77112-245-0
1006:Canonical version
835:sonata rondo form
831:
830:
823:
788:original research
761:Frequency Hopping
749:Wolfsonian Museum
707:Bad Boy Made Good
580:George Antheil's
426:
402:Frederick Kiesler
369:
368:
236:
235:
228:
218:
217:
210:
157:
156:
149:
131:
54:
5512:
5465:Futurist theatre
5424:
5423:
5395:
5393:Vulgar modernism
5388:
5386:Underground film
5381:
5374:
5367:
5360:
5353:
5346:
5339:
5332:
5325:
5318:
5311:
5304:
5297:
5290:
5283:
5276:
5269:
5262:
5255:
5248:
5239:
5232:
5225:
5218:
5211:
5209:Hippie modernism
5204:
5197:
5190:
5183:
5176:
5169:
5162:
5155:
5148:
5141:
5134:
5127:
5125:Bloomsbury Group
5120:
5119:
5109:
5108:
5098:
5091:
5069:
5068:
5057:
5056:
5045:
5044:
5033:
5032:
5021:
5020:
5009:
5008:
4997:
4996:
4985:
4984:
4973:
4972:
4961:
4960:
4949:
4948:
4937:
4936:
4914:
4907:
4900:
4893:
4886:
4879:
4872:
4865:
4858:
4851:
4844:
4837:
4830:
4823:
4816:
4809:
4802:
4782:
4775:
4768:
4761:
4754:
4747:
4740:
4733:
4726:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4670:
4663:
4656:
4649:
4642:
4622:
4615:
4608:
4601:
4594:
4587:
4580:
4573:
4566:
4559:
4552:
4545:
4538:
4531:
4524:
4517:
4510:
4503:
4496:
4489:
4482:
4475:
4468:
4461:
4454:
4447:
4440:
4433:
4426:
4419:
4412:
4405:
4398:
4383:
4363:
4362:
4351:
4350:
4339:
4338:
4329:
4328:
4319:
4318:
4313:Un Chien Andalou
4307:
4306:
4295:
4294:
4283:
4282:
4277:Ballet Mécanique
4271:
4270:
4259:
4258:
4247:
4246:
4235:
4234:
4223:
4222:
4211:
4210:
4205:The Starry Night
4199:
4198:
4187:
4186:
4164:
4157:
4150:
4143:
4136:
4129:
4122:
4115:
4108:
4101:
4094:
4087:
4080:
4073:
4066:
4059:
4052:
4045:
4038:
4031:
4024:
4017:
4010:
3990:
3983:
3976:
3969:
3962:
3955:
3948:
3941:
3934:
3927:
3920:
3913:
3906:
3899:
3892:
3885:
3878:
3871:
3864:
3857:
3850:
3843:
3836:
3829:
3822:
3815:
3808:
3801:
3794:
3787:
3780:
3773:
3766:
3759:
3752:
3745:
3738:
3731:
3724:
3717:
3710:
3703:
3696:
3689:
3682:
3675:
3668:
3661:
3654:
3647:
3640:
3633:
3626:
3619:
3612:
3605:
3598:
3591:
3584:
3577:
3570:
3550:
3543:
3536:
3534:Toulouse-Lautrec
3529:
3522:
3515:
3508:
3501:
3494:
3487:
3480:
3473:
3466:
3459:
3452:
3445:
3438:
3431:
3424:
3417:
3410:
3403:
3396:
3389:
3382:
3375:
3368:
3361:
3354:
3347:
3340:
3333:
3326:
3319:
3312:
3305:
3298:
3291:
3284:
3277:
3270:
3263:
3256:
3249:
3242:
3235:
3228:
3221:
3214:
3207:
3200:
3193:
3186:
3179:
3172:
3165:
3158:
3151:
3144:
3137:
3130:
3123:
3116:
3109:
3102:
3095:
3088:
3081:
3074:
3067:
3060:
3053:
3038:
3020:
3019:
3008:
3007:
2996:
2995:
2984:
2983:
2972:
2971:
2960:
2959:
2948:
2947:
2936:
2935:
2924:
2923:
2901:
2894:
2887:
2880:
2873:
2866:
2859:
2852:
2845:
2838:
2831:
2824:
2817:
2810:
2803:
2796:
2789:
2782:
2775:
2768:
2761:
2754:
2747:
2740:
2733:
2726:
2719:
2712:
2705:
2685:
2678:
2671:
2664:
2657:
2650:
2643:
2636:
2629:
2622:
2615:
2608:
2601:
2594:
2587:
2580:
2573:
2566:
2559:
2552:
2545:
2538:
2531:
2524:
2517:
2510:
2503:
2496:
2489:
2482:
2475:
2468:
2461:
2454:
2447:
2432:
2418:
2411:
2404:
2397:
2390:
2381:
2380:
2370:
2363:
2356:
2349:
2340:
2333:
2326:
2317:
2310:
2309:
2299:
2298:
2295:Der Blaue Reiter
2288:
2281:
2274:
2267:
2260:
2253:
2252:
2242:
2241:
2231:
2207:
2200:
2193:
2184:
2141:Ballet Mécanique
2111:
2049:
2042:
2035:
2026:
2012:
2011:
1925:Ballet Mécanique
1859:
1852:
1845:
1836:
1818:Ballet Mécanique
1806:Ballet mécanique
1792:
1783:Elder, R.Bruce,
1781:
1775:
1774:
1768:
1759:
1744:
1733:
1727:
1720:Ballet Mécanique
1716:
1710:
1709:
1707:
1705:
1694:
1688:
1687:
1685:
1683:
1668:
1662:
1661:
1659:
1657:
1642:
1636:
1635:
1633:
1631:
1616:
1610:
1609:
1607:
1605:
1594:
1588:
1587:
1585:
1583:
1574:Ballet Mecanique
1568:
1559:
1558:
1556:
1554:
1540:
1534:
1533:
1531:
1529:
1515:
1509:
1508:
1505:Ballet Mécanique
1501:
1495:
1486:
1480:
1465:
1459:
1458:
1439:
1433:
1427:
1421:
1418:
1412:
1411:
1405:
1403:
1383:
1377:
1376:
1370:
1368:
1348:
1342:
1335:
1326:
1325:
1323:
1321:
1290:
1286:Ballet Mécanique
1278:
1253:
1251:
1227:
1211:
1200:
1177:
1146:Ballet mécanique
1141:. Pages 139-379.
1125:Elder, R.Bruce,
978:of the inventor
931:Ballet Mécanique
913:Ballet Mécanique
910:
909:
902:
901:
856:
826:
819:
815:
812:
806:
803:inline citations
779:
778:
771:
745:Ballet mécanique
730:Ballet mécanique
726:Julian Pellicano
711:Ballet mécanique
637:Ballet Mécanique
593:Ballet Mécanique
582:Ballet Mécanique
576:
573:
568:Ballet Mécanique
551:Ballet Mécanique
510:Ballet Mécanique
495:Ballet Mécanique
491:The Card Players
480:The Card Players
430:Ballet Mécanique
427:
373:Ballet Mécanique
331:
329:
255:
246:Ballet Mécanique
243:
231:
224:
213:
206:
202:
199:
193:
167:
166:
159:
152:
145:
141:
138:
132:
130:
89:
65:
57:
46:
24:
23:
16:
5520:
5519:
5515:
5514:
5513:
5511:
5510:
5509:
5435:
5434:
5433:
5428:
5419:
5411:
5398:
5391:
5384:
5379:Structural film
5377:
5370:
5363:
5356:
5349:
5342:
5335:
5330:New Objectivity
5328:
5321:
5316:Neo-romanticism
5314:
5309:Neo-primitivism
5307:
5300:
5293:
5286:
5279:
5272:
5265:
5258:
5251:
5244:
5235:
5228:
5221:
5214:
5207:
5200:
5193:
5186:
5179:
5172:
5165:
5158:
5151:
5144:
5137:
5130:
5123:
5112:
5101:
5094:
5087:
5072:
5066:
5060:
5054:
5048:
5042:
5036:
5030:
5024:
5018:
5012:
5006:
5000:
4994:
4988:
4982:
4976:
4970:
4964:
4958:
4955:Verklärte Nacht
4952:
4946:
4940:
4934:
4928:
4917:
4910:
4903:
4896:
4889:
4882:
4875:
4868:
4861:
4854:
4847:
4840:
4833:
4826:
4819:
4812:
4805:
4798:
4785:
4778:
4771:
4764:
4757:
4750:
4743:
4736:
4729:
4722:
4715:
4708:
4701:
4694:
4687:
4680:
4673:
4666:
4659:
4652:
4645:
4638:
4625:
4618:
4611:
4604:
4597:
4590:
4583:
4576:
4569:
4562:
4555:
4548:
4541:
4534:
4527:
4520:
4513:
4506:
4499:
4492:
4485:
4478:
4471:
4464:
4457:
4450:
4443:
4436:
4429:
4422:
4415:
4408:
4401:
4394:
4377:
4366:
4360:
4354:
4348:
4342:
4336:
4332:
4326:
4322:
4316:
4310:
4304:
4298:
4292:
4286:
4280:
4274:
4268:
4262:
4256:
4250:
4244:
4238:
4232:
4226:
4220:
4214:
4208:
4202:
4196:
4190:
4184:
4178:
4167:
4160:
4153:
4146:
4139:
4132:
4125:
4118:
4111:
4104:
4097:
4090:
4083:
4076:
4069:
4062:
4055:
4048:
4041:
4034:
4027:
4020:
4013:
4006:
3993:
3986:
3979:
3972:
3965:
3958:
3951:
3944:
3937:
3930:
3923:
3916:
3909:
3902:
3895:
3888:
3881:
3874:
3867:
3860:
3853:
3846:
3839:
3832:
3825:
3818:
3811:
3804:
3797:
3790:
3783:
3776:
3769:
3762:
3755:
3748:
3741:
3734:
3727:
3720:
3713:
3706:
3699:
3692:
3685:
3678:
3671:
3664:
3657:
3650:
3643:
3636:
3629:
3622:
3615:
3608:
3601:
3594:
3587:
3580:
3573:
3566:
3553:
3546:
3539:
3532:
3525:
3518:
3511:
3504:
3497:
3490:
3483:
3476:
3469:
3462:
3455:
3448:
3441:
3434:
3427:
3420:
3413:
3406:
3399:
3392:
3385:
3378:
3371:
3364:
3357:
3350:
3343:
3336:
3329:
3322:
3315:
3308:
3301:
3294:
3287:
3280:
3273:
3266:
3259:
3252:
3245:
3238:
3231:
3224:
3217:
3210:
3203:
3196:
3189:
3182:
3175:
3168:
3161:
3154:
3147:
3140:
3133:
3126:
3119:
3112:
3105:
3098:
3091:
3084:
3077:
3070:
3063:
3056:
3049:
3023:
3017:
3011:
3005:
2999:
2993:
2987:
2981:
2975:
2969:
2963:
2957:
2951:
2945:
2939:
2933:
2927:
2921:
2915:
2904:
2897:
2890:
2883:
2876:
2869:
2862:
2855:
2848:
2841:
2834:
2827:
2820:
2813:
2808:Lowell (Robert)
2806:
2799:
2792:
2785:
2778:
2771:
2764:
2757:
2750:
2743:
2736:
2729:
2722:
2715:
2708:
2701:
2688:
2681:
2674:
2667:
2660:
2653:
2646:
2639:
2632:
2625:
2618:
2611:
2604:
2597:
2590:
2583:
2576:
2569:
2562:
2555:
2548:
2541:
2534:
2527:
2520:
2513:
2506:
2499:
2492:
2485:
2478:
2471:
2464:
2457:
2450:
2443:
2421:
2414:
2407:
2400:
2393:
2386:
2373:
2366:
2359:
2352:
2345:
2336:
2329:
2322:
2313:
2302:
2291:
2284:
2277:
2270:
2263:
2256:
2245:
2234:
2227:
2216:
2211:
2181:
2176:
2146:
2128:
2112:
2103:
2094:Antonio Russolo
2062:
2053:
2023:
2018:
2000:
1974:
1939:
1933:A Jazz Symphony
1912:
1889:Airplane Sonata
1877:
1868:
1863:
1801:
1796:
1795:
1782:
1778:
1766:
1761:
1760:
1747:
1741:The Trentonian.
1734:
1730:
1717:
1713:
1703:
1701:
1696:
1695:
1691:
1681:
1679:
1671:Lehrman, Paul.
1670:
1669:
1665:
1655:
1653:
1645:Lehrman, Paul.
1644:
1643:
1639:
1629:
1627:
1619:Lehrman, Paul.
1618:
1617:
1613:
1603:
1601:
1596:
1595:
1591:
1581:
1579:
1570:
1569:
1562:
1552:
1550:
1548:www.antheil.org
1542:
1541:
1537:
1527:
1525:
1517:
1516:
1512:
1503:
1502:
1498:
1487:
1483:
1466:
1462:
1456:
1441:
1440:
1436:
1428:
1424:
1419:
1415:
1401:
1399:
1385:
1384:
1380:
1366:
1364:
1350:
1349:
1345:
1336:
1329:
1319:
1317:
1307:
1295:. Minneapolis:
1280:
1279:
1272:
1267:
1249:
1244:
1224:
1203:
1197:
1180:
1174:
1159:
1101:
1079:
1039:synchronization
1031:synchronization
1010:Ensemble Modern
935:
904:
896:
827:
816:
810:
807:
792:
780:
776:
769:
724:, conducted by
665:
574:
560:
555:
536:Charlie Chaplin
528:
520:Francis Picabia
416:
414:
376:(1923–24) is a
364:
342:
335:
327:
325:
318:
298:
266:
239:
232:
221:
220:
219:
214:
203:
197:
194:
183:
168:
164:
153:
142:
136:
133:
90:
88:
78:
66:
25:
21:
12:
11:
5:
5518:
5516:
5508:
5507:
5502:
5497:
5492:
5487:
5482:
5477:
5472:
5467:
5462:
5457:
5452:
5447:
5437:
5436:
5430:
5429:
5412:
5404:
5403:
5400:
5399:
5397:
5396:
5389:
5382:
5375:
5368:
5361:
5354:
5347:
5340:
5337:Poetic realism
5333:
5326:
5319:
5312:
5305:
5298:
5291:
5284:
5277:
5270:
5267:Late modernity
5263:
5260:Late modernism
5256:
5249:
5242:
5241:
5240:
5233:
5226:
5212:
5205:
5202:High modernism
5198:
5191:
5184:
5177:
5170:
5163:
5156:
5149:
5146:Degenerate art
5142:
5135:
5128:
5121:
5116:Ballets Russes
5110:
5099:
5092:
5084:
5082:
5078:
5077:
5074:
5073:
5071:
5070:
5058:
5046:
5034:
5022:
5010:
4998:
4986:
4974:
4962:
4950:
4938:
4925:
4923:
4919:
4918:
4916:
4915:
4908:
4901:
4894:
4887:
4880:
4873:
4866:
4859:
4852:
4845:
4838:
4831:
4824:
4817:
4810:
4803:
4795:
4793:
4787:
4786:
4784:
4783:
4776:
4769:
4762:
4755:
4748:
4741:
4734:
4727:
4720:
4713:
4706:
4699:
4692:
4685:
4678:
4671:
4664:
4657:
4650:
4643:
4635:
4633:
4627:
4626:
4624:
4623:
4616:
4609:
4602:
4595:
4588:
4581:
4574:
4567:
4560:
4553:
4546:
4539:
4532:
4525:
4518:
4511:
4504:
4497:
4490:
4483:
4476:
4469:
4462:
4455:
4448:
4441:
4434:
4427:
4420:
4413:
4406:
4399:
4391:
4389:
4380:
4372:
4371:
4368:
4367:
4365:
4364:
4352:
4340:
4330:
4320:
4308:
4296:
4284:
4272:
4260:
4248:
4236:
4224:
4212:
4200:
4188:
4175:
4173:
4169:
4168:
4166:
4165:
4158:
4151:
4144:
4137:
4130:
4123:
4116:
4109:
4102:
4095:
4088:
4081:
4074:
4067:
4060:
4053:
4046:
4039:
4032:
4025:
4018:
4011:
4003:
4001:
3995:
3994:
3992:
3991:
3984:
3977:
3970:
3963:
3956:
3949:
3942:
3935:
3928:
3921:
3914:
3907:
3900:
3893:
3886:
3879:
3872:
3869:Ray (Satyajit)
3865:
3862:Ray (Nicholas)
3858:
3851:
3844:
3837:
3830:
3823:
3816:
3809:
3802:
3795:
3788:
3781:
3774:
3767:
3760:
3753:
3746:
3739:
3732:
3725:
3718:
3711:
3704:
3697:
3690:
3683:
3676:
3669:
3662:
3655:
3648:
3641:
3634:
3627:
3620:
3613:
3606:
3599:
3592:
3585:
3578:
3571:
3563:
3561:
3555:
3554:
3552:
3551:
3544:
3537:
3530:
3523:
3516:
3509:
3502:
3495:
3488:
3481:
3474:
3467:
3460:
3453:
3446:
3439:
3432:
3425:
3418:
3411:
3404:
3397:
3390:
3383:
3376:
3369:
3362:
3355:
3348:
3341:
3334:
3327:
3320:
3313:
3306:
3299:
3292:
3285:
3278:
3271:
3264:
3257:
3250:
3243:
3236:
3229:
3222:
3215:
3208:
3201:
3194:
3187:
3180:
3173:
3166:
3159:
3152:
3145:
3138:
3131:
3124:
3117:
3110:
3103:
3096:
3089:
3082:
3075:
3068:
3061:
3054:
3046:
3044:
3035:
3029:
3028:
3025:
3024:
3022:
3021:
3009:
2997:
2985:
2973:
2961:
2954:The Waste Land
2949:
2937:
2925:
2912:
2910:
2906:
2905:
2903:
2902:
2895:
2888:
2881:
2874:
2867:
2860:
2853:
2846:
2839:
2832:
2825:
2818:
2811:
2804:
2797:
2790:
2783:
2776:
2769:
2762:
2755:
2748:
2741:
2734:
2727:
2720:
2713:
2706:
2698:
2696:
2690:
2689:
2687:
2686:
2679:
2672:
2665:
2658:
2651:
2644:
2637:
2630:
2623:
2616:
2609:
2602:
2595:
2588:
2581:
2574:
2567:
2560:
2553:
2546:
2539:
2532:
2525:
2518:
2511:
2504:
2497:
2490:
2483:
2476:
2469:
2462:
2455:
2448:
2440:
2438:
2429:
2423:
2422:
2420:
2419:
2412:
2405:
2398:
2391:
2384:
2383:
2382:
2364:
2357:
2350:
2343:
2342:
2341:
2327:
2320:
2319:
2318:
2311:
2300:
2282:
2275:
2268:
2265:Constructivism
2261:
2254:
2243:
2232:
2224:
2222:
2218:
2217:
2212:
2210:
2209:
2202:
2195:
2187:
2178:
2177:
2175:
2174:
2169:
2162:
2154:
2152:
2148:
2147:
2145:
2144:
2136:
2134:
2130:
2129:
2127:
2126:
2120:
2118:
2114:
2113:
2106:
2104:
2102:
2101:
2096:
2091:
2086:
2081:
2076:
2074:George Antheil
2070:
2068:
2064:
2063:
2054:
2052:
2051:
2044:
2037:
2029:
2020:
2019:
2017:
2016:
2005:
2002:
2001:
1999:
1998:
1993:
1988:
1982:
1980:
1976:
1975:
1973:
1972:
1964:
1956:
1947:
1945:
1941:
1940:
1938:
1937:
1929:
1920:
1918:
1914:
1913:
1911:
1910:
1904:
1898:
1895:Sonata Sauvage
1892:
1885:
1883:
1879:
1878:
1873:
1870:
1869:
1866:George Antheil
1864:
1862:
1861:
1854:
1847:
1839:
1833:
1832:
1827:
1822:
1813:
1800:
1799:External links
1797:
1794:
1793:
1776:
1745:
1728:
1711:
1689:
1663:
1637:
1611:
1589:
1560:
1535:
1510:
1496:
1481:
1460:
1454:
1434:
1422:
1413:
1391:Morales, Ortiz
1387:Léger, Fernand
1378:
1356:Murphy, Dudley
1352:Léger, Fernand
1343:
1341:, 2009. p. 400
1327:
1305:
1269:
1268:
1266:
1263:
1262:
1261:
1254:
1242:
1228:
1222:
1201:
1195:
1178:
1172:
1157:
1156:), pages 25–49
1142:
1123:
1116:
1100:
1097:
1096:
1095:
1092:
1089:
1086:
1083:
1078:
1075:
949:in his thesis
934:
928:
893:
892:
888:
881:
877:
869:
858:
829:
828:
783:
781:
774:
768:
765:
718:Columbus, Ohio
677:Maurice Peress
664:
661:
606:electric bells
559:
556:
554:
548:
527:
524:
499:constructivism
466:attack by the
413:
410:
398:George Antheil
367:
366:
359:
355:
354:
351:
347:
346:
343:
340:
337:
336:
334:
333:
332: (Austria)
321:
319:
316:
313:
312:
310:George Antheil
307:
303:
302:
293:
292:Cinematography
289:
288:
283:
279:
278:
275:
271:
270:
261:
257:
256:
248:
247:
237:
234:
233:
216:
215:
171:
169:
162:
155:
154:
69:
67:
60:
55:
29:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
5517:
5506:
5503:
5501:
5498:
5496:
5493:
5491:
5488:
5486:
5483:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5460:Futurist film
5458:
5456:
5453:
5451:
5448:
5446:
5443:
5442:
5440:
5427:
5417:
5416:
5415:Postmodernism
5410:
5409:
5401:
5394:
5390:
5387:
5383:
5380:
5376:
5373:
5369:
5366:
5362:
5359:
5358:Metamodernism
5355:
5352:
5348:
5345:
5341:
5338:
5334:
5331:
5327:
5324:
5323:New Hollywood
5320:
5317:
5313:
5310:
5306:
5303:
5299:
5296:
5292:
5289:
5285:
5282:
5278:
5275:
5271:
5268:
5264:
5261:
5257:
5254:
5250:
5247:
5243:
5238:
5234:
5231:
5227:
5224:
5220:
5219:
5217:
5216:Impressionism
5213:
5210:
5206:
5203:
5199:
5196:
5192:
5189:
5185:
5182:
5178:
5175:
5171:
5168:
5164:
5161:
5157:
5154:
5150:
5147:
5143:
5140:
5136:
5133:
5129:
5126:
5122:
5118:
5117:
5111:
5107:
5106:
5100:
5097:
5093:
5090:
5086:
5085:
5083:
5079:
5065:
5064:
5059:
5053:
5052:
5047:
5041:
5040:
5035:
5029:
5028:
5023:
5017:
5016:
5011:
5005:
5004:
4999:
4993:
4992:
4987:
4981:
4980:
4975:
4969:
4968:
4963:
4957:
4956:
4951:
4945:
4944:
4939:
4933:
4932:
4927:
4926:
4924:
4920:
4913:
4909:
4906:
4902:
4899:
4895:
4892:
4888:
4885:
4881:
4878:
4874:
4871:
4867:
4864:
4860:
4857:
4853:
4850:
4846:
4843:
4839:
4836:
4832:
4829:
4825:
4822:
4818:
4815:
4811:
4808:
4804:
4801:
4797:
4796:
4794:
4792:
4788:
4781:
4777:
4774:
4770:
4767:
4763:
4760:
4756:
4753:
4749:
4746:
4742:
4739:
4735:
4732:
4728:
4725:
4721:
4718:
4714:
4711:
4707:
4704:
4700:
4697:
4693:
4690:
4686:
4683:
4679:
4676:
4672:
4669:
4665:
4662:
4658:
4655:
4651:
4648:
4644:
4641:
4637:
4636:
4634:
4632:
4628:
4621:
4617:
4614:
4610:
4607:
4603:
4600:
4596:
4593:
4589:
4586:
4582:
4579:
4575:
4572:
4568:
4565:
4561:
4558:
4554:
4551:
4547:
4544:
4540:
4537:
4533:
4530:
4526:
4523:
4519:
4516:
4512:
4509:
4505:
4502:
4498:
4495:
4491:
4488:
4484:
4481:
4477:
4474:
4470:
4467:
4463:
4460:
4456:
4453:
4449:
4446:
4442:
4439:
4435:
4432:
4428:
4425:
4421:
4418:
4414:
4411:
4407:
4404:
4400:
4397:
4393:
4392:
4390:
4388:
4384:
4381:
4379:
4373:
4359:
4358:
4353:
4347:
4346:
4341:
4335:
4331:
4325:
4321:
4315:
4314:
4309:
4303:
4302:
4297:
4291:
4290:
4285:
4279:
4278:
4273:
4267:
4266:
4261:
4255:
4254:
4249:
4243:
4242:
4237:
4231:
4230:
4225:
4219:
4218:
4213:
4207:
4206:
4201:
4195:
4194:
4189:
4183:
4182:
4177:
4176:
4174:
4170:
4163:
4159:
4156:
4152:
4149:
4145:
4142:
4138:
4135:
4131:
4128:
4124:
4121:
4117:
4114:
4110:
4107:
4103:
4100:
4096:
4093:
4089:
4086:
4082:
4079:
4075:
4072:
4068:
4065:
4061:
4058:
4054:
4051:
4050:Hundertwasser
4047:
4044:
4040:
4037:
4033:
4030:
4026:
4023:
4019:
4016:
4012:
4009:
4005:
4004:
4002:
4000:
3996:
3989:
3985:
3982:
3978:
3975:
3971:
3968:
3964:
3961:
3957:
3954:
3950:
3947:
3943:
3940:
3936:
3933:
3929:
3926:
3922:
3919:
3915:
3912:
3908:
3905:
3901:
3898:
3894:
3891:
3887:
3884:
3880:
3877:
3873:
3870:
3866:
3863:
3859:
3856:
3852:
3849:
3845:
3842:
3838:
3835:
3831:
3828:
3824:
3821:
3817:
3814:
3810:
3807:
3803:
3800:
3796:
3793:
3789:
3786:
3782:
3779:
3775:
3772:
3768:
3765:
3761:
3758:
3754:
3751:
3747:
3744:
3740:
3737:
3733:
3730:
3726:
3723:
3719:
3716:
3712:
3709:
3705:
3702:
3698:
3695:
3691:
3688:
3684:
3681:
3677:
3674:
3670:
3667:
3663:
3660:
3656:
3653:
3649:
3646:
3642:
3639:
3635:
3632:
3628:
3625:
3621:
3618:
3614:
3611:
3607:
3604:
3600:
3597:
3593:
3590:
3586:
3583:
3579:
3576:
3572:
3569:
3565:
3564:
3562:
3560:
3556:
3549:
3545:
3542:
3538:
3535:
3531:
3528:
3524:
3521:
3517:
3514:
3510:
3507:
3503:
3500:
3496:
3493:
3489:
3486:
3482:
3479:
3475:
3472:
3468:
3465:
3461:
3458:
3454:
3451:
3447:
3444:
3440:
3437:
3433:
3430:
3426:
3423:
3419:
3416:
3412:
3409:
3405:
3402:
3398:
3395:
3391:
3388:
3384:
3381:
3377:
3374:
3370:
3367:
3363:
3360:
3356:
3353:
3349:
3346:
3342:
3339:
3335:
3332:
3328:
3325:
3321:
3318:
3314:
3311:
3307:
3304:
3300:
3297:
3293:
3290:
3286:
3283:
3279:
3276:
3272:
3269:
3265:
3262:
3258:
3255:
3251:
3248:
3244:
3241:
3237:
3234:
3230:
3227:
3223:
3220:
3216:
3213:
3209:
3206:
3202:
3199:
3195:
3192:
3188:
3185:
3181:
3178:
3174:
3171:
3167:
3164:
3160:
3157:
3153:
3150:
3146:
3143:
3139:
3136:
3132:
3129:
3125:
3122:
3118:
3115:
3111:
3108:
3104:
3101:
3097:
3094:
3090:
3087:
3083:
3080:
3076:
3073:
3069:
3066:
3062:
3059:
3055:
3052:
3048:
3047:
3045:
3043:
3039:
3036:
3034:
3030:
3016:
3015:
3010:
3004:
3003:
2998:
2992:
2991:
2986:
2980:
2979:
2974:
2968:
2967:
2962:
2956:
2955:
2950:
2944:
2943:
2938:
2932:
2931:
2926:
2920:
2919:
2914:
2913:
2911:
2907:
2900:
2896:
2893:
2889:
2886:
2882:
2879:
2875:
2872:
2868:
2865:
2861:
2858:
2854:
2851:
2847:
2844:
2840:
2837:
2833:
2830:
2826:
2823:
2819:
2816:
2812:
2809:
2805:
2802:
2798:
2795:
2791:
2788:
2784:
2781:
2777:
2774:
2770:
2767:
2763:
2760:
2756:
2753:
2749:
2746:
2742:
2739:
2735:
2732:
2728:
2725:
2721:
2718:
2714:
2711:
2707:
2704:
2700:
2699:
2697:
2695:
2691:
2684:
2680:
2677:
2673:
2670:
2666:
2663:
2659:
2656:
2652:
2649:
2645:
2642:
2638:
2635:
2631:
2628:
2624:
2621:
2617:
2614:
2610:
2607:
2603:
2600:
2596:
2593:
2589:
2586:
2582:
2579:
2575:
2572:
2568:
2565:
2561:
2558:
2554:
2551:
2547:
2544:
2540:
2537:
2533:
2530:
2526:
2523:
2519:
2516:
2512:
2509:
2505:
2502:
2498:
2495:
2491:
2488:
2484:
2481:
2477:
2474:
2470:
2467:
2463:
2460:
2456:
2453:
2449:
2446:
2442:
2441:
2439:
2437:
2433:
2430:
2428:
2427:Literary arts
2424:
2417:
2413:
2410:
2406:
2403:
2399:
2396:
2392:
2389:
2385:
2379:
2378:
2372:
2371:
2369:
2368:Neoplasticism
2365:
2362:
2358:
2355:
2351:
2348:
2344:
2339:
2335:
2334:
2332:
2331:Functionalism
2328:
2325:
2321:
2316:
2312:
2308:
2307:
2301:
2297:
2296:
2290:
2289:
2287:
2286:Expressionism
2283:
2280:
2276:
2273:
2269:
2266:
2262:
2259:
2258:Ashcan School
2255:
2251:
2250:
2244:
2240:
2239:
2233:
2230:
2226:
2225:
2223:
2219:
2215:
2208:
2203:
2201:
2196:
2194:
2189:
2188:
2185:
2173:
2170:
2168:
2167:
2163:
2161:
2160:
2156:
2155:
2153:
2149:
2143:
2142:
2138:
2137:
2135:
2131:
2125:
2122:
2121:
2119:
2115:
2110:
2100:
2099:Luigi Russolo
2097:
2095:
2092:
2090:
2087:
2085:
2082:
2080:
2077:
2075:
2072:
2071:
2069:
2065:
2061:
2057:
2050:
2045:
2043:
2038:
2036:
2031:
2030:
2027:
2015:
2007:
2006:
2003:
1997:
1994:
1992:
1991:Benjamin Lees
1989:
1987:
1984:
1983:
1981:
1977:
1970:
1969:
1965:
1962:
1961:
1960:Helen Retires
1957:
1954:
1953:
1952:Transatlantic
1949:
1948:
1946:
1942:
1935:
1934:
1930:
1927:
1926:
1922:
1921:
1919:
1915:
1908:
1905:
1902:
1899:
1896:
1893:
1890:
1887:
1886:
1884:
1880:
1876:
1871:
1867:
1860:
1855:
1853:
1848:
1846:
1841:
1840:
1837:
1831:
1828:
1826:
1823:
1821:
1819:
1814:
1812:
1808:
1807:
1803:
1802:
1798:
1790:
1786:
1780:
1777:
1772:
1765:
1758:
1756:
1754:
1752:
1750:
1746:
1742:
1738:
1732:
1729:
1725:
1722:published by
1721:
1715:
1712:
1699:
1693:
1690:
1678:
1674:
1667:
1664:
1652:
1648:
1641:
1638:
1626:
1622:
1615:
1612:
1599:
1593:
1590:
1578:. Antheil.org
1577:
1575:
1567:
1565:
1561:
1549:
1545:
1539:
1536:
1524:
1520:
1514:
1511:
1506:
1500:
1497:
1493:
1492:
1485:
1482:
1478:
1477:0-06-093780-7
1474:
1470:
1464:
1461:
1457:
1451:
1447:
1446:
1438:
1435:
1431:
1426:
1423:
1417:
1414:
1409:
1398:
1397:
1392:
1388:
1382:
1379:
1374:
1363:
1362:
1357:
1353:
1347:
1344:
1340:
1334:
1332:
1328:
1316:
1312:
1308:
1302:
1298:
1294:
1289:
1287:
1277:
1275:
1271:
1264:
1259:
1255:
1248:
1243:
1241:
1240:0-7924-5848-6
1237:
1233:
1229:
1225:
1219:
1215:
1210:
1209:
1202:
1198:
1196:0-8078-4891-3
1192:
1188:
1184:
1179:
1175:
1169:
1165:
1164:
1158:
1155:
1151:
1147:
1143:
1140:
1136:
1132:
1128:
1124:
1121:
1117:
1115:
1114:0-89659-254-5
1111:
1107:
1106:Fernand Léger
1103:
1102:
1098:
1093:
1090:
1087:
1084:
1081:
1080:
1076:
1074:
1072:
1068:
1064:
1063:Fernand Léger
1060:
1056:
1052:
1048:
1047:player pianos
1044:
1040:
1036:
1032:
1028:
1022:
1020:
1015:
1011:
1007:
1003:
1000:
995:
992:
991:
985:
981:
977:
973:
969:
964:
960:
956:
952:
948:
947:Ortiz Morales
943:
941:
932:
929:
927:
925:
924:Carnegie Hall
921:
920:electric fans
916:
914:
908:
900:
889:
886:
882:
878:
874:
870:
867:
863:
859:
852:
848:
844:
843:
842:
840:
836:
825:
822:
814:
804:
800:
796:
790:
789:
784:This article
782:
773:
772:
766:
764:
762:
758:
754:
750:
746:
742:
739:In 2005, the
737:
735:
731:
727:
723:
719:
714:
712:
708:
704:
698:
696:
692:
689:In 1999, the
687:
685:
684:Michael Nyman
680:
678:
674:
670:
663:Later history
662:
660:
658:
654:
650:
645:
643:
638:
633:
629:
627:
623:
619:
615:
611:
607:
604:, at least 7
603:
599:
598:player pianos
594:
589:
587:
583:
569:
564:
557:
552:
549:
547:
545:
541:
537:
533:
525:
523:
521:
517:
516:
511:
506:
504:
500:
496:
492:
487:
483:
481:
478:, he painted
477:
473:
469:
465:
461:
457:
453:
448:
444:
442:
438:
431:
411:
409:
407:
403:
399:
395:
391:
390:Dudley Murphy
387:
386:Fernand Léger
383:
379:
375:
374:
363:
360:
356:
352:
348:
344:
338:
323:
322:
320:
314:
311:
308:
304:
301:
297:
296:Dudley Murphy
294:
290:
287:
284:
280:
277:Fernand Léger
276:
272:
269:
268:Dudley Murphy
265:
264:Fernand Léger
262:
258:
254:
249:
244:
241:
230:
227:
212:
209:
201:
191:
187:
181:
180:
176:
170:
161:
160:
151:
148:
140:
129:
126:
122:
119:
115:
112:
108:
105:
101:
98: –
97:
93:
92:Find sources:
86:
82:
76:
75:
70:This article
68:
64:
59:
58:
53:
51:
44:
43:
38:
37:
32:
27:
18:
17:
5413:
5406:
5153:Ecomodernism
5061:
5049:
5037:
5025:
5013:
5001:
4991:The Firebird
4989:
4977:
4965:
4953:
4941:
4929:
4355:
4345:Citizen Kane
4343:
4334:Fallingwater
4324:Villa Savoye
4311:
4299:
4287:
4276:
4275:
4263:
4253:Black Square
4251:
4239:
4227:
4215:
4203:
4191:
4179:
4071:Le Corbusier
3999:Architecture
3012:
3000:
2988:
2978:Mrs Dalloway
2976:
2964:
2952:
2940:
2928:
2916:
2801:Lowell (Amy)
2164:
2157:
2140:
2139:
2133:Compositions
2124:Intonarumori
2084:Leo Ornstein
1966:
1958:
1950:
1931:
1923:
1906:
1900:
1894:
1888:
1817:
1805:
1784:
1779:
1740:
1731:
1719:
1714:
1702:. Retrieved
1692:
1680:. Retrieved
1676:
1666:
1654:. Retrieved
1650:
1640:
1628:. Retrieved
1624:
1614:
1602:. Retrieved
1592:
1580:. Retrieved
1573:
1551:. Retrieved
1547:
1538:
1526:. Retrieved
1522:
1513:
1504:
1499:
1489:
1484:
1468:
1463:
1444:
1437:
1425:
1416:
1406:– via
1400:. Retrieved
1395:
1381:
1371:– via
1365:. Retrieved
1360:
1346:
1318:. Retrieved
1292:
1285:
1257:
1256:Richter, H.
1231:
1207:
1186:
1162:
1154:January 2009
1145:
1126:
1105:
1099:Bibliography
1035:Synchro-Ciné
1023:
1005:
996:
990:synchronizer
988:
984:audio-visual
976:Synchro-Ciné
974: : the
972:mechanically
971:
967:
963:spectacular
962:
958:
954:
950:
944:
939:
936:
930:
917:
912:
894:
873:triple meter
832:
817:
808:
785:
760:
744:
738:
729:
715:
710:
706:
702:
699:
688:
681:
673:glockenspiel
666:
649:Welte-Mignon
646:
636:
634:
630:
592:
590:
581:
579:
567:
550:
531:
529:
514:
509:
507:
494:
490:
489:
485:
479:
459:
449:
445:
436:
435:In her book
434:
429:
372:
371:
370:
341:Running time
317:Release date
240:
222:
204:
195:
173:
143:
134:
124:
117:
110:
103:
91:
79:Please help
74:verification
71:
47:
40:
34:
33:Please help
30:
5495:Music riots
5408:Romanticism
5365:Remodernism
5246:Incoherents
5105:Avant-garde
5096:Armory Show
4703:Maeterlinck
4606:Villa-Lobos
4592:Szymanowski
4571:Stockhausen
4508:Lutosławski
4233:(1909–1910)
3033:Visual arts
3006:(1928–1940)
2922:(1913–1927)
2445:Apollinaire
2409:Synchromism
2249:Art Nouveau
2060:noise music
1986:Henry Brant
1907:Jazz Sonata
1882:Piano works
1724:G. Schirmer
1704:11 November
1604:11 November
1582:11 November
1402:20 February
1367:20 February
1320:20 February
1051:Photoplayer
1027:Delacommune
1002:synchronism
833:It is in a
811:August 2022
753:Hedy Lamarr
657:Baden-Baden
558:Composition
526:Visual puns
464:mustard gas
452:French army
441:World War I
362:Silent film
260:Directed by
5445:1924 films
5439:Categories
5295:Maximalism
5230:Literature
4905:Wiesenthal
4807:Cunningham
4800:Balanchine
4780:Witkiewicz
4752:Strindberg
4738:Pirandello
4710:Mayakovsky
4585:Stravinsky
4557:Schoenberg
4376:Performing
4301:Metropolis
4092:Mendelsohn
3897:Rossellini
3890:Richardson
3701:Fassbinder
3687:Eisenstein
3624:Cassavetes
3380:Modigliani
3254:Goncharova
3240:Giacometti
2634:Dos Passos
2436:Literature
2395:Surrealism
2306:Die Brücke
2117:Techniques
1996:Ruth White
1917:Orchestral
1682:18 October
1656:18 October
1630:18 October
1430:Fitch 1985
1265:References
1029:system of
1014:algorithms
866:pentatonic
847:xylophones
795:improve it
653:piano-roll
618:bass drums
610:propellers
602:xylophones
553:as a score
476:Villepinte
470:troops at
345:19 minutes
328:1924-09-24
286:Alice Prin
274:Written by
175:neutrality
107:newspapers
36:improve it
5344:Pulp noir
5302:Modernity
5167:Film noir
4891:St. Denis
4814:Diaghilev
4550:Schaeffer
4473:Hindemith
4452:Dutilleux
4424:Boulanger
4229:The Dance
3925:Tarkovsky
3918:Sternberg
3750:Hitchcock
3666:Dovzhenko
3582:Antonioni
3527:Stieglitz
3366:Metzinger
3317:Kokoschka
3296:Kandinsky
2710:Aldington
2703:Akhmatova
2620:Marinetti
2613:Mansfield
2564:Hemingway
2402:Symbolism
2221:Movements
2214:Modernism
1971:(1949–52)
1019:aesthetic
999:cinematic
959:expansion
799:verifying
759:, called
642:Futurists
358:Languages
238:1924 film
198:July 2024
186:talk page
137:July 2024
42:talk page
5426:Category
5027:Fountain
4931:Don Juan
4870:Nijinsky
4766:Wedekind
4745:Piscator
4640:Anderson
4564:Scriabin
4480:Honegger
4141:Sullivan
4127:Saarinen
4120:Rietveld
4113:Niemeyer
4085:Melnikov
4015:Bunshaft
3946:Truffaut
3911:Sjöström
3855:Pudovkin
3827:Minnelli
3792:Kurosawa
3785:Kuleshov
3715:Flaherty
3541:Vuillard
3520:Steichen
3478:Rousseau
3443:Pissarro
3422:O'Keeffe
3387:Mondrian
3338:Malevich
3331:Magritte
3303:Kirchner
3247:van Gogh
3198:Doesburg
3177:Delaunay
3170:Delaunay
3093:Brâncuși
3079:Boccioni
3042:Painting
2892:Williams
2815:Mallarmé
2731:Cendrars
2641:Platonov
2599:Lawrence
2592:Koestler
2529:Flaubert
2522:Faulkner
2487:Bulgakov
2416:Tonalism
2377:De Stijl
2361:Lettrism
2347:Futurism
2238:Art Deco
2056:Futurism
2014:Category
1553:14 April
1528:14 April
1393:(2016).
1358:(1924).
1315:65978637
1232:F. Léger
1133:, 2018.
880:passage.
862:pianolas
767:Analysis
626:pianolas
620:, and 1
306:Music by
282:Starring
179:disputed
5081:Related
4943:Ubu Roi
4898:Tamiris
4884:Sokolow
4863:Massine
4731:Osborne
4724:O'Neill
4717:O'Casey
4675:Chekhov
4661:Beckett
4647:Anouilh
4631:Theatre
4578:Strauss
4536:Russolo
4515:Milhaud
4494:Janáček
4466:Górecki
4459:Feldman
4445:Debussy
4438:Copland
4396:Antheil
4134:Steiner
4057:Johnson
4036:Guimard
4029:Gropius
3876:Resnais
3778:Kubrick
3708:Fellini
3694:Epstein
3680:Edwards
3645:Cocteau
3631:Chaplin
3603:Bresson
3596:Bergman
3575:Aldrich
3568:Akerman
3513:Soutine
3485:Schiele
3436:Picasso
3429:Picabia
3359:Matisse
3233:Gauguin
3205:Duchamp
3163:Kooning
3142:Claudel
3135:Chirico
3128:Chagall
3121:Cézanne
3114:Cassatt
3086:Bonnard
3072:Bellows
3065:Balthus
2942:Ulysses
2864:Stevens
2857:Seferis
2676:Unamuno
2515:Forster
2494:Chekhov
2459:Beckett
2388:Orphism
2354:Imagism
2338:Bauhaus
2324:Fauvism
2229:Acmeism
1968:Volpone
1791:, 2018.
1726:(2003).
1408:YouTube
1373:YouTube
1122:, 2009.
1071:dadaist
1043:Antheil
1012:, uses
885:bitonal
793:Please
669:timpani
651:. This
622:tam-tam
456:Argonne
394:Man Ray
380:, post-
378:Dadaist
350:Country
326: (
300:Man Ray
121:scholar
5067:(1953)
5055:(1928)
5043:(1921)
5031:(1917)
5019:(1913)
5007:(1912)
4995:(1910)
4983:(1905)
4979:Salome
4971:(1902)
4959:(1899)
4947:(1896)
4935:(1888)
4912:Wigman
4842:Graham
4835:Fuller
4828:Fokine
4821:Duncan
4773:Wilder
4759:Toller
4696:Kaiser
4668:Brecht
4654:Artaud
4613:Webern
4599:Varèse
4529:Partch
4501:Ligeti
4431:Boulez
4403:Bartók
4361:(1943)
4349:(1941)
4337:(1936)
4327:(1931)
4317:(1929)
4305:(1927)
4293:(1925)
4281:(1923)
4269:(1920)
4257:(1915)
4245:(1912)
4221:(1907)
4209:(1889)
4197:(1887)
4185:(1886)
4162:Wright
4148:Tatlin
4106:Neutra
4008:Breuer
3974:Welles
3960:Vertov
3883:Renoir
3834:Murnau
3820:Marker
3813:Lupino
3771:Keaton
3757:Hubley
3743:Godard
3729:Fuller
3673:Dreyer
3652:Dassin
3610:Buñuel
3506:Sisley
3499:Signac
3492:Seurat
3464:Renoir
3282:Hopper
3184:Demuth
3107:Calder
3100:Braque
3051:Albers
3018:(1929)
2994:(1926)
2982:(1925)
2970:(1924)
2958:(1922)
2946:(1922)
2934:(1915)
2885:Valéry
2871:Thomas
2836:Pessoa
2780:George
2773:Elytis
2766:Éluard
2752:Desnos
2724:Cavafy
2694:Poetry
2655:Proust
2648:Porter
2550:Hamsun
2508:Döblin
2501:Conrad
2473:Breton
2452:Barnes
2272:Cubism
2067:People
1979:Pupils
1963:(1931)
1955:(1928)
1936:(1925)
1928:(1924)
1909:(1923)
1903:(1923)
1897:(1923)
1891:(1922)
1475:
1452:
1313:
1303:
1238:
1220:
1193:
1170:
1152:16:1 (
1137:
1112:
1067:cubist
1059:Moritz
851:bridge
544:Cubist
472:Verdun
468:German
382:Cubist
353:France
123:
116:
109:
102:
94:
5237:Post-
5223:Music
4922:Works
4877:Shawn
4856:Laban
4791:Dance
4689:Jarry
4682:Ibsen
4620:Weill
4543:Satie
4417:Berio
4387:Music
4172:Works
4099:Nervi
4043:Horta
4022:Gaudí
3981:Wiene
3953:Varda
3939:Trnka
3848:Pabst
3806:Losey
3764:Jones
3736:Gance
3659:Deren
3638:Clair
3617:Carné
3589:Avery
3471:Rodin
3457:Redon
3415:Nolde
3408:Munch
3401:Moore
3394:Monet
3345:Manet
3324:Léger
3289:Kahlo
3268:Grosz
3226:Ernst
3219:Ensor
3156:Degas
2909:Works
2899:Yeats
2878:Tzara
2850:Rilke
2843:Pound
2822:Moore
2794:Lorca
2787:Jacob
2759:Eliot
2738:Crane
2717:Auden
2683:Woolf
2669:Svevo
2662:Stein
2627:Musil
2585:Kafka
2578:Joyce
2571:Hesse
2557:Hašek
2480:Broch
2315:Music
2151:Other
1944:Opera
1767:(PDF)
1250:(PDF)
1216:–94.
1069:than
1055:score
876:328).
839:theme
614:siren
128:JSTOR
114:books
4849:Holm
4522:Nono
4487:Ives
4410:Berg
4378:arts
4155:Mies
4078:Loos
4064:Kahn
3988:Wood
3967:Vigo
3932:Tati
3904:Sirk
3799:Lang
3722:Ford
3559:Film
3548:Wood
3373:Miró
3352:Marc
3310:Klee
3275:Höch
3261:Gris
3212:Dufy
3149:Dalí
2829:Owen
2745:H.D.
2606:Mann
2543:Gide
2536:Ford
2466:Bely
2279:Dada
2058:and
1811:IMDb
1706:2013
1684:2018
1658:2018
1632:2018
1606:2013
1584:2013
1555:2023
1530:2023
1473:ISBN
1450:ISBN
1404:2024
1369:2024
1322:2024
1311:OCLC
1301:ISBN
1236:ISBN
1218:ISBN
1191:ISBN
1168:ISBN
1135:ISBN
1110:ISBN
616:, 4
608:, 3
503:Dada
172:The
100:news
3841:Ozu
3450:Ray
3191:Dix
3058:Arp
1809:at
1148:in
797:by
538:'s
515:391
83:by
5441::
5405:←
1748:^
1739:.
1675:.
1649:.
1623:.
1563:^
1546:.
1521:.
1389:;
1354:;
1330:^
1309:.
1291:.
1273:^
1214:71
1073:.
1021:.
855:m.
686:.
679:.
671:,
612:,
572:c.
570:,
408:.
45:.
5418:→
2206:e
2199:t
2192:v
2048:e
2041:t
2034:v
1858:e
1851:t
1844:v
1708:.
1686:.
1660:.
1634:.
1608:.
1586:.
1576:"
1557:.
1532:.
1479:.
1410:.
1375:.
1324:.
1288:"
1226:.
1199:.
1176:.
824:)
818:(
813:)
809:(
791:.
330:)
229:)
223:(
211:)
205:(
200:)
196:(
192:.
182:.
150:)
144:(
139:)
135:(
125:·
118:·
111:·
104:·
77:.
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
