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Barnum's Kaleidoscape

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160:) introduce acts and perform interludes between them. In the opening act, the entire cast helped a makeup-less Larible put on his costume and make-up, in the process assuming his clown persona. The only animal performers were the aforementioned horses and flock of geese plus a duck. The program had a full score composed by Linda Hudes and performed by a small orchestra. The show was directed by 661:
for this company" and he hoped it would return "year after year" to annually play New York. As late as November 2000 there were plans for the show to continue into 2001, playing the West Coast again (San Diego, Los Angeles, San Francisco, Seattle and Denver). Instead, all the 2001 dates were cancelled with promises of a new show to be created, aimed at opening in the fall of 2001 on the
639:. Early in the tour (September 1999) it was indicated that future sites for the show would include Philadelphia, Boston, Washington, DC, and Denver but it did not actually visit those cities, perhaps reflecting the difficulty the show had in its first year securing accessible locations in metropolitan areas with visibility. 660:
By the end of the first year of the tour, Feld spoke of a seven-year tour plan calling for the creation of a second unit in 2001. The first unit would continue playing the United States for four years, then go overseas for three. August 2000 Feld claimed the show "is going to be a major profit center
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movement, it was the first Ringling show to be held under a tent since 1956 and also its first one-ring presentation in more than a century. The tent was carpeted with wood flooring and amenities to create an intimate setting with seating for 1,800 on cushioned seats and sofas and no one further than
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I think Cirque is beautiful and great, but everybody moves in the same way. Sometimes Cirque is a little mechanical, and if one guy hurts himself, they just put another guy in his place and nobody in the audience will ever notice the replacement. That's impossible in our show. Every character in the
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Feld, in analyzing the initial year of the tour, opined that it was "a new brand that has expanded the family entertainment market ... blown away our projections by 50%. What we didn't realize at first is that it's a totally new product ... 100% capacity on weekends, 80% during the week." In the
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The production toured the United States between April 1999 and December 2000, visiting 14 cities. Previews were to start February 26, 1999; shows in Sarasota were cancelled and the visit to Austin as a warm-up was postponed when rehearsals took longer than expected and tornado warnings further
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It often set up in parking lots or adjacent to suburban malls. The initial tour was slated to run approximately 45 weeks. Just before the rehearsals commenced, composer Linda Hudes spoke of it as being a three-year tour, with the first year to be spent on the
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A Feld Entertainment press release noted the New York performances marked the first time in its 130-year history that a Ringling Bros. and Barnum & Bailey circus tent was raised in Manhattan. The New York run also had some controversy in what
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could not overcome the high costs of moving and operating the show under a tent in large markets". Industry observers estimated Feld had spent over $ 20 million on the show without turning a profit. Replacing Kaledioscape was Ringling's
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last year in Los Angeles I believed that audiences would respond to this unique blend of the circus arts with the luxury and comfort of a theatre. We now know that people do indeed want to experience this other world we have created.
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show is a major player. The show is full of surprises every night. We want spontaneity – that's what circus is all about, that feeling that what is happening now is happening for the first time.
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Larible subsequently returned to the main Ringling shows along with some of the other performers, where he continued headlining through 2005. He has since returned to Europe and is the star of
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before the opening, "In a tent of this size they'll have to have a high percentage of sales to break even. And there will be competitors." Similarly,
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were offered. The show consisted of 62 performers, 54 crew members, 8 horses and 27 geese, with 50 trucks involved in moving it from site to site.
392: 172:. The costumes were designed by Pascal Jacob from France. The head rigger was Valery Panteleenko. The General Manager was Brian Liddicoat. 224:
In the industry many questioned whether the show would prove viable. Circus historian Greg Parkinson, a former executive director of the
788: 198:, "...it's hard to say that we've ignored Cirque du Soleil. If a market is out there, we feel we should get more of our fair share." 496: 824: 246:, "the economics of a one-ring tent are tight and very nasty." Binder after seeing the show also described it as "extraordinary." 1173: 799: 662: 636: 201:
Larible, who was among those who created the show, responded to questions about elements that seemed to bear a resemblance to
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marks our triumphant return to the business of tented shows and we will be in this business for a long time to come."
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Ring Around the Clown / David Larible brings human touch to Ringling Bros.' first tent circus since 1956
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One purpose Feld had for the show was to expand into the new high-end markets pioneered by shows like
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Golden Statues – Ahmed Lamarti, Larbi Benaboura and Amine Goutabi a trio of strong men/hand-balancing
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Ringling Goes Upscale Under the Little Top; After 42 Years, a Tent Again, but Just One Ring
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aftermath of its successful Chicago run, Feld enthusiastically stated, "When we premiered
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Ishibashi and Colwell first met when hired for the show and subsequently formed the band
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Barnum's Kaleidoscape Celebrates First Anniversary with Close of Triumphant Chicago Run
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Feld Entertainment Announces National Tour Schedule for Barnum's Kaleidoscape
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From Beethoven to the Big Top: An Interview with Circus Composer Linda Hudes
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dubbed it "a total entertainment immersion experience." Theater critic
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How Do They Do That? / Barnum's new circus both thrilling and intimate
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Alexander Petrov and Lucky Kirlova – inclined wire perch pole artists
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stated "This is the kind of show for which God invented the circus."
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50 feet from the circus ring. Besides traditional circus fare like
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New York City Proclaims Nov. 16th as Barnum's Kaleidoscape Day
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Big Apple Circus Cries Foul at Ringling's New Holiday Show
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dubbed a holiday war between it and the Big Apple Circus.
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What was Barnum’s Kaleidoscape? Will it ever tour again?
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Ringling Bros. and Barnum & Bailey Clown College
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Kaleidoscape Postpones Debut; Calif. Dates Still On
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Brown Convention Center 1174:Center for Elephant Conservation 282:Nuts & Bolt – musical comedy 522:Mar. 21, 2000 – April 30, 2000 435:Aug. 11, 1999 – Sept. 26, 1999 384:April 7, 1999 – April 18, 1999 238:founder and artistic director 1: 603:Nov. 21, 2000 – Dec. 31, 2000 569:July 28, 2000 – Aug. 20, 2000 554:June 23, 2000 – July 16, 2000 547:Nautica Entertainment Complex 488:Dec. 24, 1999 – Jan. 23, 2000 471:Nov. 17, 1999 – Dec. 12, 1999 453:Oct. 12, 1999 – Oct. 31, 1999 420:June 22, 1999 – July 25, 1999 402:April 30, 1999 – May 23, 1999 288:Fanny Kerwich – clown/acrobat 586:Sept. 6, 2000 – Oct. 8, 2000 539:May 13, 2000 – June 11, 2000 505:Feb. 5, 2000 – Mar. 12, 2000 428:San Mateo County Expo Center 1116:AMA Supercross Championship 1017:(profile of Sylvia Zerbini) 995:Website of Nuts & Bolts 376:Sarasota County Fairgrounds 1258: 1029:(profile of Fanny Kerwich) 827:December 3, 2010, at the 279:Hassani Troupe – tumblers 1023:(profile of Picaso, Jr.) 990:Website of David Larible 911:New Kaleidoscape Planned 348:disrupted the schedule. 328:Jonathan Heagle – guitar 1169:Disney Theatrical Group 840:Jupiter One – Sunshower 595:Centennial Olympic Park 267:The Kabanovs – acrobats 176:Motivation for mounting 156:) and his foil Pipo (a 1005:Website of Linda Hudes 1000:Website of Picaso, Jr. 319:Vanessa Fisher – cello 212: 1095:Marvel Universe Live! 1010:Website of Joel Jeske 979:Barnum's Kaleidoscape 667:Barnum’s Kaleidoscape 650:Barnum's Kaleidoscape 645:Barnum's Kaleidoscape 466:postponed from March 397:soft opening/preview 261:Picaso, Jr. – juggler 101:Barnum's Kaleidoscape 22:Barnum's Kaleidoscape 480:Tempe Diablo Stadium 294:Adam Kuchler - clown 1210:Siegfried & Roy 310:Linda Hudes - piano 254:The acts included: 226:Circus World Museum 170:Moscow State Circus 118:contemporary circus 1216:Sesame Street Live 1064:Feld Entertainment 624:The New York Times 514:Valley View Center 415:official premiere 291:Joel Jeske – clown 231:The New York Times 195:The New York Times 110:Feld Entertainment 1237:American circuses 1224: 1223: 1104:Feld Motor Sports 619: 618: 411:Century City Mall 368:Feb. – March 1999 162:Raffaele De Ritis 97: 96: 76:Raffaele De Ritis 1249: 1057: 1050: 1043: 1034: 966: 961: 955: 950: 944: 943: 941: 940: 934: 928:. 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Index

Kenneth Feld
Raffaele De Ritis
circus
Feld Entertainment
Ringling Bros. and Barnum & Bailey Circus
contemporary circus
popcorn
cappuccino
veggie wraps
ringmaster
clown
David Larible
auguste
whiteface
Raffaele De Ritis
Cirque du Soleil
Moscow State Circus
Big Apple Circus
Cirque du Soleil
Kenneth Feld
The New York Times
Cirque du Soleil
Kenneth Feld
Clive Barnes
Circus World Museum
The New York Times
Big Apple Circus
Paul Binder
Jupiter One
Sarasota, FL

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