33:
191:. The 360 lines of verse feature the allegorical figures of the Virgin of Antwerp, Apollo, Painting accompanied by three students and Sculpture with two students. The decor for the play was made by the painter Godefridus Maes, while the play was published by Godgaf Verhulst, illustrated with an engraving by Gaspar Bouttats.
204:
Since they had less access to public life than men it was harder for women to print their works. Some opportunities were almost entirely reserved for men, such as chambers of rhetoric, and societies that women could not join. Barbara Ogier was an exception in many respects, since most of the female
209:
who led a religious life in a convent or a women's community. However, the three tragedies she wrote were never printed, and were only partly transmitted. The poems known by her are from anthologies of the De
Olijftak chamber.
187:. On this occasion, she wrote in two days a short play in which allegorical and mythological characters praise the elector and also describe the sad economic state of Antwerp after the closure of the mouth of the
168:(The Death of Achilles, 1680) was played before a farce by her father, played on the same day. In the introduction to this play Ogier stresses that women have their own view of history, even on a matter like the
1164:
1027:
Jaerboek der vermaerde en kunstryke gilde van Sint Lucas binnen de stad
Antwerpen behelzende de gedenkweerdigste geschiedenissen in dit genootschap voorgevallen sedert het jaer 1434 tot het jaer 1793
1102:
Keersmaekers, A. (1996), "1639. De jonge losbol
Guilliam Ogier brengt nieuw leven op het Antwerpse toneel. Komedie en rederijkers in zeventiende-eeuws Antwerpen", in Rob Erenstein (ed.),
357:
Tragedy presented on 18 October 1677 in honor of Théodore
Verbruggen, sculptor, chief dean of the chamber of rhetoric, as a prelude to the play De Traegheydt of her father, Willem Ogier.
528:
Recited at the reception for
Joannes Carolus van Hove, former mayor and alderman of the city of Antwerp, head of the Guild of St. Luke, at the Chamber of the Arts, 25 March 1699.
183:
in 1700. She also represented De
Olijftak on the occasion of great festivities such as the visit to Antwerp in 1693 of the new governor general of the Spanish Netherlands,
238:, the quality of her poetry was equal and perhaps superior to that of her father, Willem. She herself apologized for the flaws of her style in the following verses:
1063:
944:
1169:
503:
Play dedicated to the magistrate of
Antwerp on the occasion of the opening of a new building of the art school, presented on 21 November 1694 in Antwerp.
184:
42:
153:
was born on 22 April 1682. He became a sculptor, painter and architect. He also wrote plays, as had his mother and grandfather, and in 1700 became
582:
Comedy presented at the
Chamber of the Arts, known as the Guild of St. Luke, by the amateurs of the Olijftak in Antwerp on 21 October 1714.>
1154:
1120:
Vaeck, Marc van; Verhoeven, Nicole (1997), "Barbara Ogier, Een rederijkersdochter om mee te pronken", in R. Schenkeveld-van der Dusse (ed.),
465:
Welcome in honor of Étienne
Cornelisz. Janssens de Huioel, knight, former burgomaster and alderman in office, at his election as chief (
374:
Tragedy presented on 18 October 1680 in honor of
Isabelle de Condé, wife of Guillaume-Philippe de Herzelles; again presented in 1703.
218:
Among those who held Ogier in high esteem during her life was Joseph Lamorlet, her colleague in the chamber of rhetoric, who in his
1159:
141:(principal author) of the De Olijftak (the Olive Branch) chamber of rhetoric. On 10 December 1680 she married the sculptor
1174:
1036:
1025:
565:
Tragedy presented on 19 December 1709 on the King's birthday in the presence of the bishop and the magistrate of Antwerp.
1014:
926:
1149:
1003:
383:
32:
1122:
Met en zonder lauwerkrans. Schrijvende vrouwen uit de vroegmoderne tijd 1550–1850: van Anna Bijns tot Elise van Calcar
975:
435:
Play of welcome on the occasion of the meal of the Dean, Guillielmus Kerrickx, presented on 18 October 18, 1693.
988:
150:
179:
De Olijftak recognized Ogier's talent, and she was able to represent the chamber during the competition in
206:
1083:
1047:
964:
915:
504:
172:. In this case that was reasonable because the motive of the Trojan War was the abduction of a woman,
1144:
1139:
543:
430:
395:
122:
999:
1104:
Een theatergeschiedenis der Nederlanden. Tien eeuwen drama en theater in Nederland en Vlaanderen
1057:
938:
235:
1072:
521:
234:, Willem van Swaanenburg published a funeral poem in memory of Barbara Ogier. According to
390:
Welcome to the chamber of painting, to His Highness Maximilian-Emmanuel, Duke of Bavaria.
384:
Verwellecominghe op de Saele van Pictura, aen Syne Doorluchtigheydt Maximiliaen Emmanuel
416:
Shown to His Highness the Prince-elector in the Chamber of Painting, 21 February 1693.
259:
142:
114:
982:(in Dutch), Woubrugge: Internationale Vereniging voor Neerlandistiek, pp. 234–235
1133:
1002:
of Violettebloem of Violettebloem onder zinspreuk Wt jonsten versaemt te Antwerpen",
173:
169:
953:
134:
486:
Welcome, presented on 26 August 1694 in honor of the new Chief Gregorius Martens.
118:
1052:(in Dutch), vol. 6, Standaard Uitgeverij, Antwerp/Amsterdam, p. 406
394:
21 February 1693. This is the De Olijftak chamber of rhetoric, linked to the
1113:
Bijdragen tot de geschiedenis bijzonderlijk van het oud hertogdom Brabant 32
1085:
Biographisch anthologisch en critisch woordenboek der Nederduitsche dichters
1088:(in Dutch), vol. 4, JAC–NYV, Amsterdam: C.L. Schleijer, pp. 73–74
176:. The play was dedicated to Isabelle de Condé, wife of an Antwerp lawyer.
1016:
Geschiedenis der Antwerpsche rederykkamers. 1: Geschiedenis der Violieren
633:
631:
629:
537:
Den betwisten doodslag in het schuldig gemoet van den Grooten Alexander
188:
84:
65:
627:
625:
623:
621:
619:
617:
615:
613:
611:
609:
920:(in Dutch), vol. 17, Haarlem: J.J. van Brederode, pp. 55–56
227:
223:
180:
1077:(in Dutch), vol. 2, Antwerp: Vve J.S. Schoesetters, p. 148
966:
Biographisch woordenboek der Noord- en Zuidnederlandsche letterkunde
933:(in Dutch), De Vereenigde vrienden, De Brauwer-Stock, pp. 27–41
125:
in Antwerp. Her motto was "Deugd voeght yder" (Virtue is in order).
1124:(in Dutch), Amsterdam: Amsterdam University Press, pp. 391–395
1106:(in Dutch), Amsterdam: Amsterdam University Press, pp. 212–217
824:
822:
495:
Zeghenpraelende academie in de openinghe van haeren nieuwen Bouw
980:
Colloquium Neerlandicum 12 1994 Nederlands in culturele context
998:
Straelen, J.B. van der (1853), "Geschiedenis der Rederykkamer
452:
Farce presented on 18 October 1693, again presented in 1700.
1008:(in Dutch), Antwerp: Hendrik Peeters, pp. 300, 309, 315
133:
Barbara Ogier was the daughter of Maria Schoenmaeckers and
845:
843:
841:
839:
837:
749:
747:
745:
500:
The Academy triumphant at the opening of its new building
408:
Inhout der Vereenigde Consten met de vertrooste Antverpia
1030:(in Dutch), Antwerp: Peeters-Van Genechten, p. 163
993:(in Dutch), Antwerp: J. Sebèque & Cie., p. 257
963:
Frederiks, J.G.; Branden, F. Jos. van den (1888–1891),
648:
646:
137:. Her father was a playwright and, from 1660, also the
41:
by Barbara Ogiers, a poem of circumstance, in honor of
1074:
Verhandeling over de Nederuytsche tael- en letterkunde
1041:(in Dutch), Amsterdam: Hendrik Bosch, pp. 150–155
1165:
Dramatists and playwrights from the Holy Roman Empire
637:
1111:
Prims, Floris (1949), "De dichteres Barbara Ogier",
990:
Histoire de la littérature néerlandaise en Belgique
100:
92:
73:
50:
23:
371:The Death of Achilles in the besieged city of Troy
113:(baptized 17 February 1648 – 18 March 1720) was a
205:writers in the southern Netherlands were nuns or
712:
1049:Geschiedenis van de letterkunde der Nederlanden
897:
828:
230:, writing verse with no equal. In 1724, in his
542:Disputed homicide in the guilty conscience of
969:(in Dutch), Amsterdam: L.J. Veen, p. 566
516:Den Overwonnen Mars en de triumpherende Peijs
8:
1038:Parnas, of de zang-godinnen van een schilder
789:
777:
232:Parnas, of de zang-godinnen van een schilder
765:
366:De dood van Achilles in het belegerd Troyen
1062:: CS1 maint: location missing publisher (
943:: CS1 maint: location missing publisher (
330:
31:
20:
1005:Het taelverbond: letterkundig tijdschrift
1019:(in Dutch), Antwerp: Peeters, p. 97
917:Biographisch woordenboek der Nederlanden
885:
873:
861:
849:
813:
753:
736:
688:
574:Don Ferdinand oft Spaenschen Sterrekyker
254:
801:
700:
676:
664:
652:
593:
579:Don Ferdinand, or the Spanish Telescope
548:Tragedy presented on 19 December 1700.
45:on the occasion of his visit to Antwerp
1055:
1046:Vieu-Kuik, H.J.; Smeyers, Jos (1975),
976:"Dye vermaerde coopstat van Antwerpen"
955:Willem Ogier, tooneeldichter 1618–1689
936:
282:'K wacht van Konstenaers gheen strydt.
277:Tis door kortheydt van den tydt :
724:
304:Who would dare to contradict a woman?
7:
413:The arts united and Antwerp consoled
287:Wie sal vrouwen teghenspreken ?
272:Is myn Rymkonst vol ghebreken ?
301:I do not fear criticism by artists.
149:of the Olijftak in 1692. Their son
1170:Flemish dramatists and playwrights
600:
14:
952:Branden, F. Jos. van den (1914),
638:Frederiks & Branden 1888–1891
295:My poetry, is it full of defects?
1071:Willems, Jan Frans (1820–1824),
1035:Swaanenburg, Willem van (1724),
958:(in Dutch), Antwerp: V. Resseler
1024:Straelen, J.B. van der (1855),
1013:Straelen, J.B. van der (1854),
524:vanquished and Peace victorious
1082:Witsen Geysbeek, P.G. (1822),
43:Maximilian-Emmanuel of Bavaria
1:
1155:Flemish writers (before 1830)
185:Maximilian Emanuel of Bavaria
713:Vieu-Kuik & Smeyers 1975
1191:
1115:(in Dutch), pp. 30–42
925:Angillis, A. Angz (1856),
298:Lack of time is the cause:
914:Aa, A.J. van der (1867),
30:
931:Rumbeeksche avondstonden
974:Meeus, Hubert (1995),
1160:Flemish women writers
505:Witsen-Geysbeek 73-74
222:through the voice of
87:, Spanish Netherlands
68:, Spanish Netherlands
1175:Writers from Antwerp
987:Stecher, J. (1886),
898:Witsen Geysbeek 1822
829:Witsen Geysbeek 1822
483:The Wandering Poetry
354:The Faithful Panther
349:De Getrouwe Panthera
1150:Belgian women poets
768:, pp. 150–155.
727:, pp. 234–235.
562:The Death of Clytus
544:Alexander the Great
444:Het verwert Paradys
431:Baucis and Philemon
396:Guild of Saint Luke
123:chamber of rhetoric
557:De Dood van Clytus
449:Paradise disturbed
425:Baucis en Philemon
264:Rough translation
16:Flemish playwright
831:, pp. 73–74.
790:Willems 1820–1824
778:Willems 1820–1824
586:
585:
478:De Dolende Poësis
310:
309:
236:Jan Frans Willems
166:Dood van Achilles
108:
107:
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766:Swaanenburg 1724
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220:Ontwaekte Poesie
104:Playwright, poet
80:
62:17 February 1648
61:
59:
39:Verwellecominghe
37:Frontispiece of
35:
21:
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1095:Further reading
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927:"Barbara Ogier"
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485:
461:Willekom wensch
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151:Willem Ignatius
131:
88:
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878:
876:, p. 163.
866:
864:, p. 309.
854:
833:
818:
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794:
792:, p. 149.
782:
780:, p. 148.
770:
758:
741:
729:
717:
715:, p. 406.
705:
703:, p. 100.
693:
691:, p. 315.
681:
679:, p. 257.
669:
667:, p. 105.
657:
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640:, p. 566.
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143:Willem Kerricx
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117:playwright of
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887:
886:Angillis 1856
882:
879:
875:
874:Straelen 1855
870:
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862:Straelen 1853
858:
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851:
850:Angillis 1856
846:
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737:Straelen 1854
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111:Barbara Ogier
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101:Occupation(s)
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77:18 March 1729
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25:Barbara Ogier
22:
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1000:de Violieren
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802:Branden 1914
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701:Branden 1914
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677:Stecher 1886
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665:Branden 1914
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135:Willem Ogier
132:
110:
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79:(1729-03-18)
54:Baptized on
38:
18:
1145:1720 deaths
1140:1648 births
469:) in 1693.
226:called her
119:De Olijftak
93:Nationality
1134:Categories
725:Meeus 1995
58:1648-02-17
258:Verse in
214:Reception
1058:citation
939:citation
467:Hoofdman
207:beguines
164:Ogier's
159:Olijftak
907:Sources
601:Aa 1867
200:General
189:Scheldt
157:of the
115:Flemish
96:Flemish
85:Antwerp
66:Antwerp
340:Notes
228:Sappho
224:Apollo
181:Bruges
155:factor
147:prince
139:factor
589:Notes
570:1714
553:1709
533:1700
512:1699
491:1694
474:1694
457:1693
440:1693
421:1693
404:1693
379:1693
362:1680
345:1677
337:Title
260:Dutch
174:Helen
1064:link
945:link
522:Mars
334:Year
195:Work
129:Life
121:, a
74:Died
51:Born
1136::
1060:}}
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