Anna Laetitia Barbauld - Knowledge (XXG)

3883: 1463:, published in 1810 with a broad introductory essay on the history of the novel, allowed her to place her mark on literary history. It was "the first English edition to make comprehensive critical and historical claims" and was in every respect "a canon-making enterprise". In an insightful essay, Barbauld legitimises the novel, then still a controversial genre, by connecting it to ancient Persian and Greek literature. For her, a good novel is "an epic in prose, with more of character and less (indeed in modern novels nothing) of the supernatural machinery". Barbauld maintains that novel-reading has a multiplicity of benefits. Not only is it a "domestic pleasure", but it is also a way to "infus principles and moral feelings" into the population. Barbauld also provided introductions to each of the fifty authors included in the series. 576: 1042:, which limited the civil rights of Dissenters. After the repeal was voted down for the third time, Barbauld burst onto the public stage after "nine years of silence". Her highly charged pamphlet is written in a biting and sarcastic tone. It opens, "We thank you for the compliment paid the Dissenters, when you suppose that the moment they are eligible to places of power and profit, all such places will at once be filled with them". She argues that Dissenters deserve the same rights as any other men: "We claim it as men, we claim it as citizens, we claim it as good subjects". Moreover, she contends that it is precisely the isolation forced on Dissenters by others that marks them out, not anything inherent in their form of worship. Finally, appealing to 910: 1226:, a four-volume, age-adapted reading primer, Barbauld employs the concept of a mother teaching her son. It is more than likely that many of the events in these stories were inspired by Barbauld's experience of teaching her own son, Charles. The series is far more than a way to acquire literacy – it also introduces the reader to "elements of society's symbol-systems and conceptual structures, inculcates an ethics, and encourages him to develop a certain kind of sensibility". Moreover, it exposes the child to the principles of "botany, zoology, numbers, change of state in chemistry... the money system, the calendar, geography, meteorology, agriculture, political economy, geology, astronomy." The series was relatively popular. 1197: 767: 1432:, an anthology of literature chosen specifically for young girls. Because, according to Barbauld's philosophy, what one reads when one is young is formative, she carefully considered the "delicacy" of her female readers and "direct her choice to subjects more particularly appropriate to the duties, the employments, and the dispositions of the softer sex". The anthology is subdivided into sections such as "moral and didactic pieces" and "descriptive and pathetic pieces"; it includes poetry and prose by, among others, 44: 937:... neither consented to the idea of a special feminine discourse nor accepted an account of themselves as belonging to the realm of the nonrational. They engaged with two strategies to deal with the problem of affective discourse. First, they used the customary 'feminine' forms and languages, but they turned them to analytical account and used them to think with. Second, they challenged the male philosophical traditions that led to a demeaning discourse of feminine experience and remade those traditions. 963: 559:, which often used corporal punishment, with a system of "fines and jobations" and even, it seems likely, "juvenile trials", that is, trials run by and for the students themselves. Moreover, instead of the traditional classical studies, the school offered a practical curriculum that stressed science and the modern languages. Barbauld herself taught the foundation subjects of reading and religion to the youngest boys, and geography, history, composition, rhetoric and science to higher grade levels. 363:

intellectualism. The two were never so close as Barbauld and her father. Yet Barbauld's mother was proud of her accomplishments and in later years wrote of her daughter, "I once indeed knew a little girl who was as eager to learn as her instructors could be to teach her, and who at two years old could read sentences and little stories in her wise book, roundly, without spelling; and in half a year more could read as well as most women; but I never knew such another, and I believe never shall".

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been viewed as unseemly in a woman; according to Lucy Aikin's memoir, what resulted was "a double portion of bashfulness and maidenly reserve" in Barbauld's character. Barbauld was uncomfortable with her identity as a woman and believed she had failed to live up to the ideal of womanhood; much of her writing would focus on issues central to women, and her outsider perspective allowed her to question many of the traditional assumptions about femininity being made in the 18th century.

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publish social commentary. Ross points out, however, that women were in a double bind: "They could choose to speak politics in nonpolitical modes, and thus risk greatly diminishing the clarity and pointedness of their political passion, or they could choose literary modes that were overtly political while trying to infuse them with a recognizable 'feminine' decorum, again risking a softening of their political agenda". So Barbauld and other Romantic women poets often wrote

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explains, feminist critics wanted to resurrect a particular kind of woman – one who was angry, who resisted the gender roles of her time, and who attempted to create a sisterhood with other women. Barbauld did not easily fit into these categories. Indeed, it was not until Romanticism and its canon began to be re-examined through a deep reassessment of feminism itself that a picture emerged of the vibrant voice that Barbauld had contributed.

674:, as her husband's mind was rapidly failing. Rochemont developed a "violent antipathy to his wife and he was liable to fits of insane fury directed against her. One day at dinner he seized a knife and chased her round the table so that she only saved herself by jumping out of the window." Such scenes repeated themselves to Barbauld's great sadness and real danger, but she refused to leave him. Rochemont drowned himself in the nearby 381:, described their father as "the best parent, the wisest counsellor, the most affectionate friend, every thing that could command love and veneration". Barbauld's father prompted many such tributes, although Lucy Aikin described him as excessively modest and reserved. Barbauld developed a strong bond with her only sibling during childhood, standing in as a mother figure to him; they eventually became literary partners. In 1817, 1105:, on the moral responsibility of the individual. For her, each individual is responsible for the actions of the nation because he or she constitutes part of the nation. The essay attempts to determine what the proper role of the individual is in the state, and while she argues that "insubordination" can undermine a government, she admits there are lines of "conscience" that cannot be crossed in obeying a government. 6379: 3916: 367: 465:', Mr. B. impersonating St. Preux. was informed by a true friend that he had experienced one attack of insanity, and was urged to break off the engagement on that account. – "Then", answered she, "if I were now to disappoint him, he would certainly go mad". To this there could be no reply; and with a kind of desperate generosity she rushed upon her melancholy destiny. 1023:(1812). As Harriet Guest explains, "The theme Barbauld's essays of the 1790s repeatedly return to is that of the constitution of the public as a religious, civic, and national body, and she is always concerned to emphasize the continuity between the rights of private individuals and those of the public defined in capaciously inclusive terms". 544:. Early on, Barbauld was responsible not only for running her own household, but also the school's, to which she served as accountant, maid, and housekeeper. The school opened with only eight boys, but the number had risen to about forty by the time the Barbaulds left in 1785, which reflects the excellent reputation the school had acquired. 836:, poets who in their youthful, radical days had looked to her poetry for inspiration, but in their later, conservative years dismissed her work. Once these poets had become canonised, their opinions held sway. Moreover, the intellectual ferment of which Barbauld was an important part of – particularly at the 1307:

ridiculed Barbauld's children's books and believed that she was wasting her talents, Barbauld herself saw such writing as noble and encouraged others to follow her. As Betsy Rodgers, her biographer explains, "She gave prestige to the writing of juvenile literature, and by not lowering her standard of

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Barbauld commented to her husband in 1773: "For the early part of my life I conversed little with my own Sex. In the Village where I was, there was none to converse with." Barbauld was surrounded by boys as a child and adopted their high spirits. Her mother attempted to subdue these, which would have

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to the recovery of women writers. They argue that Barbauld and other Romantic women poets carved out a distinctive feminine voice in the literary sphere. As a woman and a dissenter, Barbauld had a unique perspective on society, according to Ross, and it was this specific position that obliged her to

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consisted of the following pieces: "The Young Mouse", "The Wasp and Bee", "Alfred, a drama", "Animals and Countries", "Canute's Reproof", "The Masque of Nature", "Things by their right Names", "The Goose and Horse", "On Manufactures", "The Flying-fish", "A Lesson in the Art of Distinguishing", "The

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made a revolution in children's literature. For the first time, the needs of the child reader were seriously considered. Barbauld demanded that her books be printed in large type with wide margins so that children could easily read them, and even more importantly, she developed a style of "informal

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In 1793, when the British government called on the nation to fast in honour of the war, anti-war Dissenters such as Barbauld were left with a moral quandary: "Obey the order and violate their consciences by praying for success in a war they disapproved? observe the Fast, but preach against the war?

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I am sensible it is not a small thing we ask; nor can it be easy for a parent to part with a child. This I would say, from a number, one may more easily be spared. Though it makes a very material difference in happiness whether a person has children or no children, it makes, I apprehend, little or

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er attachment to Mr. Barbauld was the illusion of a romantic fancy – not of a tender heart. Had her true affections been early called forth by a more genial home atmosphere, she would never have allowed herself to be caught by crazy demonstrations of amorous rapture, set off with theatrical French

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poems, a style then much in vogue, on personal occasions such as the birth of a child and argued that in commenting on the small occurrences of daily life, they would establish a moral foundation for the nation. Scholars such as Ross and Mellor maintain that this adaptation of existing styles and

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McCarthy explains that Barbauld "did not entirely withdraw from print or from writing", but that she withdrew into "the waters of a deep and long depression". Barbauld confessed that her pen had been lazy in 1813, but after that year she wrote as many as three "dialogues" and an "Ode to Remorse".

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church. She spent her childhood in what Barbauld scholar William McCarthy describes as "one of the best houses in Kibworth and in the very middle of the village square". She was much in the public eye, as the house was also a boys' school. The family had a comfortable standard of living. McCarthy

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also fell in love with Barbauld, describing her later as "possessed of great beauty, distinct traces of which she retained to the latest of her life. Her person was slender, her complexion exquisitely fair with the bloom of perfect health; her features regular and elegant, and her dark blue eyes

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recognizes Barbauld as contributing to this outcome and calls for replacing the image of her as a victim of reviewers with an image of her as an agent of change. But Barbauld was always mindful of the human cost of politics. Even when Britain was on the verge of winning the war, she wrote to a

1845:...The Unitarian Sarah Meadows Martineau (ca 1725-1800), who sent her children to Anna Laetitia Barbauld's school in Palgrave, also lived in Norwich. Martineau was a relative of the Taylors, and thanks to her Anna Laetitia Barbauld was able to meet Susannah Taylor...important of these was The 859:

in England emerged along with it. According to this version of literary history, Coleridge and Wordsworth were the dominant poets of the age. This view held sway for almost a century. Even with the advent of feminist criticism in the 1970s, Barbauld did not receive her due. As Margaret Ezell

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and after much pestering, he did. She had the opportunity to learn not only Latin and Greek, but French, Italian, and many other subjects generally deemed unnecessary for women at the time. Barbauld's penchant for study worried her mother, who expected her to end up a spinster because of her

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greatly admired Barbauld, sending her poetry in 1787 for her to critique. However, by the early 19th century, Barbauld's remarkable disappearance from the literary landscape had taken place. This is due to a number of reasons. One of the most important was the disdain heaped upon her by

1127:; she argued that the British Empire was waning and the American Empire waxing. It is to America that Britain's wealth and fame will now go, she contended, and Britain will become a mere empty ruin. She tied this decline directly to Britain's participation in the Napoleonic Wars: 1344:

is when a solid put into a fluid entirely disappears in it, leaving the liquor clear. Thus when I throw this lump of sugar into my tea, you see it gradually wastes away till it is all gone; and then I can taste it in every single drop of my tea; but the tea is clear as before.

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states that Barbauld deliberately invited controversy to stir up public debate over the "government war policy and ... specifically the system of trade blockades". The blockade policy was indeed changed in 1812, with a resulting improvement in trade. Clery's 2017 study of

1424:'s correspondence and wrote an extensive biographical introduction of the man who was perhaps the most influential novelist of the 18th century. Her "212-page essay on his life and works the first substantial Richardson biography". The following year she edited 646:, which not only lamented the fate of the enslaved, but warned of the cultural and social degeneration the British people could expect if they did not abolish slavery. In 1792, she continued this theme of national responsibility in an anti-war sermon entitled 1396:. In fact, Michelle Levy, a scholar of the period, argued that the series encouraged readers to "become critical observers of and, where necessary, vocal resisters to authority". This resistance is learned and practised in the home; according to Levy, " 793: 2215:

One of Amelia's particular friends in the literary world, the essayist and poet Anna Letitia Barbauld, was also known to the Martineaus. In her autobiography, Harriet recalled her as a 'comely elderly lady' visiting the household when she was a

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It was reviewed so viciously that according to Barbauld scholar William McCarthy, there "were no further separate publications from her pen", and Lucy Aikens went so far as to say, erroneously, that Barbauld gave up writing altogether.

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such as "once upon a time", but confounding his son with details, such as the murderers all "had steel caps on". In the end the child realises his father has told him the story of a battle, and his father comments "I do not know of any

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of Romantic literature as well as Barbauld's reputation as a poet of the period. It is now often viewed by scholars as her greatest poetic achievement. Barbauld died in 1825, a renowned writer, and was buried in the family vault in

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She was a dedicated teacher, producing a "weekly chronicle" for the school and writing theatrical pieces for the students to perform. Barbauld had a profound effect on many of her students. One who went on to great success was

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manners, or have conceived of such exaggerated passion as a safe foundation on which to raise the sober structure of domestic happiness. My father ascribed that ill-starred union in great part to the baleful influence of '

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education: "curiosity, observation, and reasoning". For example, the stories encourage the learning of science through hands-on activities: in "A Tea Lecture" the child learns that tea-making is "properly an operation of

603:, the playwright. Although no longer in charge of a school, the Barbaulds did not abandon their commitment to education; they often boarded one or two pupils recommended by personal friends. Barbauld lived on Hampstead's 281:

received negative reviews after which she continued to write poetry but not publish in the public sphere. Barbauld's reputation was further damaged when many of the Romantic poets she had inspired in the heyday of the

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follow. The text also emphasises rationality: in "Things by Their Right Names", a child demands that his father tell him a story about "a bloody murder". The father does so, using some of the fictional tropes of

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and an innovative writer of works for children. Her primers provided a model for more than a century. Her essays showed it was possible for a woman to be engaged in the public sphere; other women authors such as

481:. Attached to this work is her essay "Thoughts on the Devotional Taste, on Sects and on Establishments", which explains her theory of religious feeling and the problems inherent in institutionalising religion. 590:

In September 1785, the Barbaulds left Palgrave for a tour of France. By this time Rochemont's mental health was deteriorating and he was no longer able to carry out his teaching duties. In 1787, they moved to

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It seems that Barbauld and her husband were concerned that they would never have a child of their own, and in 1775, after only a year of marriage, Barbauld suggested to her brother that they adopt one of his

412:. School records suggest he taught French there in the 1770s. He may also have been a suitor to Barbauld – he allegedly wrote to John Aikin declaring his intention to become an English citizen and marry her. 1163:

Not surprisingly, this pessimistic view of the future was poorly received: "Reviews, whether in liberal or conservative magazines, ranged from cautious to patronizingly negative to outrageously abusive".

1819:""There were banquets and parties every day": the importance of British female circles for the Serbian Enlightenment - A study of Dositej Obradović, Serbia's First Minister of Education (1739/42-1811)" 1174:

friend, "I do not know how to rejoice at this victory, splendid as it is, over Buonaparte, when I consider the horrible waste of life, the mass of misery, which such gigantic combats must occasion".

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declared "so long as letters shall be cultivated in Britain, or wherever the English language shall be known, so long will the name of this lady be respected". She was favourably compared to both

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turned against her in their later, more conservative years. Barbauld was remembered only as a pedantic children's writer in the 19th century, and largely forgotten in the 20th, until the rise of

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She seems also to have been skilled in poetry as she sent manuscript copies of an early poem, 'The Virgin's Love', to Anna Laetitia Barbauld in 1787. Amelia married painter John Opie in 1798.

392:, halfway between the growing industrial cities of Liverpool and Manchester, where Barbauld's father had been offered a teaching position. Some of the founders of the academy were members of 650:

which argued that each individual is responsible for the actions of the nation: "We are called upon to repent of national sins, because we can help them, and because we ought to help them".

6065: 1090:(1791). In the work, Barbauld lambasted Parliament for their rejection of abolitionist legislation, along with castigating the slave trade; the work focused on the supposed degeneracy of a 401: 1851:

Elizabeth Carter, Anna Laetitia Barbauld, Elizabeth Montagu, Elizabeth Vessey, Margaret Cavendish Bentinck Sarah Fielding, Hannah More, Clara Reeve, Amelia Opie, Sarah Meadows Martineau.

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viewed Barbauld as "an icon of sentimental saintliness" and "erased her political courage, her tough mindedness, her talent for humor and irony", to arrive at a literary figure that

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Their knowledge of the then current literary and cultural scene enabled Obradović to supply the works that he took from England and translated and adapted for the Serbian nation.

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half so bloody". Both the tactic of defamiliarising the world to force the reader to think about it rationally, along with the anti-war message of this tale, prevail throughout

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suggests they may have ranked with large freeholders, well-to-do tradesmen, and manufacturers. At Barbauld's father's death in 1780, his estate was valued at more than £2,500.

816:– no mean feat for a woman writer in the 18th century. By 1925, however, she was remembered only as a moralising writer for children, if that. It was not until the advent of 4384: 4374: 6443: 6438: 1553: 1191: 986:. These had traditionally commented, often satirically, on national events, but by the end of the 18th century were increasingly serious and personal. Women wrote 6543: 1535:(each year with a link connects to its corresponding " in literature" article, for verse works, or " in literature" article, for prose or mixed prose and verse): 1247:(1812), has the 14-year-old Christina Cleveland remark, "Well, then; you know fairy-tales are forbidden pleasures in all modern school-rooms. Mrs. Barbauld, and 429:, went through four editions in a single year and surprised Barbauld by its success. Barbauld became a respected literary figure in England on the reputation of 396:, whose creedless and liberal "Liverpool Liturgy" formed a starting point for her beliefs and writings The Academy drew many luminaries of the day, such as the 6483: 6473: 622:

to pass a law granting Dissenters full citizenship rights. When this bill was defeated for the third time, Barbauld wrote one of her most passionate pamphlets,

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In 1773, Barbauld brought out her first book of poems, after her friends had praised them and convinced her to publish them. The collection, entitled simply

338:. She was named after her maternal grandmother and referred to as "Nancy" (a nickname for Anna). She was baptised by her mother's brother, John Jennings, in 6468: 6458: 1263:, quite out of favour; – at least, with papas and mamas." A more strident criticism was made by the Lambs, telling of Mary's abortive search for a copy of 1113: 408:, and came to be known as "the Athens of the North" for its stimulating intellectual atmosphere. Another instructor may have been the French revolutionary 1680: 1894:

Barbauld, Anna Laetitia (1743-1825) was born Anna Laetitia Aikin...a "provincial Bluestocking"...she was among the second generation of the group...

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Barbauld edited several major works towards the end of her life, all of which helped to shape the canon as known today. First, in 1804, she edited

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McCarthy, William (1997), "The Celebrated Academy at Palgrave: A Documentary History of Anna Letitia Barbauld's School", in Korshin, Paul (ed.),

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and his wife which revealed the failings of the "colonial enterprise: indolent, voluptuous, monstrous woman" and a "degenerate, enfeebled man".

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commented of their relationship: "How few brothers and sisters have been to one another what they have been through so long a course of years!".

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The Correspondence of Samuel Richardson . . . to which are prefixed, a biographical account of that author, and observations on his writing

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put it. The reformist 18th-century middle class was later held responsible for the excesses and abuses of the industrial age. Finally, the

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The Female Speaker; or, Miscellaneous Pieces, in Prose and Verse, Selected from the Best Writers, and Adapted to the Use of Young Women

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McCarthy, William. "'We Hoped the Woman Was Going to Appear': Repression, Desire, and Gender in Anna Letitia Barbauld's Early Poems."

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The Female Speaker; or, Miscellaneous Pieces in Prose and Verse, Selected from the Best Writers, and Adapted to the Use of Young Women

635: 3941: 6518: 4206: 4048: 3560: 3295: 3281: 3124: 2867: 2842: 2817: 2603: 2482: 2175: 1365:(1793). It is a miscellany of stories, fables, dramas, poems, and dialogues. In many ways this series encapsulates the ideals of an 886: 4802: 256:

emulated her. Barbauld's literary career spanned numerous periods in British literary history: her work promoted the values of the

6498: 4797: 4094: 1792: 1737:, (London: F. C. & J. Rivington; edited with a comprehensive introductory essay and introductions to each author, 50 volumes) 1531: 667: 3403: 268:. Barbauld was also a literary critic. Her anthology of 18th-century novels helped to establish the canon as it is known today. 6403: 6339: 4858: 4508: 4503: 1449: 564: 3766:

White, Daniel E. (Summer 1999). "The "Joineriana": Anna Barbauld, the Aikin Family Circle, and the Dissenting Public Sphere".

2593: 1291:, they were also used to teach several generations of schoolchildren. Children's literature scholar William McCarthy states, " 473:, near where Rochemont had been offered a congregation and a school for boys. Barbauld took this time and rewrote some of the 4598: 4028: 4013: 4005: 3777: 3721: 3525: 5862: 4894: 4848: 5257: 3324:

Memoir of Mrs. Barbauld, including Letters and Notices of Her Family and Friends. By her Great Niece Anna Letitia Le Breton

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Memoir of Mrs. Barbauld, including Letters and Notices of Her Family and Friends. By her Great Niece Anna Letitia Le Breton

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as "unquestionably the first of our female poets, and one of the most eloquent and powerful of our prose writers" and the

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Much of what is known about Barbauld's life comes from two memoirs, the first published in 1825 and written by her niece,

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Barbauld's works fell out of print and no full-length scholarly biography of her was written until William McCarthy's

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Anna Letitia Barbauld by Elizabeth Kraft, in Then & Now: Romantic-Era Poets in the Encyclopedia Britannica (2023)

244:" who published in multiple genres, Barbauld had a successful writing career that spanned more than half a century. 6493: 6080: 5772: 5001: 4746: 4523: 4513: 3768: 3420: 1292: 1101:

defy the Proclamation and refuse to take any part in the Fast?". Barbauld took this opportunity to write a sermon,

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NB Charles studied under Philip Meadows Martineau, not David Martineau - Sarah's surgeon husband who died in 1768.

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In May 1774, despite some "misgivings", Barbauld married Rochemont Barbauld (1749–1808), the grandson of a French

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in Suffolk which had benefitted from the financial support of Philip Meadows (1719–83), a solicitor from nearby

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and Teaching Mothers: Mrs. Barbauld's Primer for the Textual Construction of Middle-Class Domestic Pedagogy".

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writing for children, she inspired others to write on a similar high standard". In fact, because of Barbauld,

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Some at the time saw Barbauld's work as marking a shift in children's literature from fantasy to didacticism.

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Myers, Mitzi. "Of Mice and Mothers: Mrs. Barbauld's 'New Walk' and Gendered Codes in Children's Literature."

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in the academic world of the 1970s and 1980s that Barbauld finally began to be included in literary history.

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Mitzi Myers, "Of Mice and Mothers: Mrs. Barbauld's 'New Walk' and Gendered Codes in Children's Literature".

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As literary studies developed into a discipline at the end of the 19th century, the story of the origins of

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in 1808 and his widow was overcome with grief. When she returned to writing, she produced the radical poem

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According to 18th century studies scholar Harriet Guest, Barbauld's most significant political texts are:

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In her subsequent analysis of "Inscription for an Ice-House" Armstrong points to Barbauld's challenge of

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McCarthy, William. "A 'High-Minded Christian Lady': The Posthumous Reception of Anna Letitia Barbauld."

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Remarks on Mr. Gilbert Wakefield's Enquiry into the Expediency and Propriety of Public or Social Worship

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dated 23 October 1802. Quoted in Norma Clarke: "The Cursed Barbauld Crew..." In: Hilton, Mary, et al.:

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interested in recovering women writers important in their own time, but forgotten in literary history.

528:, recalled that as a child, Barbauld, a "comely elderly lady", had visited the Martineau family home. 3373:

Armstrong, Isobel. "The Gush of the Feminine: How Can we Read Women's Poetry of the Romantic Period?"

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Marlon B. Ross, "Configurations of Feminine Reform: The Woman Writers and the Tradition of Dissent."

1842: 1577: 1520: 1496: 1366: 1211: 1202: 1183: 1072: 1039: 837: 639: 506: 343: 257: 4838: 3758:

Ruwe, Donelle. "Barbauld and the Body-Part Game: Maternal Pedagogy in the Long Eighteenth Century."

3584:. Eds. Harriet Kramer Linkin and Stephen C. Behrendt. Lexington: University Press of Kentucky, 1999 567:, a pre-eminent scholar of German literature, who referred to Barbauld as "the mother of his mind". 496:] to exercise all his whole stock of care and affection. We should gain, but you would not lose. 6314: 6173: 5965: 5877: 5762: 5603: 5481: 5298: 4986: 4981: 4817: 4776: 4623: 4558: 4493: 4452: 4282: 4109: 3744:

Ross, Marlon. "Configurations of Feminine Reform: The Woman Writers and the Tradition of Dissent."

1631:

An Epistle to William Wilberforce, Esq. on the Rejection of the Bill for Abolishing the Slave Trade

1232: 1165: 1079: 1055: 1043: 631: 5303: 3748:. Eds. Carol Shiner Wilson and Joel Haefner. Philadelphia: University of Pennsylvania Press, 1994 3315: 1222:

dialogue between parent and child" that would dominate children's literature for a generation. In

840:– had by the end of the 19th century come to be associated with the "philistine" middle class, as 6370: 6090: 5852: 5842: 5727: 5618: 5512: 5354: 5216: 5112: 5082: 5072: 4920: 4718: 4407: 4299: 4240: 4018: 3921: 3865: 3845: 3821: 3789: 3733: 3537: 3442: 1878: 1692: 1510: 1486: 1288: 1284: 1027: 849: 833: 675: 548: 397: 389: 229: 5252: 5132: 4329: 3677:. Eds. Louise Wetherbee Phelps and Janet Emig. Pittsburgh: University of Pittsburgh Press, 1995 3345: 3262:. Eds. William McCarthy and Elizabeth Kraft. Peterborough, Ontario: Broadview Press Ltd., 2002. 3231: 2968:

McCarthy, "Mother of All Discourses," pp. 85–86; Ruwe, "Barbauld and the Body-Part Game," 36–38.

696:

was considered to have ended Barbauld's career, but recent scholarship has reinstated it to the

3163:

The British Novelists; with An Essay; and Prefaces, Biographical and Critical, by Mrs. Barbauld

1734:

The British Novelists; with an Essay; and Prefaces, Biographical and Critical, by Mrs. Barbauld

962: 644:

Epistle to William Wilberforce Esq. On the Rejection of the Bill for Abolishing the Slave Trade

6304: 6274: 6238: 6183: 6105: 6035: 5960: 5802: 5787: 5757: 5644: 5639: 5598: 5573: 5547: 5522: 5486: 5476: 5374: 5369: 5364: 5359: 5027: 4996: 4940: 4935: 4751: 4736: 4658: 4543: 4488: 4412: 4359: 4324: 4277: 4180: 4170: 4134: 4000: 3878: 3760:

Mothers in Children's and Young Adult Literature: From the Eighteenth Century to Postfeminism.

3749: 3696: 3678: 3664: 3650: 3585: 3556: 3502: 3488: 3392: 3378: 3377:. Eds. Paula R. Feldman and Theresa M. Kelley. Hanover: University Press of New England, 1995 3334: 3291: 3277: 3263: 2863: 2838: 2813: 2599: 2478: 2171: 1421: 1329: 1304: 1279:

had, for children's books, an unprecedented impact; not only did they influence the poetry of

1068: 983: 871: 615: 611: 525: 283: 2202: 6085: 6075: 5910: 5807: 5732: 5649: 5613: 5491: 5466: 5461: 5293: 5162: 5152: 5147: 5137: 5127: 5102: 5067: 5032: 4955: 4930: 4904: 4568: 4498: 4447: 4344: 4246: 4185: 4175: 4158: 4119: 4114: 4089: 3887: 3781: 3725: 3619: 3529: 3472: 3454: 3432: 3424: 3020:

Vol. 2, 2nd ed. London: Printed for J. Johnson, 1794. Eighteenth Century Collections Online.

1797: 1659: 1361: 1064: 1046:, she maintains that the French cannot be allowed to outstrip Britons in extending liberty. 926: 537: 521: 517: 405: 370: 253: 248: 196: 164: 6309: 6294: 6269: 6193: 6125: 6120: 6115: 6030: 6015: 5970: 5905: 5777: 5747: 5593: 5588: 5471: 5394: 5384: 5334: 5242: 5117: 5011: 4950: 4945: 4812: 4756: 4673: 4663: 4483: 4467: 4422: 4389: 4212: 4150: 4139: 3391:

Ed. Carol Shiner Wilson and Joel Haefner. Philadelphia: Univ. of Pennsylvania Press, 1994

3238: 3128: 2951:, ed. Edwin W. Marrs, Jr. (Ithaca: Cornell University Press, 1976). Vol. 2, pp. 81–82. To 1441: 1333: 1252: 1227: 1117: 1088:

Epistle to William Wilberforce on the Rejection of the Bill for Abolishing the Slave Trade

1011:

Epistle to William Wilberforce on the Rejection of the Bill for Abolishing the Slave Trade

978: 659: 584: 490:

none whether he has three, or four; five, or six; because four or five are enow [

409: 339: 278: 106: 75: 5690: 4628: 4023: 3121: 3118:

Selections from the Spectator, Tatler, Guardian, and Freeholder, with a Preliminary Essay

3029:

Fyfe, Aileen. "Reading Children's Books in Late Eighteenth-Century Dissenting Families."

1716:

Selections from the Spectator, Tatler, Guardian, and Freeholder, with a Preliminary Essay

1426:

Selections from the Spectator, Tatler, Guardian, and Freeholder, with a Preliminary Essay

3623: 6248: 6233: 6203: 6168: 6158: 6140: 6045: 6005: 5940: 5817: 5812: 5742: 5583: 5568: 5496: 5440: 5430: 5399: 5379: 5288: 5211: 5191: 5176: 5097: 5057: 4843: 4807: 4761: 4713: 4643: 4618: 4538: 4518: 4457: 4354: 4218: 4144: 3649:

Eds. Paula R. Feldman and Theresa M. Kelley. Hanover: Univ. Press of New England, 1995

3276:. Ed. William McCarthy and Elizabeth Kraft. Athens: University of Georgia Press, 1994. 1711:, (London: Richard Phillips; edited with substantial biographical introduction, 6 vols) 1453: 1445: 1433: 1300: 1060: 974: 841: 813: 809: 600: 442: 382: 290:

in the 1980s renewed interest in her works and restored her place in literary history.

3762:

Eds. Karen Coats and Lisa Rowe Fraustino. University of Mississippi Press, 2016. 27–44

1428:, a volume of essays emphasising "wit", "manners" and "taste". In 1811, she assembled 6397: 6243: 6208: 6198: 6178: 6110: 6060: 5925: 5915: 5700: 5675: 5563: 5537: 5435: 5425: 5206: 5077: 4683: 4613: 4588: 4578: 4533: 4233: 3793: 3737: 3541: 3457:(May 2017). "The Novel Comes of Age: When Literature Started Talking with Children". 3446: 1724: 1675:

Reasons for National Penitence Recommended for the Fast Appointed on 28 February 1794

1645:

Poems. A new edition, corrected. To which is added, An Epistle to William Wilberforce

1412:

Phoenix and Dove", "The Manufacture of Paper", "The Four Sisters", and "Live Dolls".

1317: 1309: 1280: 1255:, and a hundred others, have written good books for children, which have thrown poor 1248: 1094: 845: 541: 2016:

The Enlightenment of Joseph Priestley: A Stud of His Life and Work from 1733 to 1773

929:'s work represents one way to do such a study; she argues that Barbauld, like other 6213: 6188: 6163: 6130: 6100: 6020: 5980: 5882: 5827: 5737: 5705: 5695: 5680: 5420: 5283: 5273: 5247: 5092: 5047: 4771: 4703: 4693: 4633: 4583: 4528: 4339: 4257: 4228: 4079: 3901: 1529:

Unless otherwise noted, this list is taken from Wolicky's entry on Barbauld in the

1379: 1321: 1256: 1240: 942: 893: 556: 241: 116: 5578: 3892: 3483:

Guest, Harriet. "Anna Laetitia Barbauld and the Mighty Mothers of Immortal Rome."

2234:

Philip Meadows, solicitor, of Diss (1719–83), was a sponsor of Palgrave School ...

1732: 1773:(London: Longman; edited by Barbauld's niece, Lucy Aikin, after Barbauld's death) 1771:

A Legacy for Young Ladies, Consisting of Miscellaneous Pieces, in Prose and Verse

1400:... makes the claim that social and political reform must begin in the family". 1324:

to write and design a series of readers and games for middle-class children, and

6228: 6095: 5945: 5897: 5542: 5445: 5389: 5196: 5062: 4766: 4698: 4432: 4309: 4293: 4252: 4201: 4074: 3986: 3850: 3826: 2760:

Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century

1515: 1491: 1437: 1375: 1359:

Barbauld also collaborated with her brother John Aikin on the six-volume series

1313: 1091: 987: 930: 880:

Memoir of Mrs. Barbauld, including Letters and Notices of her Family and Friends

856: 824: 552: 265: 261: 3874: 3675:

Feminine Principles and Women's Experience in American Composition and Rhetoric

3006:

Feminine Principles and Women's Experience in American Composition and Rhetoric

792: 5349: 4668: 4648: 4638: 4287: 4124: 3428: 1802: 1404: 1384: 1196: 950: 671: 453: 434: 378: 323: 299: 264:, while her poetry made a founding contribution to the development of British 221: 3659:

Mellor, Anne K. "A Criticism of Their Own: Romantic Women Literary Critics."

3476: 607:

in the early 1800s, though it is not known exactly which house she occupied.

6010: 5339: 5221: 4553: 4272: 4262: 3566: 3143:. 2nd ed. London: Printed for Baldwin, Cradock, and Joy, etc. (1816), p. vi. 1230:

commented in the educational treatise that she co-authored with her father,

1116:

had been at war with France for a decade and was on the brink of losing the

1035: 890: 627: 592: 449: 366: 307: 111: 3319:. 2 vols. Boston: James R. Osgood and Co., 1874. Retrieved on 17 April 2007 1316:

were inspired to write for poor children as well as organise a large-scale

1049: 909: 614:, Barbauld published her most radical political pieces. From 1787 to 1790, 3925: 3869: 3785: 3533: 766: 595:, where Rochemont was asked to serve as the minister at what later became 6150: 3946: 3910: 3404:"Reading Children's Books in Late Eighteenth-Century Dissenting Families" 1624:

An Address to the Opposers of the Repeal of the Corporation and Test Acts

1007:

An Address to the Opposers of the Repeal of the Corporation and Test Acts

624:

An Address to the Opposers of the Repeal of the Corporation and Test Acts

555:. Palgrave replaced the strict discipline of traditional schools such as 359: 331: 58: 2926:, ed. Susan Manly, Vol. 11. London: Pickering and Chatto (2003), p. 195. 17: 5822: 4573: 4164: 3729: 1882: 1866: 1121: 991:

genres is one way in which women poets created a feminine Romanticism.

470: 228:; 20 June 1743 – 9 March 1825) was a prominent English poet, essayist, 121: 3437: 318: 4267: 2018:. University Park: Pennsylvania State University Press (1997), p. 93. 1124: 474: 3947:

Selected works of Anna Barbauld including a full-color facsimile of

1766:, Volume 1 (London: Longman; edited by Barbauld's niece, Lucy Aikin) 889:

in London presented Barbauld's portrait alongside a number of other

670:, a mile away. Barbauld herself was happy to be nearer her brother, 3931: 3906: 3387:

Ellison, Julie. "The Politics of Fancy in the Age of Sensibility."

2330:

Barbauld, "Sins of Government, Sins of the Nation." (2002), p. 300.

1571:

Devotional Pieces, Compiled from the Psalms and the Book of the Job

342:

two weeks after her birth. Barbauld's father was headmaster of the

2957:

Opening the Nursery Door: Reading, Writing and Childhood 1600–1900

1195: 1048: 961: 908: 791: 765: 574: 365: 317: 3046:, 6 vols, 2nd ed. London: Printed for J. Johnson (1794) 2: p. 69. 452:

and a former pupil at Warrington. According to Barbauld's niece,

4223: 3316:

A Memoir of Mrs. Anna Laetitia Barbauld with Many of Her Letters

2860:

Eighteen Hundred and Eleven: Poetry, Protest and Economic Crisis

2835:

Eighteen Hundred and Eleven: Poetry, Protest and Economic Crisis

2810:

Eighteen Hundred and Eleven: Poetry, Protest and Economic Crisis

1764:

The Works of Anna Laetitia Barbauld. With a Memoir by Lucy Aikin

1718:(London: J. Johnson; edited with an introduction, three volumes) 3959: 2780:

Barbauld, "Sins of Government, Sins of the Nation," pp. 316–17.

2762:. Charlottesville: University of Virginia Press (2000), p. 262. 1332:, which would culminate in an educational treatise authored by 302:, and the second published in 1874, written by her great-niece 3955: 492: 479:

Devotional Pieces Compiled from the Psalms and the Book of Job

3290:

Ed. William McCarthy. Oxford: Oxford University Press, 2019.

1336:

and him, and in a large body of children's stories by Maria.

732:

With Wit, Genius, Poetic Talent, and a Vigorous Understanding

516:(1781). He studied surgery in Norwich under the tutelage of 3663:. Ed. John Beer. Baltimore: Johns Hopkins Univ. Press, 1995 3165:. London: Printed for F. C. and J. Rivington, (1810), p. 3. 708: 504:. It was for him that Barbauld wrote her most famous books: 202: 170: 3582:

Romanticism and Women Poets: Opening the Doors of Reception

3389:

Re-Visioning Romanticism: British Women Writers, 1776–1837.

477:, a common pastime in the 18th century, publishing them as 211: 179: 3746:

Re-visioning Romanticism: British Women Writers, 1776–1837

3241:, at Rutgers University Web site, retrieved 8 January 2009 3232:"Selected Bibliography: Anna Letitia Barbauld (1743–1825)" 2689:

Re-visioning Romanticism: British Women Writers, 1776–1837

2645:

Re-visioning Romanticism: British Women Writers, 1776–1837

1695:, M. Robinson, Anna Laetitia Barbauld, J. Ogilvie, &c. 921:

Barbauld's wide-ranging poetry has been read primarily by

742:

Let the Young, Nurtured by her Writings in the Pure Spirit

500:

After a time, her brother conceded and the couple adopted

726:

She was born at Kibworth in Leicestershire, 20 June 1743,

277:

in 1812, which criticised Britain's participation in the

536:

Barbauld and her husband spent eleven years teaching at

1867:"Biographical Sketches of Principal Bluestocking Women" 1082:'s many abolitionist legislation failed to pass in the 748:

the Acuteness, the Brilliant Fancy, and Sound Reasoning

736:

in Promoting the Cause of Humanity, Peace, and Justice,

3512:

Levy, Michelle (Fall 2006). "The Radical Education of

3331:

Anna Anna Letitia Barbauld: Voice of the Enlightenment

2862:. Cambridge: Cambridge University Press. p. 230. 2837:. Cambridge: Cambridge University Press. p. 229. 2812:. Cambridge: Cambridge University Press. p. 228. 2704:. Chicago: University of Chicago Press (2000), p. 235. 599:. It was here that Barbauld became close friends with 326:(shown here in later years), became literary partners. 3499:

Women Romantic Poets: Anna Barbauld and Mary Robinson

3098:. 2 vols. London: Routledge (1996), pp. xxxvi–xxxvii. 870:

Barbauld's adopted son Charles married a daughter of

724:

Formerly the Respected Minister of this Congregation.

3485:

Small Change: Women, Learning, Patriotism, 1750–1810

2702:

Small Change: Women, Learning, Patriotism, 1750–1810

1742:

An Essay on the Origin and Progress of Novel-Writing

208: 199: 185: 182: 176: 167: 6257: 6149: 5896: 5718: 5663: 5632: 5556: 5505: 5454: 5413: 5322: 5266: 5230: 5184: 5175: 5020: 4964: 4913: 4872: 4831: 4785: 4727: 4597: 4476: 4398: 4317: 4308: 4194: 4062: 3993: 3460:

differences: A Journal of Feminist Cultural Studies

2436:

Quoted in McCarthy, "Posthumous Reception," p. 165.

746:

Let those of Maturer Years, Capable of Appreciating

205: 173: 130: 99: 82: 65: 50: 34: 3333:. Baltimore: Johns Hopkins University Press, 2008 3260:Anna Letitia Barbauld: Selected Poetry & Prose 2939:(London: Henry Colburn, 1812), Vol. II, pp. 68–69. 1146:Thou who hast shared the guilt must share the woe. 3647:Romantic Women Writers: Voices and Countervoices. 3018:Evenings at Home; or, The Juvenile Budget Opened. 2167:Anna Letitia Barbauld: Voice of the Enlightenment 1594:Lessons for Children from Three to Four Years Old 1132:And think'st thou, Britain, still to sit at ease, 977:represents a second way to apply the insights of 947:characterisation of the sublime and the beautiful 865:Anna Letitia Barbauld: Voice of the Enlightenment 3375:Romantic Women Writers: Voices and Countervoices 3361:Georgian Chronicle: Mrs. Barbauld and Her Family 3044:Evenings at Home; or, The Juvenile Budget Opened 2924:The Novels and Selected Works of Maria Edgeworth 2891:McCarthy, "Mother of All Discourses," pp. 88–89. 1877:(1/2). University of Pennsylvania Press: 25–37. 1407:, Barbauld's niece, Barbauld's contributions to 1328:to begin one of the first systematic studies of 1138:But soothe thy slumbers, and but kiss thy shore? 547:The Barbaulds' educational philosophy attracted 358:Barbauld demanded that her father teach her the 2170:. Johns Hopkins University Press. p. 396. 1660:Evenings at Home, or The Juvenile Budget Opened 1339: 1203:Lessons for Children of Three Years Old, Part I 1192:Evenings at Home, or The Juvenile Budget Opened 1129: 935: 752:Let the Surviving few who shared her Delightful 487: 458: 2538:McCarthy, "Posthumous Reception," pp. 174–175. 2507:McCarthy, "Posthumous Reception," pp. 167–168. 1150:And whispered fears, creating what they dread; 1136:While the vext billows, in their distant roar, 581:Committee for the Abolition of the Slave Trade 433:alone. In the same year, she and her brother, 346:in Kibworth Harcourt and minister at a nearby 3971: 3552:The age of Johnson: a scholarly annual vol. 8 3487:. Chicago: University of Chicago Press, 2000 2909:McCarthy, "Mother of All Discourses," p. 100. 666:. Rochemont took over the pastoral duties of 8: 3196:For dating on these volumes, also see Myers. 2977:McCarthy, "Mother of All Discourses," p. 85. 2900:McCarthy, "Mother of All Discourses," p. 93. 2232:. University of Georgia Press. p. 279. 2101: 2099: 2005:Quoted in Anna Letitia Le Breton, pp. 23–24. 1832:. Università degli Studi “G. d’Annunzio”: 13 1796:(online ed.). Oxford University Press. 1148:Nor distant is the hour; low murmurs spread, 3695:Ed. Ralph Haekel. Boston: De Gruyter, 2017 3597:"Mother of All Discourses: Anna Barbauld's 1152:Ruin, as with an earthquake shock, is here 1144:So sing thy flatterers; but, Britain, know, 1140:To sport in wars, while danger keeps aloof, 878:, wrote literary memoirs, which included a 740:of Pure, Ardent, and Affectionate Devotion. 684:(1812), which depicted England as a ruin. 5181: 4314: 3978: 3964: 3956: 2598:. Bucknell University Press. p. 284. 2453: 2451: 1350:—Anna Laetitia Barbauld, "A Tea Lecture", 1142:Thy grassy turf unbruised by hostile hoof? 728:and died at Stoke Newington, 9 March 1825. 42: 31: 3687:Murphy, Olivia. "Anna Laetitia Barbauld, 3555:, New York: AMS Press, pp. 279–392, 3436: 3192: 3190: 3188: 3186: 3184: 2949:The Letters of Charles and Mary Anne Lamb 2569:McCarthy, "Posthumous Reception," p. 444. 2547:McCarthy, "Posthumous Reception," p. 182. 2516:McCarthy, "Posthumous Reception," p. 169. 2477:. Taylor and Francis Group. p. 324. 2445:McCarthy, "Posthumous Reception," p. 166. 1801: 800:At her death, Barbauld was lauded in the 417:beamed with the light of wit and fancy." 6444:19th-century English non-fiction writers 6439:18th-century English non-fiction writers 3884:Works by or about Anna Laetitia Barbauld 3870:Eighteenth-Century Poetry Archive (ECPA) 3226: 3224: 3222: 1134:An island Queen amidst thy subject seas, 3220: 3218: 3216: 3214: 3212: 3210: 3208: 3206: 3204: 3202: 3042:Anna Laetitia Barbauld and John Aikin, 2595:Anna Letitia Barbauld: New Perspectives 2348:Rodgers, p. 136; Le Breton, pp. 121–22. 1793:Oxford Dictionary of National Biography 1782: 1587:Lessons for Children of Three Years Old 1295:could still quote the opening lines of 913:"The Mouse's Petition" from Barbauld's 668:the Unitarian Chapel at Newington Green 469:After the wedding, the couple moved to 149: 1774; died 1808) 3608:Princeton University Library Chronicle 1668:Sins of Government, Sins of the Nation 1103:Sins of Government, Sins of the Nation 1015:Sins of Government, Sins of the Nation 648:Sins of Government, Sins of the Nation 6544:Members of the Blue Stockings Society 6325:Romanticism and the French Revolution 2687:Wilson Carol Shiner, "Introduction." 959:as evidence for this interpretation. 421:First literary successes and marriage 330:Barbauld was born on 20 June 1743 at 220: 7: 6484:19th-century English women educators 6474:18th-century English women educators 3346:Mrs. Barbauld and her Contemporaries 3326:. London: George Bell and Sons, 1874 2228:Mrs. Barbauld, Anna Letitia (1994). 1078:In the following year, after one of 1026:For three years, from 1787 to 1790, 610:During this time, the heyday of the 3930:Several of Barbauld's writings are 3624:10.25290/prinunivlibrchro.60.2.0196 3501:. Tavistock: Northcote House, 2003 3096:The Works of Anna Laetitia Barbauld 3055:Barbauld and Aikin, 1: pp. 150–152. 2740:Barbauld, "An Appeal", pp. 269–270. 2678:, New York: Routledge (1993), p. 7. 1299:at age thirty-nine". Although both 642:had failed, Barbauld published her 571:Political involvement and Hampstead 6469:19th-century English women writers 6459:18th-century English women writers 3949:The Works of Anna Lætitia Barbauld 3274:The Poems of Anna Letitia Barbauld 3230:White, Daniel E., Web page titled 2749:Barbauld, "An Appeal", pp. 278–79. 2230:The Poems of Anna Letitia Barbauld 1056:Nine Living Muses of Great Britain 25: 3706:Robbins, Sarah (December 1993). " 3595:McCarthy, William (Winter 1999). 2959:. London: Routledge, 1997, p. 91. 1612:, Part Three (London: J. Johnson) 59:Kibworth-Harcourt, Leicestershire 6378: 6377: 3914: 3693:Handbook of British Romanticism. 2254:McCarthy, "Academy", pp. 284–85. 2203:"Amelia Opie and the Martineaus" 1619:, Part Four (London: J. Johnson) 1532:Dictionary of Literary Biography 1120:, Barbauld presented a shocking 1030:had been attempting to convince 730:Endowed by the Giver of all Good 658:In 1802, the Barbaulds moved to 579:Design for the medallion of the 520:, the son of Barbauld's friend 195: 163: 3907:Works by Anna Laetitia Barbauld 3898:Works by Anna Laetitia Barbauld 3116:Anna Barbauld, "Introduction." 2474:Romantic women Writers Reviewed 2123:Quoted in Le Breton, pp. 42–43. 1459:Barbauld's 50-volume series of 738:of Civil and Religious Liberty, 247:She was a noted teacher at the 146: 6524:British women literary critics 6489:19th-century English educators 6479:18th-century English educators 3926:A Celebration of Women Writers 3875:Works by Anna Letitia Barbauld 3778:Johns Hopkins University Press 3722:Johns Hopkins University Press 3526:Johns Hopkins University Press 2731:Barbauld, "An Appeal", p. 266. 1663:(with John Aikin, six volumes) 823:Young poets such as Norwich's 654:Stoke Newington and later life 334:in Leicestershire to Jane and 1: 6348:Wanderer above the Sea of Fog 2578:see Le Breton, Anna Letitia. 2245:McCarthy, "Academy", p. 282. 2093:Quoted in Rodgers, pp. 51–52. 1564:Miscellaneous Pieces in Prose 754:and Instructive Conversation, 750:of her Literary Compositions; 734:She Employed these High Gifts 597:Rosslyn Hill Unitarian Chapel 439:Miscellaneous Pieces in Prose 388:In 1758, the family moved to 6464:18th-century English writers 3942:Prose Works of Anna Barbauld 3856:Resources in other libraries 3832:Resources in other libraries 2882:Quoted in Le Breton, p. 132. 2634:Armstrong, pp. 18 and 22–23. 2281:McCarthy, "Academy," p. 306. 2272:McCarthy, "Academy," p. 298. 2263:McCarthy, "Academy," p. 292. 1871:Huntington Library Quarterly 1790:"Barbauld , Anna Letitia ". 1750:(London: J. Johnson; edited) 1728:(London: W. Suttaby; edited) 1521:Resources in other libraries 1497:Resources in other libraries 973:The work of Marlon Ross and 796:Engraving, published in 1785 722:The Rev. Rochemont Barbauld, 718:Daughter of John Aikin, D.D. 236:. A prominent member of the 6504:Writers of the Romantic era 3913:(public domain audiobooks) 3689:Eighteen Hundred and Eleven 3152:McCarthy and Kraft, p. 375. 3107:McCarthy and Kraft, p. 360. 2798:McCarthy and Kraft, p. 160. 2789:McCarthy and Kraft, p. 160. 2771:McCarthy and Kraft, p. 297. 2722:McCarthy and Kraft, p. 263. 2713:McCarthy and Kraft, p. 261. 1756:Eighteen Hundred and Eleven 1639:Civic Sermons to the People 1602:Hymns in Prose for Children 1580:from Two to Three Years Old 1218:Hymns in Prose for Children 1188:Hymns in Prose for Children 1171:Eighteen Hundred and Eleven 1110:Eighteen Hundred and Eleven 1020:Eighteen Hundred and Eleven 1001:Eighteen Hundred and Eleven 818:feminist literary criticism 773:Eighteen Hundred and Eleven 694:Eighteen Hundred and Eleven 681:Eighteen Hundred and Eleven 513:Hymns in Prose for Children 288:feminist literary criticism 274:Eighteen Hundred and Eleven 6560: 6454:19th-century English poets 6449:18th-century English poets 6429:English children's writers 6265:Coleridge's theory of life 3769:Eighteenth-Century Studies 3518:Eighteenth Century Fiction 3402:Fyfe, Aileen (June 2000). 3074:Eighteenth-Century Fiction 3066:"The Radical Education of 2558:Voice of the Enlightenment 2527:Voice of the Enlightenment 2459:Voice of the Enlightenment 2416:Voice of the Enlightenment 2394:Voice of the Enlightenment 2381:Voice of the Enlightenment 2368:Voice of the Enlightenment 2319:Voice of the Enlightenment 2152:Voice of the Enlightenment 2055:Voice of the Enlightenment 2042:Voice of the Enlightenment 2029:Voice of the Enlightenment 1985:Voice of the Enlightenment 1972:Voice of the Enlightenment 1959:Voice of the Enlightenment 1946:Voice of the Enlightenment 1933:Voice of the Enlightenment 1920:Voice of the Enlightenment 1907:Voice of the Enlightenment 1293:Elizabeth Barrett Browning 1181: 1177: 998: 995:Political essays and poems 758:That this Monument Records 703:St Mary's, Stoke Newington 662:, where they lived at 113 618:attempted to convince the 322:Barbauld and her brother, 27:English author (1743–1825) 6534:British women hymnwriters 6419:Dissenting academy tutors 6357: 6320:Romanticism and economics 4335:Manuel Antônio de Almeida 3851:Resources in your library 3840:By Anna Laetitia Barbauld 3827:Resources in your library 3429:10.1017/S0018246X99001156 3352:Thackeray, Anne Ritchie. 3322:Le Breton, Anna Letitia. 3161:Barbauld, Anna Laetitia. 3127:11 September 2006 at the 3076:19.1–2 (2006–07), p. 123. 2290:Quoted in Rodgers, p. 75. 2141:Quoted in Rodgers, p. 68. 1516:Resources in your library 1505:By Anna Laetitia Barbauld 1492:Resources in your library 923:feminist literary critics 887:National Portrait Gallery 770:Original title page from 583:(formed 1787), struck by 41: 6519:English literary critics 4100:German historical school 3713:The Lion and the Unicorn 3477:10.1215/10407391-3821688 3286:Barbauld, Anna Letitia. 3272:Barbauld, Anna Letitia. 3258:Barbauld, Anna Letitia. 3237:12 December 2010 at the 3139:Anna Laetitia Barbauld, 1826:Књиженство (Knjiženstvo) 1326:Richard Lovell Edgeworth 953:'s economic theories in 518:Philip Meadows Martineau 414:Archibald Hamilton Rowan 232:, editor, and author of 6499:British women essayists 4747:Józef Ignacy Kraszewski 3661:Questioning Romanticism 3363:. London: Methuen, 1958 3349:. London: Longman, 1877 3094:Aikin, Lucy. "Memoir." 2953:Samuel Taylor Coleridge 1243:, in her popular novel 830:Samuel Taylor Coleridge 760:No Exaggerated Praise. 6404:Anna Laetitia Barbauld 6330:Romanticism in science 6285:Middle Ages in history 6280:List of Romantic poets 4992:Josiah Gilbert Holland 3866:Anna Laetitia Barbauld 3813:Anna Laetitia Barbauld 3412:The Historical Journal 3031:The Historical Journal 2676:Romanticism and Gender 1847:Blue Stockings Society 1817:Di Giacomo, P (2016). 1723:The Poetical Works of 1697:(Ludlow: G. Nicholson) 1478:Anna Laetitia Barbauld 1347: 1206: 1161: 1112:(1812), written after 1075: 1067:, Barbauld gesturing, 970: 939: 918: 876:Anna Letitia Le Breton 797: 776: 744:of Christian Morality; 716:ANNA LETITIA BARBAULD, 587: 498: 467: 374: 327: 304:Anna Letitia Le Breton 238:Blue Stockings Society 193:, by herself possibly 159:Anna Laetitia Barbauld 36:Anna Laetitia Barbauld 6300:Romantic epistemology 6290:Opium and Romanticism 4859:Stojadinović-Srpkinja 4085:Counter-Enlightenment 3936:Women Writers Project 3922:Anna Letitia Barbauld 3786:10.1353/ecs.1999.0041 3534:10.1353/ecf.2006.0084 3469:Duke University Press 3356:. London: Smith, 1883 3176:The British Novelists 2858:Clery, E. J. (2017). 2833:Clery, E. J. (2017). 2808:Clery, E. J. (2017). 2625:Armstrong, pp. 15–16. 2357:Rodgers, pp. 139–141. 2308:Rodgers, pp. 101–102. 2164:McCarthy, W. (2008). 2014:Robert E. Schofield, 1803:10.1093/ref:odnb/1324 1461:The British Novelists 1199: 1178:Children's literature 1086:, Barbauld wrote the 1052: 965: 956:The Wealth of Nations 912: 795: 769: 578: 524:whose granddaughter, 369: 321: 234:children's literature 6529:English book editors 6434:People from Kibworth 6364:Age of Enlightenment 4006:England (literature) 3708:Lessons for Children 3616:Princeton University 3599:Lessons for Children 3033:43.2 (2000), p. 469. 2471:Hawkins, A. (2022). 2339:Rodgers, pp. 128–29. 2066:McCarthy, pp. 152–3. 2027:Quoted in McCarthy, 1944:Quoted in McCarthy, 1759:(London: J. Johnson) 1681:"What is Education?" 1654:(London: J. Johnson) 1647:(London: J. Johnson) 1634:(London: J. Johnson) 1617:Lessons for Children 1610:Lessons for Children 1605:(London: J. Johnson) 1596:(London: J. Johnson) 1589:(London: J. Johnson) 1582:(London: J. Johnson) 1578:Lessons for Children 1297:Lessons for Children 1273:Lessons for Children 1224:Lessons for Children 1212:Lessons for Children 1184:Lessons for Children 838:Dissenting academies 507:Lessons for Children 437:, jointly published 377:Barbauld's brother, 6424:English women poets 6315:Romantic psychology 4110:Hudson River School 4054:Sweden (literature) 4039:Russia (literature) 3633:on 18 November 2018 3329:McCarthy, William. 3288:The Poems, Revised. 2920:Practical Education 2592:Murphy, O. (2013). 2396:, pp. 482–484, 487. 2205:. Martineau Society 2132:Rodgers, pp. 63–64. 2114:Rodgers, pp. 61–62. 1865:Miegon, A. 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1034:to repeal the 999:Main article: 996: 993: 975:Anne K. Mellor 906: 903: 901: 898: 842:Matthew Arnold 814:Samuel Johnson 810:Joseph Addison 789: 786: 782: 781: 763: 712: 707: 655: 652: 634:'s attempt to 601:Joanna Baillie 572: 569: 565:William Taylor 533: 530: 510:(1778–79) and 443:Samuel Johnson 422: 419: 394:Octagon Chapel 383:Joanna Baillie 315: 312: 295: 292: 154: 153: 142: 138: 135: 134: 132: 128: 127: 125: 124: 119: 114: 109: 103: 101: 97: 96: 94: 93: 90: 86: 84: 80: 79: 73:(aged 81) 67: 63: 62: 52: 48: 47: 39: 38: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6556: 6545: 6542: 6540: 6537: 6535: 6532: 6530: 6527: 6525: 6522: 6520: 6517: 6515: 6512: 6510: 6507: 6505: 6502: 6500: 6497: 6495: 6492: 6490: 6487: 6485: 6482: 6480: 6477: 6475: 6472: 6470: 6467: 6465: 6462: 6460: 6457: 6455: 6452: 6450: 6447: 6445: 6442: 6440: 6437: 6435: 6432: 6430: 6427: 6425: 6422: 6420: 6417: 6415: 6412: 6410: 6407: 6405: 6402: 6401: 6399: 6385: 6384: 6373: 6372: 6366: 6365: 6356: 6350: 6349: 6345: 6341: 6338: 6336: 6333: 6332: 6331: 6328: 6326: 6323: 6321: 6318: 6316: 6313: 6311: 6308: 6306: 6303: 6301: 6298: 6296: 6293: 6291: 6288: 6286: 6283: 6281: 6278: 6276: 6273: 6271: 6268: 6266: 6263: 6262: 6260: 6256: 6250: 6247: 6245: 6242: 6240: 6237: 6235: 6232: 6230: 6227: 6225: 6222: 6220: 6217: 6215: 6212: 6210: 6207: 6205: 6202: 6200: 6197: 6195: 6192: 6190: 6187: 6185: 6182: 6180: 6177: 6175: 6172: 6170: 6167: 6165: 6162: 6160: 6157: 6156: 6154: 6152: 6148: 6142: 6139: 6137: 6134: 6132: 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6089: 6087: 6084: 6082: 6079: 6077: 6074: 6072: 6069: 6067: 6064: 6062: 6059: 6057: 6054: 6052: 6049: 6047: 6044: 6042: 6039: 6037: 6034: 6032: 6029: 6027: 6024: 6022: 6019: 6017: 6014: 6012: 6009: 6007: 6004: 6002: 5999: 5997: 5994: 5992: 5989: 5987: 5984: 5982: 5979: 5977: 5974: 5972: 5969: 5967: 5964: 5962: 5959: 5957: 5954: 5952: 5949: 5947: 5944: 5942: 5939: 5937: 5934: 5932: 5929: 5927: 5924: 5922: 5919: 5917: 5914: 5912: 5909: 5907: 5904: 5903: 5901: 5899: 5895: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5839: 5836: 5834: 5831: 5829: 5826: 5824: 5821: 5819: 5816: 5814: 5811: 5809: 5806: 5804: 5801: 5799: 5796: 5794: 5791: 5789: 5786: 5784: 5781: 5779: 5776: 5774: 5771: 5769: 5766: 5764: 5761: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5729: 5726: 5725: 5723: 5721: 5717: 5707: 5704: 5702: 5699: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5668: 5666: 5662: 5656: 5653: 5651: 5648: 5646: 5643: 5641: 5638: 5637: 5635: 5631: 5625: 5622: 5620: 5617: 5615: 5612: 5610: 5607: 5605: 5602: 5600: 5597: 5595: 5592: 5590: 5587: 5585: 5582: 5580: 5577: 5575: 5572: 5570: 5567: 5565: 5562: 5561: 5559: 5555: 5549: 5546: 5544: 5541: 5539: 5536: 5534: 5531: 5529: 5526: 5524: 5521: 5519: 5516: 5514: 5511: 5510: 5508: 5504: 5498: 5495: 5493: 5490: 5488: 5485: 5483: 5480: 5478: 5475: 5473: 5470: 5468: 5465: 5463: 5460: 5459: 5457: 5453: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5418: 5416: 5412: 5406: 5403: 5401: 5398: 5396: 5393: 5391: 5388: 5386: 5383: 5381: 5378: 5376: 5373: 5371: 5368: 5366: 5363: 5361: 5358: 5356: 5353: 5351: 5348: 5346: 5343: 5341: 5338: 5336: 5333: 5331: 5328: 5327: 5325: 5321: 5315: 5312: 5310: 5307: 5305: 5302: 5300: 5297: 5295: 5292: 5290: 5287: 5285: 5282: 5280: 5277: 5275: 5272: 5271: 5269: 5265: 5259: 5256: 5254: 5251: 5249: 5246: 5244: 5241: 5239: 5236: 5235: 5233: 5229: 5223: 5220: 5218: 5215: 5213: 5210: 5208: 5205: 5203: 5200: 5198: 5195: 5193: 5190: 5189: 5187: 5183: 5180: 5178: 5174: 5164: 5161: 5159: 5156: 5154: 5151: 5149: 5146: 5144: 5141: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5121: 5119: 5116: 5114: 5111: 5109: 5106: 5104: 5101: 5099: 5096: 5094: 5091: 5089: 5086: 5084: 5081: 5079: 5078:Nikolai Gogol 5076: 5074: 5071: 5069: 5066: 5064: 5061: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5039: 5036: 5034: 5031: 5029: 5026: 5025: 5023: 5019: 5013: 5010: 5008: 5005: 5003: 5000: 4998: 4995: 4993: 4990: 4988: 4985: 4983: 4980: 4978: 4975: 4973: 4970: 4969: 4967: 4963: 4957: 4954: 4952: 4949: 4947: 4944: 4942: 4939: 4937: 4934: 4932: 4929: 4927: 4924: 4922: 4919: 4918: 4916: 4912: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4877: 4875: 4871: 4865: 4862: 4860: 4857: 4855: 4852: 4850: 4847: 4845: 4842: 4840: 4837: 4836: 4834: 4830: 4824: 4821: 4819: 4816: 4814: 4811: 4809: 4806: 4804: 4801: 4799: 4796: 4794: 4791: 4790: 4788: 4784: 4778: 4775: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4748: 4745: 4743: 4740: 4738: 4735: 4734: 4732: 4730: 4726: 4720: 4717: 4715: 4712: 4710: 4709:P. B. Shelley 4707: 4705: 4702: 4700: 4697: 4695: 4692: 4690: 4689:Mary Robinson 4687: 4685: 4682: 4680: 4677: 4675: 4672: 4670: 4667: 4665: 4662: 4660: 4657: 4655: 4652: 4650: 4647: 4645: 4642: 4640: 4637: 4635: 4632: 4630: 4627: 4625: 4622: 4620: 4617: 4615: 4612: 4610: 4607: 4606: 4604: 4602: 4596: 4590: 4587: 4585: 4582: 4580: 4577: 4575: 4572: 4570: 4567: 4565: 4562: 4560: 4557: 4555: 4552: 4550: 4547: 4545: 4542: 4540: 4537: 4535: 4532: 4530: 4527: 4525: 4522: 4520: 4517: 4515: 4512: 4510: 4507: 4505: 4502: 4500: 4497: 4495: 4492: 4490: 4487: 4485: 4482: 4481: 4479: 4475: 4469: 4466: 4464: 4461: 4459: 4456: 4454: 4451: 4449: 4446: 4444: 4441: 4439: 4436: 4434: 4431: 4429: 4426: 4424: 4421: 4419: 4418:Chateaubriand 4416: 4414: 4411: 4409: 4406: 4405: 4403: 4401: 4397: 4391: 4388: 4386: 4383: 4381: 4378: 4376: 4373: 4371: 4368: 4366: 4363: 4361: 4358: 4356: 4353: 4351: 4348: 4346: 4343: 4341: 4338: 4336: 4333: 4331: 4328: 4326: 4323: 4322: 4320: 4316: 4313: 4311: 4307: 4301: 4298: 4296: 4295: 4291: 4289: 4286: 4284: 4281: 4279: 4276: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4256: 4254: 4251: 4249: 4248: 4247:Mal du siècle 4244: 4242: 4239: 4235: 4232: 4230: 4227: 4226: 4225: 4222: 4220: 4217: 4215: 4214: 4210: 4208: 4205: 4203: 4200: 4199: 4197: 4193: 4187: 4184: 4182: 4179: 4177: 4174: 4172: 4169: 4167: 4166: 4162: 4160: 4157: 4153: 4152: 4148: 4147: 4146: 4143: 4141: 4138: 4136: 4133: 4131: 4128: 4126: 4123: 4121: 4118: 4116: 4113: 4111: 4108: 4106: 4103: 4101: 4098: 4096: 4093: 4091: 4088: 4086: 4083: 4081: 4078: 4076: 4073: 4071: 4068: 4067: 4065: 4061: 4055: 4052: 4050: 4047: 4045: 4042: 4040: 4037: 4035: 4032: 4030: 4027: 4025: 4022: 4020: 4017: 4015: 4012: 4009: 4007: 4004: 4002: 3999: 3998: 3996: 3992: 3988: 3981: 3976: 3974: 3969: 3967: 3962: 3961: 3958: 3952: 3950: 3945: 3943: 3940: 3937: 3933: 3929: 3927: 3923: 3920: 3912: 3908: 3905: 3903: 3899: 3896: 3894: 3891: 3889: 3885: 3882: 3880: 3876: 3873: 3871: 3867: 3864: 3863: 3857: 3854: 3852: 3849: 3847: 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3233: 3227: 3225: 3223: 3221: 3219: 3217: 3215: 3213: 3211: 3209: 3207: 3205: 3203: 3199: 3193: 3191: 3189: 3187: 3185: 3181: 3177: 3171: 3168: 3164: 3158: 3155: 3149: 3146: 3142: 3136: 3133: 3130: 3126: 3123: 3119: 3113: 3110: 3104: 3101: 3097: 3091: 3088: 3085:Levy, p. 127. 3082: 3079: 3075: 3071: 3069: 3061: 3058: 3052: 3049: 3045: 3039: 3036: 3032: 3026: 3023: 3019: 3014: 3011: 3007: 3001: 2998: 2992: 2989: 2983: 2980: 2974: 2971: 2965: 2962: 2958: 2954: 2950: 2945: 2942: 2938: 2932: 2929: 2925: 2921: 2915: 2912: 2906: 2903: 2897: 2894: 2888: 2885: 2879: 2876: 2871: 2869:9781107189225 2865: 2861: 2854: 2851: 2846: 2844:9781107189225 2840: 2836: 2829: 2826: 2821: 2819:9781107189225 2815: 2811: 2804: 2801: 2795: 2792: 2786: 2783: 2777: 2774: 2768: 2765: 2761: 2755: 2752: 2746: 2743: 2737: 2734: 2728: 2725: 2719: 2716: 2710: 2707: 2703: 2697: 2694: 2690: 2684: 2681: 2677: 2671: 2668: 2662: 2659: 2653: 2650: 2646: 2640: 2637: 2631: 2628: 2622: 2619: 2607: 2605:9781611485509 2601: 2597: 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1861: 1858: 1854: 1852: 1848: 1844: 1831: 1827: 1820: 1813: 1810: 1804: 1799: 1795: 1794: 1786: 1783: 1777: 1772: 1768: 1765: 1761: 1758: 1757: 1752: 1749: 1745: 1743: 1739: 1736: 1735: 1730: 1727: 1726: 1725:Mark Akenside 1720: 1717: 1713: 1710: 1706: 1703: 1699: 1696: 1694: 1688: 1685: 1682: 1678: 1676: 1672: 1669: 1665: 1662: 1661: 1656: 1653: 1649: 1646: 1642: 1640: 1636: 1633: 1632: 1627: 1625: 1621: 1618: 1614: 1611: 1607: 1604: 1603: 1598: 1595: 1591: 1588: 1584: 1581: 1579: 1574: 1572: 1568: 1565: 1561: 1557: 1556: 1550: 1549: 1544: 1542: 1538: 1537: 1536: 1534: 1533: 1522: 1519: 1517: 1514: 1512: 1509: 1508: 1506: 1498: 1495: 1493: 1490: 1488: 1485: 1484: 1479: 1474: 1467:List of works 1466: 1464: 1462: 1457: 1455: 1451: 1450:James Thomson 1447: 1443: 1439: 1435: 1431: 1427: 1423: 1415: 1413: 1410: 1406: 1403:According to 1401: 1399: 1395: 1391: 1386: 1381: 1377: 1373: 1368: 1367:Enlightenment 1364: 1363: 1356: 1353: 1346: 1343: 1342:Tut. Solution 1337: 1335: 1331: 1327: 1323: 1319: 1318:Sunday school 1315: 1311: 1310:Sarah Trimmer 1306: 1302: 1298: 1294: 1290: 1286: 1282: 1281:William Blake 1278: 1274: 1270: 1268: 1267: 1262: 1258: 1254: 1250: 1246: 1242: 1237: 1235: 1234: 1229: 1225: 1220: 1219: 1214: 1213: 1205: 1204: 1198: 1193: 1189: 1185: 1175: 1172: 1167: 1158:(lines 39–49) 1153: 1128: 1126: 1123: 1119: 1115: 1111: 1106: 1104: 1098: 1096: 1093: 1089: 1085: 1081: 1074: 1070: 1066: 1062: 1058: 1057: 1051: 1047: 1045: 1041: 1037: 1033: 1029: 1024: 1022: 1021: 1016: 1012: 1008: 1002: 994: 992: 989: 985: 980: 976: 968: 964: 960: 958: 957: 952: 948: 944: 938: 934: 933:women poets: 932: 928: 924: 916: 911: 904: 899: 897: 895: 894:Bluestockings 892: 888: 885:In 2008, the 883: 881: 877: 873: 868: 866: 861: 858: 853: 851: 847: 843: 839: 835: 831: 826: 821: 819: 815: 811: 807: 803: 794: 787: 780: 775: 774: 768: 764: 761: 711: 710: 706: 704: 699: 695: 689: 685: 683: 682: 677: 673: 669: 665: 664:Church Street 661: 653: 651: 649: 645: 641: 637: 633: 629: 625: 621: 617: 613: 608: 606: 602: 598: 594: 586: 582: 577: 570: 568: 566: 560: 558: 554: 550: 545: 543: 539: 531: 529: 527: 523: 519: 515: 514: 509: 508: 503: 497: 495: 494: 486: 482: 480: 476: 472: 466: 464: 457: 455: 451: 446: 444: 440: 436: 432: 428: 420: 418: 415: 411: 407: 403: 399: 395: 391: 386: 384: 380: 372: 368: 364: 361: 356: 352: 349: 345: 341: 337: 333: 325: 320: 313: 311: 309: 305: 301: 293: 291: 289: 285: 280: 276: 275: 269: 267: 263: 259: 258:enlightenment 255: 250: 245: 243: 239: 235: 231: 227: 223: 216: 190: 160: 133: 129: 123: 120: 118: 115: 113: 110: 108: 105: 104: 102: 98: 91: 88: 87: 85: 81: 77: 68: 64: 60: 53: 49: 45: 40: 33: 30: 19: 6376: 6369: 6362: 6346: 6066:Porto-Alegre 5720:Philosophers 5604:Rachmaninoff 5053:Chavchavadze 5043:Baratashvili 4803:João de Deus 4772:Wincenty Pol 4608: 4564:Küchelbecker 4292: 4258:Noble savage 4245: 4211: 4186:Wallenrodism 4163: 4149: 4080:Coppet group 4014:(literature) 3948: 3902:Google Books 3846:Online books 3839: 3822:Online books 3812: 3773: 3767: 3759: 3745: 3717: 3711: 3707: 3692: 3688: 3674: 3660: 3646: 3635:. Retrieved 3628:the original 3611: 3607: 3598: 3581: 3571:, retrieved 3567:the original 3551: 3521: 3517: 3513: 3498: 3484: 3464: 3458: 3416: 3410: 3388: 3374: 3360: 3353: 3344: 3330: 3323: 3314: 3287: 3273: 3259: 3248:Bibliography 3178:, pp. 47–48. 3175: 3170: 3162: 3157: 3148: 3140: 3135: 3120:. Quoted in 3117: 3112: 3103: 3095: 3090: 3081: 3073: 3067: 3060: 3051: 3043: 3038: 3030: 3025: 3017: 3013: 3005: 3000: 2991: 2982: 2973: 2964: 2956: 2948: 2944: 2936: 2931: 2923: 2919: 2914: 2905: 2896: 2887: 2878: 2859: 2853: 2834: 2828: 2809: 2803: 2794: 2785: 2776: 2767: 2759: 2758:Suvir Kaul, 2754: 2745: 2736: 2727: 2718: 2709: 2701: 2696: 2688: 2683: 2675: 2670: 2661: 2656:Ross, p. 94. 2652: 2644: 2639: 2630: 2621: 2609:. Retrieved 2594: 2587: 2579: 2574: 2565: 2557: 2552: 2543: 2534: 2526: 2521: 2512: 2503: 2495: 2488:. 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Shelley 4659:de Quincey 4524:Günderrode 4408:Baudelaire 4288:Wanderlust 4125:Lake Poets 3438:10023/5653 3343:Murch, J. 3174:Barbauld, 2556:McCarthy, 2525:McCarthy, 2457:McCarthy, 2414:McCarthy, 2392:McCarthy, 2379:McCarthy, 2366:McCarthy, 2317:McCarthy, 2154:, pp. 191. 2150:McCarthy, 2053:McCarthy, 2040:McCarthy, 1983:McCarthy, 1970:McCarthy, 1957:McCarthy, 1931:McCarthy, 1918:McCarthy, 1905:McCarthy, 1405:Lucy Aikin 1320:movement, 1259:, and the 1122:Juvenalian 1032:Parliament 1028:Dissenters 951:Adam Smith 891:celebrated 852:despised. 850:modernists 846:Victorians 698:Literature 605:Church Row 549:Dissenters 454:Lucy Aikin 435:John Aikin 379:John Aikin 336:John Aikin 324:John Aikin 314:Early life 300:Lucy Aikin 83:Occupation 6371:Modernism 6031:Kiprensky 5991:Géricault 5976:Friedrich 5966:Delacroix 5941:Constable 5921:Bonington 5911:Bierstadt 5863:Senancour 5838:Schelling 5793:Lamennais 5788:Khomyakov 5753:Coleridge 5748:Chaadayev 5655:Stanković 5650:Mokranjac 5569:Balakirev 5528:Moniuszko 5477:Donizetti 5472:Cherubini 5370:Meyerbeer 5355:Marschner 5330:Beethoven 5243:Moscheles 5177:Musicians 5163:Wergeland 5128:Orbeliani 5083:Grundtvig 4987:Hawthorne 4956:Zhukovsky 4951:Vyazemsky 4936:Lermontov 4895:Gutiérrez 4854:Radičević 4818:Herculano 4742:Krasiński 4684:Radcliffe 4654:Coleridge 4629:E. 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Brontë 4554:Jean Paul 4549:Hölderlin 4438:Lamartine 4375:Magalhães 4365:Guimarães 4273:Pantheism 4263:Nostalgia 4115:Indianism 4063:Movements 3994:Countries 3934:from the 3932:available 3794:144947971 3738:143092185 3542:162354886 3471:: 37–63. 3447:159819711 2383:, p. 481. 2321:, p. 615. 1909:, p. xvi. 1778:Citations 1691:Odes, by 1657:1792–96: 1372:chemistry 882:in 1874. 867:in 2009. 676:New River 593:Hampstead 553:Anglicans 485:children: 402:Unitarian 310:in 1940. 112:education 78:, England 61:, England 6383:Category 6199:Dahlhaus 6184:Blanning 6151:Scholars 6121:Tropinin 6116:Tidemand 6106:Stattler 6101:Scheffer 6001:Głowacki 5971:Edelfelt 5926:Bryullov 5868:Snellman 5843:Schiller 5833:Rousseau 5813:Michelet 5758:Constant 5728:Belinsky 5701:Sibelius 5645:Konjović 5619:Scriabin 5589:Lyapunov 5523:Lipiński 5492:Spontini 5482:Paganini 5426:Goldmark 5217:Thalberg 5212:Schubert 5192:Bruckner 5153:Topelius 5143:Runeberg 5133:Prešeren 5103:Leopardi 5068:Frashëri 5058:Eminescu 5038:Andersen 4946:Tyutchev 4931:Karamzin 4905:Zorrilla 4900:Saavedra 4798:Castilho 4786:Portugal 4777:Słowacki 4679:Polidori 4609:Barbauld 4544:Hoffmann 4499:Brentano 4413:Bertrand 4234:Romantic 4070:Ancients 4044:Scotland 3911:LibriVox 3235:Archived 3125:Archived 2560:, p. xv. 2461:p. xvii. 2057:, p. 36. 2044:, p. 31. 2031:, p. 30. 1987:, p. 32. 1948:, p. 23. 1156:— 1013:(1791), 1009:(1790), 931:Romantic 628:Test Act 450:Huguenot 360:classics 18:Barbauld 6224:Lovejoy 6159:Abraham 6081:Richard 6071:Préault 5996:Girodet 5878:Thoreau 5823:Novalis 5808:Mazzini 5803:Maistre 5778:Hazlitt 5763:Emerson 5743:Carlyle 5733:Berchet 5676:Berwald 5671:Bennett 5640:Hristić 5594:Medtner 5574:Borodin 5564:Arensky 5487:Rossini 5462:Bellini 5441:Joachim 5414:Hungary 5395:Strauss 5323:Germany 5289:Berlioz 5258:Voříšek 5253:Smetana 5231:Czechia 5185:Austria 5118:Maturin 5113:Manzoni 5088:Heliade 5063:Foscolo 5033:Alfieri 5028:Abovian 4982:Emerson 4941:Pushkin 4880:Bécquer 4813:Garrett 4767:Potocki 4714:Southey 4674:Maturin 4644:Carlyle 4601:Britain 4574:Novalis 4529:Gutzkow 4477:Germany 4443:Mérimée 4428:Gautier 4355:Barreto 4350:Azevedo 4330:Alencar 4310:Writers 4229:Byronic 4165:Purismo 4019:Germany 4001:Denmark 3886:at the 3868:at the 2611:11 June 2490:11 June 2209:12 June 2183:12 June 1922:, p. 7. 1883:3817729 1836:12 June 1558:. 1777. 1390:murders 1114:Britain 1095:planter 636:abolish 502:Charles 471:Suffolk 294:Sources 260:and of 240:and a " 151: 143: 139: 122:history 100:Subject 6249:Wellek 6229:de Man 6214:Janion 6204:Ferber 6179:Berlin 6174:Beiser 6169:Barzun 6164:Abrams 6141:Wiertz 6126:Turner 6076:Révoil 6061:Palmer 6051:Martin 6046:Leutze 6021:Janmot 5981:Fuseli 5936:Church 5828:Quinet 5818:Müller 5773:Goethe 5768:Fichte 5691:Franck 5633:Serbia 5584:Glinka 5557:Russia 5543:Tausig 5538:Stolpe 5518:Chopin 5506:Poland 5467:Busoni 5431:Heller 5400:Wagner 5335:Brahms 5309:Onslow 5299:Halévy 5267:France 5248:Reicha 5238:Dvořák 5207:Mahler 5202:Hummel 5197:Czerny 5093:Isaacs 5073:Geijer 5007:Lowell 4997:Irving 4977:Cooper 4972:Bryant 4914:Russia 4849:Njegoš 4844:Kostić 4839:Jakšić 4832:Serbia 4762:Norwid 4737:Fredro 4729:Poland 4699:Seward 4589:Uhland 4579:Schwab 4569:Mörike 4559:Kleist 4514:Goethe 4509:Fouqué 4458:Nodier 4453:Nerval 4448:Musset 4400:France 4390:Varela 4385:Taunay 4370:Macedo 4318:Brazil 4268:Ossian 4195:Themes 4034:Poland 4029:Norway 4011:France 3951:(1825) 3810:about 3792: 3752: 3736: 3699: 3681: 3667: 3653: 3637:11 May 3588: 3573:11 May 3559: 3540: 3505: 3491: 3445: 3395: 3381: 3337: 3294: 3280: 3266: 2866: 2841: 2816: 2602: 2481: 2216:child. 2174: 1888:6 June 1881: 1769:1826: 1762:1825: 1753:1812: 1746:1811: 1740:1810: 1731:1810: 1721:1805: 1714:1805: 1707:1804: 1700:1802: 1689:1800: 1679:1798: 1673:1794: 1670:(1793) 1666:1793: 1650:1792: 1643:1792: 1637:1792: 1628:1791: 1622:1790: 1615:1788: 1608:1787: 1599:1781: 1592:1779: 1585:1778: 1575:1778: 1569:1775: 1562:1773: 1545:1773: 1539:1768: 1475:about 1378:, and 1354:(1793) 1287:, and 1251:, and 1190:; 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