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Literary criticism

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religion; it was a form of entertainment. Literary criticism was influenced by the values and stylistic writing, including clear, bold, precise writing and the more controversial criteria of the author's religious beliefs. These critical reviews were published in many magazines, newspapers, and journals. The commercialization of literature and its mass production had its downside. The emergent literary market, which was expected to educate the public and keep them away from
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and prejudice, increasingly diverged from the idealistic control of the Enlightenment theoreticians so that the business of Enlightenment became a business with the Enlightenment. This development – particularly of emergence of entertainment literature – was addressed through an intensification of
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draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works,
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rates started to rise in the public; no longer was reading exclusive for the wealthy or scholarly. With the rise of the literate public, the swiftness of printing and commercialization of literature, criticism arose too. Reading was no longer viewed solely as educational or as a sacred source of
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was very far from spent as a cultural force, it was to be gradually challenged by a rival movement, namely Baroque, that favoured the transgressive and the extreme, without laying claim to the unity, harmony, or decorum that supposedly distinguished both nature and its greatest imitator, namely
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Among the issues within the history of literature with which book history can be seen to intersect are: the development of authorship as a profession, the formation of reading audiences, the constraints of censorship and copyright, and the economics of literary form.
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However important all of these aesthetic movements were as antecedents, current ideas about literary criticism derive almost entirely from the new direction taken in the early twentieth century. Early in the century the school of criticism known as
1385:– that is, "wit" or "humor" of a certain sort – more highly than the serious Anglophone Romanticism. The late nineteenth century brought renown to authors known more for their literary criticism than for their own literary work, such as 1198:, proclaiming literature as central to culture, entrusting the poet and the author with preservation of a long literary tradition. The birth of Renaissance criticism was in 1498, with the recovery of classic texts, most notably, 1368:
ideas to literary studies, including the idea that the object of literature need not always be beautiful, noble, or perfect, but that literature itself could elevate a common subject to the level of the
1462:: knowledge via interpretation to understand the meaning of human texts and symbolic expressions – including the interpretation of texts which themselves interpret other texts. 1611:. Principally concerned with the production, circulation, and reception of texts and their material forms, book history seeks to connect forms of textuality with their material aspects. 1528:, also remain active. Disagreements over the goals and methods of literary criticism, which characterized both sides taken by critics during the "rise" of theory, have declined. 1492:
was more or less dominant until the late 1960s. Around that time Anglo-American university literature departments began to witness a rise of a more explicitly philosophical
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of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists.
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in Britain and in the United States, came to dominate the study and discussion of literature in the English-speaking world. Both schools emphasized the
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Normal Circumstances, Literal Language, Direct Speech Acts, the Ordinary, the Everyday, the Obvious, What Goes Without Saying, and Other Special Cases
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as a universal language of images and as a supreme intellectual act, at once an artifice and an epistemologically privileged mode of access to truth.
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The seventeenth-century witnessed the first full-fledged crisis in modernity of the core critical-aesthetic principles inherited from
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Literary criticism is often published in essay or book form. Academic literary critics teach in literature departments and publish in
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have had a profound influence on the study of secular texts. This was particularly the case for the literary traditions of the three
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has sought to develop new ways of reading and responding to literary texts that go beyond the interpretive methods of
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Some critics work largely with theoretical texts, while others read traditional literature; interest in the literary
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Literary criticism is thought to have existed as far back as the classical period. In the 4th century BC
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largely coexist in university literature departments, while conventional methods, some informed by the
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was influenced by his own adulterous affairs to reject classic literature that condemned adultery.
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The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience
1242:, that had long governed, guaranteed, and stabilized Western thinking about artworks. Although 5481: 5415: 5410: 5337: 5205: 5124: 5034: 4961: 4936: 4832: 4517: 4307: 3993: 3915: 3905: 3868: 3837: 3811: 3801: 3776: 3751: 3715: 3705: 3656: 3646: 3516: 3345: 3189: 2909: 2185: 1661: 1641: 1399: 1218:, was the most important influence upon literary criticism until the late eighteenth century. 1155: 1140: 1117: 939: 908: 898: 672: 573: 446: 431: 380: 277: 3901: 3890: 1110:'s attacks on poetry as imitative, secondary, and false were formative as well. The Sanskrit 5237: 5119: 5089: 5054: 5011: 4971: 4931: 4921: 4886: 4871: 4827: 4807: 4782: 4652: 4637: 4482: 4322: 4178: 3964: 3613: 3608: 3507: 3449: 3416: 3384: 3306: 3207: 3132: 3112: 3094: 3023: 2988: 2900: 2864: 2815: 2522: 2494: 2371: 2117: 1713: 1600: 1544: 1282: 1274: 1016: 849: 595: 553: 456: 265: 2438:: letters to Benjamin Bailey, George & Thomas Keats, John Taylor, and Richard Woodhouse 5094: 5049: 4976: 4956: 4946: 4822: 4777: 4742: 4737: 4682: 4672: 4547: 4432: 4287: 4282: 4209: 3458: 3375: 3216: 3172: 3150: 2891: 2806: 2736: 2727: 2588: 2560: 2248: 1990: 1799: 1718: 1629: 1608: 1517: 1493: 1415: 1222:
was one of the most influential Renaissance critics who wrote commentaries on Aristotle's
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Beyond the Line: Classical Arabic Literary Critics on the Coherence and Unity of the Poem
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criticism often focused on religious texts, and the several long religious traditions of
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Whether or not literary criticism should be considered a separate field of inquiry from
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How to Do Literary Analysis: An Experimental Reflection Based on the Yellow Wall-Paper
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Formalism, Experience, and the Making of American Literature in the Nineteenth Century
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A Philosophical Inquiry into the Origins of Our Ideas of the Sublime and the Beautiful
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of texts, elevating it far above generalizing discussion and speculation about either
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Composed in the mid-14th century – most probably by a french physician
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is still great, but many critics are also interested in nontraditional texts and
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Androids in the Enlightenment: Mechanics, Artisans, and Cultures of the Self
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was created from a revision of this article dated 18 October 2006
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Reading 1759: Literary Culture in Mid-Eighteenth-Century Britain and France
1289:(The Aristotelian Telescope) in 1654. This seminal treatise – inspired by 5506: 5114: 4382: 4372: 4163: 3498: 1965: 1885: 1867: 1572: 1333: 1302: 1265: 1163: 1132: 1124: 803: 743: 533: 178: 158: 1332:(1700s–1800s), literary criticism became more popular. During this time 1281:), were not fully developed in literary theory until the publication of 5129: 4437: 4417: 4387: 3542: 2799: 2001: 1956: 1894: 1458:), described literary critical theory in literary studies as a form of 1252: 1248: 1239: 1099: 775: 652: 538: 521: 402: 370: 355: 340: 198: 3645:(2nd ed.). Baltimore, Md.: Johns Hopkins University Press. 2005. 1352:, which one critic described as "the detestable story of the Yahoos". 5521: 4427: 4362: 4170: 1995: 1981: 1849: 1194:
developed classical ideas of unity of form and content into literary
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have drawn connections between literature and the natural sciences.
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is a field of interdisciplinary inquiry drawing on the methods of
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Degenerate Moderns: Modernity as Rationalized Sexual Misbehaviour
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The Agency of the Letter in the Unconscious or Reason Since Freud
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Structure, Sign, and Play in the Discourse of the Human Sciences
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Literary criticism was also employed in other forms of medieval
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The Metaphorical Process as Cognition, Imagination, and Feeling
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Epic and Novel: Toward a Methodology for the Study of the Novel
3992:. New York, New York: Cambridge University Press. p. 69. 1377:, which followed closely after the late development of German 1260: 677: 25: 5145: 4135:"A Bibliography of Literary Theory, Criticism and Philology" 4029: 3836:. Lewisburg : Bucknell University Press. pp. 125–130. 3750:. Cambridge, UK: Cambridge University Press. p. 82. 3966:
Clio Or, a Discourse on Taste: Addressed to a Young Lady
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The Johns Hopkins Guide to Literary Theory and Criticism
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In the British and American literary establishment, the
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movement of the early nineteenth century introduced new
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The Johns Hopkins Guide to Literary Theory and Criticism
3675:"Literary Theory | Internet Encyclopedia of Philosophy" 2949:
The Ideal of the Harmonious Man in Bourgeois Aesthetics
3337:"A Waking Dream": The Symbolic Alternative to Allegory 3867:. Lincoln: University of Nebraska Press. p. 25. 3046:
Toward a More Adequate Criticism of Poetic Structure
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Major twentieth-century schools of critical analysis
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Study, evaluation, and interpretation of literature
3889: 3638: 3547:Some Modest Proposals for the Reform of Literature 3463:Blurred Genres: The Refiguration of Social Thought 3194:Literary History as a Challenge to Literary Theory 2851:On the Relation of Analytical Psychology to Poetry 2509:Critical Essays; History of the Italian Literature 1591:Related to other forms of literary criticism, the 2618:Contribution to the Critique of Political Economy 2392:Literature in its Relation to Social Institutions 4144:Collection of Critical and Biographical Websites 3934:"Contemporary Women's Writing | Oxford Academic" 3865:A History of German Literary Criticism: 173–1980 2158:The Advancement and Reformation of Modern Poetry 2750:The Aesthetics of Thomas Aquinas; The Open Work 2122:Of the Three Unities of Action, Time, and Place 1297:and the work of the Spanish Jesuit philosopher 1106:, which are still crucial in literary studies. 4042: 3748:The Rise of the Public in Enlightenment Europe 2811:On Language as Such and On the Language of Man 1012:while theory may be more general or abstract. 1007:is a matter of some controversy. For example, 5161: 4186: 4167:. United States: Harcourt, Brace and Company. 2580:The Function of Criticism at the Present Time 2401:On the Relation of the Plastic Arts to Nature 1098:developed for the first time the concepts of 957: 8: 4142:Internet Public Library: Literary Criticism 3538:Manifesto: Towards a Free Revolutionary Art 1023:in broadly circulating periodicals such as 5461: 5168: 5154: 5146: 4193: 4179: 4171: 4153:Truman Capote Award for Literary Criticism 3704:. Leiden: Brill Publishers. pp. 1–2. 2860:The Formalist School of Poetry and Marxism 2593:History of English Literature and Language 2410:Shakespeare's Judgment Equal to His Genius 964: 950: 591: 398: 299: 129: 2657:Studies in the History of the Renaissance 2336:Letters on the Aesthetic Education of Man 2261:Letters & Essays in Prose & Verse 1019:, and more popular critics publish their 116:Learn how and when to remove this message 4059:, and does not reflect subsequent edits. 3800:. New York: Skyhorse. pp. 132–133. 3472:The Foundation and Manifesto of Futurism 3407:The Historical Text as Literary Artifact 2648:Truth and Falsity in an Ultramoral Sense 1899:The Nature and Domain of Sacred Doctrine 3827: 3825: 3630: 2149:An Essay Concerning Human Understanding 1547:read popular texts like comic books or 1116:includes literary criticism on ancient 879: 826: 788: 730: 700: 632: 594: 585: 506: 401: 392: 332: 302: 235: 148: 132: 2017:A Discussion of Literature and Meaning 1238:, such as proportion, harmony, unity, 3681:from the original on 27 November 2020 3019:Standard Language and Poetic Language 2414:On the Principles of Genial Criticism 2062:On the Defense of the Comedy of Dante 2044:of Aristotle Translated and Explained 1575:. Many literary critics also work in 1563:studies literature in the context of 1247:ancient art. The key concepts of the 7: 3855: 3853: 3832:Regan, Shaun; Dawson, Books (2013). 2297:A Vindication of the Rights of Woman 2267:Clio: or a Discourse on Taste (1767) 1214:. The work of Aristotle, especially 54:adding citations to reliable sources 4126:Internet Encyclopedia of Philosophy 3798:The Library: An Illustrated History 3298:The World, the Text, and the Critic 2829:Tradition and the Individual Talent 2315:Annotations to Reynolds' Discourses 2235:Conjectures on Original Composition 2176:On the Pleasures of the Imagination 1543:, while some critics influenced by 1322:Samuel Johnson's literary criticism 4593:Friedrich Wilhelm Joseph Schelling 4112:Dictionary of the History of Ideas 3944:from the original on 7 August 2019 3736:(Bologna: Il Mulino, 2005), 21–22. 3494:The Declaration of 27 January 1925 3263:The Dialectics of Poetic Tradition 3077:The Metaphoric and Metonymic Poles 2971:Literature as Equipment for Living 2397:Friedrich Wilhelm Joseph Schelling 14: 3389:Literary Commentary as Literature 3010:Irony as a Principle of Structure 2869:The Theory of the "Formal Method" 2382:Preface to the Second Edition of 2023:The Twenty-Four Classes of Poetry 1808:List of American literary critics 1751:Psychoanalytic literary criticism 1162:from the 9th century, notably by 4336: 4164:Principles of literary criticism 4041: 2768:Creative Writers and Daydreaming 2112:Answer to Davenant's preface to 1567:influences on human nature. And 1080:Classical and medieval criticism 933: 140: 30: 3746:Van Horn Melton, James (2001). 3267:Poetry, Revisionism, Repression 3146:Aspects of the Theory of Syntax 2576:Preface to the 1853 Edition of 1912:Letter to Cangrande Della Scala 1484:approach to literary criticism. 1480:were influential in developing 1356:19th-century Romantic criticism 41:needs additional citations for 5512:Appraisal (discourse analysis) 3700:van. Gelder, G. J. H. (1982). 3353:: Capitalism and Schizophrenia 3289:Is There a Text in This Class? 3064:Cultural Criticism and Society 2307:The Marriage of Heaven or Hell 1934:The Book of the City of Ladies 1813:Classical and medieval periods 1190:The literary criticism of the 1032:The New York Times Book Review 1: 4663:Charles Augustin Sainte-Beuve 4633:Georg Wilhelm Friedrich Hegel 4588:Anne Louise Germaine de Staël 3863:; Berghahn, Klaus L. (1988). 2918:Criticism as Pure Speculation 2777:Course in General Linguistics 2699:The Book: A Spiritual Mystery 2541:Charles Augustin Sainte-Beuve 2486:Georg Wilhelm Friedrich Hegel 2388:Anne Louise Germaine de Staël 2323:A Vision of the Last Judgment 2071:Discourses on the Heroic Poem 1925:Genealogy of the Gentile Gods 1890:The Consolation of Philosophy 1762:Race and sexuality approaches 1741:Archetypal literary criticism 1455:Knowledge and Human Interests 1026:The Times Literary Supplement 3231:From One Identity to Another 2786:The Structural Study of Myth 2477:Conversations with Eckermann 2258:Richard "Conversation" Sharp 1872:On the Intellectual Beauties 1541:Contemporary Women's Writing 1287:Il Cannocchiale aristotelico 1038:The New York Review of Books 5553:Interpretation (philosophy) 3512:Sensation and New Sensation 3445:How to Do Things with Texts 3248:The Rhetoric of Temporality 2962:Poetry and Abstract Thought 2695:The Evolution of Literature 2628:Two Ages: A Literary Review 2080:The Advancement of Learning 1804:Feminist literary criticism 1768:African-American literature 1724:Feminist literary criticism 1682:Semiotic literary criticism 1516:Today, approaches based in 5574: 4628:Johann Wolfgang von Goethe 3888:Jones, E. Michael (1991). 3771:Voskuhl, Adelheid (2013). 3481:Unpretentious Proclamation 3164:The Structuralist Activity 2914:Poetry: A Note in Ontology 2795:Romanticism and Classicism 2675:The Adventures of the Soul 2490:The Philosophy of Fine Art 2473:Johann Wolfgang von Goethe 2446:The World as Will and Idea 2131:An Essay of Dramatic Poesy 1797: 1709:Marxist literary criticism 1561:Darwinian literary studies 1430:published the influential 18: 5100:Filippo Tommaso Marinetti 4493:Nicolas Boileau-Despréaux 4334: 4303:Reader-response criticism 4133:José Ángel García Landa. 4090:Resources in your library 3604:Philosophy and literature 3468:Filippo Tommaso Marinetti 3328:The Madwoman in the Attic 3324:Infection in the Sentence 3311:Toward a Feminist Poetics 3185:The Discourse on Language 3128:and the Essence of Poetry 2905:The Notion of Expenditure 2136:Nicolas Boileau-Despréaux 1986:A Discourse on Literature 1677:Reader-response criticism 1402:, and slightly later the 1342:criticism. Many works of 4543:Gotthold Ephraim Lessing 4298:Psychoanalytic criticism 3490:The Surrealist Manifesto 3436:On Textual Understanding 3258:The Anxiety of Influence 3212:The Country and the City 3203:Phenomenology of Reading 3137:Objective Interpretation 3006:The Heresy of Paraphrase 2759:Poetry for Poetry's Sake 2644:from the Spirit of Music 2240:Gotthold Ephraim Lessing 2208:Of the Standard of Taste 1996:Rhymeprose on Literature 1735:Psychological approaches 1450:Erkenntnis und Interesse 1301:– developed a theory of 21:Literary Criticism (UIL) 5456:Criticism of technology 4598:Samuel Taylor Coleridge 4105:Encyclopædia Britannica 3796:Murray, Stuart (2009). 3371:The Laugh of the Medusa 3221:The Liberal Imagination 3168:The Death of the Author 2993:The Intentional Fallacy 2953:Art and Objective Truth 2833:Hamlet and His Problems 2456:The Four Ages of Poetry 2406:Samuel Taylor Coleridge 2319:A Descriptive Catalogue 1961:The Invention of Poetry 1952:Inquiry into Literature 1309:Enlightenment criticism 1176:Abdullah ibn al-Mu'tazz 4318:Sociological criticism 4288:Postcolonial criticism 4223:Biographical criticism 4037: 4017:Listen to this article 3734:L’estetica del Barocco 3574:Comparative literature 3362:The Sacrificial Crisis 3244:Semiology and Rhetoric 3117:The Nature of Language 2927:A Critic's Job of Work 2666:The Experimental Novel 2418:The Statesman's Manual 2353:On Incomprehensibility 2311:Letter to Thomas Butts 1624:Historicist approaches 1522:continental philosophy 1506:Continental philosophy 1485: 1325: 1050:Dublin Review of Books 1044:London Review of Books 998:philosophical analysis 5258:Intellectual property 4763:Ferdinand de Saussure 4346:Theorists and critics 4036: 3619:Translation criticism 3521:Cannibalist Manifesto 3380:Beyond Interpretation 3276:Colonialist Criticism 2997:The Affective Fallacy 2773:Ferdinand de Saussure 2703:Mystery in Literature 2276:The Paradox of Acting 2167:An Essay on Criticism 2053:An Apology for Poetry 1881:On Christian Doctrine 1798:Further information: 1605:history of literature 1504:, and other kinds of 1470:Ferdinand de Saussure 1468: 1316: 1186:Renaissance criticism 1168:al-Bayan wa-'l-tabyin 940:Literature portal 5451:Criticism of science 5440:Science, technology, 4668:James Russell Lowell 4643:Francesco De Sanctis 4623:Percy Bysshe Shelley 4603:Wilhelm von Humboldt 4448:Lodovico Castelvetro 4233:Cultural materialism 4218:Archetypal criticism 4068:More spoken articles 3988:Davis, Theo (2007). 3861:Hohendahl, Peter Uwe 3599:Literary translation 3556:The Bow and the Lire 3121:Language in the Poem 3099:The Poetics of Space 3086:Anatomy of Criticism 3055:The Burning Fountain 2642:The Birth of Tragedy 2632:The Concept of Irony 2566:The Poetic Principle 2550:James Russell Lowell 2505:Francesco de Sanctis 2462:Percy Bysshe Shelley 2427:Wilhelm von Humboldt 2422:Biographia Literaria 2286:Critique of Judgment 2101:Enlightenment period 2036:Lodovico Castelvetro 1778:Critical race theory 1703:Political approaches 1636:Formalist approaches 1433:Anatomy of Criticism 1330:Enlightenment period 1251:aesthetic, such as " 1220:Lodovico Castelvetro 1145:Christian literature 1123:Later classical and 1120:and Sanskrit drama. 714:Groups and movements 65:"Literary criticism" 50:improve this article 5378:Walt Disney Company 4768:Claude Lévi-Strauss 4703:Friedrich Nietzsche 4658:Ralph Waldo Emerson 4618:Thomas Love Peacock 4613:Arthur Schopenhauer 4563:Mary Wollstonecraft 4248:Descriptive poetics 4238:Darwinian criticism 4100:Literary Criticism 3969:. Davies. p. 3 3963:Ussher, J. 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Richards 2880: 2874:Virginia Woolf 2871: 2862: 2853: 2844: 2838:Irving Babbitt 2835: 2822: 2813: 2804: 2788: 2779: 2770: 2761: 2752: 2743: 2734: 2724: 2722: 2719: 2717: 2716: 2705: 2688: 2677: 2671:Anatole France 2668: 2659: 2650: 2634: 2621: 2604: 2595: 2586: 2572:Matthew Arnold 2569: 2558: 2547: 2538: 2529: 2520: 2514:Thomas Carlyle 2511: 2502: 2492: 2483: 2470: 2459: 2448: 2439: 2433: 2424: 2403: 2394: 2385: 2375: 2363: 2361: 2358: 2356: 2355: 2338: 2329: 2300: 2289: 2278: 2269: 2263: 2255: 2246: 2237: 2228: 2213:Samuel Johnson 2210: 2201: 2192: 2183: 2172:Joseph Addison 2169: 2163:Alexander Pope 2160: 2151: 2142: 2133: 2124: 2115: 2104: 2102: 2099: 2098: 2097: 2091: 2085:Henry Reynolds 2082: 2073: 2067:Torquato Tasso 2064: 2058:Jacopo Mazzoni 2055: 2046: 2031: 2028: 2026: 2025: 2019: 2013:Wang Changling 2010: 1999: 1988: 1979: 1973:Anandavardhana 1970: 1954: 1945: 1936: 1927: 1914: 1901: 1892: 1883: 1874: 1865: 1863:On the Sublime 1856: 1847: 1834: 1816: 1814: 1811: 1795: 1792: 1791: 1790: 1785: 1780: 1775: 1770: 1764: 1763: 1759: 1758: 1753: 1748: 1743: 1737: 1736: 1732: 1731: 1726: 1721: 1716: 1711: 1705: 1704: 1700: 1699: 1694: 1689: 1684: 1679: 1674: 1672:Post-modernism 1669: 1664: 1659: 1654: 1649: 1644: 1638: 1637: 1633: 1632: 1626: 1625: 1620: 1617: 1588: 1585: 1577:film criticism 1513: 1510: 1423: 1420: 1394: 1391: 1387:Matthew Arnold 1357: 1354: 1344:Jonathan Swift 1318:Samuel Johnson 1310: 1307: 1231: 1228: 1187: 1184: 1081: 1078: 1076: 1073: 1068:The New Yorker 988:is the study, 978:arts criticism 972: 971: 969: 968: 961: 954: 946: 943: 942: 929: 928: 927: 926: 921: 916: 911: 906: 901: 896: 888: 887: 877: 876: 875: 874: 873: 872: 862: 857: 852: 847: 842: 837: 829: 828: 824: 823: 822: 821: 816: 811: 806: 801: 793: 792: 786: 785: 784: 783: 778: 773: 768: 763: 762: 761: 756: 746: 741: 733: 732: 728: 727: 724: 723: 722: 721: 716: 711: 703: 702: 698: 697: 696: 695: 690: 685: 680: 675: 670: 665: 660: 655: 650: 645: 637: 636: 630: 629: 628: 627: 622: 617: 612: 607: 599: 598: 588: 587: 583: 582: 579: 578: 577: 576: 571: 566: 561: 556: 551: 546: 541: 536: 531: 530: 529: 524: 511: 510: 504: 503: 502: 501: 496: 491: 490: 489: 484: 479: 474: 469: 464: 459: 454: 449: 444: 439: 434: 424: 419: 414: 406: 405: 395: 394: 390: 389: 386: 385: 384: 383: 378: 373: 368: 363: 358: 353: 348: 343: 335: 334: 330: 329: 328: 327: 318: 313: 305: 304: 298: 297: 292: 287: 286: 285: 275: 270: 269: 268: 263: 253: 252: 251: 238: 237: 233: 232: 231: 230: 225: 224: 223: 218: 208: 203: 202: 201: 196: 191: 186: 181: 176: 171: 166: 153: 152: 146: 145: 137: 136: 124: 123: 38: 36: 29: 15: 13: 10: 9: 6: 4: 3: 2: 5570: 5559: 5558:New Criticism 5556: 5554: 5551: 5549: 5546: 5544: 5541: 5540: 5538: 5523: 5520: 5518: 5515: 5513: 5510: 5508: 5505: 5504: 5502: 5498: 5488: 5485: 5483: 5480: 5478: 5477:Desktop Linux 5475: 5473: 5470: 5469: 5467: 5463: 5457: 5454: 5452: 5449: 5448: 5446: 5438: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5409: 5407: 5404: 5402: 5399: 5398: 5396: 5394: 5390: 5384: 5381: 5379: 5376: 5374: 5371: 5369: 5366: 5364: 5361: 5359: 5356: 5354: 5351: 5349: 5346: 5344: 5341: 5339: 5336: 5334: 5331: 5329: 5326: 5324: 5321: 5319: 5316: 5314: 5311: 5309: 5306: 5304: 5301: 5299: 5296: 5294: 5291: 5290: 5288: 5286: 5282: 5276: 5273: 5269: 5266: 5264: 5261: 5260: 5259: 5256: 5254: 5251: 5249: 5246: 5244: 5241: 5239: 5236: 5235: 5233: 5229: 5223: 5220: 5219: 5217: 5213: 5207: 5204: 5202: 5199: 5197: 5196:Art criticism 5194: 5192: 5189: 5188: 5186: 5182: 5178: 5171: 5166: 5164: 5159: 5157: 5152: 5151: 5148: 5136: 5133: 5131: 5128: 5126: 5123: 5121: 5118: 5116: 5113: 5111: 5108: 5106: 5105:Tristan Tzara 5103: 5101: 5098: 5096: 5093: 5091: 5088: 5086: 5083: 5081: 5078: 5076: 5073: 5071: 5068: 5066: 5063: 5061: 5060:Wolfgang Iser 5058: 5056: 5053: 5051: 5048: 5046: 5045:Hélène Cixous 5043: 5041: 5038: 5036: 5032: 5029: 5027: 5024: 5022: 5018: 5015: 5013: 5010: 5008: 5005: 5003: 5000: 4998: 4997:Chinua Achebe 4995: 4993: 4990: 4988: 4985: 4983: 4980: 4978: 4975: 4973: 4970: 4968: 4965: 4963: 4960: 4958: 4955: 4953: 4950: 4948: 4945: 4943: 4940: 4938: 4935: 4933: 4930: 4928: 4925: 4923: 4920: 4918: 4917:Northrop Frye 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4888: 4885: 4883: 4880: 4878: 4875: 4873: 4869: 4868:W. K. Wimsatt 4866: 4864: 4861: 4859: 4858:Kenneth Burke 4856: 4854: 4851: 4849: 4848:György Lukács 4846: 4844: 4843:Jacques Lacan 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4824: 4821: 4819: 4816: 4814: 4811: 4809: 4806: 4804: 4801: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4769: 4766: 4764: 4761: 4759: 4758:Sigmund Freud 4756: 4754: 4753:A. C. Bradley 4751: 4749: 4746: 4744: 4741: 4739: 4736: 4734: 4731: 4729: 4726: 4724: 4721: 4719: 4716: 4714: 4711: 4709: 4706: 4704: 4701: 4699: 4696: 4694: 4691: 4689: 4686: 4684: 4681: 4679: 4676: 4674: 4671: 4669: 4666: 4664: 4661: 4659: 4656: 4654: 4651: 4649: 4646: 4644: 4641: 4639: 4636: 4634: 4631: 4629: 4626: 4624: 4621: 4619: 4616: 4614: 4611: 4609: 4606: 4604: 4601: 4599: 4596: 4594: 4591: 4589: 4586: 4584: 4581: 4579: 4576: 4574: 4571: 4569: 4568:William Blake 4566: 4564: 4561: 4559: 4558:Immanuel Kant 4556: 4554: 4553:Denis Diderot 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4534: 4531: 4529: 4526: 4524: 4521: 4519: 4516: 4514: 4511: 4509: 4506: 4504: 4501: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4479: 4478:Thomas Hobbes 4476: 4474: 4471: 4469: 4468:Francis Bacon 4466: 4464: 4461: 4459: 4456: 4454: 4453:Philip Sidney 4451: 4449: 4446: 4444: 4441: 4439: 4436: 4434: 4431: 4429: 4426: 4424: 4421: 4419: 4416: 4414: 4411: 4409: 4406: 4404: 4401: 4399: 4396: 4394: 4391: 4389: 4386: 4384: 4381: 4379: 4378:St. Augustine 4376: 4374: 4371: 4369: 4366: 4364: 4361: 4359: 4356: 4354: 4351: 4350: 4348: 4344: 4339: 4329: 4326: 4324: 4321: 4319: 4316: 4314: 4311: 4309: 4306: 4304: 4301: 4299: 4296: 4294: 4291: 4289: 4286: 4284: 4281: 4279: 4278:New Criticism 4276: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4256: 4254: 4251: 4249: 4246: 4244: 4241: 4239: 4236: 4234: 4231: 4229: 4226: 4224: 4221: 4219: 4216: 4215: 4213: 4211: 4207: 4203: 4196: 4191: 4189: 4184: 4182: 4177: 4176: 4173: 4166: 4165: 4160: 4157: 4155:Award Winners 4154: 4151: 4149: 4146: 4143: 4140: 4136: 4131: 4127: 4123: 4118: 4115: 4113: 4109: 4107: 4106: 4101: 4098: 4097: 4091: 4088: 4087: 4082: 4077: 4069: 4065: 4050: 4010: 4001: 3999:9781139466561 3995: 3991: 3984: 3981: 3968: 3967: 3959: 3956: 3943: 3939: 3935: 3929: 3926: 3921: 3917: 3913: 3907: 3903: 3899: 3894: 3893: 3884: 3881: 3876: 3870: 3866: 3862: 3856: 3854: 3850: 3845: 3839: 3835: 3828: 3826: 3822: 3817: 3813: 3809: 3803: 3799: 3792: 3789: 3784: 3778: 3774: 3767: 3764: 3759: 3753: 3749: 3742: 3739: 3735: 3729: 3726: 3721: 3717: 3713: 3707: 3703: 3696: 3693: 3680: 3676: 3670: 3667: 3662: 3658: 3654: 3648: 3643: 3642: 3634: 3631: 3624: 3620: 3617: 3615: 3612: 3610: 3607: 3605: 3602: 3600: 3597: 3595: 3592: 3590: 3587: 3585: 3584:Genre studies 3582: 3580: 3579:Critical lens 3577: 3575: 3572: 3570: 3567: 3566: 3562: 3557: 3553: 3550: 3548: 3544: 3541: 3539: 3535: 3531: 3527: 3524: 3522: 3518: 3515: 3513: 3509: 3506: 3504: 3500: 3497: 3495: 3491: 3487: 3484: 3482: 3478: 3477:Tristan Tzara 3475: 3473: 3469: 3466: 3464: 3460: 3457: 3455: 3451: 3448: 3446: 3442: 3439: 3437: 3433: 3430: 3428: 3424: 3421: 3419: 3418: 3413: 3410: 3408: 3404: 3401: 3399: 3395: 3394:Wolfgang Iser 3392: 3390: 3386: 3383: 3381: 3377: 3374: 3372: 3368: 3367:Hélène Cixous 3365: 3363: 3359: 3356: 3354: 3352: 3347: 3343: 3340: 3338: 3334: 3331: 3329: 3325: 3321: 3317: 3314: 3312: 3308: 3305: 3303: 3299: 3295: 3292: 3290: 3286: 3282: 3279: 3277: 3273: 3272:Chinua Achebe 3270: 3268: 3264: 3260: 3259: 3254: 3251: 3249: 3245: 3241: 3238: 3236: 3232: 3228: 3225: 3222: 3218: 3215: 3213: 3209: 3206: 3204: 3200: 3197: 3195: 3191: 3188: 3186: 3182: 3178: 3174: 3171: 3169: 3165: 3161: 3158: 3156: 3152: 3149: 3147: 3143: 3140: 3138: 3134: 3131: 3129: 3127: 3122: 3118: 3114: 3111: 3109: 3105: 3102: 3100: 3096: 3093: 3091: 3087: 3083: 3082:Northrop Frye 3080: 3078: 3074: 3071: 3069: 3065: 3061: 3058: 3056: 3052: 3049: 3047: 3043: 3040: 3038: 3034: 3031: 3029: 3025: 3022: 3020: 3016: 3013: 3011: 3007: 3003: 3000: 2998: 2994: 2990: 2986: 2985:W. K. Wimsatt 2983: 2981: 2977: 2974: 2972: 2968: 2967:Kenneth Burke 2965: 2963: 2959: 2956: 2954: 2950: 2946: 2945:György Lukács 2943: 2941: 2937: 2933: 2932:Jacques Lacan 2930: 2928: 2924: 2921: 2919: 2915: 2911: 2908: 2906: 2902: 2899: 2897: 2893: 2890: 2888: 2884: 2881: 2879: 2875: 2872: 2870: 2866: 2863: 2861: 2857: 2854: 2852: 2848: 2845: 2843: 2839: 2836: 2834: 2830: 2826: 2823: 2821: 2817: 2814: 2812: 2808: 2805: 2803: 2801: 2796: 2792: 2789: 2787: 2783: 2780: 2778: 2774: 2771: 2769: 2765: 2764:Sigmund Freud 2762: 2760: 2756: 2755:A. C. Bradley 2753: 2751: 2747: 2744: 2742: 2738: 2735: 2733: 2729: 2726: 2725: 2720: 2715: 2714: 2709: 2706: 2704: 2700: 2696: 2692: 2689: 2687: 2686: 2681: 2678: 2676: 2672: 2669: 2667: 2663: 2660: 2658: 2654: 2651: 2649: 2645: 2643: 2638: 2635: 2633: 2629: 2625: 2622: 2620: 2619: 2614: 2613: 2608: 2605: 2603: 2599: 2596: 2594: 2590: 2587: 2585: 2581: 2577: 2573: 2570: 2568: 2567: 2562: 2559: 2557: 2556: 2551: 2548: 2546: 2542: 2539: 2537: 2533: 2530: 2528: 2524: 2521: 2519: 2515: 2512: 2510: 2506: 2503: 2500: 2496: 2493: 2491: 2487: 2484: 2482: 2481:Maxim No. 279 2478: 2474: 2471: 2469: 2468: 2463: 2460: 2458: 2457: 2452: 2449: 2447: 2443: 2440: 2437: 2434: 2432: 2428: 2425: 2423: 2419: 2415: 2411: 2407: 2404: 2402: 2398: 2395: 2393: 2389: 2386: 2383: 2379: 2376: 2374: 2373: 2368: 2365: 2364: 2359: 2354: 2350: 2346: 2342: 2339: 2337: 2333: 2330: 2328: 2324: 2320: 2316: 2312: 2308: 2304: 2303:William Blake 2301: 2299: 2298: 2293: 2290: 2288: 2287: 2282: 2281:Immanuel Kant 2279: 2277: 2273: 2272:Denis Diderot 2270: 2268: 2264: 2262: 2259: 2256: 2254: 2250: 2247: 2245: 2241: 2238: 2236: 2232: 2229: 2226: 2222: 2218: 2214: 2211: 2209: 2205: 2202: 2200: 2196: 2193: 2191: 2187: 2184: 2181: 2177: 2173: 2170: 2168: 2164: 2161: 2159: 2155: 2152: 2150: 2146: 2143: 2141: 2137: 2134: 2132: 2128: 2125: 2123: 2119: 2116: 2113: 2109: 2108:Thomas Hobbes 2106: 2105: 2100: 2096: 2092: 2090: 2086: 2083: 2081: 2077: 2076:Francis Bacon 2074: 2072: 2068: 2065: 2063: 2059: 2056: 2054: 2050: 2049:Philip Sidney 2047: 2045: 2041: 2037: 2034: 2033: 2029: 2024: 2020: 2018: 2014: 2011: 2009: 2008: 2003: 2000: 1998: 1997: 1992: 1989: 1987: 1983: 1980: 1978: 1974: 1971: 1968: 1967: 1962: 1958: 1955: 1953: 1949: 1946: 1944: 1943:Natya Shastra 1940: 1937: 1935: 1931: 1928: 1926: 1922: 1921:Life of Dante 1918: 1915: 1913: 1909: 1905: 1902: 1900: 1896: 1893: 1891: 1887: 1884: 1882: 1878: 1877:St. Augustine 1875: 1873: 1869: 1866: 1864: 1860: 1857: 1855: 1854:Art of Poetry 1851: 1848: 1846: 1842: 1838: 1835: 1833: 1829: 1825: 1821: 1818: 1817: 1812: 1809: 1805: 1801: 1793: 1789: 1786: 1784: 1783:Affect theory 1781: 1779: 1776: 1774: 1771: 1769: 1766: 1765: 1761: 1760: 1757: 1754: 1752: 1749: 1747: 1746:Phenomenology 1744: 1742: 1739: 1738: 1734: 1733: 1730: 1727: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1706: 1702: 1701: 1698: 1695: 1693: 1692:Genre studies 1690: 1688: 1687:New Criticism 1685: 1683: 1680: 1678: 1675: 1673: 1670: 1668: 1665: 1663: 1660: 1658: 1655: 1653: 1652:Structuralism 1650: 1648: 1645: 1643: 1640: 1639: 1635: 1634: 1631: 1628: 1627: 1623: 1622: 1618: 1616: 1612: 1610: 1606: 1602: 1598: 1594: 1586: 1584: 1582: 1581:media studies 1578: 1574: 1570: 1566: 1562: 1558: 1554: 1553:genre fiction 1550: 1546: 1542: 1538: 1534: 1529: 1527: 1523: 1519: 1512:Current state 1511: 1509: 1507: 1503: 1499: 1498:structuralism 1495: 1491: 1490:New Criticism 1483: 1482:structuralist 1479: 1475: 1471: 1467: 1463: 1461: 1457: 1456: 1451: 1447: 1443: 1439: 1435: 1434: 1429: 1428:Northrop Frye 1421: 1419: 1417: 1413: 1409: 1408:close reading 1405: 1404:New Criticism 1401: 1392: 1390: 1388: 1384: 1380: 1376: 1372: 1367: 1363: 1355: 1353: 1351: 1350: 1345: 1340: 1335: 1331: 1323: 1319: 1315: 1308: 1306: 1304: 1300: 1296: 1292: 1288: 1284: 1280: 1276: 1272: 1268: 1267: 1262: 1258: 1254: 1250: 1245: 1241: 1237: 1229: 1227: 1225: 1221: 1217: 1213: 1209: 1205: 1201: 1200:Giorgio Valla 1197: 1196:neoclassicism 1193: 1185: 1183: 1181: 1180:Kitab al-Badi 1177: 1173: 1169: 1165: 1161: 1160:Arabic poetry 1157: 1152: 1150: 1146: 1142: 1138: 1134: 1130: 1126: 1121: 1119: 1115: 1114: 1113:Natya Shastra 1109: 1105: 1101: 1097: 1093: 1092: 1087: 1079: 1074: 1072: 1070: 1069: 1064: 1063: 1058: 1057: 1052: 1051: 1046: 1045: 1040: 1039: 1034: 1033: 1028: 1027: 1022: 1018: 1013: 1010: 1006: 1001: 999: 995: 991: 987: 983: 979: 967: 962: 960: 955: 953: 948: 947: 945: 944: 941: 931: 930: 925: 922: 920: 917: 915: 912: 910: 907: 905: 902: 900: 897: 895: 892: 891: 890: 889: 886: 882: 878: 871: 868: 867: 866: 863: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 832: 831: 830: 825: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 796: 795: 794: 791: 787: 782: 779: 777: 774: 772: 769: 767: 764: 760: 757: 755: 752: 751: 750: 747: 745: 742: 740: 737: 736: 735: 734: 729: 720: 717: 715: 712: 710: 707: 706: 705: 704: 699: 694: 691: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 644: 641: 640: 639: 638: 635: 631: 626: 623: 621: 618: 616: 613: 611: 608: 606: 603: 602: 601: 600: 597: 593: 590: 589: 586:Poetry genres 584: 575: 572: 570: 567: 565: 562: 560: 557: 555: 552: 550: 547: 545: 542: 540: 537: 535: 532: 528: 525: 523: 520: 519: 518: 515: 514: 513: 512: 509: 505: 500: 497: 495: 492: 488: 485: 483: 480: 478: 475: 473: 470: 468: 465: 463: 460: 458: 455: 453: 450: 448: 445: 443: 440: 438: 437:coming-of-age 435: 433: 430: 429: 428: 425: 423: 420: 418: 415: 413: 410: 409: 408: 407: 404: 400: 397: 396: 391: 382: 379: 377: 374: 372: 369: 367: 366:Flash fiction 364: 362: 359: 357: 354: 352: 349: 347: 344: 342: 339: 338: 337: 336: 331: 326: 322: 319: 317: 314: 312: 309: 308: 307: 306: 301: 296: 293: 291: 288: 284: 281: 280: 279: 276: 274: 271: 267: 264: 262: 259: 258: 257: 254: 250: 247: 246: 245: 242: 241: 240: 239: 234: 229: 226: 222: 219: 217: 214: 213: 212: 209: 207: 204: 200: 197: 195: 192: 190: 187: 185: 182: 180: 177: 175: 172: 170: 167: 165: 162: 161: 160: 157: 156: 155: 154: 151: 147: 143: 139: 138: 135: 131: 128: 120: 117: 109: 98: 95: 91: 88: 84: 81: 77: 74: 70: 67: –  66: 62: 61:Find sources: 55: 51: 45: 44: 39:This article 37: 33: 28: 27: 22: 5285:Corporations 5190: 5110:André Breton 5085:M. H. Abrams 5080:Peter Szondi 5075:Paul Ricoeur 5065:Hayden White 5002:Stanley Fish 4992:Harold Bloom 4942:Noam Chomsky 4897:Ronald Crane 4803:Leon Trotsky 4708:Walter Pater 4538:Edward Young 4523:Edmund Burke 4413:Rajashekhara 4408:Bharata Muni 4328:Thing theory 4293:Postcritique 4268:Geocriticism 4253:Ecocriticism 4201: 4162: 4125: 4111: 4103: 4080: 3989: 3983: 3971:. Retrieved 3965: 3958: 3946:. Retrieved 3938:OUP Academic 3937: 3928: 3891: 3883: 3864: 3833: 3797: 3791: 3772: 3766: 3747: 3741: 3733: 3728: 3701: 3695: 3683:. Retrieved 3669: 3640: 3633: 3555: 3546: 3537: 3534:Diego Rivera 3530:Leon Trotsky 3526:André Breton 3520: 3511: 3502: 3493: 3489: 3486:André Breton 3480: 3471: 3462: 3453: 3444: 3441:M. H. 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Literature

Oral literature
Folklore
fable
fairy tale
folk play
folksong
heroic epic
legend
myth
proverb
Oration
Performance
audiobook
spoken word
Saying
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