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may have enhanced the sexual aspect of the statue. Because of this, the statue has acquired a reputation as an example of erotic art. Nudity in Greek art was nothing new; however, the blatant sexuality of this work makes it most interesting to twentieth-century eyes. His wantonly spread legs focus
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to restore the statue, "but there is no evidence for the tradition that
Bernini was in any way involved with the statue," Francis Haskell and Nicholas Penny observed in 1981, after reviewing the documentation and literature. Restorations, at first in stucco, were remade in 1679 by
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239:(1704); in the eighteenth century the right leg was again restored in marble, and once more by Pacetti in 1799. (The sculpture is shown today without the restored hanging left arm.)
158:, in the late third or early second century BC or is a Roman copy of high quality, though its present form was given it by a series of restorers in Rome, ending with
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in 1624. The sculpture made its first documented appearance in a receipt for its restoration, 6 June 1628, when it already belonged to the Pope's nephew,
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266:, Rome, until it was sold in 1799 to the sculptor and restorer Vincenzo Pacetti; Pacetti offered it to various English and French clients, including
235:, who enabled the antique left leg to be reaffixed and provided the elaborate supporting structure that is illustrated in Paolo Alessandro Maffei's
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138:, satyrs were human-like male woodland spirits with several animal features, often a goat-like tail, hooves, ears, or horns. Satyrs attended
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before the purchase was even finalized, and it was in place by 1827. The
Glyptothek opened in 1830 to house Ludwig's sculpture collection.
178:. When discovered, the statue was heavily damaged; the right leg, parts of both hands, and parts of the head were missing. The historian
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A gilded copy is included among many other replicas of classical sculptures that adorn the grand cascade that descends from the back of
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speculated that the place of discovery and the statue's condition suggested that it had been such a projectile.
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Nancy H. Ramage, "Restorer and
Collector: Notes on Eighteenth-Century Recreations of Roman Statues",
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A copy by sculptor Eugène-Louis
Lequesne was given to France in 1846. It is now located in the
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The life-size ancient but much restored marble statue known as the
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Taste and the
Antique: The Lure of Classical Sculpture 1500-1900
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512:"Ecole des Beaux Arts, the world's most influential art school"
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The engraving is reproduced in
Haskell and Penny 1981:fig. 16.
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attention on his genitals. Not all viewers have found the
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arrived in France in 1732, greatly admired. In 1775 the
218:It was traditionally asserted that Cardinal Maffeo
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542:(Yale University Press). Cat. no. 33, pp 202–05.
451:Storia delle arti del disegno presso gli antichi
414:1975 (Cambridge University Press) vol I, p. 534.
588:Roman copies of 3rd-century BC Greek sculptures
190:the statues adorning Hadrian's Mausoleum, and
150:The sculpture was either carved by an unknown
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211:smARThistory - Barberini Faun, c. 220 B.C.E.
330:bought it for his elaborate garden plan at
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343:École nationale supérieure des Beaux-Arts
425:Memoirs of the American Academy in Rome
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186:the defenders had hurled down upon the
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384:List of works by Gian Lorenzo Bernini
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166:, Rome, which in antiquity had been
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130:is the Roman equivalent of a Greek
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380:, also collected by the Barberini
573:1620s archaeological discoveries
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468:"Barberini Faun, c. 220 B.C.E."
284:Ludwig, Crown Prince of Bavaria
310:A marble copy was sculpted by
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262:The statue was housed in the
470:smARThistory at Khan Academy
176:Cardinal Francesco Barberini
440:Haskell and Penny 1981:202.
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538:and Nicholas Penny, 1991.
242:These restorations of the
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182:recorded that during the
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593:Ancient Greek erotic art
427:. Supplementary Volume
412:A History of Greek Art
316:French Academy in Rome
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259:service in the 1830s.
560:at Wikimedia Commons
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257:Nymphenburg porcelain
578:Barberini collection
255:was reproduced on a
224:Gian Lorenzo Bernini
184:siege of Rome in 537
583:Pergamene sculpture
334:. It is now in the
320:illustration, right
251:so indecorous: the
410:Martin Robertson,
401:It is 215 cm long.
352:'s summer palace,
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237:Raccolta di statue
229:Giuseppe Giorgetti
192:Johann Winckelmann
164:Castel Sant'Angelo
46:Giuseppe Giorgetti
556:Media related to
264:Palazzo Barberini
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154:sculptor of the
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312:Edmé Bouchardon
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299:Edmé Bouchardon
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200:External videos
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136:Greek mythology
124:Munich, Germany
109:Fauno Barberini
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547:External links
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514:. Minor Sights
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324:Barberini Faun
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253:Barberini Faun
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233:Lorenzo Ottoni
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48:: Restoration
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516:. Retrieved
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474:December 18,
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152:Hellenistic
567:Categories
530:References
120:Glyptothek
89:Glyptothek
455:Carlo Fea
318:in 1726 (
276:Carlo Fea
220:Barberini
180:Procopius
72:Sculpture
61:Catalogue
16:Sculpture
499:glyphein
497:γλύφειν
368:See also
354:Peterhof
301:(Louvre)
297:Copy by
140:Dionysus
85:Location
613:Hadrian
518:30 July
314:at the
278:and by
168:Hadrian
146:History
362:Russia
306:Copies
93:Munich
80:Marble
77:Medium
42:Artist
618:Fauns
390:Notes
282:— to
188:Goths
134:. In
132:satyr
520:2017
476:2012
376:and
272:Faun
249:Faun
231:and
128:faun
126:. A
69:Type
64:11.2
53:Year
33:The
122:in
112:or
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429:1
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