557:
decades. Guarneri's career was short, from the late 1720s until his death in 1744. Initially he was thought to be a man of restless creativity, judging by his constant experimentation with f-holes, arching, thicknesses of the top and back and other design details. However, what has become clear is that, like other members of his family, he was so commercially overshadowed by his illustrious and business-savvy neighbor, Antonio
Stradivari, that he was unable to command prices commensurate with his rival, hence needed to make more instruments and work hastily. Indeed, two of the five violin makers of the Guarneri family, the two Pietros—of different generations—left Cremona, the first for Mantua, the second for Venice, apparently because business prospects in Cremona were so stunted by the presence of Stradivari. From the 1720s until about 1737, Guarneri's work is quick and accurate, although he was not overly concerned with quality of finish. However, from the late 1730s until his death, his work shows increasing haste and lack of patience with the time needed to achieve a high quality finish. Some of his late violins from circa 1742 to 1744 have scrolls that can be crudely carved, the
573:
591:, who apparently returned to Germany after her husband's death in 1744. While every other member of his family, the Stradivari family, Nicolò Amati, and a peculiarly large number of makers, lived long lives—Stradivari living and working to age 93—Guarneri died at only 46. There is thus the possibility that the odd qualities of finish in his later instruments—ironically, those most highly prized and expensive—were due not only to stress and haste but also to encroaching illness. It is also worth noting that the tone of both Stradivari and Guarneri did not come into their own until late in the 18th century, that the high-built instruments of Amati and
522:. His instruments diverged significantly from family tradition, becoming uniquely his own style. They are considered equal in quality to those of Stradivari, and claimed by some to be superior. Guarneri's violins often have a darker, more robust, and more sonorous tone than Stradivari's. Fewer than 200 of Guarneri's instruments survive. They are all violins, although one cello bearing his father's label, dated 1731, seems to have been completed by del Gesù. The quality and scarcity of his instruments have resulted in sale prices in excess of $ 10 million USD.
186:
569:, in their 1931 work; while the Hills did not take them at face-value, it did feed into their idea that Giuseppe Guarneri del Gesù must have been temperamental and mercurial, rather than simply overworked and commercially unsuccessful. More recent data shows that business was so bad during the later period of his life that he had to relegate violin-making to the sideline and earn his living as an innkeeper (refuting the "prison" myth).
84:
822:
43:
565:
to the romantic notion that he had been imprisoned for killing a rival violin maker (actually it was one of the
Lavazza brothers in Milan to whom this occurred), and even the unlikely fiction that he made violins in prison. Such stories were invented during the nineteenth century and were repeated by the biographers of the Guarneri family, the
800:—was sold in 2013 close to its asking price of $ 18 million USD, making it the most expensive instrument in the world. Jascha Heifetz owned a c. 1740 Guarneri del Gesù from the 1920s until his death in 1987. It was his favorite instrument, even though he owned several Stradivarius. One of Norwegian virtuoso
596:
hinted that such was not the case in their styles, the
Guarneri always bearing traces of Amati, and even Stainer, the latter Stradivari "would have none of." Moreover, Guarneri's instruments were recognized by a world-class soloist three decades before Stradivari's were likewise championed; by the 1750s,
595:
were the only ones prized during the 18th century. While it is true that players, then as now, preferred old instruments, Stradivari made one of the handsomest livings of all violin makers during his lifetime. It is also customary to conflate
Stradivari and Guarneri in this regard, but even the Hills
564:
Nonetheless, many of these late violins, in spite of the seeming haste and carelessness of their construction, possess a glorious tone and have been much coveted by soloists. His output falls off rather dramatically in the late 1730s, and the eccentricity of the works following that period gave rise
556:
Giuseppe
Guarneri's style has been widely copied by luthiers since the 19th century. Guarneri's career is a great contrast to that of Stradivari, who was stylistically consistent, very careful about craftsmanship and finish, and evolved the design of his instruments in a deliberate way over seven
972:, 1731. In 2008, after a competition organized by the Romanian Ministry of Culture and Religious Affairs and the Romanian National Museum "George Enescu", the violin has been entrusted to violinist Gabriel Croitoru and is again played in concerts.
493:(1644–1737) with regard to the respect and reverence accorded his instruments, and for many prominent players and collectors his instruments are the most coveted of all. Instruments made by Guarneri are often referred to as
1449:, acquired in 1992. In catalogue of Ingles & Hayday and Artes-Violins, Milano, 2010. One of Ole Bull's favorite violins, it is also believed to be the last work of Guarneri del Gesù.
572:
1802:
1991:
2221:"Guided Tour of the Library of Congress Collection of Stringed Instruments", Robert Bein, Journal of The Violin Society of America, Volume XVII, No. 2, November 4–7, 1999.
2020:
2122:
1299:, 1741, called the "Mona Lisa" of violins, Cozio 40433. Owned by a private collector who bequeathed lifetime use of the instrument for performances to violinist
1670:
1327:
Wieniawski, 1742, Cozio 40090, on loan to
Taiwanese-American violinist Paul Huang (2015 Avery Fisher Career Grant recipient) through the Stradivari Society.
2206:
Loan
Exhibition of Stringed Instruments and Bows Commemorating the 70th Birthday of Simone Fernando Sacconi, Schuler Verlagsgesellschaft, Stuttgart, 1966.
1192:
Isaac Stern, Panette, Balatre, 1737, Cozio 40214. Once in the collection of David L. Fulton, now owned by a banking institution in Lugano, and used by
2194:
Die Geigen und
Lautenmacher vom Mitteralter bis zur Gegenwart, Willibald Leo von Lütgendorff, Frankfurter Verlags-Anstalt, Frankfurt am Main, 1922.
2218:"Exhibition of Violins and Bows in the Smithsonian Collection", Gary Sturm, Journal of The Violin Society of America, Vol. V, No. 2, Spring, 1979.
2163:
1133:
962:
1810:
587:
It has also become known that some of the violins emanating from his shop and bearing his label were actually the work of his German wife,
2053:
804:'s favorite instrument was the del Gesù violin of 1744 named after Bull, which is also believed to be the last work of Guarneri del Gesù.
207:
2215:"Eighteenth-Century Connections Through Musical Instruments", Gary Sturm, Journal of The Violin Society of America, Vol. IX, No. 2, 1988.
542:
1715:
2273:
265:
101:
56:
2152:
2131:
2110:
1966:
337:
247:
229:
167:
70:
1999:
1147:
Mary
Portman, 1735, Cozio 40088, on loan to Ben Beilman (from Clement and Karen Arrison through the Stradivari Society of Chicago)
386:
1832:
1014:
Armingaud/Fernández Blanco, 1732, on display at Mueso de Arte
Hispanoamericano "Isaac Fernández Blanco", Buenos Aires, Argentina
148:
120:
2268:
1931:
105:
829:
2024:
600:
is known to have acquired and preferred a Giuseppe Guarneri del Gesù violin, but it is not until the 1780s that his pupil,
1177:'King Joseph', 1737, Cozio 40213, reportedly the first Guarnerius del Gesù to go to America in 1868, now in collection of
345:
1671:"Investment Opportunity. Strings Attached.; Musician and 15 Partners Join Forces to Acquire a Multimillion-Dollar Violin"
553:, to whom Stradivari was also apprenticed. Undoubtedly, Giuseppe learned the craft of violinmaking in his father's shop.
127:
880:. This violin does not appear in the Cozio Archive list for for Bartolomeo Giuseppe Guarneri "del Gesù" at Tarisio.com.
200:
194:
2170:
1905:
1739:
1531:
134:
94:
2157:
2049:
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211:
1226:
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632:
601:
1580:
116:
1604:
1484:
1251:
1187:
62:
1397:
1387:
776:
604:, became an advocate of Stradivari instruments. Of course, Pugnani's advocacy is usually forgotten when
577:
316:
309:
1150:
d'Egville, Prince Wilhelm of Prussia, Menuhin, 1735, Cozio 40417. Now in collection of David L. Fulton.
728:
2263:
2258:
1833:"Results of the XV International Tchaikovsky Competition in the Violin category have been announced!"
676:
379:
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1391:
1296:
1057:
792:
605:
581:
566:
288:
1364:
708:
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490:
31:
1526:
760:
2069:
141:
2148:
2127:
2106:
2089:
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1642:
1412:
1318:
1300:
1193:
1183:
1081:
Prince Doria, 1733–34, Cozio 46922, acquired by the Doria Family from Jacquot of Paris in 1860
688:
664:
636:
612:
588:
355:
1592:
2212:
The Violin: Its physical and acoustic principles, Paolo Peterlongo, Paul Elek, London, 1979.
1634:
1426:
Prince of Orange, Wald, Hoffmann, 1744, Cozio 42581, displayed by the Prague National Museum
1401:
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1238:
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752:
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652:
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451:
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330:
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302:
273:
17:
1862:
1583:(with photo of Guarneri label), Fein Violins website, 4 December 2011, accessed 4 May 2020
1503:
1436:
1369:
1352:
1178:
1142:
684:
628:
597:
546:
445:
372:
1970:
550:
771:, have used Guarneri del Gesù violins at one point in their career or even exclusively.
2188:
Antonius Stradivarius, Dirk J. Balfoort, The Continental Book Company, Stockholm, 1945.
2182:
Capolavori di Antonio Stradivari, Charles Beare, Arnoldo Mondadori S.p.A., Milan, 1987.
1887:
1803:"Yu-Chien Tseng won XV International Tchaikovsky Competition Silver prize (in Chinese)"
1697:
1408:
958:
927:
787:
740:
736:
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648:
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530:
1778:
1498:
1473:
2252:
1536:
1446:
1313:
985:
969:
954:
656:
624:
592:
362:
1840:
1256:
David, 1740, used by Jascha Heifetz, now in the San Francisco Legion of Honor Museum
549:, both noted violin makers themselves. Andrea learned his trade as an apprentice of
2236:
Evelyn & Herbert Axelrod Stringed Instrument Collection, Herbert Axelrod, 2002.
2140:
1275:
724:
720:
680:
672:
660:
519:
506:
1953:
1779:"Giuseppe Guarneri 'del Gesù', Cremona, c. 1728–29, the 'Lady Streeton, Oliviera'"
2209:
Meisterwerke Italienischer Geigenbaukunst, Fridolin Hamma, Hamma & Co., 1932.
2185:
A Thousand Mornings of Music, Arnold Gingrich, Crown Publishers, New York, 1970.
1348:
1237:
1739, Cozio 61377. Now in private collection of an anonymous German and lent to
996:
877:
873:
782:
764:
756:
732:
712:
700:
620:
616:
541:
The most illustrious member of the house of Guarneri, Bartolomeo was the son of
511:
83:
1646:
2226:
2175:
2093:
264:
2065:
1023:
Posselt, Phillip, 1732, owned by Ruth Posselt, now in a private collection
1559:
The Violin-Makers of the Guarneri Family (1626–1762): Their Life and Work
1442:
801:
748:
558:
526:
482:
2233:
36 Famous Italian Violins, Alex Wasinski, Herman Gordon, New York, 1975.
1623:"Cremona. An Account of the Italian Violin Makers and Their Instruments"
608:
became the most noted Giuseppe Guarneri player three generations later.
1201:
Kemp, Emperor, 1738, Cozio 40426. Now in collection of David L. Fulton.
1063:
Fritz Kreisler, 1733, Cozio 40400, given to Library of Congress in 1952
486:
478:
504:(literally "of Jesus") because his labels after 1731 incorporated the
1622:
1478:
919:
Kubelik, von Vecsey, c. 1728, Cozio 71858, used by Alexandra Conunova
295:
281:
2242:
Beautiful Italian Violins, Karel Jalovec, Paul Hamlyn, London, 1963.
2203:
Italienische Geigenbauer (1957), Karel Jalovec, Artia, Prague, 1957.
1759:
1638:
953:
Castelbarco-Tarisio, c. 1732, Cozio 43676, now in collection at the
1557:
Hill, William Henry; Hill, Arthur F.; Hill, Afred Ebsworth (1931).
961:(at age 20) won the silver prize (gold not awarded) at the 2015 XV
1351:, 1742, Cozio 40256, used by Yehudi Menuhin, now in collection of
571:
1420:
Doyen, 1744, Cozio 40436, currently held by Henry Ford Foundation
2197:
Italian Violin Makers, Karel Jalovec, Paul Hamlyn, London, 1964.
1250:
Ysaÿe, 1740, Cozio 40064, used by Isaac Stern, now belonging to
1219:
Kortschak, Wurlitzer, Hammig, Spanish Joseph, 1739, Cozio 40428
892:
Count de Vière-Cheremetieff, Balokovic, c. 1725–29, Cozio 43700
2191:
Berühmte Geigen und ihre Schicksale, P. J. Tonger, Köln, 1919.
816:
460:
431:
179:
77:
36:
2058:
The Violin Makers of the Guarneri family, Their Life and Work
422:
1293:
Doubleday, Duvette, 1741 (in Ingles & Hayday catalogue)
434:
2239:
Italian Violin-Makers, Karel Jalovec, Orbis, Prague, 1952.
2200:
Italian Violin-Makers, Karel Jalovec, Orbis, Prague, 1952.
1345:
Alard, 1742, Cozio 40444, now in Cité de la Musique, Paris
1138:
Kubelik, Ferni, 1735, Cozio 40419, used by Kyung-Wha Chung
1621:
Niederheitmann, Friedrich; Quarrell, W. H. (1895-02-01).
1020:
Adolphe Sax, 1732, now in the Paris Conservatory of Music
416:
2021:"Ole Bull Guarneri del Gesu 1744 – Artes – Fine Violins"
1312:
c. 1741 "Titan," on loan to Canadian-American violinist
1225:
Ebersholt, Menuhin, 1739, Cozio 40595, in collection of
561:
hastily inserted, the f-holes unsymmetrical and jagged.
833:
1594:, Plate 8: Labels used by Italian violin makers, p. 16
984:
Marteau, Habisreuthinger, 1731, Cozio 45112, owned by
1740:"Violinist Sarah Chang on Her 1717 Guarneri del Gesù"
1423:
Edith Lorand, Columbus, Terminator, 1744, Cozio 49625
457:
428:
419:
2245:
The Miracle Makers, Bein & Fushi, Chicago, 1998.
1381:
Burmester, Kanarievogel, Hammerle, 1743, Cozio 42987
1330:
Donaldson, McAllister, Sorobin, c. 1742, Cozio 40429
883:
Milstein, Herrmann, Moennig, c. 1722–26, Cozio 49611
1108:
Lo Stauffer, 1734, displayed by the City of Cremona
477:; 21 August 1698 – 17 October 1744) was an Italian
454:
425:
108:. Unsourced material may be challenged and removed.
1863:"ROC violin talent gets leg up from Chimei Museum"
1565:, Violin-Makers – via Anthony J. Guarnieri,
999:, on lifetime loan from the Hayashibara Foundation
2052:; Hill, Arthur F.; Hill, Alfred Ebsworth (1965).
910:Milstein, Nathan, 1727, Cozio (previously listed)
857:Titan, Möller, Moskowsky, c. 1715–22, Cozio 61284
1932:"El violín que despertó de su sueño – LA NACION"
1906:"Midori: Music and the Instrument That Makes It"
1216:Baron Gutmann, Baron Knoop, c. 1738, Cozio 42440
916:Corti, Tolstopiatow, Lvoff, c. 1728, Cozio 42441
2123:Universal Dictionary of Violin & Bow Makers
2054:"Chapters IV and V: Giuseppe Guarneri del Gesù"
866:Marteau Habisreuthinger, c.1715–22, Cozio 45112
1445:, 1744, Cozio 40453, now in collection at the
1207:Adam, Wurlitzer, 1738, Cozio 40425, played by
922:'Lady Stretton', 1728–29, Cozio 40126 used by
1912:. Library of Congress Magazine. 20 April 2023
947:Pluvié, Champonay, Kahn, c. 1730, Cozio 40392
869:Frank, Sin, Tonhalle, c. 1715–22, Cozio 44918
790:, are del Gesù instruments. In addition, the
774:Virtuoso Niccolò Paganini's favorite violin,
380:
8:
2086:Dictionnaire Universel del Luthiers (vol. 3)
1954:Violins! Violins! Violins! Violins! Violins!
1627:The Musical Times and Singing Class Circular
1099:Ferni, duc de Camposelice, 1734, Cozio 43826
2105:. London; England: Macdonald & Jane's.
1008:Lo Stauffer, Zukerman, c. 1731, Cozio 40803
895:Zimmermann, Aerson, c. 1725–29, Cozio 44520
863:Rappoldi, Campbell, c. 1715–22, Cozio 49179
71:Learn how and when to remove these messages
1992:"Tognetti's del Gesù violin, The Carrodus"
1306:Vieuxtemps, Wilmotte, c. 1741, Cozio 50024
1247:Fountaine (Small Violin), 1740, Cozio 4327
1132:'The King', 1735, Cozio 40407, now in the
1047:Gillot, Lord Dunmore, c. 1732, Cozio 40395
387:
373:
259:
1581:Guarnerius del Gesu: Outlier Violin Maker
1271:Baron d'Erlanger, c. 1740–41, Cozio 45387
1129:Chardon (Small Violin), 1735, Cozio 40421
913:Robberechts (Robrecht), 1728, Cozio 44054
248:Learn how and when to remove this message
230:Learn how and when to remove this message
168:Learn how and when to remove this message
1400:, Hottinger, 1743, Cozio 40447, used by
1324:Moser, 1742, Hamma & Co. Cozio 48180
1309:Duc de Camposelice, c. 1741, Cozio 40548
1123:Ladenburg, Odnoposoff, 1735, Cozio 40121
1093:Heberlein, le Guillet, 1734, Cozio 49613
950:Lord Shaftsbury, c. 1730–31, Cozio 47533
889:Möller, Samsung, c. 1722–26, Cozio 41155
886:NY Philharmonic, c. 1722–26, Cozio 45560
854:Billotet-Guilet, c. 1715–22, Cozio 40680
193:This article includes a list of general
1692:
1690:
1465:
1005:Geneva, Turettini, c. 1731, Cozio 47740
907:Dancla, Serato, c. 1726–29, Cozio 40409
280:
1274:Kochánski, 1741, Cozio 42807, used by
1162:Pollitzer, Koessler, 1736, Cozio 43519
1041:Rode, von Heyder, c. 1732, Cozio 40389
30:Not to be confused with the physician
2088:. Bruxelles: Les Amis de la musique.
1949:
1947:
1945:
1777:Tarisio Fine Instruments & Bows.
1435:Cariplo, Hennel, Rosé, 1744, used by
1407:Leduc, c. 1744, Cozio 40448, used by
1339:Dragonetti, Walton, 1742, Cozio 43830
1278:, sold for about $ 10 million in 2009
1265:Rebner, Bonjour, c. 1740, Cozio 40432
1262:Pestel, Menuhin, c. 1740, Cozio 49624
1134:Croatian Academy of Sciences and Arts
1002:Stanley Goodman, c. 1731, Cozio 41968
981:Sorkin, Mischakoff, 1731, Cozio 42178
963:International Tchaikovsky Competition
472:
7:
2145:Meister Italienischer Geigenbaukunst
1417:Sainton, Betti, c. 1744, Cozio 40434
1357:Dushkin, 1742, Cozio 40446, used by
1268:Heifetz, David, c. 1740, Cozio 40097
1231:Beare, Steinhardt, 1739, Cozio 49617
1105:Hart, Kreisler, c. 1734, Cozio 40551
1053:Plotenyi, Remenyi, 1732, Cozio 40394
932:Cobbett, Downs, c. 1729, Cozio 60188
106:adding citations to reliable sources
1363:Soldat, 1742, Cozio 40445, used by
1213:Maggio, Huberman, 1738, Cozio 66000
1066:Lafont-Siskovsky, 1733, Cozio 40399
1038:Smith, Briggs, c. 1732, Cozio 40381
1032:Balokovic, Haupt, 1732, Cozio 40397
1029:Kreisler, Nachez, 1732, Cozio 40549
1011:Gibson, Huberman, 1731, Cozio 40406
1938:– via La Nacion (Argentina).
1126:Antoncich, Ward, 1735, Cozio 40450
975:Messeas (Cello), 1731, Cozio 40385
944:David, Payne, c. 1730, Cozio 40388
199:it lacks sufficient corresponding
25:
1156:Muntz, Bustabo, 1736, Cozio 49615
1120:Parlow, Viotti, 1735, Cozio 40420
941:Baron Vitta, c. 1730, Cozio 40391
860:Folinari, c. 1715–22, Cozio 32443
52:This article has multiple issues.
2224:"Ne Plus Ultra", John Dilworth,
2103:Guarneri: Violin Maker of Genius
2060:. London: W.E. Hill & Sons.
1342:Benno Rabinof, 1742, Cozio 55051
1234:Bower, Druian, 1739, Cozio 44345
1204:Haas, Soriano, 1738, Cozio 45258
820:
611:Accomplished violinists such as
450:
412:
263:
184:
82:
41:
1760:"Alexandra Conunova: Biography"
1567:The Guarneri Violin Labels Page
1394:, now in the City Hall of Genoa
1259:Casadesus, c. 1740, Cozio 48178
1159:Count Cessol, 1736, Cozio 40422
901:Colin, Kogan, 1726, Cozio 40682
93:needs additional citations for
60:or discuss these issues on the
1504:Merriam-Webster.com Dictionary
1384:Baron Heath, 1743, Cozio 43582
1284:Henry Holst, 1741, Cozio 44998
1244:Lutti, Senn, 1740, Cozio 40430
1087:Spagnoletti, 1734, Cozio 46715
1050:Dittrich, c. 1732, Cozio 40218
1044:Jean Becker, 1732, Cozio 43270
935:Baron Heath, 1729, Cozio 42986
1:
1390:, 1743, Cozio 40130, used by
1153:Wieniawski, 1736, Cozio 43840
1114:Sennhauser, 1735, Cozio 40089
474:[dʒuˈzɛppeɡwarˈnɛːri]
2164:List of Guarneri instruments
2158:List of Guarneri instruments
2126:. Brighton; England: Amati.
1910:Library of Congress Magazine
1888:":: 奇美博物館提琴收藏數位典藏計畫 ::"
1698:":: 奇美博物館提琴收藏數位典藏計畫 ::"
1669:Susan Elliott (2001-02-06).
1432:de Bériot, 1744, Cozio 43991
1429:Lord Coke, 1744, Cozio 40415
1336:Tellefsen, 1742, Cozio 40403
1198:Fountaine, 1738, Cozio 47065
1174:Zimbalist, 1737, Cozio 48357
1165:Lafont, c. 1736, Cozio 41035
898:Prnjat 1726, now in the RTCG
18:Bartolomeo Giuseppe Guarneri
2101:Wibberley, Leonard (1976).
1837:/tchaikovskycompetition.com
1375:Spalding, 1743, Cozio 45063
1333:Segelman, 1742, Cozio 40623
1287:Playfair, 1741, Cozio 50382
1281:Carrodus, 1741, Cozio 40255
1141:Ladenburg, 1735, played by
1078:Hämmerle, 1733, Cozio 43920
1026:Mayseder, 1732, Cozio 42355
992:and used by Maxim Vengerov.
904:Lord Red, 1727, Cozio 40361
2295:
2171:Henry Hottinger Collection
1563:William E. Hill & Sons
1532:Collins English Dictionary
1171:Joachim, 1737, Cozio 40412
1168:Paulsen, 1737, Cozio 47249
1111:Plowden, 1735, Cozio 40418
1096:Pugnani, 1734, Cozio 40402
1084:Haddock, 1734, Cozio 40411
1069:Consolo, 1733, Cozio 44397
872:Chang, 1717, purchased by
543:Giuseppe Giovanni Battista
29:
2274:Giuseppe Guarneri violins
1716:"Maker Profile – Tarisio"
1378:Sauret, 1743, Cozio 40253
1222:Museum, 1739, Cozio 43701
978:Baltic, 1731, Cozio 40410
938:Briggs, 1730, Cozio 61283
2120:William, Henley (1969).
1967:"Vesko Eschkenazy – RCO"
1227:Kunsthistorisches Museum
1117:David, 1735, Cozio 40618
1035:Pixis, 1732, Cozio 43699
1017:Ferni, 1732, Cozio 47698
995:Huberman, 1731, used by
813:(From the Cozio Archive)
602:Giovanni Battista Viotti
1485:Oxford University Press
1411:, since 2019 played by
1252:Nippon Music Foundation
1090:Rode, 1734, Cozio 40404
1075:Soil, 1733, Cozio 42723
786:of 1742, once owned by
545:, thus the grandson of
214:more precise citations.
2147:, Wilhelmshaven 1993,
2084:Vannes, Rene (1985) .
1605:"MPC 42677 9 May 2001"
1321:, c. 1742, Cozio 40424
584:
2269:Luthiers from Cremona
1579:Andy Fein (luthier),
1481:UK English Dictionary
777:Il Cannone Guarnerius
575:
500:Guarneri is known as
1956:, Dr David L. Fulton
1892:cm2.chimeimuseum.org
1813:on 23 September 2020
1702:cm2.chimeimuseum.org
1474:"Guarneri, Giuseppe"
834:adding missing items
102:improve this article
2050:Hill, William Henry
1372:, 1743, Cozio 49626
1060:, 1732, Cozio 41966
793:Vieuxtemps Guarneri
400:Bartolomeo Giuseppe
117:"Giuseppe Guarneri"
1675:The New York Times
1365:Rachel Barton Pine
832:; you can help by
709:Rachel Barton Pine
645:Yi-Jia Susanne Hou
585:
491:Antonio Stradivari
32:Giuseppe Guarnieri
1507:. Merriam-Webster
1413:Augustin Hadelich
1301:Anne Akiko Meyers
1290:1741, Cozio 49618
1186:, 1737, owned by
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2074:. Retrieved
2070:the original
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2025:the original
2015:
2004:. Retrieved
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1867:Taiwan Today
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1841:the original
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1811:the original
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1764:conunova.com
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1633:(624): 102.
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1276:Aaron Rosand
924:Albert Stern
838:
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761:Eugène Ysaÿe
729:Marie Soldat
725:Charlie Siem
721:Aaron Rosand
681:Kerson Leong
673:Gidon Kremer
661:Leonid Kogan
633:Eugene Fodor
610:
586:
563:
555:
551:Nicolò Amati
540:
537:Violin maker
524:
520:cross fleury
515:
507:nomen sacrum
505:
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494:
489:. He rivals
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338:Construction
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100:Please help
95:verification
92:
68:
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55:
54:Please help
51:
2264:1744 deaths
2259:1698 births
2160:, cozio.com
1783:tarisio.com
1439:Cozio 41962
1349:Lord Wilton
1188:Daniel Hope
997:Midori Goto
878:Isaac Stern
874:Sarah Chang
841:August 2023
783:Lord Wilton
765:Zvi Zeitlin
757:Tianwa Yang
733:Isaac Stern
713:Maud Powell
701:Ruth Palmer
621:Nikki Chooi
617:Sarah Chang
348:maintenance
212:introducing
158:August 2014
2279:Innkeepers
2253:Categories
2076:2009-01-17
2031:2015-06-21
2006:2016-06-19
1977:2018-06-29
1788:2014-10-29
1745:2023-08-29
1725:2023-08-29
1680:2014-05-16
1561:. London:
1527:"Guarneri"
1499:"Guarneri"
1455:References
1388:Il Cannone
1297:Vieuxtemps
830:incomplete
578:Il Cannone
485:family of
346:Making and
289:Violinists
195:references
128:newspapers
57:improve it
2227:The Strad
2176:The Strad
1936:La Nación
1916:17 August
1647:0958-8434
495:Del Gesùs
481:from the
331:Acoustics
324:Technique
63:talk page
2094:53749830
1542:9 August
1511:9 August
1443:Ole Bull
1398:Carrodus
1370:Brusilow
1319:Lipinski
1184:Lipinski
1056:Parlow,
802:Ole Bull
767:, and
749:Uto Ughi
677:Yang Liu
559:purfling
527:asteroid
518:) and a
502:del Gesù
483:Guarneri
470:Italian:
408:Guarneri
404:del Gesù
356:Luthiers
303:Fiddlers
274:a series
272:Part of
2043:Sources
1996:ArtsHub
1872:18 July
1847:18 July
1817:18 July
1720:Tarisio
988:, then
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