Batman: Anarky - Knowledge (XXG)

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while he wishes they would be proud of his vigilante activism. Continuing his secret philanthropy, he supports Malochia, a self-proclaimed "prophet of doom" who spreads a message that current social conditions are intolerable. Anarky comes to suspect that this "prophet" has an ulterior motive, and hires private detective, Joe Potato, to investigate his actions. Meanwhile, Batman and Robin have also placed Malochia under their watch, and discover his connections to Lonni Machin. Anarky, Joe Potato, and Batman confront Malochia, but are each captured and tied to a blimp. The blimp is loaded with high explosives and set to detonate near the center of the city. Malochia hopes this act will set into effect his own delusional predictions of calamity. Anarky and Joe Potato revive and steer the blimp towards the water front, still set to explode. Anarky releases both Potato and Batman into the water, but is tangled in ropes and presumably caught in the explosion. During the story, Lonnie's parents find a letter he wrote in the event of his death. The letter acts as a literary device to explain his origin as Anarky and the personal reasons behind his decision to become a vigilante. Lonnie Machin's father and mother, Mike and Roxanne raise their son to be a happy child, and encourage his intelligence and thirst for knowledge with trips to bookstores. Through his research, Lonnie eventually grows to become the political radical, Anarky.

1008:. Desiring to tempt Batman into confronting him, Anarky successfully lures Batman's attention by hiring Legs and other homeless men to monitor Batman's movements. During the confrontation between Anarky and Batman, the device is damaged. Thus, when Machin activates it, it only affects himself. The vision that follows reveals what may have happened if he had succeeded, with nightmarish consequences. In the hallucination, the slightest infraction against a smooth-running society is met with banishment to a prison-city. The effects of his machine eventually wear off, and the most dangerous elements of the prison escape, causing havoc. The conclusion Anarky draws from this is that if society is to change, individuals must accept that change voluntarily. When Batman turns off the machine, Anarky awakens and promptly escapes, vowing to continue his mission, "until they all learn to choose for themselves..." 928:, announcing the arrival of a new vigilante, Anarky. Anarky continues his war against crime by targeting a business owner dumping pollutants in a river. Batman recognizes his M.O. and realizes he is attacking people based on the complaints raised in letters to the editor in a local newspaper. He alerts the police, who plan stake-outs at several events based on the letters. When Anarky strikes next, however, it is at a construction site unlisted in the paper. Anarky rallies the homeless to riot in response to the destruction of their "Cardboard City", which has been bulldozed to build a new bank. Batman arrives but is attacked by the homeless mob so that Anarky may flee. The mob includes 583:, "Metamorphosis", was published in 1997. Coinciding with Alan Grant's transition from the philosophy of anarchism to Neo-Tech, Grant chose to re-characterize Anarky accordingly. Norm Breyfogle also took the opportunity to redesign Anarky's costume, excising the head extender with the explanation that the character had grown up and filled out his costume. The golden mask was also redesigned as a reflective but flexible material that wrapped around Anarky's head, allowing for the display of facial movement and emotion which had previously been impossible due to the inflexible metal that the first mask was made of. 33: 992:"Metamorphosis" chronicles Machin's narrow survival of an explosion and use of the confusion in its aftermath to fake his death. Several months later, he is now stated to be fifteen-years old and has begun a new plan to liberate the world of government. As Anarky, he attempts to create a device which will emit beams of light on frequencies which will trigger the human brain of all who see it. The people will then be "de-brainwashed" of all the social constraints which society has placed on the individual. Utilizing a makeshift teleportation device capable of summoning a 571:, Grant avoided saddling Anarky with personal problems, a girlfriend, or social life. This was intended to convey the idea that Anarky was self-assured in his goals. The singular problem the character did have was tending to his secret activities while escaping from juvenile detention centers, or hiding his actions from his parents, who did not approve of his activism. These aspects of the character were incorporated into "Anarky: Tomorrow Belongs to Us" and "Anarky", each respectively published in 1995, as this period of the character's portrayal came to a conclusion. 1307:", Lonnie Machin is described as being highly intelligent, but lacking in any other skill. This changed in "Anarky", where he begins developing his skills in hand to hand combat, begins experimenting on his brain to increase his intelligence, and creates a front company to begin amassing money. By the final storyline, Anarky is capable of creating advanced, high tech gadgets and devices, such as a teleportation device; has fused his brain and magnified his intelligence to genius levels; has studied multiple styles of 1257:, a description of the concept of economic "parasites," and a final description of how the elimination of irrationality would allow society to progress. Another important theme to the final storyline is a discourse on the nature of evil, as a subplot of the story. Anarky's pursuit, as Grant put it, "...is to find out why anyone would make the decision to be evil". To that end, Grant pitted Anarky against Etrigan and Darkseid with the intention of providing a setting for a series of dialogues on the topic. 1212:-based philosophies. Alan Grant commented on the philosophical pattern the character's transformation took for a 1997 interview: "Although I haven’t read them in chronological order I would think it would be quite easy to see the parallel between Anarky’s thought processes and my own thought processes". By 1997 he had settled on the philosophy of Neo-Tech, a philosophy developed by Frank R. Wallace. At approximately the same time he was when given the opportunity to write an 932:, a homeless Vietnam veteran who Alan Grant would utilize as a partner for Anarky in future stories. Batman eventually catches Anarky, revealing him to be a disguised, twelve-year-old paperboy named Lonnie Machin. As a child prodigy with extensive knowledge of both radical philosophy and improvised munitions, Lonnie was confident that violent change was necessary to improve social conditions. Batman condemns his actions, but expresses admiration for his idealism. 536:, balked at this proposal, believing that the depiction of a twelve-year-old becoming a murderer was morally reprehensible. Grant consented to O'Neil's request that the script be changed, and rewrote it to portray Anarky as violent, but non-lethal. Grant later expressed relief with this early decision, coming to believe that "Anarky would have compromised his own beliefs if he had taken the route of the criminal-killer". 4684: 1667: 517:. In his own intro to the collection, Norm Breyfogle explains that, pressured by deadlines, and failing to recognize the character's long-term potential, he "made no preliminary sketches, simply draping in long red sheets". As the character was intended to wear a costume that disguised his youth, Breyfogle designed a crude "head extender" that elongated Anarky's neck, creating a jarring appearance. 1655: 1691: 1679: 1643: 1193: 559:

philosophy, Anarky was not given a tragic past - a common motivator in comic books - but was instead given motivation by his convictions and beliefs. In his introduction to the trade paperback, Grant compared this with Batman, who fought crime due to personal tragedy. Grant also contrasted Anarky with common teenage

746: 895: 865:, an award winning letter and logo designer, mainly worked for DC Comics during the 1980s. A freelancer, Klein designed logos and title headers for various comics, while at other times created lettering for many of the decades most prominent titles. Klein would also create the lettering for Alan Grant's run on 975: 442:. Literary references are also utilized throughout the collected stories to stress the philosophical foundations of the character. The collection also tracks the character's evolution from a petty, street-crime fighting vigilante, to a competent freedom fighter in opposition to powerful forces of evil. 1318:

The progression of Anarky's abilities was also mirrored by the change in the character's costume. The design shift from an early suit intended to disguise Lonnie's age, to one that fit him more fully, was commented on by Norm Breyfogle, who wrote, "…during his existence he's gained quite a few inches

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Aside from the philosophical themes present throughout the collection, the steady progression of Anarky's abilities and enemies is also highlighted. In the earliest stories, Anarky's targets are minor criminals, contrasting with the last story, "Metamorphosis". This final story portrays Anarky facing

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near the story's climax. When asked if he was concerned readers would be unable to follow some of the more obscure literary references, Grant responded that he didn't expect many to do so, but was "pleased to say several did" and reported carrying on a correspondence with at least one reader over the

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Although Grant had not created Anarky to be used beyond the two-part debut story, the positive reception Anarky received among readers and his editor caused Grant to change his mind. In the following years, Grant developed the character to contrast with typical heroic characters. Based on a theme of

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Several months after the events of "Anarky: Tomorrow Belongs to Us", Lonnie Machin has been released from juvenile detention on parole, and uses the internet to create a company, "Anarco". Through Anarco, Machin sells anarchist literature online, secretly acquiring millions of dollars. He channels

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run together, Breygole has confessed to personally believing that this credit is unwarranted. Contending that he merely drew the characters Grant conceived, he has nonetheless accepted credit for the development of Anarky, as he eventually took part in frequent correspondence over fax-transmission

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Critics have positively received some of the stories within the collection, analyzing Anarky as a unique force for political commentary and discussion within DC Comics' storytelling. However, the expansive growth of the character's unique abilities and characterization has also fueled criticism as

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mini-series, and so decided to revamp the character accordingly. Grant laid out his reasoning in an interview just before the first issue's publication: "I felt he was the perfect character to express Neo-Tech philosophy because he's human, he has no special powers, the only power he's got is the

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lobbies. Meanwhile, he successfully hides this activity from his parents, Mike and Roxanne Machin, who do not approve of his behavior, believing themselves to have failed to raise their son properly. Their relationship with him becomes strained, as they attempt to rehabilitate him into normality,

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limited series. These faxed letters to each other fueled discussion and debate regarding the character and plot development, and influenced both men in their later work. Of the collected illustrators, he is the only artist to have penciled more than a single story for the character.

648:#608 and #609. Although Anarky was not intended to be used beyond this debut story, the positive reception the character received convinced Alan Grant to continue using the character in future issues. The next collected story, "Anarky: Tomorrow Belongs to Us", was published in 403:. Although all of the collected stories were written by Alan Grant, various artists contributed to individual stories. Dual introductions were written by the creators - both of whom introduce the character and give insight into their role in Anarky's creation and development. 1108:, an extremely rare book, and cites passages within it as having inspired his actions. Various books can be seen in Lonnie Machin's bedroom in the "Anarky" storyline, including tomes named after the ancient Greek philosophers Plato and Aristotle, and the Swedish scientist, 1020:, critiqued Anarky as "one of the more interesting characters of the past fifteen or twenty years ... because of what he wants to accomplish". He also analyzed the appeal of the character, considering the philosophy of anarchy "radical and untenable, yet still noble". 697:

limited series was received with positive reviews and sales, and was later declared by Grant to be among his "career highlights". With the continuation of the series as an ongoing monthly in 1999, these four issues were retroactively categorized as the first

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The "Metamorphosis" storyline led the character away from many of the philosophical concepts previously espoused, but the primary theme of the collection remained anti-statism. New emphasis was placed on previously unexplored themes, including the

1245:. A recurring theme in "Metamorphosis" was a scene of Anarky expounding philosophy to his pet dog, and indirectly to the reader, for a single page in each part of the story, for a total of four pages. These monologues included an explanation of 1095:

as a character gimmick. Other themes were often used when Anarky was a featured character in a comic. In early stories, books would often be referenced to express the character's philosophical agenda. The earliest example of this was in the

1033:", due to his highly principled philosophy, which runs counter to most villains: "In the age of the anti-hero, it only makes sense to have the occasional anti-villain as well. But unlike sociopathic vigilante anti-heroes like the 687:, as a result of a request Norm Breyfogle made to DC Comics for employment following the comic book crash of the mid-1990s. Darren Vincenzo suggested multiple projects which Breyfogle could take part in, among them an 1303:

more dangerous opponents - those who, as Grant wrote, are "virtual embodiments of evil". Anarky's steady growth in fighting ability, technological innovation, and wealth is also documented within the collection. In "

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universe. Anarky was conceived singularly by Grant as a result of these circumstances, and Grant's own intellectual and philosophical meditations influenced the portrayal of the character over the following years.

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course of several years. Besides books, fluttering newspapers were also used as a literary element to convey ideas, often included in street settings and bearing headlines alluding to social problems such as

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in order to promote anti-electoral propaganda, with the assistance of Legs, who acts as a diversion against a local guard. Anarky uses his communicator during his adventure to carryout a political

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gathers the work of a total of sixteen contributors employed by DC Comics over the course of eight years. While all of the collected stories were written by Alan Grant, contributing

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It's often difficult to view one's older work, but, like old diary entries of good times, the overall nostalgic pleasure that these stories provide me never diminishes.

625:, comprising four unique stories connected by their featured character: Anarky. The collected material, originally published in 1989, 1995, and 1997, includes Anarky's 4961: 2221: 1169:

during the 90's, Anarky was largely reserved for stories in which Grant wished to press a political point. Early incarnations of Anarky portrayed the character as an

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this wealth through a proxy organization, "The Anarkist Foundation", to donate the funds to political groups he supports, including gun protesters, eco-warriors, and

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Publications are listed alphabetically by published titles. Storylines are listed in publication order. Compiled without respect for canon or "current" continuity.

1037:, an anti-villain like Anarky provides some interesting food for thought. Sure, he breaks the law, but what he really wants is to save the world... and maybe he's 4592: 4536: 2166: 426:

is the overarching theme of the collection, other concepts are explored. Anarky's characterization was expanded throughout the stories to present him first as a

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comic strips. These stories were noted favorably for their use of socio-political commentary and satire. Together, the duo acquired employment with DC Comics.

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projector and two-way communicator, and uses it to leave the impression that he is still held in detention. He then escapes and sabotages a politician's

924:, discovers that the drug dealer he was tracking has already been assaulted and left for police to find. Next to his unconscious body is a spray painted 4610: 541:(Anarky is) a philosophical action hero, an Aristotle in tights, rising above mere "crime-fighter" status into the realm of incisive social commentary. 2558: 814:, who designed and later modified the appearance of Anarky. Frequently noted as the co-creator of the characters Alan Grant conceived of during their 3491: 487:" comic strip, Grant created Anarky as a twelve-year-old political radical, far more mature, violent, and intelligent than his peers. Influenced by 410:

during the '90s, stories based on the character were highly thematic, political, and philosophical in tone. The majority of the collected stories ("

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leanings. However, according to Grant, anarchists with whom he associated were hostile to his creation of the character, seeing it as an act of

5151: 4947: 4501: 4522: 3533: 4656: 1352:. The publication was shipped with a sticker of the missing text, which readers could place over the wordless balloon to complete the page. 4724: 3806: 3456: 655: 831:, who after penciling "Anarky: Tomorrow Belongs to Us", would go on to work exclusively for DC Comics for several more years. Illustrator 664:#40 and #41. The only storyline in the collection which is not self-contained, it alludes to other story elements taking place within the 1112:. Within the same storyline, Anarky's father comments on the political books in the teenager's room, referring to the Russian anarchist, 5161: 4670: 4529: 4334: 3638: 51: 4557: 4487: 3125: 2464: 2049: 1091:

Within the books, the nature of the character's political opinions was often expressed through his rhetoric, and by heavy use of the

5171: 3833: 3526: 2934: 2883: 1387: 1364: 198: 3659: 881:, who has won awards on multiple occasions in the field of comic book lettering, contributed to both "Anarky" and "Metamorphosis". 2092: 4564: 3449: 3400: 790:

to Batman storylines. Soon after, Wagner left the company, leaving Grant to continue the run on his own. Drawing on his work for

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and poverty. Several newspapers also include the titles of political books on their pages. One page bears the title of

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and pounds, filling out his costume! The change from black eyes to white may also be seen as indicating that Lonnie's

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The last of these four stories, "Metamorphosis", was published as a spin-off limited series between May and August of

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edition, published several months after the North American release, is distributed throughout the United Kingdom.

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With the success of the limited series, Darren Vincenzo, an assistant editor at DC Comics, and the editor of the

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Alan Grant later referred to it as one of his favorite projects, and ranked it among his "career highlights".

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Anarky stands before his "de-brainwashing" device atop a sky scraper in "Metamorphosis", illustration by

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completed the ink work for "Anarky: Tomorrow Belongs to Us", "Anarky", and "Metamorphosis, respectively.

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Raleigh, North Carolina, USA: TwoMorrows Publishing. Vol. 1, No.22, p. 21. ISSN 1932-6904. June 2007.

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power of his own rational consciousness". This new characterization was later carried on in the 1999

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and includes the character's faked death scene—an important plot point in the last collected story.

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Over the course of several years, Grant's political opinions shifted from libertarian socialism to

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He's fifteen years old, for pity's sake! Look at these books--! He should be sneaking copies of

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collaborated on "Anarky" in 1995, just a year after he received his Bachelor's in Fine Arts from

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in favor of his own creations. Some of these villains were influenced by characters from the

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include Norm Breyfogle, Staz Johnson, and John Paul Leon, with various artists assisting as

626: 529: 475: 419: 291: 149: 127: 2018:, vol. 1, no. 3 (July 1, 1997). New York City, NY: DC Comics. 1998:, vol. 1, no. 2 (June 1, 1997). New York City, NY: DC Comics. 1572:, vol. 1, no. 3 (July 1, 1997). New York City, NY: DC Comics. 1551:, vol. 1, no. 2 (June 1, 1997). New York City, NY: DC Comics. 5166: 5080: 5070: 4397: 4355: 3895: 3335: 3195: 2994: 2836: 2554: 2472: 2404: 2150: 2057: 2021: 2001: 1981: 1978:, vol. 1, no. 1 (May 1, 1997). New York City, NY: DC Comics. 1961: 1934: 1914: 1887: 1860: 1840: 1671: 1576: 1555: 1534: 1530:, vol. 1, no. 1 (May 1, 1997). New York City, NY: DC Comics. 1513: 1492: 1471: 1450: 1429: 1408: 1142: 1113: 1064: 706:

are unique as the only comic books ever thematically based on the philosophy of Neo-Tech.

654:#1. Published quarterly, this comic anthology collected short stories with an emphasis on 4022: 996:, he begins a quest to capture the power sources his invention will need: the madness of 2199: 2077:

Grant, Alan. Interview conducted by Cristopher Irving, November 17, 2006. Published in:

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While serving time in a juvenile correction facility, Lonnie Machin creates a makeshift

794:, Grant began injecting social commentary into the comic book, and avoided using common 4993: 4772: 4649: 4327: 4243: 4201: 3693: 3442: 3237: 2848: 2840: 2100: 1618: 1610: 1349: 979: 903: 832: 811: 684: 605: 546: 507: 502: 497: 400: 381: 247: 231: 99: 84: 75: 42: 2919: 691:

mini-series written by Alan Grant, which was eventually the project decided upon. The

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limited series, "Metamorphosis", would later return to continue their work on the

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mini-series, promoted the continuation of the comic into a regular monthly title.

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with his fellow detainees, narrowly returning before guards notice his absence.

921: 772: 767: 513: 484: 435: 32: 1666: 974: 5085: 5075: 4800: 4663: 4460: 4439: 1780:"Holy Penis Collapsor Batman! DC Publishes The First Zonpower Comic Book!?!?!" 1678: 862: 568: 492: 488: 309: 1877:, no. 609 (December 1989). New York City, NY: DC Comics. 1857:, no. 608 (November 1989). New York City, NY: DC Comics. 1446:, no. 609 (December 1989). New York City, NY: DC Comics. 1425:, no. 608 (November 1989). New York City, NY: DC Comics. 5100: 4968: 4889: 4425: 4404: 3342: 3027: 2913: 2860: 2852: 2142: 2025: 2005: 1985: 1965: 1938: 1918: 1891: 1864: 1844: 1580: 1559: 1538: 1517: 1496: 1475: 1454: 1433: 1412: 1348:, contained an error on page 130, in which the lettering was removed from a 1341: 1254: 1178: 1170: 1117: 1092: 1068: 1030: 993: 925: 869:, where he would work together with Grant and Breyfogle in the creation of " 848: 719: 560: 470: 415: 388: 277: 112: 56: 1690: 1173:, and were intended to act as a medium for Grant's personal meditations on 2442: 1951:, no. 41 (August 1995). New York City, NY: DC Comics. 1642: 1509:, no. 41 (August 1995). New York City, NY: DC Comics. 4864: 3575: 3209: 1904:, no. 1 (Summer 1995). New York City, NY: DC Comics. 1467:, no. 1 (Summer 1995). New York City, NY: DC Comics. 1197: 1182: 1121: 1072: 1034: 1001: 949: 941: 731: 727: 564: 505:

were that Anarky be designed as a cross between V and the black spy from

479:, which he was writing at the time. In a bid to replicate the success of 430:

and anarchist, and in the final story as a vehicle for explorations into

1931:, no. 40 (July 1995). New York City, NY: DC Comics. 1606:, the tradition of anarchist influence on art mediums, including comics. 1488:, no. 40 (July 1995). New York City, NY: DC Comics. 3624: 3279: 3061: 2896: 1972:). "Metamorphosis, Part One: Does a Dog Have a Buddha Nature?" 1524:). "Metamorphosis, Part One: Does a Dog Have a Buddha Nature?" 1238: 431: 4702: 770:. Grant rose to prominence as an equal of Wagner's in the creation of 5065: 2951: 2034: 2014: 2012:). "Metamorphosis Part Three: The Economics of The Madhouse" 1994: 1974: 1566:). "Metamorphosis Part Three: The Economics of The Madhouse" 1005: 917: 688: 464: 392: 1851:). "Anarky in Gotham City, Part One: Letters to the Editor" 1787: 1419:). "Anarky in Gotham City, Part One: Letters to the Editor" 469:

In the late '80s, writer Alan Grant considered drawing upon his own

1359: (February 2, 1999). New York City, NY: DC Comics, 1237:. Anarky's characterization was also expanded to present him as an 4878: 2871: 2029: 2009: 1989: 1969: 1942: 1922: 1895: 1868: 1848: 1614:, an underground comic anthology created by anarchist cartoonists. 1584: 1563: 1542: 1521: 1500: 1479: 1458: 1437: 1416: 1250: 1191: 973: 893: 744: 723: 2032:). "Metamorphosis Part Four: Fanfare for the Common Man" 1587:). "Metamorphosis Part Four: Fanfare for the Common Man" 1029:

mini-series, Anarky was dubbed an "anti-villain", as opposed to "

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Further information on the character's publication history:

4706: 2923: 1871:). "Anarky in Gotham City, Part Two: Facts About Bats" 1440:). "Anarky in Gotham City, Part Two: Facts About Bats" 1100:" and "Anarky" storylines, in which Anarky makes references to 786:

in 1988, hoping they would bring their gritty, violent take on

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Alan Grant is the singular author of each collected story in

658:. The eponymous story, "Anarky", was originally published in 1382: (April 16, 1999). London: Titan Books Ltd, 1315:; and has millions of dollars with which to fund his plans. 574:

Leading into the character's next phase of publication, the

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mythos at the time, including the temporary resignation of

418:, while the final story ("Metamorphosis") is influenced by 1992:). "Metamorphosis, Part Two: Revolution Number 9" 1545:). "Metamorphosis, Part Two: Revolution Number 9" 1808: 1806: 1249:, a comparative summary of the political philosophy of 843:

during Grant and Breyfogle's collaborative run, inked "

2143:"How I Began," Todd Klein: Lettering - Logos - Design. 1945:). "Anarky, Part One: The Anarkist Manifesto" 1773: 1771: 1769: 1767: 1765: 1763: 1761: 1503:). "Anarky, Part One: The Anarkist Manifesto" 1815:"Catching Up With Norm Breyfogle and Chuck Satterlee" 1631: 1200:

in "Anarky: Tomorrow Belongs to Us", illustration by

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Collaborating with Grant during these early years on

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sympathies and utilizing them for a character in the

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Lego Rock Raiders: High Adventure, Deep Underground

4978: 4888: 4845: 4753: 4744: 4627: 4602: 4470: 4130: 3909: 3857: 3816: 3782: 3746: 3710: 3683: 3366: 3044: 2972: 337: 297: 259: 219: 209: 204: 190: 136: 105: 62: 50: 23: 4962:Superman vs. The Terminator: Death to the Future 3918:Arkham Asylum: A Serious House on Serious Earth 1925:). "Anarky, Part One: Prophet of Doom" 1482:). "Anarky, Part One: Prophet of Doom" 1265: 1057: 839:in 1994. Steve Mitchell, the regular inker for 598: 539: 4593:Superman and Batman versus Aliens and Predator 4537:Batman/Teenage Mutant Ninja Turtles Adventures 1323:eyes now peer out of the mask. He's literally 1196:Anarky conveys anarchist philosophy through a 4718: 2935: 391:. The book collects prominent appearances of 8: 2093:"Norm Breyfogle @ Adelaide Comics and Books" 1898:). "Anarky: Tomorrow Belongs to Us" 1461:). "Anarky: Tomorrow Belongs to Us" 1151:Clearcut: The Tragedy of Industrial Forestry 4611:All Star Batman & Robin, the Boy Wonder 4030:Elseworld's Finest: Supergirl & Batgirl 3604:Flashpoint: Deadman and the Flying Graysons 760:, a writer from Scotland, got his start on 501:, Grant's only instructions to illustrator 4750: 4725: 4711: 4703: 4579:Harley & Ivy Meet Betty & Veronica 3680: 2942: 2928: 2920: 1747: 1745: 1743: 1741: 1739: 1737: 1723: 1721: 1719: 1717: 1177:, and specifically for his own anarchist, 31: 20: 1279:. He takes on individual cases... but he 563:. Rejecting the tradition established by 4516:Batman & Spider-Man: New Age Dawning 4349:Whatever Happened to the Caped Crusader? 2392:. Mesa, Arizona, United States: Blogspot 2200:"1974 Academy of Comic Book Arts Awards" 1165:As an antagonist in a limited number of 827:Other contributing illustrators include 734:. Each of the artists who worked on the 446:having overpowered the character beyond 41:(1999), trade paperback edition; art by 4572:Ghost/Batgirl: The Resurrection Machine 1713: 1638: 520:The first appearance of Anarky was in " 45:and colors by Sherilyn van Valkenburgh. 4502:Batman/Judge Dredd: Judgment on Gotham 4523:Batman/Tarzan: Claws of the Cat-woman 3534:Batman/Superman/Wonder Woman: Trinity 898:Anarky assaults a security guard in " 7: 4121:Superman and Batman: World's Funnest 3974:Batman/Houdini: The Devil's Workshop 3807:The Dark Knight III: The Master Race 3492:Batman: Gotham Knights – Gilded City 3457:Batman: The Doom That Came to Gotham 2912:at the Comic Book DB (archived from 2386:"Comics you should own: Detective 3" 1155:Urban Indians: Drums from the cities 395:, a comic book character created by 4671:The Further Adventures of The Joker 4530:Batman/Teenage Mutant Ninja Turtles 3639:Poison Ivy: Cycle of Life and Death 2220:Miller, John Jackson (2005-06-09). 4558:Batman vs. Bigby! A Wolf in Gotham 4488:Batman/Daredevil: King of New York 3660:Superman & Batman: Generations 3126:Batman: Legends of the Dark Knight 459:Character creation and development 14: 3527:Batman: The Return of Bruce Wayne 2634:. ACAB Publishing. Archived from 2628:"Alan Grant & Norm Breyfogle" 2122:"John Paul Leon official website" 2099:. ACAB Publishing. Archived from 1297:"Anarky: Tomorrow Belongs to Us". 16:1999 trade paperback by DC Comics 4683: 4682: 4657:DC Comics – The Legend of Batman 4565:Daredevil/Batman: Eye for an Eye 4335:The Resurrection of Ra's al Ghul 3450:Batman: The Dark Prince Charming 2465:"The Panel: Why Work In Comics?" 2050:"The Panel: Why Work In Comics?" 1689: 1677: 1665: 1653: 1641: 1344:edition, distributed throughout 1120:and the founder of Objectivism, 936:"Anarky: Tomorrow Belongs to Us" 617:Published on February 22, 1999, 354:"Anarky: Tomorrow Belongs To Us" 314:"Anarky: Tomorrow Belongs To Us" 274:"Anarky: Tomorrow Belongs To Us" 236:"Anarky: Tomorrow Belongs To Us" 156:"Anarky: Tomorrow Belongs To Us" 80:"Anarky: Tomorrow Belongs To Us" 4794:Judge Dredd: City of the Damned 4787:Judge Dredd: The Apocalypse War 4079:The Batman Adventures: Mad Love 4044:Batman/Poison Ivy: Cast Shadows 3939:Dark Night: A True Batman Story 3841:White Knight Presents: Red Hood 3674:The Untold Legend of the Batman 2995:Batman/Superman: World's Finest 2656:Cooling, William (2007-04-21). 2028:), Rubinstein, Josef ( 2008:), Rubinstein, Josef ( 1988:), Rubinstein, Josef ( 1968:), Rubinstein, Josef ( 1583:), Rubinstein, Josef ( 1562:), Rubinstein, Josef ( 1541:), Rubinstein, Josef ( 1520:), Rubinstein, Josef ( 916:During a late night drug raid, 3105:Batman: The Brave and the Bold 2988:Batman: The Brave and the Bold 2463:James Redington (2005-09-20). 2048:James Redington (2005-09-20). 1800:Grant, Batman: Anarky, p. 117. 1: 5152:Comics by Alan Grant (writer) 4174:Batman: A Death in the Family 3800:The Dark Knight Strikes Again 3429:Batman: Creature of the Night 3069:Batgirl and the Birds of Prey 2658:"Getting The 411: Alan Grant" 2531:Grant, Batman: Anarky, p. 93. 2024:), Breyfogle, Norm ( 2004:), Breyfogle, Norm ( 1984:), Breyfogle, Norm ( 1964:), Breyfogle, Norm ( 1937:), Paul Leon, John ( 1917:), Paul Leon, John ( 1867:), Mitchell, Steve ( 1863:), Breyfogle, Norm ( 1847:), Mitchell, Steve ( 1843:), Breyfogle, Norm ( 1778:Kraft, Gary S. (1997-04-08). 1579:), Breyfogle, Norm ( 1558:), Breyfogle, Norm ( 1537:), Breyfogle, Norm ( 1516:), Breyfogle, Norm ( 1495:), Paul Leon, John ( 1474:), Paul Leon, John ( 1436:), Mitchell, Steve ( 1432:), Breyfogle, Norm ( 1415:), Mitchell, Steve ( 1411:), Breyfogle, Norm ( 1141:'s series of interviews with 920:, the vigilante protector of 676:. The story reveals Anarky's 629:; the revelation of Anarky's 483:, a rebellious youth in the " 406:Featured as an antagonist in 4139:The Man Behind the Red Hood! 2405:"Comics You Should Own #17: 1813:Carey, Edward (2006-10-10). 1399:The issues collected in the 656:Batman supporting characters 4153:The Joker's Double Jeopardy 4037:The Joker: Devil's Advocate 3632:Penguin: Pain and Prejudice 3618:Harley Quinn and Poison Ivy 3408:Batman: Battle for the Cowl 2626:Best, Daniel (2007-01-06). 1941:), McCarthy, Ray ( 1921:), McCarthy, Ray ( 1890:), Johnson, Staz ( 1499:), McCarthy, Ray ( 1478:), McCarthy, Ray ( 1453:), Johnson, Staz ( 766:as an assistant writer for 672:and the mid-life crisis of 5188: 5162:Atheism in popular culture 4363:Bruce Wayne: The Road Home 3759:Batman: The Long Halloween 3723:Batman and the Monster Men 3485:Batman: Gotham County Line 2226:Forums: The Knowledge Base 1153:; while a third refers to 1147:Keeping the Rabble in Line 985: 909: 623:Batman-related comic books 462: 4934:Batman: Shadow of the Bat 4680: 4618:Batman: The Widening Gyre 3834:Curse of the White Knight 3140:Batman: Streets of Gotham 3133:Batman: Shadow of the Bat 2963: 2632:Adelaide Comics and Books 2403:Greg Burga (2006-05-22). 2384:Greg Burga (2009-01-21). 2222:"CBG Fan Awards Archives" 2145:Retrieved July 22, 2008. 2097:Adelaide Comics and Books 1948:Batman: Shadow of the Bat 1928:Batman: Shadow of the Bat 1506:Batman: Shadow of the Bat 1485:Batman: Shadow of the Bat 714:Collecting four stories, 702:volume. Both volumes of 661:Batman: Shadow of the Bat 172:Batman: Shadow of the Bat 30: 5172:Philosophical mass media 4433:Dark Nights: Death Metal 3701:Batman and Robin Eternal 3308:Red Hood and the Outlaws 3091:Batman and the Outsiders 2590:, p. 124, 130, 163, 174. 1894:), Smith, Cam ( 1457:), Smith, Cam ( 1149:; another Bill Devall's 1080:Mike Machin dialogue by 742:ongoing series in 1999. 612:introduction, June 1998. 553:introduction, June 1998. 363:Sherilyn van Valkenburgh 4927:Batman: The Last Arkham 4836:Tales from the Doghouse 4636:Batman: Child of Dreams 4509:Batman/Spawn: War Devil 4209:The Return of the Joker 3848:Beyond the White Knight 3793:The Dark Knight Returns 3730:Batman and the Mad Monk 3646:Red Hood: The Lost Days 3471:Batman: Gates of Gotham 3112:Batman: The Dark Knight 3098:Batman: Arkham Unhinged 1157:by Gregory W. Frazier. 890:"Anarky in Gotham City" 710:Collection contributors 448:suspension of disbelief 5147:Science fiction comics 4773:Anderson: Psi Division 4643:Batman: Haunted Knight 4551:Batman Versus Predator 4495:Batman/Hellboy/Starman 3773:Catwoman: When in Rome 3555:Batman: Turning Points 3520:Batman: Orpheus Rising 3415:Batman Black and White 3224:The Brave and the Bold 3119:Batman: Gotham Knights 2469:Silverbulletcomics.com 2401:Formerly published at: 2054:Silverbulletcomics.com 1604:Anarchism and the arts 1311:, and created his own 1288: 1275:of crime, but not the 1205: 1116:, German philosopher, 1077: 1004:, and the goodness of 983: 907: 819:with Grant during the 754: 602: 543: 4969:Tank Girl: Apocalypse 4941:Bob, the Galactic Bum 4906:Anarky in Gotham City 4272:Bruce Wayne: Fugitive 4195:Anarky in Gotham City 4058:The 12 Cent Adventure 3882:The Riddler: Year One 3875:Green Arrow: Year One 3583:Dark Knights of Steel 3562:The Batman Who Laughs 3357:World's Finest Comics 3154:The Batman Chronicles 3147:The Batman Adventures 2903:Grand Comics Database 2413:Comics You Should Own 2165:(February 18, 2004). 2149:July 8, 2008, at the 2091:Best, Daniel (2003). 1901:The Batman Chronicles 1464:The Batman Chronicles 1305:Anarky in Gotham City 1195: 1189:for commercial gain. 1098:Anarky in Gotham City 977: 912:Anarky in Gotham City 900:Anarky in Gotham City 897: 871:Anarky in Gotham City 845:Anarky in Gotham City 837:School of Visual Arts 748: 651:The Batman Chronicles 642:Anarky in Gotham City 633:; and Anarky's first 522:Anarky in Gotham City 491:, the protagonist of 428:libertarian socialist 412:Anarky in Gotham City 408:various Batman comics 344:Anarky in Gotham City 304:Anarky in Gotham City 266:Anarky in Gotham City 226:Anarky in Gotham City 161:The Batman Chronicles 143:Anarky in Gotham City 69:Anarky in Gotham City 4146:The Joker's Millions 3827:Batman: White Knight 3766:Batman: Dark Victory 3548:Batman: Thrillkiller 3541:Batman: Three Jokers 3499:Batman: The Imposter 3393:Batman & Dracula 3329:Robin: Son of Batman 2390:Delenda Est Carthago 2374:, p. 186 – 207. 2348:, p. 163 – 184. 2335:, p. 140 – 161. 2322:, p. 117 – 138. 1820:Comic Book Resources 1175:political philosophy 644:", was published in 74:November - December 4948:Judgement on Gotham 4872:The House of Daemon 4384:Death of the Family 4114:Red Hood vs. Anarky 3932:Dark Knight Dynasty 3401:Batman: Arkham City 3189:The Batman Strikes! 3182:Batman Incorporated 3168:Batman Confidential 2966:Publication history 2309:, p. 92 – 115. 1696:Speculative fiction 1291:Anarky dialogue by 1247:bicameral mentality 1235:bicameral mentality 1161:Philosophical shift 1053:Literary references 1023:In a review of the 1018:PopCultureShock.com 988:Anarky (comic book) 902:", illustration by 440:bicameral mentality 5157:1999 comics debuts 5142:Comics anthologies 5054:Notable characters 4920:Batman: Knightfall 4447:Shadows of the Bat 4419:Dark Nights: Metal 4107:Poison Ivy: Thorns 4093:Gotham by Gaslight 4009:The Man Who Laughs 3946:Death of Innocents 3889:Two-Face: Year One 3749:The Long Halloween 3737:The Man Who Laughs 3611:Gotham Underground 3506:Batman: The Knight 3245:Gotham City Sirens 3231:Gotham by Midnight 2296:, p. 66 – 89. 2283:, p. 54 – 63. 2270:, p. 31 – 52. 2124:. Johnpaulleon.com 2020:Grant, Alan ( 2000:Grant, Alan ( 1980:Grant, Alan ( 1960:Grant, Alan ( 1933:Grant, Alan ( 1913:Grant, Alan ( 1886:Grant, Alan ( 1859:Grant, Alan ( 1839:Grant, Alan ( 1575:Grant, Alan ( 1554:Grant, Alan ( 1533:Grant, Alan ( 1512:Grant, Alan ( 1491:Grant, Alan ( 1470:Grant, Alan ( 1449:Grant, Alan ( 1428:Grant, Alan ( 1407:Grant, Alan ( 1313:hybrid martial art 1206: 1135:white-collar crime 1126:Buckminster Fuller 1110:Emanuel Swedenborg 984: 908: 755: 640:The first story, " 454:Collection history 92:July - August 1995 5119: 5118: 5031: 5030: 5008:The Last American 4700: 4699: 4695: 4544:Batman/The Spirit 4377:Night of the Owls 4265:Joker: Last Laugh 4188:The Man Who Falls 4086:The Berlin Batman 3981:In Darkest Knight 3925:Castle of the Bat 3905: 3904: 3868:Batgirl: Year One 3597:Flashpoint Beyond 3513:Batman: Nosferatu 3464:Batman: Earth One 3422:Batman: Cacophony 2415:. PopCultureShock 2257:, p. 9 – 30. 2202:. Hahnlibrary.net 2167:"RIP Bill Oakley" 2163:Eliopoulos, Chris 1626:Trashman (comics) 1331:Media information 780:assigned them to 670:Alfred Pennyworth 532:, then editor of 373: 372: 5179: 5137:Anarchist comics 4858:Computer Warrior 4808:Young Middenface 4766:Ace Trucking Co. 4751: 4727: 4720: 4713: 4704: 4693: 4686: 4685: 4370:The Black Mirror 4160:Batman: Year One 4051:Son of the Demon 3988:The Killing Joke 3713:Dark Moon Rising 3681: 3569:Batman: Year 100 3436:Batman: The Cult 3343:Tim Drake: Robin 3301:Red Hood/Arsenal 3084:Batman and Robin 3002:Detective Comics 2944: 2937: 2930: 2921: 2820: 2813: 2807: 2800: 2794: 2787: 2781: 2774: 2768: 2761: 2755: 2748: 2742: 2735: 2729: 2722: 2716: 2709: 2703: 2696: 2690: 2683: 2677: 2676: 2674: 2673: 2664:. Archived from 2653: 2647: 2646: 2644: 2643: 2623: 2617: 2610: 2604: 2597: 2591: 2584: 2578: 2577: 2575: 2574: 2565:. 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Wallace 292:Josef Rubinstein 150:Detective Comics 63:Publication date 35: 21: 5187: 5186: 5182: 5181: 5180: 5178: 5177: 5176: 5122: 5121: 5120: 5115: 5081:Jeremiah Arkham 5071:Cornelius Stirk 5049: 5027: 4974: 4884: 4841: 4746: 4740: 4731: 4701: 4696: 4692: 4676: 4623: 4598: 4472: 4466: 4356:Batwoman: Elegy 4223:The Last Arkham 4126: 3953:Digital Justice 3901: 3896:Robin: Year One 3853: 3812: 3778: 3742: 3706: 3679: 3368: 3362: 3336:Superman/Batman 3196:Batman/Superman 3046: 3040: 2968: 2959: 2958:and story lines 2948: 2893: 2857:Mitchell, Steve 2841:Breyfogle, Norm 2824: 2823: 2814: 2810: 2801: 2797: 2788: 2784: 2775: 2771: 2762: 2758: 2749: 2745: 2736: 2732: 2723: 2719: 2710: 2706: 2697: 2693: 2684: 2680: 2671: 2669: 2655: 2654: 2650: 2641: 2639: 2625: 2624: 2620: 2611: 2607: 2598: 2594: 2585: 2581: 2572: 2570: 2553: 2552: 2548: 2539: 2535: 2530: 2526: 2517: 2513: 2504: 2500: 2491: 2487: 2478: 2476: 2462: 2461: 2457: 2448: 2446: 2433:VerBeek, Todd. 2432: 2431: 2427: 2418: 2416: 2402: 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