Battles Without Honor and Humanity (film)

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family member become self-sustaining and limit the kickbacks, which only Shinkai and Yano vote against. Shinkai begins plotting with the surviving Doi Family members to kill Sakai. When it's revealed that Yamamori is selling the drugs he confiscates from the other members for personal profit, Sakai and Ueda threaten him and reveal their intention to take over the family. Yamamori has Arita kill Ueda in a barbershop and war breaks out between the two sides. The conflict ends quickly: Shinkai's men and the Doi Family members are murdered by Sakai's associates, Arita shoots a police officer who tries to arrest him and gets a life sentence, and Shinkai is stabbed to death before he can board a train to escape the city.

358:. With the other members unwilling to act and Wakasugi forbidden by yakuza traditions to betray his boss, Hirono volunteers to handle the matter after Yamamori agrees to promote him. Hirono successfully assassinates Doi while he's coming out of a meeting with the Kaito Family and escapes. While in hiding, Hirono is visited by Kanbara, who claims Yamamori has a plan to sneak him out of the city. However, it turns out to be a set-up and Hirono, finding himself abandoned by Yamamori and hunted by the Doi Family, turns himself in for murdering Doi. Wakasugi murders Kanbara in revenge, but an anonymous tip to the police (provided by Yamamori) leads them to his girlfriend's house and he is killed trying to escape. 378:

with the Kaito Family. When Makihara informs Sakai that Yano is making a secret trip to persuade the Kaito Family to end the negotiations, Sakai has him gunned down when he arrives. Makihara then contacts Hirono to join him on the supposedly retired Yamamori's side; however, Hirono refuses and instead announces he is breaking off his pledge to Yamamori and leaving his family. He goes to see Sakai and the two men vow to kill each other. Sakai allows Hirono to leave peacefully, but is then murdered by Makihara's hitmen. At Sakai's funeral, which has Makihara and Yamamori in attendance, Hirono arrives with a gun, shoots up the funeral display, and threatens Yamamori before leaving.

595:. At fifteen he worked with other children in a munitions factory that was regularly bombed. The director recalled "even though we were friends working together, the only thing we would be thinking of was self-preservation. We would try to get behind each other or beneath dead bodies to avoid the bombs.... I also had to clean up all the dead bodies.... I'm sure those experiences have influenced the way I look at violence." The film, noted for its "extreme violence," opens with Japanese soldiers, during America's occupation of their country, stealing food and murdering for a bowl of rice. Using 565:. The writer had concerns over organizing the real facts to make stories, as one could not fit everything into an action movie, and how close to stick to reality, settling on a mix of reality and human drama. He deleted all the scenes with Hirono (Minō) interacting with a female heroine, as it was the only request of Minō, who Kasahara felt had given his unspoken approval by now. This is the reason the film ends abruptly. The screenplay took Kasahara 69 days to write. 351:

kidnaps one of Kanamaru's allies before the vote, allowing Nakahara's side to win, and goes into hiding afterwards. Doi finds out due to Kanbara bragging about it while drinking and beats him severely, then goes after Yamamori. However, out of loyalty to Hirono, Wakasugi stops Doi from killing Yamamori and a deal is brokered: Wakasugi will become a guest member of the Yamamori Family while Kanbara takes his place in the Doi Family.

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get him released. Hirono and his gang of fellow ex-soldiers - Tetsuya Sakai, Seiichi Kanbara, Uichi Shinkai, Masakichi Makihara, and Shuji Yano - then join the Yamamori Family by swearing loyalty to the boss and to each other. Wakasugi's boss, Patriarch Doi, serves as an official witness to the ceremony, along with Kenichi Okubo, Patriarch of the powerful Okubo Family.

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writes "Fukasaku's yakuza flicks drain criminal netherworlds of romance, crush codes of honor underfoot, and nullify distinctions between good and evil." Film scholar Richard Torrance suggests that the film acts as a "microcosm of the broader society and international order of the post-war period, in

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arranged to have who he considered the best staff at Toei Kyoto work with Fukasaku, which greatly eased the transition. Sato also stated that the entire filming process was short, hectic and chaotic, taking only 35 to 40 days. Scenes set to be filmed on-location were first rehearsed in studio, before

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When he returned to Tokyo, Kasahara told Toei he could work with the incidents in Kure, but not the events that followed in Hiroshima because they were too complicated and they agreed. Although Minō had to be the protagonist, Kasahara found it difficult to create a character based on the notes he had

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veteran Shozo Hirono is sent to prison after shooting a sword-wielding yakuza who assaulted his friend. He befriends and becomes sworn brothers with another prisoner, Doi Family member Hiroshi Wakasugi, who arranges for Yoshio Yamamori, Patriarch of the Yamamori Family, to bribe the prison warden and

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When Shundo selected Fukasaku to direct he received backlash from his Toei colleagues, who felt the director could not make the film "interesting" or "commercial" enough. Shundo himself did not like Fukasaku's earlier films, stating that he made them for his own enjoyment only, but changed his mind

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When Kasahara and Kusakabe first asked Minō for permission to adapt his story, he declined not wanting to receive further scorn from his fellow gang members, which he had already received for exposing the inner workings of the lifestyle. However, after learning that Minō and Kasahara both served at

535:, it seemed they had not bothered to ask Minō. Because the journals were written objectively and therefore easy to read, Kasahara had to flesh them out with details to make it dramatic. Despite Toei advising against it, Kasahara went to Kure with producer Goro Kusakabe on September 29 to meet Minō. 377:

and learns about the strife in the Yamamori Family. When Yamamori asks him to kill Sakai, he instead asks Sakai to make peace with Yamamori. Instead, Sakai forces Yamamori to retire, crowns himself the family's new patriarch, forms an investment company with Yamamori's money, and starts negotiating

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Yamane and Kenta Fukasaku both agreed that the series does not focus on specific lead actors, but is an ensemble piece with the supporting actors energizing it. The stars are narrative characters, with the low-ranking yakuza that are endlessly killed off the real focus of the movies. Sugawara said

520:. Upon arriving in Kyoto he gave it to Toei producer Koji Shundo and told him to read it. Days later, after Shundo still had not done so, Sugawara bought another copy and insisted again. The actor asked Shundo to cast him in an adaptation, with Goro Kusakabe producing and Kinji Fukasaku directing. 369:

due to the high kickbacks the boss takes off their earnings. Sakai and Shinkai, who are now high-ranking officers in the family, feud when Shinkai's subordinate, Toshio Arita, deals against Yamamori's orders. Sakai, agreeing with Shinkai that the boss's take is too high, offers a plan to have each

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leader Tatsuo Yamamura and was killed. He envisioned Bunta Sugawara portraying the character (he later learned Sugawara had already been cast in the role), but said the day before shooting Sugawara was instead cast as Hirono (who is based on Minō) and Hiroki Matsukata took over as Sakai (Sasaki).

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in apology to Okubo. Okubo accepts, but asks Yamamori to take Ueda into his family and perform a favor for corrupt politician Shigeto Nakahara by eliminating a vote for his rival Shoichi Kanamaru, who is supported by the Doi Family in a political dispute over allotment of public resources. Sakai

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without permission, before the team left as quickly as possible. Upon filming on location in Kure, many yakuza, including those used as models for characters in the film, gathered on set. They gave advice to both the director and actors; decades later, Tatsuo Umemiya who plays Hiroshi Wakasugi,

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Awards; it won the Reader's Choice for Best Film, Bunta Sugawara received Best Actor, and Kazuo Kasahara received Best Screenplay. In 2009, the magazine named it fifth on an aggregated list of the Top 10 Japanese Films of All Time as voted by over one hundred film critics and writers. Previous

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released a Blu-ray and DVD box set, limited to 2,500 copies, of all five films in the UK on December 7, 2015, and in the US a day later. Special features include an interview with the series fight choreographer Ryuzo Ueno and the 1980 edited compilation of the first four films.

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Awards for Best Film, Best Actor (Bunta Sugawara) and Best Screenplay (Kazuo Kasahara). In 2009, the magazine named it fifth on a list of the Top 10 Japanese Films of All Time. Due to the series' commercial and critical popularity it was followed by another three-part series,

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being shot "guerilla-style" with hand-held cameras at the actual location and with civilian passersby giving real reactions. For example, knowing they would never get permission, the scene where the character Uichi Shinkai is stabbed to death at

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has been released on home video and aired on television, the latter with some scenes cut. In 1980, the first four films were edited into a 224-minute compilation and was given a limited theatrical release and broadcast on Toei's TV network. A

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stated that Fukasaku's trait of never redeeming bad characters and not catering to have the good guys win in the end was a "profound influence" on himself. He went on to claim that this is something one cannot do today in American films.

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took place. The young people had similar feelings to those of the post-war society depicted in the films. Yamane also stated that for the rest of his career Fukasaku was approached many times by producers to create movies similar to

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of bombed-out Hiroshima in 1946, the film spans a period of more than ten years. The plot consists of a changing of the guard of new families and organizations with the same feuds and people, punctuated by the gritty violence.

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stated that he felt sorry for actors playing yakuza today because they "don't have the chance to get to know real yakuza the way we did." Producer Shundo himself was formerly a yakuza before getting a job at Toei.

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set in pre-war Japan. The overall tone of the series is bleak, violent and chaotic, expressing the futility of the struggles between yakuza families. In the western market it is also known under the titles

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as the 1973 entry on their list of the best Japanese films of every year from 1925 to 2020. Jasper Sharp, writing for the BFI, listed it as one of 10 great Japanese gangster movies.

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Lead actor Bunta Sugawara claims that he had the initial idea to adapt the memoirs to film. He said that six months before the movie was released, he was on the cover of

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raging in the 1950s, the Yamamori Family thrives thanks to war contracts and expands in the immediate years, but internal strife begins when members start dealing

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Three years later, in 1949, Hirono gets into a fight with a man named Toru Ueda at a gambling den. Since Ueda is a blood relative of Okubo's, Hirono commits

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A restored version of the film, from a 4K 35mm print original negative to 2K digital by Toei Labo Tech, was screened at the Cannes Classics section of the

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Toei producer Masao Sato remarked that unusually Fukasaku shot the film in Toei's Kyoto studio, despite being under contract to Toei Tokyo. Fukasaku's son

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received the order for the screenplay on September 1, 1972. He revealed that while Toei had gotten the rights to adapt the series from Iiboshi and

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the Otake naval officer school in Hiroshima, Minō agreed to help clarify details about the journals but still did not approve a film adaptation.

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and natural lighting to create a "gritty, chaotic look," the director showed his generation's struggle to survive in the post-war chaos. The

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Kasahara, Kazuo (2015) . "Jitsuroku: My Personal Account of the Screenplay - The 300 Days of Battles Without Honor and Humanity".

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Mark Schilling notes that this is the distributor's share of the film's theatrical revenue, roughly half of its total earnings.

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Hutchinson, Rachael (2019). "Fukasaku Kinji and Kojima Hideo Replay Hiroshima: Atomic Imagery and Cross-Media Memory".

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Torrance, Richard (2005). "The nature of violence in Fukasaku Kinji'sJingi naki tatakai(War without a code of honor)".

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earned its distributor $ 4.5 million at the box office, making it the eleventh highest-grossing film of the year. On

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was popular because of the time of its release; Japan's economic growth was at its peak and at the end of the 1960s

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s annual list of the best films for the year of 1973 as voted by critics, the first film placed second. At the 1974

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box set compiling all five films in the series was released on March 21, 2013, to celebrate its 40th anniversary.

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Six months later, Doi starts moving against Yamamori and prepares to form an alliance with the Kaito Family from

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which violence lacks moral significance and exists without heroes." This new yakuza film genre became known as

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with Tatsuo Umemiya and read this issue that also contained the first installment of the series while on the

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that this was the first Toei, and even the first Japanese, film to not have the lead actors in every scene.

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script he said he would not change a thing and the film was green lit. Filming began in November 1972.

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The film is credited as one of the first modern yakuza films; prior, movies about yakuza were known as

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editions of the list had the series at number twenty-two in 1995 and eighth in 1999, tied with

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