38:. Inspired by Bennett's interactions with the Caribbean immigrant community after his migration from Jamaica to Britain in 1954 and first published in 1959, the novel is billed as a "powerful story on the colour problem" and a "novel that will long be remembered" on the front and back covers respectively.
49:
follows
Jamaican clerk Tom Hendon, as he leaves his family in pursuit of a better career in London. While en route to England, Tom actively avoids talking to the "ordinary" and "uncultured" immigrants on the ship. Back home, Tom's spouse Emma, a Jamaican educator, has an affair with school inspector
95:: "Although uninterested in being a literary masterpiece, Bennett's forgotten novel presents a curiously rewarding combination of melodrama and satire to foreground the serious ramifications of Britain's false sense of belonging." A copy of the novel is showcased at the World City gallery at the
22:
76:
as an "interesting and unusual book". While pointing out
Bennett's use of "long words and stilted phraseology", she praised the novel's "descriptive power" and "delightful humor". She concluded that works like
54:. At the same time, Tom has an affair with a fellow Jamaican immigrant, Marie. Crost is subsequently murdered by Marie's husband; Marie gives birth to Tom's son, Rupert, and dies soon after. Reunited at
58:, Tom and Emma reflect on the "hypocrisy" of Jamaican society. Tom places his "adopted son" in the care of Hilda, who is later revealed to be Tom's sister, and begins a short-lived political career.
91:
while noting that the struggles of
Bennett's protagonist were similar to those of "Caribbean immigrants to Britain in the 1950s". Alison Donnell discussed the novel in
81:
could "explain and endear the
Jamaicans to the ordinary Englishman far better than all the learned studies of the coloured problem." F. I. Case compared the novel to
351:
275:
252:
326:
Donnell, Alison (2020). "Looking Back, Looking
Forward: Revisiting the Windrush Myth". In Susheila Nasta; Mark U. Stein (eds.).
394:
389:
384:
379:
55:
335:
217:
96:
213:
302:
35:
83:
267:
357:
314:
262:
Case, F. I. (2004). "Bennett, Alvin
Gladstone (1918– )". In Eugene Benson; L.W. Conolly (eds.).
347:
271:
248:
339:
306:
293:
68:
310:
21:
373:
361:
88:
51:
343:
328:
245:
Blackening
Britain: Caribbean Radicalism from Windrush to Decolonization
318:
287:
20:
330:
The
Cambridge History of Black and Asian British Writing
148:
146:
144:
119:
117:
93:
The
Cambridge History of Black and Asian British Writing
264:
16:
Novel by the Jamaican author Alvin Gladstone Bennett
327:
286:
8:
288:"Because They Know Not by A. G. Bennett"
200:
152:
135:
123:
113:
176:
164:
7:
311:10.1093/oxfordjournals.afraf.a094663
188:
14:
34:is a novel by Jamaican author
1:
247:. Rowman & Littlefield.
72:, Mercedes Mackay described
56:Saint Andrew Parish, Jamaica
411:
336:Cambridge University Press
243:Cantres, James G. (2020).
218:Museum of London Docklands
97:Museum of London Docklands
50:Max Crost, who is also an
285:Mackay, Mercedes (1959).
303:Oxford University Press
36:Alvin Gladstone Bennett
26:
395:Novels set in Jamaica
344:10.1017/9781108164146
79:Because They Know Not
74:Because They Know Not
47:Because They Know Not
31:Because They Know Not
24:
390:Novels set in London
338:. pp. 195–211.
268:Taylor & Francis
84:The Lonely Londoners
62:Reception and legacy
385:Novels about racism
380:1959 British novels
27:
402:
365:
333:
322:
290:
281:
258:
229:
228:
226:
224:
210:
204:
198:
192:
186:
180:
174:
168:
162:
156:
150:
139:
133:
127:
121:
66:In a review for
410:
409:
405:
404:
403:
401:
400:
399:
370:
369:
368:
354:
325:
294:African Affairs
284:
278:
270:. p. 113.
261:
255:
242:
238:
233:
232:
222:
220:
212:
211:
207:
199:
195:
187:
183:
175:
171:
163:
159:
151:
142:
134:
130:
122:
115:
110:
105:
69:African Affairs
64:
44:
17:
12:
11:
5:
408:
406:
398:
397:
392:
387:
382:
372:
371:
367:
366:
352:
323:
282:
276:
259:
253:
239:
237:
234:
231:
230:
205:
203:, p. 210.
193:
191:, p. 113.
181:
179:, p. 262.
169:
167:, p. 261.
157:
155:, p. 209.
140:
138:, p. 126.
128:
126:, p. 208.
112:
111:
109:
106:
104:
101:
63:
60:
43:
40:
15:
13:
10:
9:
6:
4:
3:
2:
407:
396:
393:
391:
388:
386:
383:
381:
378:
377:
375:
363:
359:
355:
353:9781108164146
349:
345:
341:
337:
332:
331:
324:
320:
316:
312:
308:
304:
300:
296:
295:
289:
283:
279:
277:9781134468485
273:
269:
265:
260:
256:
254:9781538143551
250:
246:
241:
240:
235:
219:
215:
209:
206:
202:
197:
194:
190:
185:
182:
178:
173:
170:
166:
161:
158:
154:
149:
147:
145:
141:
137:
132:
129:
125:
120:
118:
114:
107:
102:
100:
98:
94:
90:
86:
85:
80:
75:
71:
70:
61:
59:
57:
53:
48:
41:
39:
37:
33:
32:
23:
19:
329:
298:
292:
263:
244:
236:Bibliography
221:. Retrieved
214:"World City"
208:
201:Donnell 2020
196:
184:
172:
160:
153:Donnell 2020
136:Cantres 2020
131:
124:Donnell 2020
92:
82:
78:
73:
67:
65:
46:
45:
30:
29:
28:
18:
305:: 261–262.
177:Mackay 1959
165:Mackay 1959
374:Categories
223:27 January
103:References
89:Sam Selvon
52:anglophile
25:Book cover
362:188144220
189:Case 2004
108:Citations
301:(232).
360:
350:
319:718148
317:
274:
251:
358:S2CID
315:JSTOR
348:ISBN
272:ISBN
249:ISBN
225:2022
42:Plot
340:doi
307:doi
87:by
376::
356:.
346:.
334:.
313:.
299:58
297:.
291:.
266:.
216:.
143:^
116:^
99:.
364:.
342::
321:.
309::
280:.
257:.
227:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.