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253:, 22 July 1726, replacing the unsatisfactory Jacques Duplessis. When MĂ©rou was dismissed in 1734 for falsifying the accounts, for the first time the manufacture was directed by an artist, since Oudry's financial backer, Nicolas Besnier, a goldsmith of Paris, was wise enough not to interfere with the artistic production, and the partnership lasted until 1753. Oudry was simultaneously inspector of the works at Gobelins. At Beauvais he reorganized the training of the young workers and turned out designs and constantly renewed borders: the
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or the foreign ministry should have launched new successes for
Beauvais, but Oudry's death, 30 April 1755, and Boucher's defection to the Gobelins factory the same year, initiated a period of stagnation, while the old designs were repeated, and then decline. At the
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and landscape tapestries, which are known through chance notations in royal accounts. He was arrested for his debts in 1684, and the workshops were refounded more successfully under
Philippe Behagle, a merchant tapestry-manufacturer from
275:, for gifts to foreign ministers, an advertisement of French hegemony in the field of art and also a fine advertisement for the quality of the Beauvais manufacture. The king had the entire production of Gobelins at his disposal, but as
79:. Whereas the royal Gobelins Manufactory executed tapestries for the royal residences and as ambassadorial gifts, the manufacture at Beauvais remained a private enterprise. Beauvais specialised in
374:, the "Loves of the Gods", after paintings by Boucher delivered 1747–49; suites from among the nine subjects, though never all subjects in one suite, were being woven at Beauvais as late as 1774.
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207:. On his death in 1705, the Beauvais manufacture was continued by his wife and son, and in 1711 by new proprietors, the brothers Filleul. Under Filleul ownership Beauvais produced suites of
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the workshops were temporarily closed, following a dispute between the weavers and the administration, and then were reopened, under State direction, making little but upholstery covers.
186:. Against mustard yellow grounds vases and baskets of fruit with birds, a specialty of Monnoyer's, are contrasted with lively figures, sometimes acrobats and dancers, sometimes from the
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A new partner, André-Charlemagne
Charron, and increased royal support, with annual order for sets of hangings now with complete suites of furniture coverings, to be delivered to the
269:. Sets of tapestry covers for seat furniture were introduced, and in September 1737 it was decided that the King of France should purchase two sets of tapestry each year, for 10,000
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tapestry weaving, although the letters patent of 1664, authorising the company and offering royal protection, left the field open for the production of high-warp tapestry as well.
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were shown in the Salon of 1742;. It was unusual for the artist's sketches to be enlarged to provide cartoons, as in this case; the translation to cartoons was made by
314:, starting in 1737, a long series of six suites of tapestry hangings, forty-five subjects in all, constituting the familiar "Boucher-Beauvais" suites that embody the
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The first entrepreneur, Louis Hinard, a native of
Beauvais who had already established workshops in Paris, produced unambitious floral and foliate tapestries called
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points out, they were rather large, rather solemn and definitely old-fashioned. In 1739, for the first time, cartoons for
Beauvais were exhibited at the
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465:"an important event in the history of Beauvais, for it saved the workshops from ruin, and initiated their finest period." (Weigert 1962:129.
338:. The successful series was woven at Beauvais at least ten times between July 1743 and August 1775; in addition further copies were made at
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Behagle continued his private workshops in Paris, as had his predecessor. From these shops came the suite of
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pointed out that the actions were reversed, in order to appear the right way in tapestry. (Standen 1984:63).
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Important French and
Continental Furniture, Ceramics and Carpets: Including an Important Beauvais Tapestry
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as well as animal combats, and a series of "Chinese" hangings that are a high point in the career of
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Edith A. Standen, "The 'Amours des Dieux': A Series of
Beauvais Tapestries after Boucher"
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Oudry turned to other artists to supplement the tapestry cartoons he was producing; from
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168:) initiated in the 1690s became a mainstay of Beauvais production, woven through the
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which complemented a contemporaneous
Gobelins suite showing episodes in the
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100:, who had also worked in the traditional tapestry-weaving city of
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The great period of
Beauvais tapestry begins with the arrival of
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584:, Volume 1. Oxford: University Press, 2006, pp. 87–88.
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La
Seconde 'Tenture Chinoise' tissée à Beauvais et Aubusson
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Kathryn B. Hiesinger, "The sources of François Boucher's
231:), for Beauvais found many commissions among foreigners.
172:. The cartoons, which were inspired by the engravings of
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tapestries, in the manner of village scenes painted by
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European Tapestry at the Minneapolis Institute of Arts
322:, a set of village festivals in settings evoking the
265:'s comedies, a renewed suite of perennially popular
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112:, without directly competing with them. A suite of
360:Musée des Beaux-Arts et d'archéologie de Besançon
245:for which Oudry provided cartoons in the 1720s
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67:. It was the second in importance, after the
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290:Beauvais tapestry upholsters seats given by
104:. Behagle's first successes were a suite of
753:Great Tapestry of Scotland: People's Panel
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405:(London: Faber and Faber) 1962, pp 123-34.
582:The Grove Encyclopedia of Decorative Arts
427:Another weaving of this design is at the
414:The cartoons were by the battle painter
551:The Philadelphia Museum of Art Bulletin
394:
366:Boucher also designed for Beauvais the
1296:Manufacturing companies based in Paris
795:Hunting of Birds with a Hawk and a Bow
532:, (November 1990)173-84); C. Adelson,
306:'s designs Beauvais wove the suite of
1301:Arts and culture in the Ancien RĂ©gime
148:" (detail), made under the Behagles,
7:
807:The Justice of Trajan and Herkinbald
621:collections of the Mobilier national
176:and were carried out to cartoons by
502:by Boucher; the description in the
872:Scottish royal tapestry collection
25:
722:Christ in Glory in the Tetramorph
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906:Walsall Silver Thread Tapestries
607:
370:and at the apex of the lot, the
984:Moravská GobelĂnová Manufaktura
912:The World Trade Center Tapestry
39:, Beauvais tapestry,1697-1705.
1:
1326:Companies established in 1664
1321:1664 establishments in France
738:Devonshire Hunting Tapestries
692:Amnesty-SĂs-Pinton Tapestries
496:Michel-François Dandré-Bardon
490:The subjects, from the suite
597:. New York: Sotheby's, 2006.
261:, the hangings illustrating
139:Tapestry from the suite of "
1009:William Baumgarten & Co
619:Beauvais tapestries in the
536:, Minneapolis, 1994:322-42.
476:Metropolitan Museum Journal
379:Garde-Meuble de la Couronne
358:designs woven at Beauvais (
336:Jean-Joseph Dumons de Tulle
1342:
1286:Textile industry of France
1276:Tapestry-making operations
1204:Raffaello Sanzio (Raphael)
867:Scottish Diaspora Tapestry
825:Oseberg tapestry fragments
776:The History of Constantine
748:Great Tapestry of Scotland
429:Metropolitan Museum of Art
75:, the finance minister of
1152:list of tapestry cartoons
919:
578:Beauvais Tapestry Factory
352:, 1742, one of Boucher's
130:David Teniers the Younger
1230:Franses Tapestry Archive
743:Game of Thrones Tapestry
591:. London: P. Elek, 1946.
565:Standen 1984, pp. 63-84.
481:(1984, pp. 63-84) p. 63.
192:in slender and fanciful
1306:17th-century French art
1093:Pieter Coecke van Aelst
801:Jagiellonian tapestries
627:Manufacture de Beauvais
614:Manufacture de Beauvais
209:The story of Telemachus
53:Manufacture de Beauvais
35:with Chinese scholars,
1281:Textile arts of France
1189:Jean-Baptiste Monnoyer
1159:Muriel Nezhnie Helfman
1004:Royal Tapestry Factory
732:The Death of Polydorus
707:Bayeux Tapestry tituli
530:Gazette des Beaux-Arts
401:Roger-Armand Weigert,
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304:Charles-Joseph Natoire
299:
246:
178:Jean-Baptiste Monnoyer
157:
116:, following copies of
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40:
830:Ă–verhogdal tapestries
782:Holy Grail tapestries
679:Adoration of the Magi
580:in Campbell, Gordon.
348:
294:as a wedding gift to
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243:Amusements ChampĂŞtres
237:
203:with the arms of the
174:Jean BĂ©rain the Elder
138:
122:cathedral of Beauvais
106:Conquests of the King
73:Jean-Baptiste Colbert
33:Jesuit China missions
30:
1235:International Gothic
1128:PetronÄ—lÄ— GerlikienÄ—
1067:Margaretha Reichardt
1027:Pieter van Aelst III
852:Ros Tapestry Project
814:Lady and the Unicorn
616:at Wikimedia Commons
515:Standen 1984:64, 65.
416:Jean-Baptiste Martin
160:The great series of
114:Acts of the Apostles
69:Gobelins Manufactory
45:Beauvais Manufactory
1164:Else Marie Jakobsen
895:The Triumph of Fame
842:Pastrana Tapestries
836:Pastoral Amusements
788:Hunt of the Unicorn
715:Hunts of Maximilian
686:Apocalypse Tapestry
433:acc. no. 1977.437.1
418:(Weigert 1962:125).
251:Jean-Baptiste Oudry
241:from the series of
31:Astronomers of the
999:Pannemaeker family
877:Sheldon tapestries
820:New World Tapestry
727:Cloth of St Gereon
364:
332:Tentures chinoises
300:
247:
189:Commedia dell'arte
166:illustration, left
158:
118:Raphael's cartoons
41:
1263:
1262:
1194:Bernard van Orley
1139:Blind Man's Bluff
1042:John Henry Dearle
901:Valois Tapestries
760:Grödinge tapestry
697:Armada tapestries
612:Media related to
456:Weigert 1962:129.
384:French Revolution
350:La pĂŞche chinoise
328:Nobles Pastorales
259:Country Pleasures
205:comte de Toulouse
18:Beauvais tapestry
16:(Redirected from
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1316:History of Paris
1199:François Quesnel
1179:Nancy Kozikowski
1098:François Boucher
1086:Tapestry artists
989:Morris & Co.
925:
888:Story of Abraham
847:Raphael Cartoons
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556:(1976), pp 7-23.
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500:Amours de Psyché
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372:Amours des Dieux
320:FĂŞtes Italiennes
312:François Boucher
124:. The so-called
110:Life of the King
55:) is a historic
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587:Lejard, André.
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572:Further reading
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201:Marine Triumphs
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1184:Jean Lurçat
1146:The Parasol
1113:John Coburn
1032:Anni Albers
765:Gunthertuch
629:(in French)
443:Now at the
355:chinoiserie
318:style: the
310:, and from
281:Paris salon
217:chinoiserie
59:factory in
1311:Rococo art
1270:Categories
1225:Embroidery
1123:Éva Farkas
948:Millefleur
671:Tapestries
229:Regensburg
183:grotteschi
162:Grotesques
145:Grotesques
255:New Hunts
194:arabesque
98:Oudenarde
77:Louis XIV
994:Mortlake
979:Gobelins
974:Brussels
969:Beauvais
964:Aubusson
664:Tapestry
623:(France)
340:Aubusson
225:Ratisbon
154:Kronborg
93:verdures
81:low-warp
61:Beauvais
57:tapestry
1255:Weaving
1213:Related
1018:Weavers
957:Studios
263:Molière
221:Leipzig
170:RĂ©gence
126:Teniers
102:Tournai
87:History
938:Kalaga
931:Styles
547:Psyché
326:, the
316:rococo
298:, 1832
272:livres
152:1700 (
142:BĂ©rain
65:France
49:French
1240:Kilim
857:Ryijy
390:Notes
943:Kesi
223:and
43:The
494:by
342:.
1272::
554:72
528:,
479:19
431:,
150:c.
63:,
51::
656:e
649:t
642:v
447:.
362:)
227:(
164:(
156:)
47:(
20:)
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