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229:, and their production is encouraged for non-profit, non-commercial use to assist in publications and productions. The black and white imagery is designed to facilitate ease of reproduction. The Beehive distributes free clip-art digital imagery via their website and graphic CD-ROMs distributed from their webstore.
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One of the
Beehive's goals in their graphic distribution is to have 50% of each print run distributed free to communities in the global south, including to groups working on the issues depicted in the prints. The remaining half are distributed internationally for donations. Posters are distributed at
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The
Collective's educational work involves storytelling, international lecture circuits using giant reproductions of their posters as storytelling aids. "Picture lectures" feature a 30-feet high graphic and a 6-foot-tall (1.8 m) fabric flipbook/storybook. Audiences are led through a two-hour
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The
Collective creates graphic campaigns addressing diverse geo- and socio-political issues. The illustrations are informed and developed through extensive research. The work for the poster began in 2004, and by 2010 the group had distributed over 10,000 posters in the Americas. The most recent
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and interviews of a broad spectrum of people. The “Mesoamerica
Resiste” poster was used as their aid in this campaign and was unveiled in December 7, 2012 at the Machias Grange Hall. The group adheres to self-imposed rules during their campaign production, including absence of literal human
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depictions, use of cross-cultural imagery, and avoidance of cultural appropriation. The group bills its pieces as “portable murals,” using them as educational pieces while they travel around the world to do speaking engagements.
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Erler, Carolyn. "Targeting “Plan
Colombia”: a Critical analysis of Ideological and Political Visual Narratives by the Beehive Collective and the Drug Enforcement administration Museum." Studies in Art Education 50.1 (2008):
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Annually, the
Collective throws a no-cost dress-up dance party of immense proportions called the "Blackfly Ball". There are ongoing events such as a weekly Open Mic night and annual Halloween celebration.
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Hall in
Machias, Maine, built in 1904. The restoration labor was sourced from visiting volunteers. The building was initially used as the Collective's center of its stone mosaics program.
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images that can be used as educational and organizing tools. The most recognizable of these images are large format pen and ink posters, which seek to provide a visual alternative to
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502:"Photo Essay: The Beehive Collective's First Tour in Colombia of the New Graphic Campaign 'Mesoamérica Resiste' – Upside Down World"
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The current trilogy in progress details globalization in the western hemisphere through a series of three graphics.
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348:"Cross-Pollinating the Grassroots: TEN YEARS OF DISMANTLING MONOCULTURE with the Beehive Design Collective".
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In 2007, the
Machias Valley Grange Hall was placed onto the National Register of Historic Places.
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Since the year 2000, the
Collective has been engaged in the restoration of the Machias Valley
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318:"Drawing Common Ground: An Interview with Lara Bee of the Beehive Design Collective".
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Their work has been included in curated exhibitions internationally, including at the
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476:"Beehive collective to discuss 'Mesoamérica Resiste!' at Bates College Thursday"
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They had a Ball - Ellsworth
American news report on the Machias Blackfly Ball
356:(1). Daily Planet Publishing: 60–63. Winter 2010 – via ProQuest Central.
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419:"Exhibit of works by activist artists is subversive, thoughtful, hilarious"
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that uses graphical media as educational tools to communicate stories of
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a wide range of venues, events, college campuses and academic events.
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526:"Beehive Collective adds giant poster to anti-globalization arsenal"
444:"In the Shifting World of Product Design, the User Now Has a Voice"
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580:"Beehive Collective presentation info and presentation schedule"
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All of the Beehive Collective's materials are distributed as
651:"Downeast Coastal Press Eyewitness Account of Blackfly Ball"
372:"Pollinating the Grassroots: The Beehive Design Collective"
676:"(Former) Machias Valley Grange #360, Machias, 1907-1957"
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of complicated social and political issues ranging from
406:(6): 20–23. June 2004 – via MasterFILE Complete.
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Educational organizations based in the United States
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259:Latin American Solidarity 2003 Conference (2003)
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213:interactive, conversational presentation.
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370:Libraries, Duke University (2014-10-01).
196:campaign in 2012 resulted from travel to
136:-based group is to "cross-pollinate the
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764:Arts organizations established in 2000
724:American artist groups and collectives
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179:. One of their most well-known works,
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555:"About Beehive Graphic Campaigns"
254:Plan Colombia (2002, redux 2003)
729:Anti-globalization organizations
709:The Beehive Collective's website
243:Homogenization Puppeteer (2000)
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536:from the original on 2018-07-02
442:Rawsthorn, Alice (2012-09-09).
376:Duke University Libraries Blogs
417:Glentzer, Molly (2016-01-29).
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524:Moretto, Mario (2012-12-09).
274:The True Cost of Coal (2010)
140:" by creating collaborative,
20:The Beehive Design Collective
16:Non-profitable art collective
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734:Storytelling organizations
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264:Maine Social Forum (2006)
111:Beehive Design Collective
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615:"About the Grange Hall"
130:corporate globalization
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132:. The purpose of the
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90:beehivecollective.org
185:Mesoamerica Project
181:Mesoamérica Resiste
162:resource extraction
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448:The New York Times
269:Biojustice (2007)
233:Graphic chronology
217:Print distribution
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423:Houston Chronicle
191:Graphic campaigns
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565:2007-12-02
540:2021-04-12
507:2023-01-18
486:2023-01-18
461:2023-01-18
428:2023-01-18
381:2020-03-14
305:References
158:militarism
154:free trade
138:grassroots
126:resistance
119:non-profit
690:March 12,
456:0362-4331
245:more info
177:Manifesta
115:volunteer
739:Teaching
534:Archived
117:-driven
50:Location
86:Website
34:Founded
604:83-97.
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292:Grange
198:Mexico
164:, and
105:poster
78:Method
113:is a
72:World
42:Focus
692:2017
452:ISSN
175:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
