20:
379:
126:, Presbyterians in the north-east of Ireland were seeking to ally with the kingdom's Catholic majority against the Anglican ("Protestant") Ascendancy and in favour of a representative national government. Recognition of the Gaelic past as a common inheritance was seen to bridge the sectarian divide and, as a badge of separate and distinctive Irish culture, bolstered demands for greater autonomy from England.
266:
William Caer was 15 years of age while all of the others were over 45 years old. Three winners were selected (Fanning took first place) and each was awarded a yearly stipend of ÂŁ10. Edward
Bunting subsequently visited each winner, one after the other, to collate all of the available contemporary harp
170:
As at
Granard, the express objective of the festival in Belfast was to assemble the remaining traditional harp players to compete for prizes, and preserve/notate the dying Irish harp tradition and its pieces. It was attended by ten Irish harpers and one Welsh harper, and many tunes were played. They
350:
In 1903, a week-long harpers' festival, originally intended by the members of the Linen Hall
Library for the centenary of the 1792 festival, was held in Belfast. Such large crowds attended that, after the first night, the concert was moved from the library's new premises to one of the city's larger
326:
The impetus behind the festival survived the 1798 insurrection the United
Irishmen (under the banner of the harp without the crown) and the 1800 Acts of Union which abolished the Kingdom of Ireland with its parliament in Dublin. In 1808, those involved in organising the festival in 1792, including
310:
he played at the famous meeting of harpers at
Belfast, under the patronage of some amateurs of Irish music. Mr Bunton, the celebrated musician of that town, was here the year before, at Hampson's, noting his tunes and his manner of playing, which is in the best old style. He said, with the honest
150:, who had decided "to retain and support the original instrument" of his own country. The premiums he provided for the best players were disbursed by Michael Dungan (most likely his brother) who was secretary in Granard of the patriot
331:. Employing Arthur O’Neill as the principal tutor, they sought to train a new generation of Irish harpists from among poor children, chosen, in the patriotic tradition of 1792, without reference to religious distinction.
74:
134:
In July 1784, eight years before the assembly of harpers in
Belfast, there had been the first of three annual harp competitions, each with a ball and supper, held in
50:, a young classically trained organist, was commissioned to notate the forty tunes performed by ten harpists attending, work that was to form the major part of his
35:, 11–14 July 1792, was a three-day musical and patriotic event organised in Belfast, Ireland, by leading members of the local Society for Promoting Knowledge (
745:
19:
386:
In 2022 a group called
Reclaim the Enlightenment based in Belfast joined with a number of other groups to bring a 230th Anniversary Festival.
360:
375:. It marked a renewal of interest in Irish studies among the educated middle class that briefly straddled the city's sectarian divide.
364:
586:
536:
637:
419:
151:
70:
664:
561:
122:". In the 1790s, interest in the Irish harp, stemmed from a combination of cultural and political motives. Emboldened by the
44:
456:
755:
695:
40:
189:
155:
179:
82:
62:
405:
Sara C. Lanier, «"It is new-strung and shan't be heard": nationalism and memory in the Irish harp tradition». in:
378:
93:. A handbill, advertising the festival, had been clear as to its patriotic intent: in view of "how intimately the
267:
music. He did not publish all this material until 1796, 1809, and 1840. Songs saved through this effort include:
750:
199:
159:
118:
The festival is said to have marked "the beginning of a long association between northern
Protestants and the
69:
celebrations with which it shared patrons and supporters. These celebrations involved the trooping of local
328:
321:
86:
311:
feeling of self love, "When I played the old tunes, not another of the harpers would play after me.
90:
85:
and concluded with town-meeting resolutions, carried by the new-formed United
Irishmen, in favour of
611:
372:
368:
78:
509:
501:
352:
335:
183:
36:
660:
582:
557:
532:
493:
123:
725:
485:
139:
641:
221:
119:
47:
739:
696:"The Gaelic Revival Movement in East Belfast – Great War Gaeilgeoirà of East Belfast"
513:
443:
235:
193:
657:
The
Heritage of the Harp: the Linen Hall Library and the Preservation of Irish Music
252:
203:
66:
245:
228:
207:
143:
54:(1796). The venue of the contest was in The Assembly Room on Waring Street in
612:"Edward Bunting, A General Collection of the Ancient Music of Ireland (1796)"
497:
382:
The Artwork for the Harps Alive festival celebrating the 1792 Harp Assembly
359:
under the active patronage (until he left to become Church of Ireland Lord
115:], will not deem it an object unworthy his patronage and protection".
505:
473:
489:
356:
147:
135:
55:
461:(30 May 2020 ed.). Belfast: J. Madden & Company. p. 179.
142:. The patron was John Dungan, a wealthy Catholic merchant living in
377:
259:
214:
171:
were notated by Edward Bunting, and published under his name as
327:
James MacDonnell and Edward Bunting organised the first of the
300:
111:
109:", it presumed that "the Irish PATRIOT and POLITICAN [
306:
The Rev. George Vaughan Sampson wrote of Denis Hampson that:
474:"The United Irishmen, Music, Harps, and National Identity"
196:), winner of second prize for "The green woods of Truagh".
684:. Dublin: At the Sign of the Three Candles. p. 192.
275:(thought to be the oldest extant piece of Irish music),
638:"Rev. Sampson's letter of 3 July 1805 (LETTER XXVII)"
173:
A General Collection of the Ancient Music of Ireland
162:who were to feature in the later Belfast assembly.
420:"Belfast Harp Festival 1792, by Belfast Trad Fest"
186:), aged 96, played with long, crooked fingernails.
338:, Bunting published a second volume of his work
478:Eighteenth-Century Ireland / Iris an dá chultúr
556:. Belfast: The Balckstaff Press. p. 221.
531:. Belfast: The Irish Pages Press. p. 26.
73:carrying flags and banners hailing the French
581:. Dublin: Irish Academic Press. p. 130.
52:General Collection of the Ancient Irish Music
8:
58:which was opened as a market house in 1769.
367:and the presidency of his parishioner, Dr.
529:The Gatherings of Irish Harpers, 1780-1840
458:The United Irishmen, Their Lives and Times
251:Rose Mooney, winner of third place blind (
334:With the assistance and contributions of
273:Deirdre's Lament for the Sons of Usneach
18:
395:
289:Blackheaded Deary, Open the Door Softly
579:Soul on Fire: a Life of Thomas Russell
351:halls. The first Ulster branch of the
101:of a PEOPLE are connected with their
61:It was staged for the benefit of the
7:
401:
399:
346:The Linen Hall Harp Festival of 1903
746:Music festivals in Northern Ireland
407:British Journal of Ethnomusicology
154:. Among the harpists engaged were
43:, Robert Bradshaw, Henry Joy, and
23:A plaque commemorating the harpers
14:
31:, called by contemporary writers
355:had been formed in 1895 in east
75:Declaration of the Rights of Man
659:. Belfast: Linen Hall Library.
258:Williams, first name unknown (
206:), winner of first prize for "
65:but coincided with the town's
1:
340:The Ancient Music of Ireland
291:(played by Arthur O'Neill),
33:The Belfast Harpers Assembly
772:
319:
63:Belfast Charitable Society
636:Sampson, Vaughan (1805).
552:Bardon, Jonathan (1992).
208:The coulin, or CĂşilfhionn
680:O'Byrne, Cathal (1946).
455:Madden, Richard (1843).
281:The Battle of Argan More
182:(Denis Hampson), blind (
16:1792 Irish musical event
601:Byers (2022), pp. 11-17
472:Boydell, Barra (1998).
293:The Lament for Limerick
726:"Harps Alive Festival"
616:www.wirestrungharp.com
383:
329:Belfast Harp societies
322:Belfast Harp Societies
313:
234:Patrick Quinn, blind (
37:the Linen Hall Library
24:
644:on 23 September 2008.
577:Quinn, James (2002).
527:Byers, David (2022).
381:
365:John Baptiste Crozier
308:
241:William Caer (Armagh)
227:Hugh Higgins, blind (
87:Catholic Emancipation
29:Belfast Harp Festival
22:
756:Festivals in Belfast
655:Magee, John (1992).
316:Belfast Harp Society
180:Donnchadh Ó Hámsaigh
124:revolution in France
91:Parliamentary Reform
715:Magee (1992), p. 29
554:A History of Ulster
277:Scott's Lamentation
83:Polish Constitution
490:10.3828/eci.1998.5
444:Irish Music; XXVII
384:
369:John St Clair Boyd
336:Mary Ann McCracken
213:Dan Black, blind (
184:County Londonderry
79:American liberties
25:
763:
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713:
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652:
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640:. Archived from
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361:Bishop of Ossory
269:Feaghan Gealeash
41:James MacDonnell
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751:1792 in Ireland
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348:
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303:in name only).
220:Charles Byrne (
200:Charles Fanning
168:
160:Charles Fanning
152:Volunteer corps
140:County Longford
132:
103:National Poetry
71:Volunteer corps
17:
12:
11:
5:
769:
767:
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748:
738:
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732:
731:
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687:
682:As I roved out
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484:: (44–51) 47.
464:
447:
436:
411:
409:; Vol. 8, 1999
394:
393:
391:
388:
363:) of the Rev.
347:
344:
320:Main article:
317:
314:
264:
263:
256:
249:
244:James Duncan (
242:
239:
232:
225:
222:County Leitrim
218:
211:
197:
190:Arthur O'Neill
187:
167:
164:
156:Arthur O'Neill
131:
128:
120:Gaelic revival
81:, and the new
48:Edward Bunting
15:
13:
10:
9:
6:
4:
3:
2:
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757:
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588:9780716527329
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538:9781838201883
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353:Gaelic League
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236:County Armagh
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194:County Tyrone
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45:Robert Simms.
42:
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34:
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720:
711:
699:. Retrieved
690:
681:
675:
656:
650:
642:the original
631:
619:. Retrieved
615:
606:
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578:
572:
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547:
528:
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481:
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467:
457:
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439:
427:. Retrieved
423:
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339:
333:
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309:
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296:
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285:Ossianic Air
284:
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276:
272:
268:
265:
253:County Meath
204:County Cavan
172:
169:
133:
117:
110:
106:
102:
98:
94:
67:Bastille Day
60:
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32:
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26:
246:County Down
229:County Mayo
740:Categories
666:0950898554
621:11 October
563:0856404764
424:CultĂşrlann
390:References
297:Chorus Jig
144:Copenhagen
130:Precursors
514:255973612
498:0790-7915
373:unionists
342:in 1809.
192:, blind (
175:in 1796.
99:Character
701:14 March
506:30064324
371:, both
357:Belfast
166:Harpers
148:Denmark
136:Granard
56:Belfast
39:): Dr.
663:
585:
560:
535:
512:
504:
496:
429:7 July
295:, and
95:Spirit
510:S2CID
502:JSTOR
260:Wales
215:Derry
138:, in
107:Music
703:2021
661:ISBN
623:2022
583:ISBN
558:ISBN
533:ISBN
494:ISSN
431:2023
158:and
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486:doi
301:jig
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