Knowledge (XXG)

Belfast Harp Festival

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20: 379: 126:, Presbyterians in the north-east of Ireland were seeking to ally with the kingdom's Catholic majority against the Anglican ("Protestant") Ascendancy and in favour of a representative national government. Recognition of the Gaelic past as a common inheritance was seen to bridge the sectarian divide and, as a badge of separate and distinctive Irish culture, bolstered demands for greater autonomy from England. 266:
William Caer was 15 years of age while all of the others were over 45 years old. Three winners were selected (Fanning took first place) and each was awarded a yearly stipend of ÂŁ10. Edward Bunting subsequently visited each winner, one after the other, to collate all of the available contemporary harp
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As at Granard, the express objective of the festival in Belfast was to assemble the remaining traditional harp players to compete for prizes, and preserve/notate the dying Irish harp tradition and its pieces. It was attended by ten Irish harpers and one Welsh harper, and many tunes were played. They
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In 1903, a week-long harpers' festival, originally intended by the members of the Linen Hall Library for the centenary of the 1792 festival, was held in Belfast. Such large crowds attended that, after the first night, the concert was moved from the library's new premises to one of the city's larger
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The impetus behind the festival survived the 1798 insurrection the United Irishmen (under the banner of the harp without the crown) and the 1800 Acts of Union which abolished the Kingdom of Ireland with its parliament in Dublin. In 1808, those involved in organising the festival in 1792, including
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he played at the famous meeting of harpers at Belfast, under the patronage of some amateurs of Irish music. Mr Bunton, the celebrated musician of that town, was here the year before, at Hampson's, noting his tunes and his manner of playing, which is in the best old style. He said, with the honest
150:, who had decided "to retain and support the original instrument" of his own country. The premiums he provided for the best players were disbursed by Michael Dungan (most likely his brother) who was secretary in Granard of the patriot 331:. Employing Arthur O’Neill as the principal tutor, they sought to train a new generation of Irish harpists from among poor children, chosen, in the patriotic tradition of 1792, without reference to religious distinction. 74: 134:
In July 1784, eight years before the assembly of harpers in Belfast, there had been the first of three annual harp competitions, each with a ball and supper, held in
50:, a young classically trained organist, was commissioned to notate the forty tunes performed by ten harpists attending, work that was to form the major part of his 35:, 11–14 July 1792, was a three-day musical and patriotic event organised in Belfast, Ireland, by leading members of the local Society for Promoting Knowledge ( 745: 19: 386:
In 2022 a group called Reclaim the Enlightenment based in Belfast joined with a number of other groups to bring a 230th Anniversary Festival.
360: 375:. It marked a renewal of interest in Irish studies among the educated middle class that briefly straddled the city's sectarian divide. 364: 586: 536: 637: 419: 151: 70: 664: 561: 122:". In the 1790s, interest in the Irish harp, stemmed from a combination of cultural and political motives. Emboldened by the 44: 456: 755: 695: 40: 189: 155: 179: 82: 62: 405:
Sara C. Lanier, «"It is new-strung and shan't be heard": nationalism and memory in the Irish harp tradition». in:
378: 93:. A handbill, advertising the festival, had been clear as to its patriotic intent: in view of "how intimately the 267:
music. He did not publish all this material until 1796, 1809, and 1840. Songs saved through this effort include:
750: 199: 159: 118:
The festival is said to have marked "the beginning of a long association between northern Protestants and the
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celebrations with which it shared patrons and supporters. These celebrations involved the trooping of local
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feeling of self love, "When I played the old tunes, not another of the harpers would play after me.
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and concluded with town-meeting resolutions, carried by the new-formed United Irishmen, in favour of
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The Heritage of the Harp: the Linen Hall Library and the Preservation of Irish Music
252: 203: 66: 245: 228: 207: 143: 54:(1796). The venue of the contest was in The Assembly Room on Waring Street in 612:"Edward Bunting, A General Collection of the Ancient Music of Ireland (1796)" 497: 382:
The Artwork for the Harps Alive festival celebrating the 1792 Harp Assembly
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under the active patronage (until he left to become Church of Ireland Lord
115:], will not deem it an object unworthy his patronage and protection". 505: 473: 489: 356: 147: 135: 55: 461:(30 May 2020 ed.). Belfast: J. Madden & Company. p. 179. 142:. The patron was John Dungan, a wealthy Catholic merchant living in 377: 259: 214: 171:
were notated by Edward Bunting, and published under his name as
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James MacDonnell and Edward Bunting organised the first of the
300: 111: 109:", it presumed that "the Irish PATRIOT and POLITICAN [ 306:
The Rev. George Vaughan Sampson wrote of Denis Hampson that:
474:"The United Irishmen, Music, Harps, and National Identity" 196:), winner of second prize for "The green woods of Truagh". 684:. Dublin: At the Sign of the Three Candles. p. 192. 275:(thought to be the oldest extant piece of Irish music), 638:"Rev. Sampson's letter of 3 July 1805 (LETTER XXVII)" 173:
A General Collection of the Ancient Music of Ireland
162:who were to feature in the later Belfast assembly. 420:"Belfast Harp Festival 1792, by Belfast Trad Fest" 186:), aged 96, played with long, crooked fingernails. 338:, Bunting published a second volume of his work 478:Eighteenth-Century Ireland / Iris an dá chultĂşr 556:. Belfast: The Balckstaff Press. p. 221. 531:. Belfast: The Irish Pages Press. p. 26. 73:carrying flags and banners hailing the French 581:. Dublin: Irish Academic Press. p. 130. 52:General Collection of the Ancient Irish Music 8: 58:which was opened as a market house in 1769. 367:and the presidency of his parishioner, Dr. 529:The Gatherings of Irish Harpers, 1780-1840 458:The United Irishmen, Their Lives and Times 251:Rose Mooney, winner of third place blind ( 334:With the assistance and contributions of 273:Deirdre's Lament for the Sons of Usneach 18: 395: 289:Blackheaded Deary, Open the Door Softly 579:Soul on Fire: a Life of Thomas Russell 351:halls. The first Ulster branch of the 101:of a PEOPLE are connected with their 61:It was staged for the benefit of the 7: 401: 399: 346:The Linen Hall Harp Festival of 1903 746:Music festivals in Northern Ireland 407:British Journal of Ethnomusicology 154:. Among the harpists engaged were 43:, Robert Bradshaw, Henry Joy, and 23:A plaque commemorating the harpers 14: 31:, called by contemporary writers 355:had been formed in 1895 in east 75:Declaration of the Rights of Man 659:. Belfast: Linen Hall Library. 258:Williams, first name unknown ( 206:), winner of first prize for " 65:but coincided with the town's 1: 340:The Ancient Music of Ireland 291:(played by Arthur O'Neill), 33:The Belfast Harpers Assembly 772: 319: 63:Belfast Charitable Society 636:Sampson, Vaughan (1805). 552:Bardon, Jonathan (1992). 208:The coulin, or CĂşilfhionn 680:O'Byrne, Cathal (1946). 455:Madden, Richard (1843). 281:The Battle of Argan More 182:(Denis Hampson), blind ( 16:1792 Irish musical event 601:Byers (2022), pp. 11-17 472:Boydell, Barra (1998). 293:The Lament for Limerick 726:"Harps Alive Festival" 616:www.wirestrungharp.com 383: 329:Belfast Harp societies 322:Belfast Harp Societies 313: 234:Patrick Quinn, blind ( 37:the Linen Hall Library 24: 644:on 23 September 2008. 577:Quinn, James (2002). 527:Byers, David (2022). 381: 365:John Baptiste Crozier 308: 241:William Caer (Armagh) 227:Hugh Higgins, blind ( 87:Catholic Emancipation 29:Belfast Harp Festival 22: 756:Festivals in Belfast 655:Magee, John (1992). 316:Belfast Harp Society 180:Donnchadh Ă“ Hámsaigh 124:revolution in France 91:Parliamentary Reform 715:Magee (1992), p. 29 554:A History of Ulster 277:Scott's Lamentation 83:Polish Constitution 490:10.3828/eci.1998.5 444:Irish Music; XXVII 384: 369:John St Clair Boyd 336:Mary Ann McCracken 213:Dan Black, blind ( 184:County Londonderry 79:American liberties 25: 763: 730: 729: 722: 716: 713: 707: 706: 704: 702: 692: 686: 685: 677: 671: 670: 652: 646: 645: 640:. 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Retrieved 423: 414: 406: 385: 349: 339: 333: 325: 309: 305: 296: 292: 288: 285:Ossianic Air 284: 280: 276: 272: 268: 265: 253:County Meath 204:County Cavan 172: 169: 133: 117: 110: 106: 102: 98: 94: 67:Bastille Day 60: 51: 32: 28: 26: 246:County Down 229:County Mayo 740:Categories 666:0950898554 621:11 October 563:0856404764 424:CultĂşrlann 390:References 297:Chorus Jig 144:Copenhagen 130:Precursors 514:255973612 498:0790-7915 373:unionists 342:in 1809. 192:, blind ( 175:in 1796. 99:Character 701:14 March 506:30064324 371:, both 357:Belfast 166:Harpers 148:Denmark 136:Granard 56:Belfast 39:): Dr. 663:  585:  560:  535:  512:  504:  496:  429:7 July 295:, and 95:Spirit 510:S2CID 502:JSTOR 260:Wales 215:Derry 138:, in 107:Music 703:2021 661:ISBN 623:2022 583:ISBN 558:ISBN 533:ISBN 494:ISSN 431:2023 158:and 105:and 97:and 89:and 27:The 486:doi 301:jig 299:(a 112:sic 742:: 614:. 508:. 500:. 492:. 482:13 480:. 476:. 422:. 398:^ 287:, 283:, 279:, 271:, 210:". 146:, 77:, 728:. 705:. 669:. 625:. 591:. 566:. 541:. 516:. 488:: 433:. 262:) 255:) 248:) 238:) 231:) 224:) 217:) 202:(

Index


the Linen Hall Library
James MacDonnell
Robert Simms.
Edward Bunting
Belfast
Belfast Charitable Society
Bastille Day
Volunteer corps
Declaration of the Rights of Man
American liberties
Polish Constitution
Catholic Emancipation
Parliamentary Reform
sic
Gaelic revival
revolution in France
Granard
County Longford
Copenhagen
Denmark
Volunteer corps
Arthur O'Neill
Charles Fanning
Donnchadh Ó Hámsaigh
County Londonderry
Arthur O'Neill
County Tyrone
Charles Fanning
County Cavan

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