311:, and the ever-present video camera captures them both in their hotel, in the village, touring ancient tombs, watching sail-gliders at the beach, and even a private moment of Anna in the bathroom. There are several phone calls from a booth in the post office, with Benny and Anna separately taking the phone. Benny seems barely affected by the murder he committed, and he seems unable to fathom why his mother breaks down in sobs at one point during the vacation. When they return home after six days, the apartment is clean of any trace of the girl. Georg, who had stayed at home, succeeded in cutting the body into small enough pieces to be flushed down the toilet or otherwise removed. That evening, Georg asks Benny why he killed her, and Benny replies, "I don't know. ...I wanted to see what it's like, possibly". Georg asks how it was, and Benny shrugs in answer.
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unveils and loads the slaughtering gun. He holds it against his chest, and dares the girl to discharge it. When she refuses, he calls her a coward. He holds it against her chest, and when he hesitates, she calls him a coward also. He fires the gun, and she falls. Her falling reveals a video monitor, on which we see her crawling away from Benny and completely out of frame. We then see Benny running to reload the gun and returning to shoot her a second time, the girl crawling back partially into frame, and finally Benny reloading and firing a third time, this time killing her.
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reveals the body in his closet, and Georg removes the videotape. He asks if anyone else knows about this, and through careful questioning finds that there are no witnesses. In the living room, Georg dispassionately lists to Anna the options they have: either to alert the authorities, with a resulting judgment of parental neglect and placement of their son in a psychiatric institution, or to destroy the evidence. Benny records their conversation as they ultimately decide to
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reality, Benny's recording of his parents discussing the disposal of the body is shown and a voice-over asks, "Why did you come to us now?" Benny is being interviewed by policemen, and he answers merely, "Because". With no following questions, Benny asks if he can leave now. Afterwards, Benny meets Georg and Anna in the hall and, after a long moment, says, "Entschuldigung" (translated as "Sorry"). On video, his parents are seen escorted by police officers.
393:
Film scholar
Catherine Wheatley observes that the film prominently features a "metatextual troubling of levels of reality" through its aesthetic integration of Benny's handheld camcorder footage, sound, and static cameras, rendering the audience in an "extremely distanced, 'objective' relationship to
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After choir practice, Benny returns home. There, as the weekend begins, Benny covers the girl's body and goes through her school bag, arranges an evening out with friends, then moves the girl's body to a closet and cleans up the blood. Some of the cleanup is seen through a video monitor while Benny
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On video, a pilot and passengers appear in a party hosted by Eva, this time with Georg and Anna's permission. In reality, Anna and Georg watch the video with Benny and discuss how well their daughter does playing the game. Later, Georg and Anna attend the concert of the choir Benny is in. Again in
291:
to his home. He shows her the video of the pig slaughter, and they talk about the film. She asks him if he made the film himself, then asks how it was seeing the pig die, and if he has ever seen a real dead person. Benny replies that he has not, and that the corpses in movies are all fake. He then
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After his parents return, his father harangues Benny about his haircut, asking if Benny had any thought about how others would react to him now. Later on, while the family is watching the news in Benny's room, Benny switches the signal to the video he has made of himself killing the girl. Benny
267:
Teenage Benny is obsessed with film recordings and cameras. His emotionally absent parents, Georg and Anna, provide him with televisions, cassette players, and recording devices to encourage their son's hobby, seemingly unaware of his fascination with filmed violence. Benny repeatedly views a
283:
is broken up by Georg and Anna when they return home. Eva, their daughter who lives separately from them, is the host of the party, and it is revealed through the questioning of Benny that Eva has taken advantage of her parents' planned absence to host the impromptu party in their house.
390:, note that, despite Benny's act of violence, he remains a sympathetic character, and that the film ultimately thematically indicts his disaffected parents. Paszylk suggests that the film is structured in a way that makes it "tough to recognize the movie's true villain."
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has called "the cold child," or an unfeeling young person whose detachment and short attention span have been molded by television. Or in other words, Mr. Trow adds, "A sadist."" The film earned an "honorable mention" nod from
William Arnold of the
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praised the film, writing: "What gives the film a chilly authenticity is the creepy performance of Arno Frisch in the title role. Cool and unsmiling, with a dark inscrutable gaze, his Benny is the apotheosis of what the author
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251:, it centers on Benny, a teenager who views much of his life as distilled through video images, and his well-to-do parents Anna and Georg, who enable Benny's focus on video cameras and images. The film won the
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449:, Matt Glasby described the film as "the cinema of dread rather than of surprise; a curtain-twitching thriller (sans thrills) about how evil creeps in unseen when all seems safe, still and banal."
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edits a video of the experience. Benny goes out to a dance club and stays overnight at his friend's house. On his way home, he goes to a cinema, window shops, and gets his hair shorn to the scalp.
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in 2006, derided it, deeming it "a smug, contemptuous, passive-aggressive attack on the dehumanizing effects of media, without even the common decency to offer shrill
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culture" that began in the 1980s and was continuing to develop at the time the film was made.
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he shot on a
European farm, which captures the slaughter of a pig with a
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815:"Blu-ray Review: Michael Haneke: Trilogy Joins the Criterion Collection"
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Croce, Fernando F.; Henderson, Eric; Smith, Derek (15 December 2022).
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to punch up its subsequently feckless, reactionary, pomo assertions."
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As of July 2023, the film has a 64% approval rating on the internet
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Arnold, William (30 December 1994). "'94 Movies: Best and Worst".
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1992 Austrian-Swiss psychological thriller film by
Michael Haneke
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The
Pleasure and Pain of Cult Horror Films: An Historical Survey
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The
Pleasure and Pain of Cult Horror Films: An Historical Survey
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645:"Review/Film Festival; Video Violence Turns Real for a Boy"
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the body into small pieces and flush it down the drain.
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863:Michael Haneke's Cinema: The Ethic of the Image
409:on 13 May 1992. It subsequently opened at the
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865:. New York City, New York: Berghahn Books.
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846:. Jefferson, North Carolina: McFarland.
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452:Eric Henderson, reviewing the film for
442:in his list of the best films of 1994.
1465:71 Fragments of a Chronology of Chance
827:from the original on 16 December 2022.
657:from the original on 2 September 2013.
508:71 Fragments of a Chronology of Chance
375:(2009), Bartłomiej Paszylk notes that
1688:Films about security and surveillance
307:Anna takes Benny away on vacation to
7:
687:"Benny's Video (1992) - Film Review"
541:British Board of Film Classification
1673:Films about dysfunctional families
802:from the original on 23 July 2023.
724:from the original on 23 July 2023.
279:A party centered on a game called
14:
1599:(segment "Michael Haneke/Vienne")
1698:Films directed by Michael Haneke
1619:Michael H – Profession: Director
1299:Stefan Zweig: Farewell to Europe
379:captures the phenomenon of the "
975:Best International Feature Film
710:Henderson, Eric (3 May 2006).
1:
1748:English-language horror films
674:(Final ed.). p. 20.
543:. 9 July 1993. Archived from
1738:1990s English-language films
1059:'38 – Vienna Before the Fall
861:Wheatley, Catherine (2009).
842:Paszylk, Bartłomiej (2009).
1743:1990s French-language films
1733:1990s German-language films
1011:Tales from the Vienna Woods
685:Glasby, Matt (6 May 2006).
166:12 September 1992
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1668:Austrian independent films
671:Seattle Post-Intelligencer
439:Seattle Post-Intelligencer
349:Ingrid Stassner as Mädchen
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493:The Criterion Collection
340:as Georg, Benny's father
1728:Swiss independent films
1693:Films about snuff films
712:"Review: Benny's Video"
346:Stefan Polasek as Ricci
343:Stephanie Brehme as Eva
334:as Anna, Benny's mother
1678:Films about filmmaking
1419:Awards and nominations
763:"Benny's Video (1992)"
413:on 28 September 1993.
411:New York Film Festival
1663:Austrian horror films
1445:The Seventh Continent
1243:For a Moment, Freedom
1083:The Seventh Continent
643:(28 September 1992).
502:The Seventh Continent
495:released the film on
487:released the film on
151:13 May 1992
1713:Films shot in Vienna
1658:Austrian crime films
1075:Undiscovered Country
1043:Just Behind the Door
967:Austrian submissions
407:Cannes Film Festival
281:Pilot and Passengers
257:European Film Awards
229:psychological horror
1708:Films set in Vienna
1597:Lumière and Company
1091:Requiem for Dominic
615:, pp. 192–193.
274:captive bolt pistol
1723:Swiss horror films
1703:Films set in Egypt
1683:Films about murder
1315:The Waldheim Waltz
1227:The Counterfeiters
995:Moss on the Stones
931:TCM Movie Database
650:The New York Times
547:on 17 October 2013
485:Kino International
472:, and a 60/100 on
427:The New York Times
388:Maximilian Le Cain
255:Award at the 1993
1718:Swiss crime films
1648:1992 horror films
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1495:The Piano Teacher
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1219:You Bet Your Life
1179:The Piano Teacher
1067:Welcome in Vienna
926:Benny's Video
915:Benny's Video
872:978-0-857-45546-8
853:978-0-786-45327-6
627:, pp. 74–75.
467:review aggregator
433:George W. S. Trow
417:Critical response
405:premiered at the
231:film directed by
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1588:Short films
1525:Funny Games
1475:Funny Games
505:(1989) and
371:Writing in
338:Ulrich Mühe
326:Arno Frisch
289:video store
245:Ulrich Mühe
237:Arno Frisch
205:Switzerland
191:110 minutes
83:Ulrich Mühe
73:Arno Frisch
56:Produced by
38:Directed by
1643:1992 films
1637:Categories
1576:The Castle
1567:Television
1147:The Unfish
1131:Ant Street
768:Metacritic
551:16 October
515:References
480:Home media
474:Metacritic
355:Max Berner
270:home video
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170:1992-09-12
155:1992-05-13
111:Production
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1307:Happy End
1259:Breathing
1123:I Promise
987:Jedermann
491:in 2006.
302:dismember
247:. Set in
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138:Wega Film
126:Wega Film
122:Lang Film
113:companies
102:Edited by
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1235:Revanche
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969:for the
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825:Archived
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598:24 March
511:(1994).
367:Analysis
328:as Benny
253:FIPRESCI
213:Language
66:Starring
1610:Related
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1203:Antares
1051:Malambo
929:at the
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747:23 July
497:Blu-ray
398:Release
202:Austria
168: (
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1622:(2013)
1601:(1995)
1579:(1997)
1558:(2017)
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1515:Caché
1267:Amour
1211:Caché
692:Film4
533:(18)"
447:Film4
381:video
309:Egypt
1355:Vera
973:for
893:IMDb
867:ISBN
848:ISBN
776:2023
749:2023
600:2012
553:2013
319:Cast
263:Plot
176:TIFF
1323:Joy
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