217:. This psychological profile of an emotionally devastated young drug dealer (played by FelĂciĂĄn Keresztes) who ends up killing himself was shot, like many of his other films, without subsidies, with a small team, mobile digital cameras, amateur actors and the help of friends and social networks. Filmdienst praised Fliegauf for his dark, minimalist episodic film, listing him among the most promising young directors besides
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by a series of articles about the attacks on Romani people written by journalist Zoltan Tabori in 2009 and 2010 as well as a nightmare which
Fliegauf used to make the final scene of the film ("I saw a hut and the ghostly shadow of a muzzle flash"). The director spent a year in research, traveling around Hungary, speaking with Romani and Sinti people. In September 2012,
280:) who cannot get over the loss of her childhood sweetheart. She has his body cloned, carries the baby herself and treats him as her son. The German Fachkritik praised Womb for starting out as an atmospherically impressive drama, though ultimately being "philosophically and emotionally too vague" in discussing genetic engineering.
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and received the second most important prize, the Jury Grand Prix. According to
Fliegauf's own account, the structure of the film, centered on the life of a family from morning to evening, had been ready for a decade, but without an appropriate content. For the purposes of this film, he was inspired
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Originally
Fliegauf planned to become a writer. However, he had to abandon his plans due to a lack of finances. Instead, Fliegauf studied to become a stage designer between 1995 and 1998 and was hired as an assistant at Hungarian Television where he went on to become a director and editor. As
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Fliegauf is considered a perfectionist who is known to control almost all artistic aspects of his films, including the score and the visual design. In addition to working in the film industry, Fliegauf has founded an artists' collective known as Raptor's
KollektĂva.
289:, inspired by a series of murders with five victims which targeted Romani people in his country. The drama, which shows a day in the life of a Hungarian Roma family living in a climate of fear and persecution, was entered into competition at the 62nd
174:(2001), a film made up of six stories of everyday urban life. Fliegauf received the Award for Best Experimental Film at the Hungarian Film Week for this 27-minute short film. Positive critical acclaim continued with his next documentary,
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in the category of Best
Foreign Language Film, but in the end was not shortlisted. In Germany, the film was shown in theatres up to almost eighteen months after its premiere, in its original version with German subtitles.
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resembled the works of the Danish Dogme movement. Fliegauf himself stated, however, that he had applied the aesthetics of the
Budapest School of the 1970s following the work of his famous fellow countryman
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and was awarded there with the
Wolfgang Staudte Prize. According to the German Filmdienst magazine, the elliptical drama and documentary style of
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as difficult to sit through, but a must-see film. Dealer won several prizes at international festivals, including the Best
Director Award at the
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tells stories about the lives of young
Hungarians living in Budapest. The film was shot in digital, with amateur actors in leading roles.
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and ĂrpĂĄd
Sopsits. Fliegauf, who never attended film school, made his directorial debut in 1999 with the documentary
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made it possible for him to stage his first English-language feature film in 2010. A European co-production,
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Benedek Fliegauf was one of the founding members and later manager of the Hungarian punk rock band
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2008 Interview - "From Nihilism to Transcendence: Discussing the Cinema of Benedek Fliegauf"
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In 2003, Fliegauf directed his first feature film. Balanced between comedy and drama,
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2004 saw Fliegauf achieve great international success with his second feature film,
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736:- Acta Universitatis Sapientiae, Film and Media Studies, 2009/1, pp. 93â105
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Andrea Eva TOTH - Appearance, Presence and Movement in Benedek Fliegauf's
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Berlin International Film Festival - Amnesty International Film Prize
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from the article and its talk page, especially if potentially
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in the "Filmmakers of the Present" category. The success of
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was invited to the International Forum of New Cinema of the
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was presented as the official candidate of Hungary at the
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Berlin International Film Festival - Peace Film Award
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Berlin International Film Festival - Jury Grand Prix
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243:Festival Internacional de Cine de Mar del Plata
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276:tells the story of a young woman (played by
672:Minsk International Film Festival Listapad
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56:about living persons that is unsourced or
127:Learn how and when to remove this message
465:- Reader Jury of the "Berliner Zeitung"
16:Hungarian film director and screenwriter
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225:, although Fliegauf himself pointed to
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162:assistant director, he studied under
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630:Istanbul International Film Festival
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233:as sources of inspiration. The
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684:Forest â I See You Everywhere
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34:biography of a living person
478:Mar del Plata Film Festival
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371:Is there life before death?
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374:(Van élet a halål elött?)
170:. Success first came with
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149:(born 15 August 1974 in
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283:In 2012, Fliegauf shot
176:Van Ă©let a halĂĄl elĆtt?
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48:Please help by adding
248:After the success of
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669:- Critics Jury Prize
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54:Contentious material
664:- Golden Olive Tree
596:- Junior Jury Award
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674:- Golden Listapad
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117:January 2016
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227:David Lynch
744:Categories
168:HatĂĄrvonal
87:newspapers
733:Milky Way
652:Lily Lane
641:LUX Prize
634:Nominated
568:CsillogĂĄs
278:Eva Green
204:BĂ©la Tarr
39:citations
705:C.A.F.B.
690:Feature
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547:(TejĂșt)
544:Miky Way
450:Feature
428:The Line
412:Feature
389:Hypnosis
256:, 2004;
199:Rengeteg
191:Rengeteg
187:Rengeteg
180:Hypnosis
151:Budapest
65:libelous
327:Awards
101:scholar
532:Short
527:Pörgés
515:Short
445:Dealer
433:Short
406:Forest
394:Short
359:Short
324:Notes
321:Title
270:Dealer
258:Pörgés
250:Dealer
239:Dealer
211:Dealer
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318:Year
262:TejĂșt
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32:This
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585:Womb
274:Womb
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